{"title":"AD\/DA Converters","description":"\u003cp\u003eAD\/DA converters turn analog audio into digital audio and back again. An analog-to-digital (AD) converter takes microphone preamp, console or outboard outputs and turns them into a digital stream for a recorder, DAW or network, while a digital-to-analog (DA) converter feeds monitors, consoles and outboard processing from digital sources. Because every signal in a modern studio or broadcast chain passes through conversion at least twice, the converter has a direct effect on clarity, imaging and headroom.\u003c\/p\u003e\u003cp\u003eThis category covers dedicated multichannel AD and DA units, combined AD\/DA converters, format converters and high-end stereo converters, with connection options such as AES\/EBU, ADAT, MADI, Dante and RAVENNA\/AES67 depending on the model. They are used to expand the inputs and outputs of an audio interface, to connect analog equipment to a digital console or network, and to give a mastering or mixing room a reference-quality conversion stage.\u003c\/p\u003e\u003ch3\u003eTypes of AD\/DA converters\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMultichannel AD converters for adding analog line inputs to a digital system\u003c\/li\u003e\n\u003cli\u003eMultichannel DA converters for feeding analog consoles, summing mixers and monitor systems\u003c\/li\u003e\n\u003cli\u003eCombined AD\/DA units that handle both directions in one chassis\u003c\/li\u003e\n\u003cli\u003eFormat and network converters bridging MADI, AES\/EBU, ADAT, Dante and AES67\u003c\/li\u003e\n\u003cli\u003eStereo reference converters for mastering and critical listening\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho buys AD\/DA converters\u003c\/h3\u003e\u003cp\u003eRecording studios expanding their channel count, mastering engineers, broadcasters and OB vans, live sound companies connecting stage racks to networks, post-production facilities and installers building networked audio systems all rely on dedicated converters.\u003c\/p\u003e\u003ch3\u003eWhat to look for in AD\/DA converters\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eChannel count and whether you need AD, DA or both\u003c\/li\u003e\n\u003cli\u003eDigital formats and networks that match the rest of your system: AES\/EBU, ADAT, MADI, Dante or RAVENNA\/AES67\u003c\/li\u003e\n\u003cli\u003eSupported sample rates and clocking options, including word clock input and output\u003c\/li\u003e\n\u003cli\u003eAnalog reference levels and connectors (XLR or D-sub) that suit your patchbay and outboard\u003c\/li\u003e\n\u003cli\u003eRemote control and metering options for rack-mounted or remote installations\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBrands we carry\u003c\/h3\u003e\u003cp\u003eIn this category Shivansh Electronics carries RME, MERGING, GRACE DESIGN, LYNX, SOLID STATE LOGIC and BRICASTI DESIGN.\u003c\/p\u003e\u003ch3\u003eWhy buy from Shivansh Electronics\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eGenuine products only, exactly as the manufacturer builds and specifies them\u003c\/li\u003e\n\u003cli\u003eExpert advice from our personnel on choosing and setting up AD\/DA converters\u003c\/li\u003e\n\u003cli\u003eA Visual Guide data sheet for every product, with the manufacturer's official specifications\u003c\/li\u003e\n\u003cli\u003eA showroom in Dhakuria, Kolkata, where you can discuss your project with our personnel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eExplore AD\/DA Converters at Shivansh Electronics, Kolkata, West Bengal, India.\u003c\/p\u003e","products":[{"product_id":"rme-adi-6432-adi-series-ad-da-converters","title":"RME ADI-6432","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-6432\u003c\/strong\u003e is a bidirectional 64-channel MADI to AES\/EBU format converter in a 19-inch, 2U enclosure: it converts all 64 channels of one MADI stream to 32 AES\/EBU ports and vice versa, at the same time, with 24-bit resolution up to 192 kHz.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI carries 64 channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz over a single coaxial (BNC) or optical cable. The 32 AES\/EBU inputs and outputs are on eight 25-pin D-sub connectors, transformer balanced and SPDIF compatible. Connected to an RME HDSPe MADI card it becomes a 32-port external AES\/EBU interface; two units build a complete digital multicore with no computer needed.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (at 48 kHz)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAES\/EBU I\/O ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e24‑bit, MADI and AES\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003estatus LEDs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e97\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI to AES\/EBU and AES\/EBU to MADI\u003c\/strong\u003e at the same time, all I\/Os up to 192 kHz \/ 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 x AES\/EBU I\/O\u003c\/strong\u003e on 8 x 25-pin D-sub, transformer balanced, high-sensitivity inputs (\u0026lt; 0.3 Vpp), SPDIF compatible\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI optical and coaxial\u003c\/strong\u003e with automatic input selection for redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReads and generates \u003cstrong\u003e56-channel, 64-channel and 96k frame\u003c\/strong\u003e MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, Intelligent Clock Control, SyncCheck and SyncAlign\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e in Single, Double and Quad Speed, switchable 75 Ohm termination\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI and RS232 over MADI\u003c\/strong\u003e; full remote control via MIDI or MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStatus display with 97 LEDs, all settings stored, LOCK KEYS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and Intelligent Clock Control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock lets the converter use MADI without an extra word clock connection and refreshes any clock signal, AES and word clock included, so it can be passed on at the word clock output. Intelligent Clock Control keeps the last valid sample rate if the input signal is lost, and multiple units can be stacked sample-aligned via word clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMIDI and RS232 inside MADI\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMIDI from the 5-pin DIN input travels invisibly in the MADI stream and comes out at the MIDI output of the device at the other end; serial RS232 data travels the same way at 9600 to 115200 baud. The converter itself can be remote controlled via MIDI or via MADI, for example with RME's free MIDI Remote software.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital AES\/EBU multicore with two units: 64 channels over one MADI line, coaxial up to 100 m or optical up to 2,000 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/EBU breakout for an RME HDSPe MADI card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMADI to MADI format converter (56\/64 channels, 96k frame)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES inserter and MADI merger: add sources to a MADI line that is not fully used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-6432\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME MIDI Remote software for Windows and Mac is available from rme-audio.de.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-6432: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels can it convert?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll 64 MADI channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz, in both directions at once.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Two units form a digital AES\/EBU multicore on their own; with an RME HDSPe MADI card the unit also works as a computer interface.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it accept SPDIF?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The highly sensitive AES\/EBU inputs also process SPDIF signals, for example with a simple phono to XLR adapter.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-6432 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-6432 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106692463,"sku":"RME-ADI-6432","price":383453.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-6432-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325594"},{"product_id":"rme-adi-6432r-adi-series-ad-da-converters","title":"RME ADI-6432R","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-6432R\u003c\/strong\u003e is the redundant-power version of the RME ADI-6432 bidirectional 64-channel MADI to AES\/EBU format converter: identical in function, but with two separate, simultaneously operating power supplies, so it keeps running without interruption if one electrical circuit fails.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI carries 64 channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz over a single coaxial (BNC) or optical cable. The 32 AES\/EBU inputs and outputs are on eight 25-pin D-sub connectors, transformer balanced and SPDIF compatible. Connected to an RME HDSPe MADI card it becomes a 32-port external AES\/EBU interface; two units build a complete digital multicore with no computer needed.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (at 48 kHz)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAES\/EBU I\/O ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e24‑bit, MADI and AES\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eredundant power supplies\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI to AES\/EBU and AES\/EBU to MADI\u003c\/strong\u003e at the same time, all I\/Os up to 192 kHz \/ 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 x AES\/EBU I\/O\u003c\/strong\u003e on 8 x 25-pin D-sub, transformer balanced, high-sensitivity inputs (\u0026lt; 0.3 Vpp), SPDIF compatible\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI optical and coaxial\u003c\/strong\u003e with automatic input selection for redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReads and generates \u003cstrong\u003e56-channel, 64-channel and 96k frame\u003c\/strong\u003e MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, Intelligent Clock Control, SyncCheck and SyncAlign\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e in Single, Double and Quad Speed, switchable 75 Ohm termination\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI and RS232 over MADI\u003c\/strong\u003e; full remote control via MIDI or MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStatus display with 97 LEDs, all settings stored, LOCK KEYS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo internal power supplies\u003c\/strong\u003e with two IEC inlets for connection to two different power sources\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRedundant power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eConnect both IEC receptacles to different power sources and switch on both power supplies at the front: both POWER LEDs light and the unit runs in redundancy mode. If one internal or external power source fails, the ADI-6432R continues without interruption. Redundancy costs only a few watts more (typical consumption 12 W).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and Intelligent Clock Control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock lets the converter use MADI without an extra word clock connection and refreshes any clock signal, AES and word clock included, so it can be passed on at the word clock output. Intelligent Clock Control keeps the last valid sample rate if the input signal is lost, and multiple units can be stacked sample-aligned via word clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMIDI and RS232 inside MADI\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMIDI from the 5-pin DIN input travels invisibly in the MADI stream and comes out at the MIDI output of the device at the other end; serial RS232 data travels the same way at 9600 to 115200 baud. The converter itself can be remote controlled via MIDI or via MADI, for example with RME's free MIDI Remote software.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital AES\/EBU multicore with two units: 64 channels over one MADI line, coaxial up to 100 m or optical up to 2,000 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/EBU breakout for an RME HDSPe MADI card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMADI to MADI format converter (56\/64 channels, 96k frame)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES inserter and MADI merger: add sources to a MADI line that is not fully used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-6432R\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME MIDI Remote software for Windows and Mac is available from rme-audio.de.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-6432R: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels can it convert?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll 64 MADI channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz, in both directions at once.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Two units form a digital AES\/EBU multicore on their own; with an RME HDSPe MADI card the unit also works as a computer interface.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it accept SPDIF?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The highly sensitive AES\/EBU inputs also process SPDIF signals, for example with a simple phono to XLR adapter.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference from the ADI-6432?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADI-6432R has two power supplies that work at the same time and can be connected to two different power circuits. Everything else is identical.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-6432R in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-6432R is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106725231,"sku":"RME-ADI-6432R","price":429166.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-6432R-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325607"},{"product_id":"rme-m-16-ad-m-series-ad-da-converters","title":"RME M-16 AD","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-16 AD\u003c\/strong\u003e is a 16-channel high-end AD converter in a 19-inch, 2U enclosure: 16 balanced analog line inputs converted to MADI and ADAT in reference quality, up to 192 kHz, with analog limiters and three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fully symmetrical analog design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 116 dBA on all channels. The analog limiter, conceived for studio, stage and broadcast, handles input overloads of up to 17 dB without audible distortion (maximum input level +30 dBu). The inputs are on 6.3 mm TRS jacks and 25-pin D-sub connectors; the converted signals leave on optical and coaxial MADI at the same time and on four ADAT outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e116 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. reference level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 servo-balanced line inputs\u003c\/strong\u003e on 6.3 mm TRS and 2 x 25-pin D-sub (internally connected)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog limiter\u003c\/strong\u003e: maximum unclipped input +30 dBu, LED per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT out\u003c\/strong\u003e (S\/MUX up to 192 kHz) and ADAT sync input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e16 five-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo fan: silent operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe 16-channel M-16 AD\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M-16 AD is identical to the M-32 AD, with one 16-channel AD board fitted, no fan and lower power consumption. Its MADI OUT key selects any 16-channel block (1-16, 17-32, 33-48 or 49-64).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MADI input is a pass-through input: the converter replaces its own channel block and passes the rest unchanged. Up to 48 kHz two M-32 AD or four M-16 AD share one MADI line. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-16 AD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-16 AD: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical and coaxial outputs at the same time) and four ADAT optical outputs; the ADAT input serves only as an optional clock source.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TRS jacks and D-sub connectors are internally connected, so use one or the other for each channel.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-16 AD in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-16 AD is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106757999,"sku":"RME-M-16-AD","price":383689.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-16-AD-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325619"},{"product_id":"rme-m-32-ad-pro-m-series-ad-da-converters-avb-networking","title":"RME M-32 AD Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD Pro\u003c\/strong\u003e is a 32-channel AD converter with up to 192 kHz in a compact 1U, 19-inch enclosure, with two independent MADI ports (optical and coaxial), a Gigabit AVB network interface, two redundant internal power supplies and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHigh-resolution converter components and a fully balanced analog circuit design reach a signal-to-noise ratio of up to 120.7 dBA with very low THD. Each of the 32 line inputs on four 25-pin D-sub connectors can be set to +24, +19 or +13 dBu in the analog domain. The whole front is used for visual feedback: 32 backlit channel fields with custom labels show the level, and a display with encoder gives access to every setting at the unit.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSNR at +24 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120.7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (4 streams)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ewith 2 x PSU\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analog line inputs\u003c\/strong\u003e on 4 x 25-pin D-sub, servo-balanced, level per channel +24 \/ +19 \/ +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: optical SC and coaxial BNC, routed separately, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAVB\u003c\/strong\u003e on RJ45 Gigabit Ethernet: four streams of 4, 8, 12 or 16 channels each way, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInternal routing\u003c\/strong\u003e of up to 288 x 256 channels; MADI Auto Input for seamless redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e, 90-264 V AC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel fields with Peak \/ RMS metering and a magnetic cover for channel labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and encoder, 15 presets, lock with optional code, dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control via web interface (network or USB), JSON, IEEE 1722.1 AVDECC, MIDI over MADI and MIDI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB network audio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe AVB interface is based on the open network standards IEEE 802.1 and 1722.1 and carries all 32 analog channels at up to 192 kHz over a single Ethernet cable. Streams are deterministic, with fixed latency and reserved bandwidth. With AVB switches the converter integrates into larger networks; an AVDECC controller (included with the RME Digiface AVB, for example) makes the connections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo MADI ports with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOptical and coaxial MADI work independently, each with up to 64 channels; using both ports all 32 inputs travel at 192 kHz. MADI Auto Input switches seamlessly from the coaxial to an identical optical signal if one cable fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLabels and metering\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThirty-two inscribable label fields with backlight in green, yellow and red show the level of each channel. Labels are written or printed on one sheet held behind a magnetic cover and change without tools; five label sheets are included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWeb remote and firmware\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn integrated web server provides an easy remote interface in any current browser over the network or the USB port, with a JSON API for integration. Firmware updates are uploaded the same way and keep all settings and presets.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD Pro\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 screws for the rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 power cords\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e5 customisable channel label sheets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrinted manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it send all 32 channels at 192 kHz?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: over AVB on one network cable, or over MADI using both ports with 16 channels each.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do the two power supplies do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEither or both IEC inlets can power the unit. With both connected to different sources it keeps running if one fails, and the STATE section can warn you.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is it controlled?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt the unit with display and encoder, or remotely via the web remote (network or USB), JSON, IEEE 1722.1 AVDECC, MIDI over MADI and MIDI.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need special switches for AVB?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connections between AVB devices need certified AVB switches (or compatible) and an AVDECC controller.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106790767,"sku":"RME-M-32-AD-Pro","price":405070.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-PRO-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325641"},{"product_id":"rme-m-32-ad-pro-ii-m-series-ad-da-converters-avb-networking","title":"RME M-32 AD Pro II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD Pro II\u003c\/strong\u003e is a 32-channel, 192 kHz AD converter in a 1U 19-inch enclosure, with 32 analogue inputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Milan-certified AVB on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue inputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSNR at +24 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120.7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue inputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMilan-certified AVB\u003c\/strong\u003e on two fully redundant Gigabit ports: up to 128 channels at 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSteadyClock FS, SyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal single-channel routing of up to 288 x 256 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn AVB interface based on the open network standards IEEE 802.1 and 1722.1 carries all 32 analogue channels at up to 192 kHz over a single Ethernet cable. Up to 128 audio channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz) can be sent and received in total across all streams. The two fully redundant network ports follow the Milan recommendations, and the RME AVB core lets any AVB controller discover and fully control the converter, with fixed latency, guaranteed bandwidth and no switch configuration required.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 inputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD Pro II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD Pro II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 AD Pro II an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the AD (analogue to digital) model with 32 analogue inputs. The RME M-32 DA Pro II is the matching DA model with the same MADI and AVB connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two AVB network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD Pro II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD Pro II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114491247,"sku":"RME-M-32-AD-Pro-II","price":461970.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-PRO-II-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325659"},{"product_id":"rme-m-32-ad-pro-ii-d-m-series-ad-da-converters-dante-audio-converters","title":"RME M-32 AD Pro II-D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD Pro II-D\u003c\/strong\u003e is a 32-channel, 192 kHz AD converter in a 1U 19-inch enclosure, with 32 analogue inputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Dante on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue inputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSNR at +24 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120.7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue inputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDante\u003c\/strong\u003e on two fully redundant RJ45 ports: up to 64 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSingle-channel routing across all analogue and digital I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDante runs natively on the custom RME FPGA platform of the Pro II-D, with two fully redundant RJ45 ports for direct connectivity to other Dante devices through standard switches, up to 64 channels. A computer with a Dante software sound card can record and play back up to 64 channels to and from any of the converter's analogue and digital I\/O.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 inputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD Pro II-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD Pro II-D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 AD Pro II-D an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the AD (analogue to digital) model with 32 analogue inputs. The RME M-32 DA Pro II-D is the matching DA model with the same MADI and Dante connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two Dante network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD Pro II-D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD Pro II-D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114524015,"sku":"RME-M-32-AD-Pro-II-D","price":533549.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-PRO-II-D-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325677"},{"product_id":"rme-m-16-da-m-series-ad-da-converters","title":"RME M-16 DA","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-16 DA\u003c\/strong\u003e is a 16-channel high-end DA converter in a 19-inch, 2U enclosure: MADI or ADAT converted to 16 balanced analog line outputs in reference quality, up to 192 kHz, with three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA double balanced output design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 118 dBA on all channels. The 6.3 mm TRS jacks (servo-balanced, up to +21 dBu) and the 25-pin D-sub outputs (balanced, +24 dBu) have their own driver stages and work at the same time. Audio arrives on optical or coaxial MADI or on four ADAT inputs, and the outputs stay quiet when the unit is switched on and off.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDA channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e118 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eD‑sub output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 balanced line outputs\u003c\/strong\u003e on 6.3 mm TRS (up to +21 dBu) and 2 x 25-pin D-sub (+24 dBu), usable at once\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT in\u003c\/strong\u003e (S\/MUX up to 192 kHz) with SYNC LED per port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e16 six-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNoise suppression at the analog outputs on power-on and power-off\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo fan: silent operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe 16-channel M-16 DA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M-16 DA is identical to the M-32 DA, with one 16-channel DA board fitted, no fan and lower power consumption. Its MADI IN key selects any 16-channel block (1-16, 17-32, 33-48 or 49-64).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll MADI input channels pass to the output, so further M-32 DA or M-16 DA can follow in series up to 64 channels, and the same channels can be converted in several locations up to 2 km apart. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-16 DA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-16 DA: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical or coaxial input, with automatic switching) and four ADAT optical inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TRS jacks and D-sub outputs have their own driver stages and work simultaneously. With +24 dBu selected, the D-sub outputs use +24 dBu while the TRS jacks stay at +19 dBu.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-16 DA in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-16 DA is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114556783,"sku":"RME-M-16-DA","price":383689.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-16-DA-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325688"},{"product_id":"rme-m-32-ad-m-series-ad-da-converters","title":"RME M-32 AD","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD\u003c\/strong\u003e is a 32-channel high-end AD converter in a 19-inch, 2U enclosure: 32 balanced analog line inputs converted to MADI and ADAT in reference quality, up to 192 kHz, with analog limiters and three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fully symmetrical analog design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 116 dBA on all channels. The analog limiter, conceived for studio, stage and broadcast, handles input overloads of up to 17 dB without audible distortion (maximum input level +30 dBu). The inputs are on 6.3 mm TRS jacks and 25-pin D-sub connectors; the converted signals leave on optical and coaxial MADI at the same time and on four ADAT outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e116 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. reference level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 servo-balanced line inputs\u003c\/strong\u003e on 6.3 mm TRS and 4 x 25-pin D-sub (internally connected)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog limiter\u003c\/strong\u003e: maximum unclipped input +30 dBu, LED per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT out\u003c\/strong\u003e (S\/MUX up to 192 kHz) and ADAT sync input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e32 five-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTemperature-controlled low-noise fan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MADI input is a pass-through input: the converter replaces its own channel block and passes the rest unchanged. Up to 48 kHz two M-32 AD or four M-16 AD share one MADI line. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical and coaxial outputs at the same time) and four ADAT optical outputs; the ADAT input serves only as an optional clock source.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TRS jacks and D-sub connectors are internally connected, so use one or the other for each channel.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114589551,"sku":"RME-M-32-AD","price":472165.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325703"},{"product_id":"rme-m-32-da-m-series-ad-da-converters","title":"RME M-32 DA","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 DA\u003c\/strong\u003e is a 32-channel high-end DA converter in a 19-inch, 2U enclosure: MADI or ADAT converted to 32 balanced analog line outputs in reference quality, up to 192 kHz, with three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA double balanced output design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 118 dBA on all channels. The 6.3 mm TRS jacks (servo-balanced, up to +21 dBu) and the 25-pin D-sub outputs (balanced, +24 dBu) have their own driver stages and work at the same time. Audio arrives on optical or coaxial MADI or on four ADAT inputs, and the outputs stay quiet when the unit is switched on and off.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDA channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e118 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eD‑sub output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 balanced line outputs\u003c\/strong\u003e on 6.3 mm TRS (up to +21 dBu) and 4 x 25-pin D-sub (+24 dBu), usable at once\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT in\u003c\/strong\u003e (S\/MUX up to 192 kHz) with SYNC LED per port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e32 six-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNoise suppression at the analog outputs on power-on and power-off\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTemperature-controlled low-noise fan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll MADI input channels pass to the output, so further M-32 DA or M-16 DA can follow in series up to 64 channels, and the same channels can be converted in several locations up to 2 km apart. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 DA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 DA: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical or coaxial input, with automatic switching) and four ADAT optical inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TRS jacks and D-sub outputs have their own driver stages and work simultaneously. With +24 dBu selected, the D-sub outputs use +24 dBu while the TRS jacks stay at +19 dBu.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 DA in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 DA is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949115769199,"sku":"RME-M-32-DA","price":472165.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-DA-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325717"},{"product_id":"rme-m-32-da-pro-ii-m-series-ad-da-converters-avb-networking","title":"RME M-32 DA Pro II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 DA Pro II\u003c\/strong\u003e is a 32-channel, 192 kHz DA converter in a 1U 19-inch enclosure, with 32 analogue outputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Milan-certified AVB on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency, and the DA converter reaches a THD+N of -111 dB. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at -1 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-111 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue outputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMilan-certified AVB\u003c\/strong\u003e on two fully redundant Gigabit ports: up to 128 channels at 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSteadyClock FS, SyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal single-channel routing of up to 256 x 288 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn AVB interface based on the open network standards IEEE 802.1 and 1722.1 carries all 32 analogue channels at up to 192 kHz over a single Ethernet cable. Up to 128 audio channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz) can be sent and received in total across all streams. The two fully redundant network ports follow the Milan recommendations, and the RME AVB core lets any AVB controller discover and fully control the converter, with fixed latency, guaranteed bandwidth and no switch configuration required.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 outputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 DA Pro II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 DA Pro II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 DA Pro II an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the DA (digital to analogue) model with 32 analogue outputs. The RME M-32 AD Pro II is the matching AD model with the same MADI and AVB connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two AVB network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 DA Pro II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 DA Pro II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949115801967,"sku":"RME-M-32-DA-Pro-II","price":461970.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-DA-PRO-II-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325736"},{"product_id":"rme-m-32-da-pro-ii-d-m-series-ad-da-converters-dante-audio-converters","title":"RME M-32 DA Pro II-D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 DA Pro II-D\u003c\/strong\u003e is a 32-channel, 192 kHz DA converter in a 1U 19-inch enclosure, with 32 analogue outputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Dante on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency, and the DA converter reaches a THD+N of -111 dB. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at -1 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-111 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue outputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDante\u003c\/strong\u003e on two fully redundant RJ45 ports: up to 64 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSingle-channel routing across all analogue and digital I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDante runs natively on the custom RME FPGA platform of the Pro II-D, with two fully redundant RJ45 ports for direct connectivity to other Dante devices through standard switches, up to 64 channels. A computer with a Dante software sound card can record and play back up to 64 channels to and from any of the converter's analogue and digital I\/O.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 outputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 DA Pro II-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 DA Pro II-D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 DA Pro II-D an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the DA (digital to analogue) model with 32 analogue outputs. The RME M-32 AD Pro II-D is the matching AD model with the same MADI and Dante connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two Dante network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 DA Pro II-D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 DA Pro II-D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949119897967,"sku":"RME-M-32-DA-Pro-II-D","price":533549.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-DA-PRO-II-D-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325751"},{"product_id":"rme-m-1620-pro-m-series-ad-da-converters-avb-networking","title":"RME M-1620 Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-1620 Pro\u003c\/strong\u003e is a 16-channel AD, 20-channel DA converter in a single-height 19-inch rack unit: 16 analogue line inputs and outputs (switchable up to +24 dBu per channel), two separate headphone outputs, 4 x ADAT I\/O, coaxial and optional optical MADI and Milan AVB on two Gigabit ports.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt converts 16 analogue line-level signals to and from MADI, ADAT and Milan network technology. The front panel combines LED level meters with a display and two separate headphone outputs for monitoring. Built-in redundancy covers dual network and dual MADI connections and a monitored DC input in addition to the internal AC power supply; a clear signalling system shows when an issue arises. With full stand-alone capability, settings are changed directly on the unit and complete user presets recalled.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs \/ outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16 \/ 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSeparate headphone outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x ADAT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMilan AVB channels at 48 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 analogue line inputs and 16 line outputs\u003c\/strong\u003e on 25-pin D-sub, each switchable to +24, +19 or +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 separate stereo headphone outputs\u003c\/strong\u003e (channels 17-20), +4 or +19 dBu per TRS connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLED level meters for all inputs and outputs plus a colour display and push knob\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT optical I\/O\u003c\/strong\u003e, coaxial MADI I\/O and an optional optical MADI SFP module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMilan-certified AVB\u003c\/strong\u003e: up to 128 channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz), IEEE 1722.1 ATDECC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in redundancy: dual network, dual MADI, internal AC supply plus a monitored 12 V DC input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eConverter filters configurable for the best impulse or frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e jitter reduction on digital inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDC-coupled outputs; USB for firmware and remote control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMilan AVB networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Milan-certified model transmits and receives up to 128 channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz) with precise, fixed latency across a deterministic network, and reveals its status and options to controllers using the open IEEE 1722.1 (ATDECC) standard.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAdd analogue and network I\/O to any MADI system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSeparate word clock BNC and coaxial MADI connectors, optional optical MADI via an SFP module and four ADAT ports in each direction let the converter fit into existing infrastructure. The aliasing filters can be configured manually (Sharp or Slow per sample rate) for optimal impulse and frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMonitoring and control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll device states are on the front panel, and the converter can be remote controlled over any network link, also wirelessly over Wi-Fi. The integrated routing matrix sends any analogue input straight to a headphone output, as well as digital signals and network streams, so checking any signal in the system is quick and simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-1620 Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy 20 channels of DA?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e16 analogue line outputs plus the two stereo headphone outputs (channels 17-20).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat power redundancy does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn internal AC supply (100-240 V AC) plus a monitored 12 V DC input; an optional redundant PSU is listed by RME.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many ADAT ports are there?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour optical ADAT inputs and four optical ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-1620 Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-1620 Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949128253807,"sku":"RME-M-1620-Pro","price":358838.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-1620-PRO-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325768"},{"product_id":"rme-m-1620-pro-d-m-series-ad-da-converters-dante-audio-converters","title":"RME M-1620 Pro D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-1620 Pro D\u003c\/strong\u003e is a 16-channel AD, 20-channel DA converter in a single-height 19-inch rack unit: 16 analogue line inputs and outputs (switchable up to +24 dBu per channel), two separate headphone outputs, 4 x ADAT I\/O, coaxial and optional optical MADI and Dante on two Gigabit ports.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt converts 16 analogue line-level signals to and from MADI, ADAT and Dante network technology. The front panel combines LED level meters with a display and two separate headphone outputs for monitoring. Built-in redundancy covers dual network and dual MADI connections and a monitored DC input in addition to the internal AC power supply; a clear signalling system shows when an issue arises. With full stand-alone capability, settings are changed directly on the unit and complete user presets recalled.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs \/ outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16 \/ 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSeparate headphone outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x ADAT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 analogue line inputs and 16 line outputs\u003c\/strong\u003e on 25-pin D-sub, each switchable to +24, +19 or +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 separate stereo headphone outputs\u003c\/strong\u003e (channels 17-20), +4 or +19 dBu per TRS connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLED level meters for all inputs and outputs plus a colour display and push knob\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT optical I\/O\u003c\/strong\u003e, coaxial MADI I\/O and an optional optical MADI SFP module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e64-channel Dante\u003c\/strong\u003e on two ports: redundant, or daisy-chained when redundancy is not required\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in redundancy: dual network, dual MADI, internal AC supply plus a monitored 12 V DC input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eConverter filters configurable for the best impulse or frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O on BNC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDC-coupled outputs; USB for firmware and remote control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M-1620 Pro D integrates 64-channel Dante connectivity with direct links to other audio devices through standard Ethernet switches. If redundancy is not required, the device can act as a switch itself and allow daisy-chains of several Dante devices. Up to 64 channels of any analogue and digital I\/O can be recorded and played back on a computer with a Dante software sound card.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAdd analogue and network I\/O to any MADI system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSeparate word clock BNC and coaxial MADI connectors, optional optical MADI via an SFP module and four ADAT ports in each direction let the converter fit into existing infrastructure. The aliasing filters can be configured manually (Sharp or Slow per sample rate) for optimal impulse and frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMonitoring and control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll device states are on the front panel, and the converter can be remote controlled over any network link, also wirelessly over Wi-Fi. The integrated routing matrix sends any analogue input straight to a headphone output, as well as digital signals and network streams, so checking any signal in the system is quick and simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro D\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-1620 Pro D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy 20 channels of DA?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e16 analogue line outputs plus the two stereo headphone outputs (channels 17-20).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat power redundancy does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn internal AC supply (100-240 V AC) plus a monitored 12 V DC input; an optional redundant PSU is listed by RME.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many ADAT ports are there?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour optical ADAT inputs and four optical ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-1620 Pro D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-1620 Pro D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949130056047,"sku":"RME-M-1620-Pro-D","price":406805.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-1620-PRO-D-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325785"},{"product_id":"rme-m-1610-pro-m-series-ad-da-converters-avb-networking","title":"RME M-1610 Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-1610 Pro\u003c\/strong\u003e is a 16-channel AD, 8-channel DA converter in a 1U 19-inch enclosure, with 16 analogue inputs, 8 balanced line outputs, a separate stereo headphone output, four ADAT outputs, coaxial and optional optical MADI, redundant AVB and dual internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery analogue channel can be switched to +24, +19 or +13 dBu, each with the full dynamic range of the converters. TRS jacks provide alternative connections for D-sub inputs 11-16 and outputs 1-2, and quick-access buttons handle source selection and volume for the headphone output. The internal routing matrix connects 272 inputs and 298 outputs: eight AVB streams (128 channels), two MADI ports with up to 64 channels each, all analogue I\/O and the ADAT outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs \/ outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16 \/ 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRouting matrix\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e272 x 298\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (8 streams)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMin. network delay\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.3 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 analogue inputs and 8 analogue outputs\u003c\/strong\u003e, per channel +24 \/ +19 \/ +13 dBu at full resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTRS jacks in parallel to D-sub inputs 11-16 and outputs 1-2\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeparate stereo headphone output\u003c\/strong\u003e with quick-access source and volume\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT optical outputs\u003c\/strong\u003e, up to S\/MUX4 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCoaxial and optional optical MADI\u003c\/strong\u003e, MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant AVB\u003c\/strong\u003e: two Gigabit ports, eight streams, 128 channels; network delay down to 0.3 ms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo monitored, fully redundant internal power supplies; DC-coupled outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch colour display and control knob; remote control via web interface, JSON, IEEE 1722.1 ATDECC, MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for engineers with analogue gear\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned at the request of recording engineers using a variety of analogue effects and instruments in their sessions, the M-1610 Pro adds user-friendly features for studio, live and broadcast: TRS alternative connections, redundant network ports, a headphone output for monitoring and troubleshooting, and quick-access buttons.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDeterministic AVB networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLowest converter latencies and deterministic AVB networking with a configurable network delay down to 0.3 ms deliver samples, even from multiple devices, time-aligned with nanosecond accuracy across an entire network.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransparent conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe AD and DA filters are optimised for each sample rate, with a focus on accuracy and RME's signature transparency. With SteadyClock FS the conversion to and from analogue is state-of-the-art at any level and across all digital formats.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1610 Pro\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-1610 Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many outputs does the M-1610 Pro have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight balanced line outputs on D-sub (outputs 1-2 also on TRS) plus a separate stereo headphone output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the routing capacity?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e272 inputs and 298 outputs: eight AVB streams (128 channels), two MADI ports with up to 64 channels each, all analogue I\/O and the ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it suitable for live use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: two redundant internal power supplies, two redundant AVB ports and MADI Auto-Input keep the signal running.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-1610 Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-1610 Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139231087,"sku":"RME-M-1610-Pro","price":333751.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-1610-PRO-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325925"},{"product_id":"rme-adi-2-4-pro-se-adi-series-ad-da-converters","title":"RME ADI-2\/4 Pro SE","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2\/4 Pro SE\u003c\/strong\u003e is a 2-channel AD and 4-channel DA converter in a half-rack (9.5-inch) 1U enclosure, with 32-bit \/ 768 kHz converters reaching up to 123 dBA signal to noise ratio, two Extreme Power headphone outputs, a balanced 4.4 mm Pentaconn output and an RIAA phono mode.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBased on years of continued development of the ADI-2 Pro, the Special Edition adds a newly developed circuit board, improved specifications and a faster DSP. It is a multitude of devices in one housing: a high-end AD\/DA converter in professional studio quality, a double headphone amplifier, a USB DAC, an AD\/DA front end and headphone amp for iPad and iPhone, an AD\/DA front end for measurement systems at up to 768 kHz, a multi-format converter for AES, SPDIF and ADAT, a DSD record and playback solution and a vinyl digitising system. A powerful DSP adds a 5-band parametric EQ, Bass \/ Treble, Crossfeed and RME's Loudness concept, and the included MRC remote control puts the main functions in your hand.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e32‑bit AD\/DA conversion (PCM and DSD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e768 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal to noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e123 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, balanced phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 AD \/ 4 DA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 servo-balanced analogue inputs\u003c\/strong\u003e on XLR\/TRS combo jacks, reference levels +1, +7, +13, +19 and +24 dBu, plus 0 to +6 dB digital trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 DA channels\u003c\/strong\u003e: balanced XLR line outputs, impedance-balanced TRS outputs on the rear and two phones outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo Extreme Power headphone outputs\u003c\/strong\u003e with Hi-Power, Lo-Power and IEM settings: 2.1 W unbalanced, 4 W balanced per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTrue Balanced phones\u003c\/strong\u003e on the 4.4 mm Pentaconn, independent from the XLR outputs, so balanced phones and line outputs work at the same time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRIAA mode\u003c\/strong\u003e for moving magnet cartridges: connect a turntable directly, no external phono preamp needed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES, coaxial SPDIF and optical SPDIF \/ ADAT\u003c\/strong\u003e inputs and outputs (AES and coaxial via the included BO968 breakout cable)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 2.0 Class Compliant\u003c\/strong\u003e: stereo mode up to 768 kHz and DSD, multichannel mode with 6 inputs and 8 outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e: 5-band parametric EQ (7-band with Bass \/ Treble), Dual EQ, Loudness, Crossfeed, M\/S processing, SRC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e for lowest jitter and highest jitter immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTrigger Out\u003c\/strong\u003e (12 V, 3.5 mm) to switch power amplifiers on and off with the converter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIPS display\u003c\/strong\u003e with level meters, a 30-band analyser, State Overview and Dark Volume\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMRC Multi-Remote Control\u003c\/strong\u003e and \u003cstrong\u003eADI-2 Remote\u003c\/strong\u003e software for Windows, macOS and iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExtreme Power headphone outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME's Extreme Power headphone stage delivers 2.1 W per channel unbalanced and up to 4 W per channel in balanced mode, with an output impedance of only 0.1 Ohm. An IEM setting joins Hi-Power and Lo-Power for full in-ear monitor compatibility. All phones outputs feature a mute relay, over-current detection, DC protection and plug detection: when headphones are plugged in, the DSP selects the right output for the volume knob and ramps the volume up from a lower level. PH 3\/4 is independent from the rear outputs, while PH 1\/2 is ideal for comparing headphones with individual volume and EQ settings.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTrue Balanced phones and four DA channels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBalanced headphones on the front 4.4 mm Pentaconn use DAC channels 3\/4, so the rear outputs can still output an independent signal via DAC 1\/2. In True Balanced mode the maximum output level rises to +7 dBu for IEM, +13 dBu for Lo-Power and +25 dBu for Hi-Power while the signal to noise ratio stays unchanged. The rear TRS outputs can be fed from the Line 1\/2 or Phones 3\/4 signal path, perfect for insert effects during mastering.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVinyl digitising with RIAA mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to moving magnet compatibility, the ADI-2\/4 Pro SE connects directly to a turntable via the TS input. It provides the right input impedance (45 kOhm, 150 pF), RIAA equalisation with a deviation below ±0.05 dB and gain settings from +14 to +38 dB, so records can be digitised in the highest quality.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAutomatic operating modes and USB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Basic Mode Auto the unit reconfigures itself from the connected cables: Preamp (analogue in to analogue out), AD\/DA converter as soon as a digital signal is attached, or USB interface and USB DAC when a computer is detected. The Class Compliant USB 2.0 port works natively with macOS, iOS, Linux and Windows 10; under Windows RME's MADIface series driver adds WDM and ASIO. Stereo mode supports up to 768 kHz and DSD, multichannel mode records 6 and plays 8 channels up to 192 kHz, also with an iPad.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA universal DC input accepts 9.5 to 15 V, and an internal high-efficiency switching regulator followed by low-noise linear regulators keeps the specifications intact even with less optimal power supplies. The included 40 W switching supply has a lockable connector, and battery operation opens up mobile and galvanically isolated use.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2\/4 Pro SE\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMRC remote control with battery\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply with IEC socket, lockable connector, DC 12 V, 40 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital breakout cable AES\/SPDIF (BO968)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual and quick start guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: ADI-2 Remote (Windows, macOS, iOS) and DIGICheck. Class Compliant for macOS, iOS and Linux; RME driver for Windows with WDM and ASIO.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2\/4 Pro SE: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I connect a turntable directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The RIAA mode on the TS input works with moving magnet cartridges and provides the input impedance, RIAA equalisation and gain needed, so no external phono preamp is required.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use balanced headphones and the line outputs at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Balanced headphones on the 4.4 mm Pentaconn use DAC channels 3\/4, while the rear outputs keep playing an independent signal from DAC 1\/2.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo driver is needed on macOS, iOS and Linux thanks to Class Compliant USB 2.0. On Windows the RME MADIface series driver adds full WDM and ASIO support.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a remote control included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The MRC Multi-Remote Control with battery is included; it controls volume, balance, Bass \/ Treble, input selection, mute, Loudness and EQ, plus four programmable keys.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2\/4 Pro SE in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2\/4 Pro SE is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949148733807,"sku":"RME-ADI-2-4-Pro-SE","price":297714.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-4-PRO-SE-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326006"},{"product_id":"rme-adi-2-pro-fs-r-black-edition-adi-series-ad-da-converters","title":"RME ADI-2 Pro FS R Black Edition","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2 Pro FS R Black Edition\u003c\/strong\u003e is RME's reference 2-channel AD\/DA converter, USB DAC, USB interface and headphone amplifier: ultra-fidelity PCM up to 768 kHz, DSD record and Direct DSD playback, two Extreme Power headphone outputs and the extended MRC Multi-Remote Control.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME's reference AD\/DA converter is a host of devices put together into one half-rack unit, with a simple and mostly automated way of using it right out of the box: a high-end AD\/DA converter in professional studio quality, a double headphone amplifier, a USB DAC, an AD\/DA front end and headphone amp for iPad and iPhone, a multi-format converter for AES, SPDIF and ADAT, a DSD record and playback solution and an AD\/DA front end for audio measurement at up to 768 kHz. The Black Edition offers slightly improved specifications and comes with the new extended MRC remote control.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePCM sample rate (DSD up to 11.2 MHz)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e768 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal to noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e124 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAdvanced Balanced phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+28 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, Extreme Power phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 servo-balanced analogue inputs\u003c\/strong\u003e on XLR\/TRS combo jacks with 4 hardware reference levels (+4, +13, +19, +24 dBu) and 0 to +6 dB digital trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeparate balanced XLR and impedance-balanced TRS line outputs\u003c\/strong\u003e on the rear\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo Extreme Power headphone outputs\u003c\/strong\u003e: 0.1 Ohm, up to +22 dBu and 1.5 W per channel, low and high power modes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAdvanced Balanced phones mode\u003c\/strong\u003e: up to +28 dBu, 2.9 W per channel, 0.2 Ohm, 3 dB more SNR\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES, coaxial SPDIF and optical SPDIF \/ ADAT\u003c\/strong\u003e I\/O (AES and coaxial via the included BO968 breakout cable)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 2.0 Class Compliant\u003c\/strong\u003e: stereo mode 2 in \/ 2 out up to 768 kHz, multichannel mode 6 in \/ 8 out\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSD record and Direct DSD playback\u003c\/strong\u003e up to DSD256 (11.2 MHz)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e with 2.17 GFLOPS: 5-band parametric EQ, Bass \/ Treble, Loudness, Crossfeed, M\/S processing, SRC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e for perfect jitter reduction and stable clocking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIPS display\u003c\/strong\u003e with level meters, 30-band spectral analyser and State Overview\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMRC Multi-Remote Control\u003c\/strong\u003e and lockable 24 W power supply included; \u003cstrong\u003eADI-2 Remote\u003c\/strong\u003e software for Windows, macOS and iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePerfect sound capture and reproduction\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery detail of the ADI-2 Pro is aimed at the absolute reference sound. The main PCB is a 10-layer design with custom copper thickness, separating the ample power for the phones outputs. Super-low-noise power supply stages and precise regulators keep the power rails clean, and the analogue circuit is fully symmetrical, balanced and DC-coupled throughout. The 4-channel AD converter is used in a dual mono design for 3 dB better signal to noise ratio, and two premium DACs feed two separate stereo outputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExtreme Power and Advanced Balanced headphone outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Extreme Power design brings the full performance of the DAC to the phone jack even with low impedance headphones: 0.1 Ohm output impedance, +22 dBu and 1.5 W per channel, with THD far below -100 dB even at full power. Current limiting, power surveillance, overload detection and DC protection are built in. RME's Advanced Balanced mode delivers a balanced signal path from the DAC straight to the headphones, with 3 dB more SNR, optimised frequency response, 0.2 Ohm output impedance and up to +28 dBu.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAutomatic modes and USB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Basic Mode Auto the unit becomes a preamp, an AD\/DA converter or a USB interface and USB DAC, depending on the connected cables. The Class Compliant USB 2.0 port works with Mac and iOS devices without a driver; under Windows RME's MADIface series driver adds full WDM and ASIO, including DSD over ASIO. An external power supply with lockable connector allows battery operation for mobile and galvanically isolated use.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDSP features and operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e5-band parametric EQs for fully individual phones compensation, Bass \/ Treble with quick access, binaural Crossfeed, adjustable Loudness, selectable AD\/DA filters, M\/S processing, stereo width and phase reversal are all included, with full storage of all settings. The high-resolution IPS display shows RME's 30-band spectral analyser, warnings and guidance messages, and the MRC remote control adds four programmable keys with 52 functions.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2 Pro FS R Black Edition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMRC remote control with battery\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply, lockable connector, DC 12 V, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital breakout cable AES\/SPDIF (BO968)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual and quick start guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: ADI-2 Remote (Windows, macOS, iOS) and DIGICheck. Optional accessory: Unirack universal rackmount adapter for two 9.5-inch devices.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2 Pro FS R Black Edition: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it play DSD?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It records DSD and plays DSD64, DSD128 and DSD256 (11.2 MHz), via DoP over AES, SPDIF and USB or native DSD over ASIO, including a DSD Direct mode on the rear outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I drive balanced headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Both phones outputs together form a balanced output in Advanced Balanced mode, with up to +28 dBu and 2.9 W per channel; headphones with separate left and right cabling (4 wires) are needed, for example via an adapter to 4-pin XLR.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNot on Mac and iOS: the USB 2.0 port is Class Compliant. On Windows the RME MADIface series driver provides WDM and ASIO.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is different on the Black Edition?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME describes the ADI-2 Pro FS R Black Edition with slightly improved specifications, a black finish and the new extended MRC Multi-Remote Control in the box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2 Pro FS R Black Edition in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2 Pro FS R Black Edition is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949150077295,"sku":"RME-ADI-2-Pro-FS-R-Black-Edition","price":140558.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-PRO-FS-R-BLACK-EDITION-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326032"},{"product_id":"rme-adi-2-dac-fs-adi-series-ad-da-converters","title":"RME ADI-2 DAC FS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2 DAC FS\u003c\/strong\u003e is an ultra-fidelity PCM \/ DSD 768 kHz digital to analogue converter with an Extreme Power headphone output, a super low noise IEM output, balanced and unbalanced line outputs and the MRC Multi-Remote Control.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADI-2 DAC is the home and hi-fi optimised version of the ADI-2 Pro. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5-band parametric EQ and Crossfeed. The current version comes with an improved SteadyClock FS, a further improved DA conversion and an adapted analogue output stage for even better noise and distortion values: 123 dBA, distortion below -120 dB and THD+N of -116 dB, with +2.5 dB digital headroom. With its simplified operation and compact half-rack design it is the ideal centre piece from home listening up to studio reference playback.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePCM sample rate (DSD up to DSD256)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e768 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal to noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e123 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eIEM output noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-121 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, Extreme Power phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReference DA conversion\u003c\/strong\u003e from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and unbalanced RCA line outputs\u003c\/strong\u003e with 4-stage hardware reference level and Auto Ref Level\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eExtreme Power headphone output\u003c\/strong\u003e: 0.1 Ohm, up to +22 dBu and 1.5 W per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSuper low noise IEM output\u003c\/strong\u003e (3.5 mm): -121 dBu noise level, near zero output impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 2.0 Class Compliant\u003c\/strong\u003e up to 768 kHz and DSD256; a true 2-channel full duplex interface\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+2.5 dB digital headroom\u003c\/strong\u003e against intersample peaks; distortion-free digital volume over 190 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e: 5-band parametric EQ, Bass \/ Treble, Loudness, Crossfeed, M\/S processing\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e with femtosecond-class self jitter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIPS display\u003c\/strong\u003e with 30-band analyser and \u003cstrong\u003eAutoDark\u003c\/strong\u003e mode: all lights off after 10 seconds\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMRC Multi-Remote Control\u003c\/strong\u003e with four programmable keys; \u003cstrong\u003eADI-2 Remote\u003c\/strong\u003e software for Windows, macOS and iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSuper low noise for IEM lovers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eModern in-ear monitors are extremely sensitive and uncover the noise floor of any player, DAC or headphone amp. RME added the most advanced IEM output imaginable as a second phones connection on the front: its noise floor is 10 dB lower than that of the Extreme Power output, output impedance is near zero Ohms, THD reaches new lows, and click-free on\/off and volume ramp-up are included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExtreme Power headphone output\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Extreme Power stage delivers +22 dBu (10 V) and 1.5 W per channel with 0.1 Ohm output impedance and THD below -110 dB even at 32 Ohm near full output. A mute relay, DC protection and over-current protection are built in, and sensor contacts detect when headphones are plugged in: the DSP sets the volume knob to that output and ramps the volume up smoothly.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe DAC\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePacked into the compact half 19-inch format, the ADI-2 DAC converts SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS. The fully balanced and DC-coupled circuit design gives highest phase accuracy at lowest roll-off, and the SPDIF input signal can even be recorded via USB. The Class Compliant USB 2.0 port works with Mac and iOS without a driver; under Windows RME's MADIface series driver adds WDM and ASIO, including DSD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLights out and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith AutoDark activated, display, function keys, volume knob and even the standby button go off after 10 seconds without operation. The included MRC remote has clearly labelled buttons, readable even in low light, for standby, volume, balance, Bass and Treble, input selection, mute, Loudness and EQ, plus four programmable keys.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2 DAC FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control (MRC) with battery\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply, lockable connector, DC 12 V, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: ADI-2 Remote (Windows, macOS, iOS) and DIGICheck. Bit test audio files are available from RME to check the playback path.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2 DAC FS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the IEM output for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is a dedicated 3.5 mm output for very sensitive in-ear monitors, with a noise floor 10 dB lower than the Extreme Power output (-121 dBu) and near zero output impedance.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it play DSD and high sample rates?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It plays PCM up to 768 kHz and DSD up to DSD256 via USB, Class Compliant on Mac and iOS and with RME's driver on Windows.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it as a preamp for active speakers?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The balanced XLR and unbalanced RCA line outputs have a 4-stage reference level and a distortion-free digital volume control, operated from the front or the included remote.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNot on Mac and iOS. On Windows the RME MADIface series driver provides WDM and ASIO.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2 DAC FS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2 DAC FS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949154402671,"sku":"RME-ADI-2-DAC-FS","price":166498.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-DAC-FS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326053"},{"product_id":"rme-adi-2-fs-adi-series-ad-da-converters","title":"RME ADI-2 FS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2 FS\u003c\/strong\u003e is a compact and extremely flexible 2-channel high-end AD\/DA converter in a 9.5-inch housing, with first-class conversion from and to SPDIF, AES and ADAT at up to 192 kHz, a High Power headphone output and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAs the successor of the renowned ADI-2, the ADI-2 FS has been completely redesigned, for example with the complete analogue input stage of the ADI-2 Pro, while keeping the same easy operation and I\/Os. Balanced analogue inputs and outputs, monitoring via the headphone output, 3-stage hardware input and output level control and the additional modes DIG and ANA make it a universal tool and a flexible problem solver: an AD\/DA converter in professional studio quality, a powerful headphone amplifier, a multi-format converter with monitoring, an analogue impedance converter, level adapter, balancer and distribution amplifier. It is also an ideal supplement to RME interfaces, adding two analogue inputs and outputs and an extra headphone output.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e24‑bit AD\/DA conversion\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, High Power phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.7 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDigital formats: SPDIF, AES, ADAT\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 servo-balanced analogue line inputs\u003c\/strong\u003e on XLR\/TRS combo jacks, input level +4, +13 or +19 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and unbalanced TRS line outputs\u003c\/strong\u003e, usable at the same time, +4, +13 or +19 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh Power headphone output\u003c\/strong\u003e: 0.1 Ohm, +19 dBu, 0.7 W per channel, THD -110 dB, click-free relay\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSPDIF coaxial (AES\/EBU compatible) and optical I\/O\u003c\/strong\u003e, also ADAT up to 192 kHz with S\/MUX4\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMode DIG\u003c\/strong\u003e: digital format converter between SPDIF, AES and ADAT with DA monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMode ANA\u003c\/strong\u003e: analogue loop-through up to +22 dBu as line preamp, level adapter, balancer or distribution amp\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e and Intelligent Clock Control, sample rates 32 to 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVariable output level\u003c\/strong\u003e: the VOL knob can also control the rear line outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6-LED level meters\u003c\/strong\u003e with multiple brightness stages and peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFlexible power\u003c\/strong\u003e: lockable 24 W supply included, 9 to 15 V DC for battery operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReference class analogue and clocking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe analogue inputs use the advanced circuit design of the ADI-2 Pro, with outstandingly low noise and distortion and an extended frequency response. Three settings for input and output levels give perfect compatibility in the analogue domain. SteadyClock FS, RME's clock technology for maximum jitter suppression and lowest self-jitter, guarantees superb sound quality completely independent from the quality of the reference clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersatile format conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe coaxial RCA I\/O has switchable Channel Status to make it fully AES\/EBU compatible (cable adapter required), and the optical TOSLINK ports handle SPDIF up to 192 kHz and also serve as ADAT I\/O, even at 192 kHz. With the input set to DIG the unit works as a digital format converter with simultaneous monitoring: the signal is recreated bit-accurately and freed from jitter, available on both digital outputs and on the analogue and headphone outputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue loop-through (ANA)\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe output selection ANA connects the analogue output circuitry directly to the analogue input circuitry. The AD converter keeps converting the input to SPDIF, AES or ADAT, while the analogue path handles levels up to +22 dBu. Gain and attenuation come from the input and output level settings, or fully variable with the VOL knob, so the ADI-2 FS also works as a line-level preamp and as a balanced to unbalanced converter.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh Power headphone output\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA down-scaled version of the ADI-2 Pro's Extreme Power output stage delivers up to 0.7 W per channel, 0.1 Ohm output impedance, a maximum output level of +19 dBu and very low THD of -110 dB. It offers the same 120 dBA SNR as the rear outputs and a relay ensures click-free switching.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2 FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUser's guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply, lockable connector, DC 12 V, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eOptional RME accessories: RM-19-X 19-inch rack adapter, Unirack, AUTOK car lighter cable, AKKUK battery cable and TOSLINK optical cables.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2 FS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add it to my RME audio interface?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connected via ADAT or SPDIF, it adds two analogue inputs and outputs and a headphone output to RME interfaces, at up to 192 kHz with S\/MUX4 on ADAT.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it convert between digital formats?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In DIG mode it converts between SPDIF coaxial, AES\/EBU (Professional or Consumer Channel Status) and ADAT, with the signal also monitored on the analogue outputs and headphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a computer or driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The ADI-2 FS is a stand-alone converter with digital and analogue I\/O; it stores all settings and recalls them at power on.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it run from a battery?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The DC input accepts 9 to 15 V for continuous operation, so a battery, rechargeable battery or 12 V power bank can be used for mobile and ground-isolated work.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2 FS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2 FS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949154599279,"sku":"RME-ADI-2-FS","price":101633.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-FS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326071"},{"product_id":"merging-hapi-mk-iii-network-audio-interfaces-audio-interfaces-ad-da-converters","title":"MERGING Hapi Mk III","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING Hapi Mk III\u003c\/strong\u003e is an ultra-flexible networked audio mainframe with superior sound quality: a modular 1U interface and audio router with two slots for MERGING extension cards, built-in digital I\/O and two RAVENNA\/AES67 network ports.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHapi Mk III is the foundation of the MERGING ecosystem. Its small form factor of only 1U makes it the ideal rack unit for any application, and two slots for MERGING I\/O extension cards let you configure it to your application: up to 16 mic preamps, 16 line outputs or 128 MADI inputs and outputs. ADAT, S\/PDIF and AES\/EBU I\/O, word clock and two mastering-grade headphone outputs are built in, and with up to 152 input and 154 output channels, 64 network streams and resolutions up to 384 kHz PCM, DXD and DSD256 it adapts to critical recordings, studio outboard connectivity, immersive monitoring and broadcast systems.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eModular mainframe, 2 card slots\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInput \/ output channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e152 \/ 154\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePCM, plus DXD and DSD256\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e384 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLatency from input to output\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 1 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCompact, customisable audio mainframe\u003c\/strong\u003e: 1U, with two slots for MERGING I\/O and preamp extension cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSuperior audio quality\u003c\/strong\u003e: resolutions up to 352.8 kHz (DXD), 384 kHz and DSD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo network ports\u003c\/strong\u003e for ST2022-7 redundancy or switch mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRAVENNA\/AES67\u003c\/strong\u003e with NMOS, ST2110 and ST2022-7 support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 152 input and 154 output channels, 64 streams\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e8 x AES\/EBU plus 8 x ADAT or 2 x S\/PDIF (optical), word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLTC, MIDI and video reference via the sync cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNear-zero latency from input to output (\u0026lt; 1 ms)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOLED display with rotary control, plus remote access via web browser\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMastering-grade headphone output in 6.35 mm and 3.5 mm TRS formats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eModular by design\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo universal slots accept any combination of MERGING mic\/line input cards, line output cards and a MADI card, and standard and premium cards can be mixed in the same unit. MERGING A\/D cards feature a unique dual gain topology with up to 78 dB gain and a dynamic range of up to 136 dB A (mic) \/ 139 dB A (line); premium versions support DXD 384 kHz PCM and DSD256. D\/A cards feature selectable roll-off filters, with per-channel trim level (0.1 dB steps) and polarity for mastering-grade precision. Extension cards are optional and ordered separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNumerous AoIP options and full redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn easy-to-use OLED display for stand-alone operation and intuitive web browser control make AoIP more accessible than ever. The redundant RJ45 network connectors ensure reliability and security, and the second port can also connect an extra interface or system in switch mode. Hapi Mk III supports ST2022-7, ST2110 and NMOS (IS-04 and IS-05) for easy integration into broadcasting systems.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRoute any input to any output\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAny input can be routed to any number of outputs simultaneously, in blocks of 8 channels: 8 mic inputs can feed 8 AES outputs and, at the same time, the MADI outputs and a RAVENNA stream. Use Hapi Mk III as a stand-alone AD\/DA converter or as a node on a RAVENNA\/AES67 network built with off-the-shelf switches.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConnects to everything\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith MERGING's software solutions, drivers and virtual sound cards (MAD, VAD and ANEMAN), Hapi Mk III works with any recording software, irrespective of the computer's operating system, and with MERGING's own Pyramix through the RAVENNA\/AES67 MassCore driver. The ultra-low impedance headphone output sits on the front, and the rear sync port adds LTC, MIDI and video reference.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSwiss craftsmanship\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith highly skilled technicians overseeing the manufacturing process, Hapi Mk III is the embodiment of Swiss craftsmanship: every component is meticulously sourced and tested, for precision and build quality that guarantee longevity and lasting value.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHapi Mk III\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRJ45 cable (with plastic sleeve)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRack ears and screws\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick start guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eImportant safety and installation guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING Hapi Mk III: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich extension cards does the Hapi Mk III accept?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo slots take ADA8V3 (8 mic\/line in and 8 line out), ADO8V3 (8 mic\/line in with 8 direct outs) and DA8V3 (8 line out) cards in Standard (up to 192 kHz) or Premium (up to DXD\/DSD256) versions, the MADI128V3 card and the PT64V3 card. Only one MADI card fits per unit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the Hapi Mk III be used without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It works as a stand-alone converter (for example analogue to MADI or AES) with the OLED display and rotary control, and can be controlled remotely in a web browser.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the Hapi Mk III support network redundancy?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Its two RJ45 ports run ST2022-7 seamless protection switching for full network redundancy, or network switch mode to daisy-chain one extra network device.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat sample rates does the Hapi Mk III support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e44.1 to 384 kHz PCM plus DXD and DSD64\/128\/256; DXD and DSD need premium extension cards.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING Hapi Mk III in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING Hapi Mk III is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001016054127,"sku":"MERGING-HAPI-MK-III","price":324900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-HAPI-MK-III-NETWORK-AUDIO-INTERFACES-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674460"},{"product_id":"merging-ada8v3p-hapi-expansion-cards-audio-interfaces-ad-da-converters","title":"MERGING ADA8V3P","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING ADA8V3P\u003c\/strong\u003e is an 8-channel mic\/line A\/D and D\/A card for the MERGING HAPI Mk III audio mainframe, Premium version: eight remote-controlled mic\/line inputs and eight line outputs, with sample rates up to 352.8 kHz (DXD) and 384 kHz, plus DSD64, DSD128 and DSD256.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADA8V3P is a complex input and output card for HAPI Mk III. With eight inputs and eight outputs it offers two-way audio conversion, analogue to digital and digital to analogue, and its remote-controlled mic\/line inputs feature the 3rd generation Dual Gain topology, inspired by the exceptional ANUBIS preamps, for the highest audio quality without compromise. With two cards, HAPI Mk III is configured for up to 16 analogue I\/O channels. The Premium card has superior specifications, and each Premium card is measured for the highest specifications and smallest tolerances.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic\/line inputs and line outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 + 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range, line inputs (A, typ.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e139 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePreamp gain with Boost\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUp to 384 kHz and DXD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDSD256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 exceptionally transparent, Swiss designed preamplifiers\u003c\/strong\u003e plus 8 line outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDynamic range of 139 dB\u003c\/strong\u003e (A-weighted, typ.) on the line inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePreamps offer up to 78 dB of gain (with Boost)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFull remote access for all parameter changes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDynamic range of 126 dB (A-weighted, typ.) on the line outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePhantom power, polarity invert, low cut and impedance switchable per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitch to line level per channel via the display or remotely in a web browser\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-mute circuitry for 'no-pop' power cycling\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigitally controlled output trims for line-up procedures\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x 25-pin D-Sub connectors\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSample rates up to 352.8 kHz (DXD) and 384 kHz, plus DSD64, DSD128 and DSD256\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual Gain preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach of the eight inputs takes microphones or line level sources: mic with pad (+24 dBu max.), mic (+12 dBu) or mic boost (0 dBu), with a software-controlled gain range of 0 to +66 dB in 0.5 dB steps, switchable 48 V phantom power, polarity invert, an 80 Hz low cut filter (-12 dB\/octave) and 3 kΩ or 10.4 kΩ input impedance on every channel. The line inputs accept up to +24 dBu for 0 dBFS with a dynamic range of 139 dB (A-weighted, typ.).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLine outputs with trims and roll-off filters\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe eight line outputs deliver a maximum level of +24 dBu or +18 dBu for 0 dBFS, selectable in software, with per-channel trims in 0.1 dB steps and polarity for line-up. Four roll-off filters are available: slow (default, with the lowest latency of 9 samples), sharp, apodizing and brickwall. Auto-mute circuitry prevents clicks and pops at power cycling.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRemote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll parameters are accessible on the OLED display of HAPI Mk III or remotely in a web browser, and the inputs and outputs can be routed in blocks of 8 to any HAPI Mk III output or RAVENNA\/AES67 network stream.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDXD and DSD\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn DSD, the FPGA of the Premium card adds a sigma-delta modulator after the digital gain and low cut stage and delivers a 1-bit DSD output, for DSD64, DSD128 and DSD256 recording and playback. PCM sample rates reach 352.8 kHz (DXD) and 384 kHz.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eADA8V3P extension card for HAPI Mk III\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING ADA8V3P: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich unit does the ADA8V3P fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is an extension card for the MERGING HAPI Mk III audio mainframe and fits either of its two slots; standard and premium cards can be mixed in the same unit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the ADA8V3S and the ADA8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Standard ADA8V3S supports sample rates up to 192 kHz. The Premium ADA8V3P extends this to 384 kHz PCM, DXD and DSD up to DSD256, and every Premium card is individually tested and selected.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I connect microphones to the ADA8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe mic\/line inputs and the line outputs each use a female DB-25 connector with the AES59 analogue pinout; a DB-25 to 8 XLR fan-out cable connects microphones or line sources.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs HAPI Mk III included with the ADA8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The card is an option for HAPI Mk III and is ordered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING ADA8V3P in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING ADA8V3P is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001016349039,"sku":"MERGING-ADA8V3P","price":349900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-ADA8V3P-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674482"},{"product_id":"merging-ada8v3s-hapi-expansion-cards-audio-interfaces-ad-da-converters","title":"MERGING ADA8V3S","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING ADA8V3S\u003c\/strong\u003e is an 8-channel mic\/line A\/D and D\/A card for the MERGING HAPI Mk III audio mainframe, Standard version: eight remote-controlled mic\/line inputs and eight line outputs, with sample rates up to 192 kHz.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADA8V3S is a complex input and output card for HAPI Mk III. With eight inputs and eight outputs it offers two-way audio conversion, analogue to digital and digital to analogue, and its remote-controlled mic\/line inputs feature the 3rd generation Dual Gain topology, inspired by the exceptional ANUBIS preamps, for the highest audio quality without compromise. With two cards, HAPI Mk III is configured for up to 16 analogue I\/O channels. The Standard version supports sample rates up to 192 kHz.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic\/line inputs and line outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 + 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range, line inputs (A, typ.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e139 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePreamp gain with Boost\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 exceptionally transparent, Swiss designed preamplifiers\u003c\/strong\u003e plus 8 line outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDynamic range of 139 dB\u003c\/strong\u003e (A-weighted, typ.) on the line inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePreamps offer up to 78 dB of gain (with Boost)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFull remote access for all parameter changes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDynamic range of 124 dB (A-weighted, typ.) on the line outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePhantom power, polarity invert, low cut and impedance switchable per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitch to line level per channel via the display or remotely in a web browser\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-mute circuitry for 'no-pop' power cycling\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigitally controlled output trims for line-up procedures\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x 25-pin D-Sub connectors\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSample rates up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual Gain preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach of the eight inputs takes microphones or line level sources: mic with pad (+24 dBu max.), mic (+12 dBu) or mic boost (0 dBu), with a software-controlled gain range of 0 to +66 dB in 0.5 dB steps, switchable 48 V phantom power, polarity invert, an 80 Hz low cut filter (-12 dB\/octave) and 3 kΩ or 10.4 kΩ input impedance on every channel. The line inputs accept up to +24 dBu for 0 dBFS with a dynamic range of 139 dB (A-weighted, typ.).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLine outputs with trims and roll-off filters\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe eight line outputs deliver a maximum level of +24 dBu or +18 dBu for 0 dBFS, selectable in software, with per-channel trims in 0.1 dB steps and polarity for line-up. Four roll-off filters are available: slow (default, with the lowest latency of 9 samples), sharp, apodizing and brickwall. Auto-mute circuitry prevents clicks and pops at power cycling.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRemote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll parameters are accessible on the OLED display of HAPI Mk III or remotely in a web browser, and the inputs and outputs can be routed in blocks of 8 to any HAPI Mk III output or RAVENNA\/AES67 network stream.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eADA8V3S extension card for HAPI Mk III\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING ADA8V3S: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich unit does the ADA8V3S fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is an extension card for the MERGING HAPI Mk III audio mainframe and fits either of its two slots; standard and premium cards can be mixed in the same unit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the ADA8V3S and the ADA8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Standard ADA8V3S supports sample rates up to 192 kHz. The Premium ADA8V3P extends this to 384 kHz PCM, DXD and DSD up to DSD256, and every Premium card is individually tested and selected.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I connect microphones to the ADA8V3S?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe mic\/line inputs and the line outputs each use a female DB-25 connector with the AES59 analogue pinout; a DB-25 to 8 XLR fan-out cable connects microphones or line sources.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs HAPI Mk III included with the ADA8V3S?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The card is an option for HAPI Mk III and is ordered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING ADA8V3S in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING ADA8V3S is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001017594223,"sku":"MERGING-ADA8V3S","price":279900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-ADA8V3S-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674495"},{"product_id":"merging-ado8v3p-hapi-expansion-cards-audio-interfaces-ad-da-converters","title":"MERGING ADO8V3P","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING ADO8V3P\u003c\/strong\u003e is an 8-channel mic\/line A\/D card with 8 analogue direct outs for the MERGING HAPI Mk III audio mainframe, Premium version, with sample rates up to 352.8 kHz (DXD) and 384 kHz, plus DSD64, DSD128 and DSD256.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADO8V3P input card is an outstanding addition to HAPI Mk III. With 8 mic\/line inputs it delivers a dynamic range of 139 dB (A), and its Swiss designed preamps offer up to 78 dB of gain with exceptional transparency, thanks to the 3rd generation dual gain topology. All parameters of each channel can be adjusted remotely, and the card includes analogue direct outs (post mic preamp) for monitoring or external processing, such as tracking with additional outboard equipment. The Premium card has superior specifications, and each Premium card is measured for the highest specifications and smallest tolerances.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic\/line inputs and direct outs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 + 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range (A‑weighted, typ.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e139 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePreamp gain with Boost\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUp to 384 kHz and DXD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDSD256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e8 exceptionally transparent, Swiss designed preamplifiers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 78 dB of gain (with Boost)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote or local switch to line level on a per channel basis\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFull remote access for all parameter changes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePhantom power, polarity invert, low cut and impedance switchable per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemoves the need for DI boxes; allows built-in mic splitting\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDirect line out for each channel\u003c\/strong\u003e (post mic preamp)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDynamic range of 139 dB (A-weighted, typ.)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-mute circuitry for 'no-pop' power cycling\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePreamps MIDI remote control support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x 25-pin D-Sub connectors\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSample rates up to 352.8 kHz (DXD) and 384 kHz, plus DSD64, DSD128 and DSD256\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual gain preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach input takes microphones or line level sources: mic with pad (+24 dBu max.), mic (+12 dBu) or boost (0 dBu), with a software-controlled gain range of 0 to +66 dB in 0.5 dB steps and ±0.2 dB precision, switchable 48 V phantom power, phase reverse, an 80 Hz low cut filter and Zlo \/ Zhi input impedance on every channel.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue direct outs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DIRECT OUT connector carries a line level, post mic preamp copy of every input. The direct outs offer a fixed level output that reflects the analogue front-end gain (0 dB for line and mic with pad, 12 dB for mic, 24 dB for boost) but not the digital gain values, which are applied to the local signal paths only, so external processors and splits receive a consistent level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRemote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll parameters can be set on the OLED display of HAPI Mk III, remotely in a web browser or by MIDI remote control, and the inputs can be routed in blocks of 8 to any HAPI Mk III output or RAVENNA\/AES67 network stream.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eADO8V3P extension card for HAPI Mk III\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING ADO8V3P: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat are the direct outs of the ADO8V3P for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThey provide a line level output of every channel after the mic preamp, for monitoring, external processing with outboard equipment or splitting the microphones to another system.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the ADO8V3S and the ADO8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Standard ADO8V3S supports sample rates up to 192 kHz. The Premium ADO8V3P extends this to 384 kHz PCM, DXD and DSD up to DSD256, and every Premium card is individually tested and selected.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich unit does the ADO8V3P fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is an extension card for the MERGING HAPI Mk III and fits either of its two slots; HAPI Mk III is ordered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING ADO8V3P in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING ADO8V3P is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001017659759,"sku":"MERGING-ADO8V3P","price":309900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-ADO8V3P-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674509"},{"product_id":"merging-ado8v3s-hapi-expansion-cards-audio-interfaces-ad-da-converters","title":"MERGING ADO8V3S","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING ADO8V3S\u003c\/strong\u003e is an 8-channel mic\/line A\/D card with 8 analogue direct outs for the MERGING HAPI Mk III audio mainframe, Standard version, with sample rates up to 192 kHz.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADO8V3S input card is an outstanding addition to HAPI Mk III. With 8 mic\/line inputs it delivers a dynamic range of 139 dB (A), and its Swiss designed preamps offer up to 78 dB of gain with exceptional transparency, thanks to the 3rd generation dual gain topology. All parameters of each channel can be adjusted remotely, and the card includes analogue direct outs (post mic preamp) for monitoring or external processing, such as tracking with additional outboard equipment.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic\/line inputs and direct outs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 + 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range (A‑weighted, typ.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e139 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePreamp gain with Boost\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e8 exceptionally transparent, Swiss designed preamplifiers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 78 dB of gain (with Boost)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote or local switch to line level on a per channel basis\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFull remote access for all parameter changes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePhantom power, polarity invert, low cut and impedance switchable per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemoves the need for DI boxes; allows built-in mic splitting\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDirect line out for each channel\u003c\/strong\u003e (post mic preamp)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDynamic range of 139 dB (A-weighted, typ.)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-mute circuitry for 'no-pop' power cycling\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePreamps MIDI remote control support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x 25-pin D-Sub connectors\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSample rates up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual gain preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach input takes microphones or line level sources: mic with pad (+24 dBu max.), mic (+12 dBu) or boost (0 dBu), with a software-controlled gain range of 0 to +66 dB in 0.5 dB steps and ±0.2 dB precision, switchable 48 V phantom power, phase reverse, an 80 Hz low cut filter and Zlo \/ Zhi input impedance on every channel.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue direct outs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DIRECT OUT connector carries a line level, post mic preamp copy of every input. The direct outs offer a fixed level output that reflects the analogue front-end gain (0 dB for line and mic with pad, 12 dB for mic, 24 dB for boost) but not the digital gain values, which are applied to the local signal paths only, so external processors and splits receive a consistent level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRemote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll parameters can be set on the OLED display of HAPI Mk III, remotely in a web browser or by MIDI remote control, and the inputs can be routed in blocks of 8 to any HAPI Mk III output or RAVENNA\/AES67 network stream.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eADO8V3S extension card for HAPI Mk III\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING ADO8V3S: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat are the direct outs of the ADO8V3S for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThey provide a line level output of every channel after the mic preamp, for monitoring, external processing with outboard equipment or splitting the microphones to another system.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the ADO8V3S and the ADO8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Standard ADO8V3S supports sample rates up to 192 kHz. The Premium ADO8V3P extends this to 384 kHz PCM, DXD and DSD up to DSD256, and every Premium card is individually tested and selected.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich unit does the ADO8V3S fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is an extension card for the MERGING HAPI Mk III and fits either of its two slots; HAPI Mk III is ordered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING ADO8V3S in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING ADO8V3S is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001017758063,"sku":"MERGING-ADO8V3S","price":229900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-ADO8V3S-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674523"},{"product_id":"merging-da8v3p-hapi-expansion-cards-audio-interfaces-ad-da-converters","title":"MERGING DA8V3P","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING DA8V3P\u003c\/strong\u003e is a high-quality 8-channel digital to analogue line output card for the MERGING HAPI Mk III audio mainframe, Premium version, with sample rates up to 352.8 kHz (DXD) and 384 kHz, plus DSD64, DSD128 and DSD256.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DA8V3P gives HAPI Mk III eight mastering-grade line outputs. Its specifications include a dynamic range of 125 dB (128 dB A-weighted, typ.) and THD+N below -116 dB. The low phase noise oscillator circuitry contributes to the clarity and stereo imaging of analogue signals by minimising both jitter and wander, and the analogue mute circuitry protects against spurious transients during sample rate changes and power cycling 'clicks' and 'pops', which can damage speakers and the listener's ears. With a noise floor of less than -125 dB it provides analogue output quality for any monitoring system.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMastering‑grade line outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range (A‑weighted, typ.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at 1 kHz, 0 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-116 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUp to 384 kHz and DXD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDSD256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDynamic range of 128 dB\u003c\/strong\u003e (A-weighted, typ.)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow phase noise oscillator circuitry\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-mute circuitry for 'no-pop' power cycling\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigitally controlled trims for line-up procedures\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMaximum output level selectable in software: +24 dBu or +18 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x 25-pin D-Sub connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSample rates up to 352.8 kHz (DXD) and 384 kHz, plus DSD64, DSD128 and DSD256\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eEach Premium card is measured for the highest specifications and smallest tolerances\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eImmersive monitoring\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight mastering-grade line outputs suit an immersive speaker set-up powered by a MERGING ANUBIS running the Monitoring Mission: choose one card for 5.1.4, or two cards for up to 9.1.6.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLine-up and trims\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe maximum output level of all channels is set to +24 dBu or +18 dBu in software. The output attenuation calibrates the outputs from 0 to -60 dB in 0.1 dB steps, each channel has its own trim in 0.1 dB steps with a polarity setting, and a mute switch silences all outputs. Slow (default, 9 samples) and sharp roll-off filters are available.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClean signal path\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe signal passes the digital output attenuation, the roll-off filter, the D\/A converter, the analogue output level selection and the mute switch to the balanced analogue output on a DB-25 connector with the AES59 analogue pinout.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eDA8V3P extension card for HAPI Mk III\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING DA8V3P: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many DA8V3P cards do I need for immersive monitoring?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne card provides 8 outputs for 5.1.4; two cards in HAPI Mk III provide up to 9.1.6.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the DA8V3S and the DA8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Standard DA8V3S supports sample rates up to 192 kHz. The Premium DA8V3P extends this to 384 kHz PCM, DXD and DSD up to DSD256, with a dynamic range of 128 dB (A-weighted, typ.).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the DA8V3P feed unbalanced inputs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: use only the hot (+) output and leave the cold (-) side unconnected; never short pin 3 or pin 2 to ground, as the outputs are symmetrical but not floating.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich unit does the DA8V3P fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is an extension card for the MERGING HAPI Mk III and fits either of its two slots; HAPI Mk III is ordered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING DA8V3P in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING DA8V3P is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001017889135,"sku":"MERGING-DA8V3P","price":214900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-DA8V3P-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674537"},{"product_id":"merging-da8v3s-hapi-expansion-cards-audio-interfaces-ad-da-converters","title":"MERGING DA8V3S","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMERGING DA8V3S\u003c\/strong\u003e is a high-quality 8-channel digital to analogue line output card for the MERGING HAPI Mk III audio mainframe, Standard version, with sample rates up to 192 kHz.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DA8V3S gives HAPI Mk III eight mastering-grade line outputs. Its specifications include a dynamic range of 124 dB (126 dB A-weighted, typ.) and THD+N below -115 dB. The low phase noise oscillator circuitry contributes to the clarity and stereo imaging of analogue signals by minimising both jitter and wander, and the analogue mute circuitry protects against spurious transients during sample rate changes and power cycling 'clicks' and 'pops', which can damage speakers and the listener's ears. With a noise floor of less than -125 dB it provides analogue output quality for any monitoring system.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMastering‑grade line outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range (A‑weighted, typ.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e126 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at 1 kHz, 0 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-115 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDynamic range of 126 dB\u003c\/strong\u003e (A-weighted, typ.)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow phase noise oscillator circuitry\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-mute circuitry for 'no-pop' power cycling\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigitally controlled trims for line-up procedures\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMaximum output level selectable in software: +24 dBu or +18 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x 25-pin D-Sub connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSample rates up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eImmersive monitoring\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight mastering-grade line outputs suit an immersive speaker set-up powered by a MERGING ANUBIS running the Monitoring Mission: choose one card for 5.1.4, or two cards for up to 9.1.6.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLine-up and trims\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe maximum output level of all channels is set to +24 dBu or +18 dBu in software. The output attenuation calibrates the outputs from 0 to -60 dB in 0.1 dB steps, each channel has its own trim in 0.1 dB steps with a polarity setting, and a mute switch silences all outputs. Slow (default, 9 samples) and sharp roll-off filters are available.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClean signal path\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe signal passes the digital output attenuation, the roll-off filter, the D\/A converter, the analogue output level selection and the mute switch to the balanced analogue output on a DB-25 connector with the AES59 analogue pinout.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eDA8V3S extension card for HAPI Mk III\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMERGING DA8V3S: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many DA8V3S cards do I need for immersive monitoring?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne card provides 8 outputs for 5.1.4; two cards in HAPI Mk III provide up to 9.1.6.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the DA8V3S and the DA8V3P?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Standard DA8V3S supports sample rates up to 192 kHz. The Premium DA8V3P extends this to 384 kHz PCM, DXD and DSD up to DSD256, with a dynamic range of 128 dB (A-weighted, typ.).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the DA8V3S feed unbalanced inputs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: use only the hot (+) output and leave the cold (-) side unconnected; never short pin 3 or pin 2 to ground, as the outputs are symmetrical but not floating.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich unit does the DA8V3S fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is an extension card for the MERGING HAPI Mk III and fits either of its two slots; HAPI Mk III is ordered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MERGING DA8V3S in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MERGING DA8V3S is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001018118511,"sku":"MERGING-DA8V3S","price":149900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MERGING-DA8V3S-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793674552"},{"product_id":"lynx-aurora-n-ad-da-converters-audio-interfaces-studio-audio-interfaces","title":"LYNX Aurora(n)","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eLYNX Aurora(n)\u003c\/strong\u003e is a mastering grade modular AD\/DA converter, computer interface and stand-alone recorder: 8, 16, 24 or 32 channels of 24-bit \/ 192 kHz conversion in one rack space, an onboard 32-channel microSD recorder, plug-in I\/O modules and swappable LSlot cards for USB, Thunderbolt 3, Dante or HD system connection.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Aurora set the standard for transparency, reliability and economy in a professional AD\/DA converter; the Aurora(n) is a complete redesign from the bottom up. Next generation components and a discrete converter array, with a dedicated conversion device for each channel pair, give -113 dB THD+N and 119 dB of dynamic range at the low cost per channel LYNX is known for. Rather than a fixed feature set product, Aurora(n) is a platform: interchangeable LSlot cards and I\/O modules let the unit you buy today grow with your studio, and it also works with no computer at all.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels of 24‑bit \/ 192 kHz conversion in 1U\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 - 32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine input dynamic range, A‑weighted\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e119 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSynchroLock 2 jitter reduction\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e300,000:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSwappable LSlot interface cards\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eUSB \/ TB3 \/ Dante \/ HD2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8, 16, 24 and 32 channel versions\u003c\/strong\u003e, each in a 1U format\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24-bit \/ 192 kHz mastering grade A\/D and D\/A conversion\u003c\/strong\u003e with a discrete converter array\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOnboard 32-channel microSD recorder\u003c\/strong\u003e for direct recording and playback, cards up to 2 TB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUpgradable modules: LM-PRE4 mic preamp, LM-DIG AES\/EBU digital I\/O with optional DB-ADAT, LM-AIO8E line I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo audiophile-grade headphone outputs with independent volume controls\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 in, 3 out word clock with second generation SynchroLock 2 technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFuture-proof LSlot design with swappable USB, Thunderbolt 3, HD2 and Dante cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNControl software for total control of routing and functions from a computer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-ready, passively cooled, reinforced rack-mount chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransparency and the discrete converter array\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSignal coloration is additive and can kill an otherwise pristine mix. In the Aurora(n) the analogue signal path of each channel is a self-contained, shielded circuit and each channel pair has its own dedicated conversion device, reducing crosstalk and distortion while increasing dynamic range. Design and technology from the development of the Hilo bring Hilo-like performance to a multichannel converter.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA modular platform that grows with you\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eStart with eight, sixteen or twenty-four channels and add groups of eight up to thirty-two. Add modules for digital I\/O and microphone preamps, change the connection method with an LSlot card, and add functions with free firmware updates. An 8-channel analogue USB system today can become a 16 analogue plus 16 digital Thunderbolt system later.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone microSD recording and playback\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe microSD slot records up to 32 channels of broadcast wave files at all sample rates, as a confidence recording during production or as a stand-alone recorder. Single or multitrack recordings and playlists play back to the outputs, perfect for installations or live performances with prerecorded tracks. Up to 128 sessions per card and 256 takes per session are supported.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSynchroLock 2 clocking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMastering grade clock generation with better than 7 ppm accuracy makes the Aurora(n) an ideal studio master clock, delivering first generation, time aligned clock from three word clock outputs. As a clock slave, SynchroLock 2 reduces jitter by 300,000:1 and locks in about 5 seconds.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eImmersive monitoring firmware\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA free firmware update for registered owners supports speaker configurations up to 9.1.6 with 530 room correction filters, up to 16 filters per channel (parametric, low-pass, high-pass and shelving), level and delay compensation and bass management with LFE, at 64-bit floating-point accuracy.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAurora(n) AD\/DA converter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC power cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAurora(n) user's manual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB only: one 6' Type-A to Type-B shielded USB 2.0 cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAurora(n) 8: 8 analogue inputs and 8 outputs, 1 x DB25 each\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAurora(n) 16: 16 analogue inputs and 16 outputs, 2 x DB25 each\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAurora(n) 24: 24 analogue inputs and 24 outputs, 3 x DB25 each\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAurora(n) 32: 32 analogue inputs and 32 outputs, 4 x DB25 each\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eEach version with an LSlot card for USB (up to 16 channels), Thunderbolt 3, Dante or HD system connection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLYNX Aurora(n): frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add channels or modules later?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Channels can be added in groups of eight up to 32, and LM-PRE4, LM-DIG (with DB-ADAT) and LM-A24 modules can be added. Some modules are user-installable; LM-PRE4 and DB-ADAT installation is done by LYNX or a LYNX custom shop integrator.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the Aurora(n) work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It can record and play up to 32 channels on its microSD card, and every setting is available on the front panel, so it works as a stand-alone converter and recorder.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I connect it to my computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThrough the LSlot card: LT-USB (USB 2.0, up to 16 channels), LT-TB3 (Thunderbolt 3), LT-DANTE (Dante network) or LT-HD2 (HD system). The card can be changed later.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat connectors are used for the analogue I\/O?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e25-pin D-sub connectors, 8 channels each, balanced or unbalanced. LYNX CBL-AIN85 and CBL-AOUT85 fan them out to 8 female or 8 male XLR.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the LYNX Aurora(n) in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LYNX Aurora(n) is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"8-channel","offer_id":68002994159983,"sku":"LYNX-AURORA-N-8-CHANNEL","price":0.0,"currency_code":"INR","in_stock":true},{"title":"16-channel","offer_id":68003014934895,"sku":"LYNX-AURORA-N-16-CHANNEL","price":0.0,"currency_code":"INR","in_stock":true},{"title":"24-channel","offer_id":68003014967663,"sku":"LYNX-AURORA-N-24-CHANNEL","price":0.0,"currency_code":"INR","in_stock":true},{"title":"32-channel","offer_id":68003015000431,"sku":"LYNX-AURORA-N-32-CHANNEL","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/LYNX-AURORA-N-AD-DA-CONVERTERS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793679362"},{"product_id":"lynx-lm-aio8e-lm-modules-expansion-cards-audio-interfaces-ad-da-converters","title":"LYNX LM-AIO8E","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eLYNX LM-AIO8E\u003c\/strong\u003e is the standard line I\/O module for the Aurora(n): eight line-level inputs and eight line-level outputs on 25-pin D-sub connectors, with the transparency, imaging and ruler-flat frequency response LYNX converters are known for.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe module uses the industry-standard 8-channel analogue pinout on its D25 connectors. Input trims, output levels, signal routing and mixing are controlled from the Aurora(n) front panel or with the LYNX NControl application on a computer. It is user-installable in any of the four module positions, for up to 32 channels of line-level I\/O; LYNX can also install and test it at the factory.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs and outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 x 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine input dynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e119 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine input THD+N\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-113 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels with four modules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 line inputs and 8 line outputs\u003c\/strong\u003e on two 25-pin D-sub connectors\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIndustry-standard 8-channel analogue pinout\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePristine transparency, excellent imaging and ruler-flat frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e+6 dBV or +20 dBu full-scale trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eControlled from the Aurora(n) front panel or NControl\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUser-installable in any of the four module positions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eInstallation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRead the LYNX installation instructions first. Each module comes with the cover plate labelled for its channel numbers, locking machine screws and D-sub jack screws; when ordering, give the serial number and current configuration of your Aurora(n) so the correct mounting hardware is supplied. If you prefer, LYNX installs and tests the module at the factory.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eLYNX Aurora(n) 8, 16 and 24 (adding channels up to 32)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLM-AIO8E line I\/O module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCover plate labelled for the channel numbers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMounting screws and D-sub jack screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLYNX LM-AIO8E: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I install the LM-AIO8E myself?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, it is user-installable in any of the four module positions, following the LYNX installation instructions. LYNX can also install it for you.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich cables connect to it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAny 25-pin D-sub analogue cable set with the standard 8-channel pinout, such as the LYNX CBL-AIN85 (inputs) and CBL-AOUT85 (outputs).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the LYNX LM-AIO8E in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LYNX LM-AIO8E is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003032695151,"sku":"LYNX-LM-AIO8E","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/LYNX-LM-AIO8E-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793679396"},{"product_id":"lynx-lm-a24-lm-modules-expansion-cards-audio-interfaces-ad-da-converters","title":"LYNX LM-A24","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eLYNX LM-A24\u003c\/strong\u003e is a specialty analogue module for the Aurora(n): two line inputs and four monitor outputs on balanced 1\/4\" TRS jacks, with levels up to +24 dBu and precise analogue-domain output level control.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LM-A24 suits installations that need a few dedicated I\/Os without an extra breakout cable, such as separate monitor outputs when the other Aurora(n) line outputs feed a summing mixer or a patch bay. The outputs drive powered monitors through a low-distortion, digitally-controlled analogue attenuator that keeps a high signal-to-noise ratio over the whole range, and anti-pop relays protect the speakers. The two inputs switch between +20 and +24 dBu full scale for professional equipment such as microphone preamplifiers.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBalanced 1\/4\" TRS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 in \/ 4 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum I\/O level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue output level steps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOutput dynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eLYNX proprietary 24-bit A\/D and D\/A conversion\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFour electronically balanced outputs on TRS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOutput level adjustment in 0.5 dB increments up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo electronically balanced inputs accept levels up to +24 dBu on TRS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFully-differential transparent design; line level performance identical to the LM-AIO8E\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAnti-pop relays on the outputs for silent power-ups and power-downs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSeamless integration with the Aurora(n) mixing and routing engine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eInstallation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe module is user-installable either in the top position of module 1 or below the LT-USB or LT-TB3 card; with the Dante or HD system connection it must be installed in the top position of module 1. It is supplied with washers and nuts for the 1\/4\" jacks.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eLYNX Aurora(n) 8, 16 and 24\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLM-A24 analogue I\/O module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCover plate\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMounting screws, washers and nuts for the 1\/4\" jacks\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLYNX LM-A24: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the LM-A24 typically used for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSeparate monitor outputs with precise level control, for example when the other Aurora(n) line outputs feed a summing mixer or a patch bay for inserts.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere is it installed?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn the top position of module 1, or below the LT-USB or LT-TB3 card; with Dante or HD system connection, in the top position of module 1.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the LYNX LM-A24 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LYNX LM-A24 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003032727919,"sku":"LYNX-LM-A24","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/LYNX-LM-A24-EXPANSION-CARDS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793679397"},{"product_id":"lynx-mesa-studio-audio-interfaces-audio-interfaces-ad-da-converters","title":"LYNX Mesa","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eLYNX Mesa\u003c\/strong\u003e is a desktop Thunderbolt 3 audio interface, stand-alone AD\/DA converter and microSD recorder with the conversion and clocking of the Aurora(n): four mic \/ line \/ Hi-Z inputs, 14 inputs and outputs with loopback, dual headphone outputs and a high-contrast capacitive touchscreen.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMesa brings LYNX quality conversion to a compact, portable desktop unit for home and project studios, songwriter suites, location recording and commercial production rooms. Its preamps match the LM-PRE4 module and its conversion and clocking match the Aurora(n). The same capacitive touchscreen as Hilo 2 makes it ideal for stand-alone use, the included Mesa Remote software gives the same control from a computer, and the built-in microSD slot makes Mesa a primary or backup recorder for live and remote work.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic \/ line \/ Hi‑Z on combination jacks\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 inputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePlus a stereo loopback channel\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 in \/ 14 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAll rates, SynchroLock 2 clock\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRound‑trip latency from under 1 ms\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFour low-noise microphone \/ line \/ Hi-Z switchable inputs\u003c\/strong\u003e with 48 V, pad, high-pass filter and polarity per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e14 inputs and outputs\u003c\/strong\u003e in total with 2 loopback channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual headphone outputs\u003c\/strong\u003e with dedicated D\/A and independent level controls\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh-contrast capacitive touchscreen, flexible routing and monitor control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eThunderbolt 3 interface for current computers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical I\/O for S\/PDIF or ADAT, coaxial S\/PDIF I\/O, word clock in and out\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMicroSD card slot for recording up to 16 channels and playback\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSynchroLock 2 low-jitter sample clock\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOutput EQ with 16 filters per output (firmware 1.8)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAurora(n) quality on the desktop\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMesa uses the same quality conversion and clocking as the Aurora(n), and its preamps are the same quality as the LM-PRE4 module: line inputs reach -113 dB THD+N and 119 dB dynamic range, the microphone inputs offer -129 dBu EIN and up to 68.6 dB of gain.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSmart, touchscreen operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePlug in a guitar and the channel switches to Hi-Z; connect a computer and the driver recalls which channels you use; record to microSD and Mesa enables the live inputs automatically. Preset routing set-ups let you start recording immediately, and dedicated hardware buttons give one-touch Menu \/ Meters and All Mute.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone recorder and converter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith no computer, Mesa records up to 16 channels to microSD at sample rates up to 192 kHz, plays back sessions and playlists, and works as a stand-alone AD\/DA and format converter with coaxial S\/PDIF, optical S\/PDIF or ADAT and word clock I\/O.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWorks with any recording software\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMesa presents 8 stereo play and 8 stereo record devices to the computer for discrete access to its 14 inputs and outputs and the loopback channel, and is compatible with all major recording software on current computers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMesa desktop interface\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e12 V DC power adapter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCountry specific AC power cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuickStart guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFactory checklist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLYNX Mesa: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do I need to connect Mesa to a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA Thunderbolt 3, 4 or 5 port and a certified Thunderbolt cable; LYNX provides the drivers and the Mesa Remote software. Copper Thunderbolt cables up to 3 m and optical cables up to 100 m are supported.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan Mesa record without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The microSD slot records up to 16 channels at up to 192 kHz and plays back sessions and playlists, and the touchscreen controls everything.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I plug a guitar straight in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The combination inputs accept microphones and line sources on XLR and instruments on 1\/4\"; a 1\/4\" plug switches the channel to Hi-Z automatically.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan Mesa run on battery?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMesa runs on 12 V DC (3.3 A): it uses the supplied adapter, and for field work it can be connected to a 12 V battery power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the LYNX Mesa in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LYNX Mesa is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003032826223,"sku":"LYNX-MESA","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/LYNX-MESA-STUDIO-AUDIO-INTERFACES-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793679400"},{"product_id":"lynx-hilo-2-ad-da-converters-audio-interfaces-studio-audio-interfaces","title":"LYNX Hilo 2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eLYNX Hilo 2\u003c\/strong\u003e is a reference AD\/DA converter system: pristine, independently coupled 2 in, 6 out analogue conversion with digital expansion up to 16 x 16, a capacitive touchscreen, real-time metering, hyper-flexible routing and monitor control, and a swappable LSlot card for USB, Thunderbolt 3 or Dante connection.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHilo 2 (pronounced hee-loh) is for professionals who demand the purest audio quality. Engineered as a true all-in-one device, it combines AD\/DA conversion with built-in metering and analysis, multiple inputs and outputs, routing and monitoring control, all saved and recalled via the touchscreen. The line I\/O has been completely redesigned, SynchroLock 2 clocking locks quickly with 7 ppm absolute accuracy, and selectable linear and minimum phase filters are available on the line I\/O. It works with a computer or entirely stand-alone, on mains power or on 9-18 V DC battery packs for location recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue I\/O, digital expansion to 16 x 16\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 in \/ 6 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine out dynamic range, A‑weighted\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAll standard rates, SynchroLock 2\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSwappable LSlot interface cards\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eUSB \/ TB3 \/ DNT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePristine, independently coupled 2 in, 6 out AD\/DA conversion\u003c\/strong\u003e with digital expansion up to 16 x 16\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUnique touchscreen interface\u003c\/strong\u003e: 480 x 272 IPS LCD with capacitive touch, forever upgradable through free firmware updates\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFuture-proof LSlot design\u003c\/strong\u003e with swappable USB, Thunderbolt 3 and Dante cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReal-time meters and analysis\u003c\/strong\u003e: Analog VU, 30-band RTA, horizontal and All I\/O meters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHyper-flexible routing through an internal 32 x 32 channel mixer, plus monitor control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSynchroLock 2 sample clock: faster locking and better tracking of external clocks, 7 ppm absolute accuracy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSelectable linear and minimum phase filters on the line I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/EBU, coaxial S\/PDIF, optical S\/PDIF or 8-channel ADAT and word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePowered by mains or 9-18 V DC battery packs for location recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransparent conversion and clocking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe line inputs reach 122 dB dynamic range and -117 dB THD+N, the line outputs 127 dB and -120 dB, with crosstalk of -143 dB and frequency response within ±0.04 dB from 20 Hz to 20 kHz. Eight full-scale trim settings from +0 dBV to +24 dBu match any studio level, and 25-turn trim pots fine-tune each one by ±0.5 dB. SynchroLock 2 reduces jitter on external clocks by a factor of 3000:1, so even inaccurate or jittery clock sources benefit from the Hilo 2 crystal oscillator.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTouchscreen metering, routing and scenes\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery function is on the 480 x 272 touchscreen: four meter types, a routing page where any input can feed any combination of outputs with its own level, mute and monitoring mode, one-to-one monitoring of 4 x 4 selected sources with a master volume, and scenes that recall all device settings with a tap. Sample rate, clock source, trims, filters and sample rate conversion are set on Hilo 2 itself, with no extra computer software needed; the free Hilo Remote application adds control from a computer or tablet.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLSlot connectivity: USB, Thunderbolt 3 or Dante\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LSlot expansion port takes the LT-USB, LT-TB3 or LT-DANTE card and supports up to 32 inputs and outputs simultaneously, so the connection can change whenever you need. The USB version runs 16 x 16 channels at up to 96 kHz or 8 x 8 at up to 192 kHz; the Thunderbolt 3 version offers two ports for daisy-chaining; the Dante version connects to any Ethernet-based Dante network with primary and secondary ports.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA complete digital format converter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHilo 2 is also a powerful digital format converter and router: stereo AES\/EBU, coaxial S\/PDIF and optical S\/PDIF switchable to 8-channel ADAT, with a sample rate converter on the AES and S\/PDIF inputs (up to 16:1, 144 dB dynamic range). Any digital input can be routed to any analogue or digital output, making Hilo 2 perfectly suited as a stand-alone AD\/DA, with no computer required. It also plays DSD in DoP V1.1.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHilo 2 AD\/DA converter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC power cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHilo 2 user's manual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB version only: 6' Type-A to Type-B shielded USB 2.0 cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHilo 2 USB (LT-USB card): code LYN-HILO2-USB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHilo 2 Thunderbolt 3 (LT-TB3 card): code LYN-HILO2-TB3\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHilo 2 Dante (LT-DANTE card): code LYN-HILO2-DNT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLYNX Hilo 2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the USB, TB3 and DNT versions?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the LSlot card fitted in the expansion port: LT-USB for a USB 2.0 connection, LT-TB3 for Thunderbolt 3, or LT-DANTE for a Dante network. The converter, inputs, outputs and touchscreen are the same.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan Hilo 2 work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Hilo 2 operates as a stand-alone AD\/DA converter, format converter, router and sample rate converter, with all routing and audio settings on the touchscreen; the Stand Alone AD\/DA scene sets it up in one tap.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it run on battery power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The BATTERY IN connector takes a 9-18 V DC battery pack on a 4-pin XLR (pin 4 hot, pin 1 ground), for location recording or wherever AC power is not available.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich sample rates does Hilo 2 support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll standard rates up to 192 kHz, using the SynchroLock 2 sample clock generator with better than 7 ppm accuracy. The USB version runs 16 channels up to 96 kHz or 8 channels up to 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the LYNX Hilo 2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LYNX Hilo 2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"USB","offer_id":68003032858991,"sku":"LYNX-HILO-2-USB","price":0.0,"currency_code":"INR","in_stock":true},{"title":"Thunderbolt 3","offer_id":68003051143535,"sku":"LYNX-HILO-2-THUNDERBOLT-3","price":0.0,"currency_code":"INR","in_stock":true},{"title":"Dante","offer_id":68003051176303,"sku":"LYNX-HILO-2-DANTE","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/LYNX-HILO-2-AD-DA-CONVERTERS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793679412"},{"product_id":"bricasti-design-mc1-pro-ad-da-converters-monitor-controllers-calibration","title":"BRICASTI DESIGN MC1","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eBRICASTI DESIGN MC1\u003c\/strong\u003e is a dual mono master D\/A converter: a fully differential stereo reference D\/A designed for critical audio applications, with two completely isolated channels, each with its own linear power supply, D\/A converter, DDS clocking and analog circuitry.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYears in development and refinement, the MC1 recreates audio waveforms with exacting precision, with the goal of carefully preserving harmonic integrity, so that instruments and human voices sound life-like and transparent and keep their intended recorded character. Its dual mono design makes analog crosstalk virtually non-existent, while the digital processing is isolated on its own power supply. The MC1 also includes BRICASTI DESIGN proprietary filter technology, critical to optimum results in a modern reference D\/A.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range, A‑weighted\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt;120 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at 1 kHz, 0 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.0006 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUSB input, 24‑bit\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e384 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eJitter at 96 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 ps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual mono design\u003c\/strong\u003e: two completely isolated channels, each with its own linear power supply, D\/A converter, DDS clocking and analog circuitry\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDDS (direct digital synthesis) clocking\u003c\/strong\u003e at each DAC: jitter 8 ps at 48 kHz and 6 ps at 96 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStereo DAC used in mono configuration on each channel to optimise dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBRICASTI DESIGN proprietary filters\u003c\/strong\u003e: Linear and Minimum phase\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital inputs\u003c\/strong\u003e: AES\/EBU (XLR), S\/PDIF (RCA and BNC), Toslink, USB 2 and optional network\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAsynchronous, isolated USB\u003c\/strong\u003e up to 384 kHz \/ 24-bit; DSD64 and DSD128 as DoP\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced XLR outputs, fixed at +16.3 dBm or adjustable from +8 to +22 dBm; unbalanced RCA outputs at 2 V RMS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFully differential, high slew rate analog stage with discrete output buffers; analog boards on a ceramic RF substrate\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMilled and CNC-machined solid aluminium sections, anodised, with laser-etched markings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStandby with 5-12 V DC trigger input on a TRS jack\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHandcrafted in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual mono design and clocking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC1 has four sections: the digital input section in the centre, the left and right analog sections, and the front panel. The digital section provides five transformer-isolated inputs on its own linear supply and runs the front panel, the clock synchronisation and the oversampled filters. The left and right analog sections are mirror images, each independently powered by its own linear supply, with the DAC and its dedicated DDS clocking circuit placed millimetres apart for extremely low jitter.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalog output stage\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAfter conversion, a fully differential gain and filter stage with fast, high slew rate operational amplifiers feeds two separately buffered and isolated transistor output stages, balanced and unbalanced. The balanced output ships fixed at +16.3 dBm (5 V RMS); an internal jumper engages a precision potentiometer, set from a rear-panel screw, for any level from +8 to +22 dBm. The unbalanced output is set to 2 V RMS (+8 dBm).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSimple operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC1 has direct function keys and no menus: six input keys, two filter keys, sample rate status LEDs from 44.1 kHz to 384 kHz and DSD, a Standby key and a power switch. It powers up on the last input used. DSD is played as DoP on any input, and the USB interface is electrically isolated from the computer to avoid ground and power noise.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuild quality\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThere is no bent metal chassis: the front and rear panels, the sides and the top and bottom plates start as solid blocks of aluminium, precision machined to shape, anodised and laser etched for a clean and enduring look.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC1 Dual Mono D\/A Converter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eThree-wire grounding-type power cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBRICASTI DESIGN MC1: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital inputs does the MC1 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAES\/EBU on XLR, S\/PDIF on RCA and BNC, Toslink optical and USB 2, plus an optional network input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the MC1 play DSD?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, as DoP: DSD64 on AES and S\/PDIF, and DSD64 and DSD128 on USB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the output level be matched to my system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The balanced output is fixed at +16.3 dBm as shipped; an internal jumper engages a precision adjustment from +8 to +22 dBm, set from a rear-panel screw.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat filters does the MC1 offer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo oversampling reconstruction filters selected from the front panel: Linear phase and Minimum phase.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the BRICASTI DESIGN MC1 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe BRICASTI DESIGN MC1 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003384361327,"sku":"BRICASTI-DESIGN-MC1","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/BRICASTI-DESIGN-MC1-AD-DA-CONVERTERS-MONITOR-CONTROLLERS-AND-CALIBRATION-SHIVANSH-ELECTRONICS-1.webp?v=1793679886"},{"product_id":"solid-state-logic-alpha-8-ad-da-converters-studio-audio-interfaces","title":"SOLID STATE LOGIC ALPHA 8","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC ALPHA 8\u003c\/strong\u003e is the ultimate audio interface expander: eight balanced analogue inputs and outputs, eight channels of ADAT and two of S\/PDIF with next-generation 32-bit \/ 192 kHz conversion, usable as a stand-alone AD\/DA converter or as an 18-in \/ 18-out USB-C audio interface.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith huge dynamic range, stunningly low THD+N, crosstalk below the noise floor and an exceptionally low noise floor, ALPHA 8 delivers line-level heaven for analogue outboard processing, samplers, synths and drum machines. Whether you need a simple bidirectional analogue to ADAT \/ S\/PDIF converter, an aggregate 18-in \/ 18-out USB interface or a mixture of the two, its flexible routing makes the most of every analogue and digital connection.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBalanced analogue I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 x 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInput \/ output dynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 \/ 123 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUSB‑C audio interface\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e18 x 18\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer‑channel operating levels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+9 to +24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePremium next-generation 32-bit \/ 192 kHz\u003c\/strong\u003e conversion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eClass-leading dynamic range, THD+N and crosstalk performance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 balanced line inputs and outputs\u003c\/strong\u003e: up to 8 channels analogue to ADAT and ADAT to analogue\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+24 \/ +20 \/ +18 \/ +9 dBu\u003c\/strong\u003e operating level for each input and output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDC-coupled outputs for sending control voltages to synthesisers and modular rigs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e10 digital inputs and outputs: 8 channels ADAT, 2 channels S\/PDIF on coaxial or optical\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFlexible conversion: outputs fed from a mixture of analogue, digital and USB signals\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e18-in \/ 18-out USB audio interface\u003c\/strong\u003e via USB-C\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh-current front panel headphone confidence check of any input or output, with Standard, High Impedance and High Sensitivity settings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDedicated front panel input and output meters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock in and out with input termination switch; clock internally or from ADAT, S\/PDIF or word clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe compromise is over\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNext-generation 32-bit \/ 192 kHz converters bring SSL-grade performance to your studio: 120 dB input and 123 dB output dynamic range, -110 dB input and -108 dB output THD+N, and -140 dB crosstalk, effectively below the noise floor. Capture your sound with the quality it deserves.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe great connector\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach analogue input and output can be set individually to +9, +18, +20 or +24 dBu, ensuring optimal signal integrity and maximum headroom for 19-inch rack gear, vintage synthesisers, analogue mixers, 500-series modules and monitor controllers. On the digital side, word clock in and out, ADAT and S\/PDIF clocking options make ALPHA 8 fit any system.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSSL 18 + ALPHA 8\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eALPHA 8 is the perfect companion to SSL 18: instantly expand its I\/O via ADAT by 8 channels with one ALPHA 8 or 16 channels with two, for effortless integration of analogue outboard processing and analogue mixers. Create hardware insert paths for 500-series modules, EQs, compressors and effects, use S\/PDIF for external metering or amp simulators, or make ALPHA 8 your primary interface.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eALPHA 8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cable for your region\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB-C to USB-C cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB-C to USB-A adapter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC ALPHA 8: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a computer to use ALPHA 8?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. As an analogue \/ ADAT \/ S\/PDIF converter it works stand-alone; USB is only needed when you use it as an audio interface.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does it add over ADAT?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight channels in and out at 44.1 \/ 48 kHz, using both optical ports (SMUX) at 88.2 \/ 96 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I set different levels for different equipment?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Every analogue input and output has its own +24, +20, +18 or +9 dBu operating level, set from the front panel.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan ALPHA 8 control modular synths?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All analogue outputs are DC-coupled for sending control voltages.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC ALPHA 8 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC ALPHA 8 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003673276783,"sku":"SOLID-STATE-LOGIC-ALPHA-8","price":114500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-ALPHA-8-AD-DA-CONVERTERS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793680425"},{"product_id":"solid-state-logic-puredrive-octo-preamps-processors-studio-audio-interfaces-ad-da-converters","title":"SOLID STATE LOGIC PureDrive Octo","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC PureDrive Octo\u003c\/strong\u003e delivers eight PureDrive mic preamps from the SSL ORIGIN console in a 2U rack unit, with Clean, Classic Drive and the new Asymmetric Drive modes, four input impedances, 32-bit \/ 192 kHz conversion, four AES\/EBU pairs, two ADAT outputs and an onboard USB interface.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ORIGIN recording console introduced the PureDrive microphone preamp: the clarity and punch of earlier SSL designs, with the flexibility to switch to a warm, harmonically rich, driven tone that varies with gain. PureDrive Octo continues that legacy in rack format with eight channels. No electro-mechanical components sit in the critical audio path: digitally controlled analogue circuits, set by detented pots and electronic switches, give long life, precise recall and impeccable matching across all channels, not just a stereo pair.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePureDrive mic preamps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClean, Classic Drive, Asymmetric Drive\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStepped mic gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+65 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eA\/D conversion and USB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32‑bit \/ 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e8 high-performance PureDrive mic preamps\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e+48 V phantom power, polarity invert and 3rd order high-pass filter at 75 Hz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStepped gain up to +65 dB and a 31-step trim in 1 dB increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3 modes per preamp\u003c\/strong\u003e: Clean, Classic Drive and Asymmetric Drive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic via XLR; line via TRS jack or dedicated D-Sub\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 front-panel Hi-Z \/ DI inputs (channels 1-4) with automatic input detection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 input impedances\u003c\/strong\u003e: 12 kΩ, 1.2 kΩ, 600 Ω and 400 Ω\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced analogue outputs \/ insert sends and +24 dBu insert returns \/ ADC inputs on D-Sub\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eADAT, AES\/EBU and USB\u003c\/strong\u003e digital connectivity; digital outputs can carry USB playback\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB interface: 8 in \/ 24 out at 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 32-bit \/ 192 kHz conversion; +24 dBu = 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-sleep mode and auto-ranging word clock in and out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e3 flavours, 1 mic pre\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach of the eight preamps switches independently between three modes. Clean is the ultra-low-noise, linear SSL preamp that captures the source with exceptional clarity and detail. Classic Drive (amber) is the symmetrical mode with predominantly odd harmonics: the drive sound of the ORIGIN console. Asymmetric Drive (green), designed for the PURE DRIVE range, makes even harmonics dominant for more pronounced thickness, colouration and softened transients.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGain, trim, HPF and impedance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGAIN is stepped up to +65 dB; drive the preamp hard, then set the level with the 31-step TRIM. A short press on TRIM switches the 75 Hz, 18 dB\/octave high-pass filter and a long press selects the line input; a push on GAIN flips polarity and a long press switches +48 V. Four input impedances let you match the preamp to a microphone or change the tone of ribbon and dynamic mics.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAdvanced connectivity\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight rear combo XLR inputs and four front Hi-Z \/ DI inputs with automatic detection sit alongside three D-Sub connectors for the balanced outputs \/ insert sends, the insert returns and the dedicated line inputs. The insert returns work up to a full +24 dBu; INSERT mode turns the ZΩ buttons into per-channel insert switches.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDigital and USB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe integrated USB interface records eight channels straight to the computer at up to 32-bit \/ 192 kHz. Four AES\/EBU output pairs and two ADAT outputs carry eight channels at 24-bit \/ 48 kHz, or up to four channels at 192 kHz via S\/MUX. The AES and ADAT outputs can be re-purposed to carry up to 24 playback channels from the computer, and auto-ranging word clock in and out complete the clocking.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePureDrive Octo\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cord for your country\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety sheet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC PureDrive Octo: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is PureDrive Octo different from PureDrive Quad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt has eight preamps instead of four, a fixed 75 Hz high-pass filter, D-Sub outputs, four AES\/EBU pairs, two ADAT outputs and a USB interface with 8 inputs and up to 24 outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I record straight to a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The built-in USB-C interface records all eight channels at up to 32-bit \/ 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I switch the insert returns?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePress the INSERT button below STANDBY; the ZΩ buttons then switch each channel's insert return in or out.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy change the input impedance?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith ribbon and dynamic microphones the impedance changes the tone, from a natural response at 12 kΩ to a more accentuated character at 400 Ω.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC PureDrive Octo in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC PureDrive Octo is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003718332783,"sku":"SOLID-STATE-LOGIC-PUREDRIVE-OCTO","price":294000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-PUREDRIVE-OCTO-PREAMPS-AND-PROCESSORS-AD-DA-CONVERTERS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793680473"},{"product_id":"solid-state-logic-puredrive-quad-preamps-processors-studio-audio-interfaces-ad-da-converters","title":"SOLID STATE LOGIC PureDrive Quad","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC PureDrive Quad\u003c\/strong\u003e delivers four PureDrive mic preamps from the SSL ORIGIN console in a 2U rack unit, with Clean, Classic Drive and the new Asymmetric Drive modes, four input impedances, 32-bit \/ 192 kHz conversion, AES, ADAT and an onboard USB interface.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ORIGIN recording console introduced the PureDrive microphone preamp: the clarity and punch of earlier SSL designs, with the flexibility to switch to a warm, harmonically rich, driven tone that varies with gain. PureDrive Quad continues that legacy in rack format and takes it further. No electro-mechanical components sit in the critical audio path: digitally controlled analogue circuits, set by detented pots and electronic switches, give long life, precise recall and impeccable matching across all channels, not just a stereo pair.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePureDrive mic preamps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClean, Classic Drive, Asymmetric Drive\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStepped mic gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+65 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eA\/D conversion and USB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32‑bit \/ 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e4 high-performance PureDrive mic preamps\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e+48 V phantom power, polarity invert and 3rd order high-pass filter up to 300 Hz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStepped gain up to +65 dB and a 31-step trim in 1 dB increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3 modes per preamp\u003c\/strong\u003e: Clean, Classic Drive and Asymmetric Drive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic via XLR; line via TRS jack or dedicated D-Sub\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 front-panel Hi-Z \/ DI inputs with automatic input detection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 input impedances\u003c\/strong\u003e: 12 kΩ, 1.2 kΩ, 600 Ω and 400 Ω\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced analogue outputs \/ insert sends and +24 dBu insert returns \/ ADC inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eADAT, AES\/EBU and USB\u003c\/strong\u003e digital connectivity; digital outputs can carry USB playback\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB interface: 12 in \/ 12 out at 44.1 \/ 48 kHz with a second unit on ADAT LINK IN\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 32-bit \/ 192 kHz conversion; +24 dBu = 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto-sleep mode and auto-ranging word clock in and out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e3 flavours, 1 mic pre\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach preamp switches independently between three modes. Clean (white) is the ultra-low-noise, linear SSL preamp that captures the source with exceptional clarity and detail. Classic Drive (amber) is the symmetrical mode with predominantly odd harmonics: the drive sound of the ORIGIN console. Asymmetric Drive (green), designed for the PURE DRIVE range, makes even harmonics dominant for more pronounced thickness, colouration and softened transients.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGain, trim, HPF and impedance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGAIN is stepped up to +65 dB; drive the preamp hard, then set the level with the 31-step TRIM. The 3rd order high-pass filter sweeps up to 300 Hz in 10 Hz steps. Four input impedances let you match the preamp to a microphone or change the tone of ribbon and dynamic mics, almost like an EQ.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAdvanced connectivity\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour rear combo XLR inputs, four front Hi-Z \/ DI inputs with automatic detection and a D-Sub with four insert returns and four line inputs sit alongside balanced XLR outputs \/ insert sends. The insert returns work up to a full +24 dBu, and can also bypass the preamp for pristine conversion of an external preamp.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDigital and USB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe integrated USB interface records four channels straight to the computer at up to 32-bit \/ 192 kHz. Two AES\/EBU output pairs and ADAT out carry the converters to another interface, a second unit can be cascaded through ADAT LINK IN for eight channels, and the AES and ADAT outputs can be re-purposed to carry playback from the computer. Auto-ranging word clock in and out complete the clocking.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePureDrive Quad\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cord for your country\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety sheet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC PureDrive Quad: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between Classic Drive and Asymmetric Drive?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eClassic Drive produces mainly odd harmonics, the ORIGIN console's drive sound; Asymmetric Drive makes even harmonics dominant for more thickness and softer transients.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I record straight to a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The built-in USB-C interface records all four channels at up to 32-bit \/ 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan two units work together?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connect the ADAT OUT of the second unit to ADAT LINK IN of the first to carry eight channels on one optical cable or over USB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy change the input impedance?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith ribbon and dynamic microphones the impedance changes the tone, from a natural response at 12 kΩ to a more accentuated character at 400 Ω.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC PureDrive Quad in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC PureDrive Quad is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003723477359,"sku":"SOLID-STATE-LOGIC-PUREDRIVE-QUAD","price":163000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-PUREDRIVE-QUAD-PREAMPS-AND-PROCESSORS-AD-DA-CONVERTERS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793680480"},{"product_id":"grace-design-m801mk2-microphone-preamplifiers-preamps-processors-ad-da-converters","title":"GRACE DESIGN m801mk2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eGRACE DESIGN m801mk2\u003c\/strong\u003e is an eight-channel high-fidelity microphone preamplifier with an independent circuit board per channel, 24-position gold contact gain switches, transimpedance gain stages, ribbon mic mode, -20 dB pad, phase reverse and parallel XLR outputs, in a 2U rack chassis with a built-in power supply.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Model 801 of 1994 was the first GRACE DESIGN production model and set a new standard of sonic quality and reliability for microphone preamplifiers. The m801 added a fully differential signal path and ribbon mic mode. The m801mk2's newly designed amplifier circuitry significantly improves noise performance at low gains, increases low-frequency bandwidth for improved phase response, improves RFI\/EMI immunity and eliminates the external DC power supply for a cleaner, simpler design. If the source sounds great and the microphone is plugged into the m801mk2, the reward is a recording of breathtaking depth and realism.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eIndependent preamp circuit boards\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain, 2 dB steps (ribbon 28‑74 dB)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e18‑64 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNoise referred to input, 50 Ω\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-130 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+28 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEight channels on independent circuit boards\u003c\/strong\u003e with transimpedance (current feedback) gain stages\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24-position gold contact gain switches\u003c\/strong\u003e wired with precision metal film resistors: 18-64 dB in 2 dB steps\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRibbon mic mode\u003c\/strong\u003e: +10 dB gain, 48V disabled, input capacitors bypassed, 20 kΩ input impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e-20 dB pad and phase reverse\u003c\/strong\u003e on sealed gold contact relays\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFully differential signal path; no electrolytic capacitors in the signal path\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e48V phantom power with a 1 s soft start on each channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBi-colour peak LED per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo parallel balanced XLR outputs per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in universal 100-240 V AC power supply; 2U, 19\" rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapturing the magic at the front end\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eToday's studio is loaded with sonic processing capability, but capturing the magic at the front end is still the job of skilfully designed analogue hardware. With the m801mk2 the recording starts from the best possible raw material, ready to be coloured afterwards if desired.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRelay switching on every channel\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe phase and pad switches power sealed gold contact relays on each channel board, eliminating signal wiring to the front panel and switch contact performance problems. With the pad engaged the effective gain range is -2 to 44 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eParallel outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery channel has a second parallel XLR output for an additional recording device or mixer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003em801mk2 microphone preamplifier\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e6 ft AC power cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFour rack screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGRACE DESIGN m801mk2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the m801mk2 need an external power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The m801mk2 eliminates the external DC supply of earlier versions: it has a built-in universal 100-240 V AC supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the channels feed two destinations?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each channel has two parallel XLR outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it suitable for ribbon microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Ribbon mic mode raises the gain by 10 dB, disables 48V, bypasses the input capacitors and raises the input impedance to 20 kΩ.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much rack space does it need?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e2U in a standard 19\" rack, with no extra ventilation required.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the GRACE DESIGN m801mk2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe GRACE DESIGN m801mk2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004311794031,"sku":"GRACE-DESIGN-M801MK2","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/GRACE-DESIGN-M801MK2-PREAMPS-AND-PROCESSORS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793682529"},{"product_id":"grace-design-m108-microphone-preamplifiers-preamps-processors-ad-da-converters","title":"GRACE DESIGN m108","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eGRACE DESIGN m108\u003c\/strong\u003e is an eight-channel remote-controlled microphone preamplifier with integrated 192 kHz A\/D conversion, balanced analogue, AES3, ADAT and USB outputs, a reference DAC and headphone amplifier, an option slot and network, serial and MIDI remote control, in a 1U chassis made in the USA.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFrom 25 years of experience creating acclaimed professional audio products comes the latest evolution of the GRACE DESIGN mic preamplifier. Its transformerless, transimpedance design resolves complex sonic waveforms effortlessly for recordings of clarity and depth, the integrated A\/D conversion delivers pure digital signals to the workstation, the latest generation s-Lock PLL keeps the sample clock jitter free from external word clock or a network audio clock, and the asynchronous mode USB interface gives the best possible jitter performance with a computer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTransimpedance mic preamps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain in 1 dB steps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-6 to 69 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eA\/D conversion, \u0026gt; 117 dB dynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eIntrinsic clock jitter, RMS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 40 ps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 channels of transparent, musical mic preamplification\u003c\/strong\u003e with a -6 to 69 dB gain range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 balanced analogue preamp outputs\u003c\/strong\u003e plus 8 channels of 192 kHz ADC via AES3, ADAT (S-MUX) and USB Class 2\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRibbon mic mode\u003c\/strong\u003e on every channel; balanced Hi-Z instrument inputs on channels 1 and 2\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003es-Lock PLL clocking\u003c\/strong\u003e: external word clock in and out, under 40 ps RMS jitter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReference DAC and headphone amplifier for low-latency monitoring, with a built-in mixer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh-contrast OLED display, push-button EDIT encoder and dedicated 48V, phase, peak clear and group switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control by built-in web browser page, control application for computers, RS485 \/ RS422 serial and MIDI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOption slot for a network audio card, an interface card or a control room output module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eVariable speed cooling fan and built-in universal AC power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSimple operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA push-button rotary encoder navigates a simple, intuitive user interface, with dedicated switches for 48V phantom power, phase reverse, channel grouping and meter peak clear. The OLED screen shows complete system information: channel gain settings, metering, peak status and the setup menu. Groups of 2 to 8 adjacent channels change gain together.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvolved I\/O capability\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eStandard outputs are balanced analogue and AES3 on DB25 connectors, two ADAT optical ports and USB. The option slot accepts a network audio card (8 channels in and out up to 192 kHz, two gigabit ports for redundant networks), an interface card, or a Control Room Output card that lets the m108 act as a monitor controller for a pair of studio monitors.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRemote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe built-in web browser controller works from most web-enabled computers, tablets and phones: enter the m108's IP address and the control page loads and connects. The GRACE DESIGN control application runs up to 12 m108 preamplifiers over Ethernet with channel groups and preset store and recall, and the serial port lets an m802 remote control unit add m108 preamps to an existing system.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003em108 preamplifier\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC power cable (6 ft)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBag with rubber feet and rack screws\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB type A to type B cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's manual and warranty registration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGRACE DESIGN m108: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the m108 work as a USB audio interface?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Its asynchronous USB Class 2 interface sends 8 channels to the computer and receives 2 for monitoring, at 44.1 to 192 kHz \/ 24 bit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it have direct analogue outputs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Eight balanced analogue preamp outputs on a DB25 connector are always active, alongside the digital outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many m108 units can be controlled together?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe control application and serial systems handle up to 12 preamplifiers; the web browser page controls one m108 per browser tab.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the fan noisy in a studio?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe variable speed fan only starts when the circuit board passes 50 °C. Leave space above and below the unit and keep the room below 30 °C for silent running.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the GRACE DESIGN m108 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe GRACE DESIGN m108 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004311892335,"sku":"GRACE-DESIGN-M108","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/GRACE-DESIGN-M108-PREAMPS-AND-PROCESSORS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793682533"},{"product_id":"grace-design-m201mk2-microphone-preamplifiers-preamps-processors-ad-da-converters","title":"GRACE DESIGN m201mk2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eGRACE DESIGN m201mk2\u003c\/strong\u003e is a two-channel high-fidelity microphone preamplifier with a fully balanced signal path, 24-position gold contact gain switches, ribbon mic mode, -20 dB pad, phase reverse and parallel XLR outputs, in a 1U rack chassis.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe redesigned m201mk2 delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The refined fully balanced signal path gives incredible dynamic range, and a new power supply design provides the lowest noise performance GRACE DESIGN has ever achieved, translating a sonic picture of astonishing clarity and detail that captures the essential character of the music being recorded. It is focused on being the finest, purist style two-channel mic preamp GRACE DESIGN can make.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain, 2 dB steps (ribbon 28‑74 dB)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e18‑64 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNoise referred to input, 50 Ω\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-130 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency response, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.2 Hz - 530 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+28 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo channels with a fully balanced signal path\u003c\/strong\u003e and a new low-noise power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24-position gold contact gain switch\u003c\/strong\u003e: 18 to 64 dB in 2 dB steps\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRibbon mic mode\u003c\/strong\u003e: +10 dB gain, 48V disabled, input capacitors bypassed, 20 kΩ input impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e-20 dB pad\u003c\/strong\u003e and \u003cstrong\u003ephase reverse\u003c\/strong\u003e on sealed gold contact relays\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e48V phantom power with a 1 s soft start to minimise turn-on transients\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBi-colour peak LED (green -16 dBu, red +16 dBu), adjustable threshold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo parallel balanced XLR outputs per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in universal 100-240 V AC power supply; no extra ventilation needed in the rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery microphone at its best\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLarge diaphragm microphones sound as they were intended, with detail and texture in extra measure, and dynamic microphones come alive with new-found dynamics and clarity. Ribbon mic mode shifts the gain range up 10 dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimising the input impedance; it also suits lower-output dynamic microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRelay switching, no front-panel signal wiring\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe phase and pad switches only power sealed gold contact relays on the preamplifier circuit board, eliminating signal wiring to the front panel and switch contact performance problems. With the pad engaged the effective gain range becomes -2 to 44 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eParallel outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has a second parallel XLR output for sending the line signal to an additional recording device or mixer at the same time.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003em201mk2 microphone preamplifier\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e6 ft AC power cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFour rack screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGRACE DESIGN m201mk2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much gain does the m201mk2 offer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e18 to 64 dB in 2 dB steps, or 28 to 74 dB in ribbon mic mode; with the -20 dB pad the range is -2 to 44 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the pad and ribbon mode together?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGRACE DESIGN recommends not to: the microphone would see a variable input impedance, which can cause a low-frequency bump of up to 10 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I feed two devices at once?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each channel has two parallel XLR outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need ventilation in a rack?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It mounts in a standard 19\" rack without extra ventilation.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the GRACE DESIGN m201mk2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe GRACE DESIGN m201mk2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004311925103,"sku":"GRACE-DESIGN-M201MK2","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/GRACE-DESIGN-M201MK2-PREAMPS-AND-PROCESSORS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793682529"},{"product_id":"grace-design-m908-monitor-controllers-calibration-ad-da-converters","title":"GRACE DESIGN m908","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eGRACE DESIGN m908\u003c\/strong\u003e is a stereo, surround and immersive reference monitor controller for speaker systems up to 24 channels, with latest generation AD \/ DA converters, a 24 channel DSP for room correction and bass management, a remote control unit and an embedded web UI.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBuilt on GRACE DESIGN's legacy of reference audio design, the m908 delivers impeccable clarity and detail. The system consists of a mainframe audio control unit, a remote control unit based on the m905 but scaled up for the added features and channel count, and a power supply with dual-redundant universal input power modules. It is fully self contained and plug and play, so professionals and facilities can update their workflows for immersive playback with a minimum of effort and cost.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSpeaker channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDigital input channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e68\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBands of room EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDA dynamic range, A‑wtd\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStandard digital inputs\u003c\/strong\u003e: 24 ch AES3, 16 ch ADAT, 24 ch USB, AES3, S\/PDIF and optical stereo inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOutputs\u003c\/strong\u003e: 24 ch AES3, 16 ch balanced analogue, 24 ch USB 2\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptional 8 channel ADC modules for up to 16 analogue inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOption slot: network audio, interface or AES67 \/ ST 2110 module for 32 more channels of I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e12 bands of parametric room correction EQ on every channel (288 bands); 64-bit fixed-point filters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eComplete bass management, channel level and delay calibration, comprehensive downmix control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4th generation s-Lock PLL; built-in SPL meter; reference headphone amplifier with crossfeed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFlexible talkback, up to 8 stereo CUE paths, 4 GPIO; dual redundant external power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWeb UI for control and setup\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEnter the m908's IP address in a browser on the same network and the embedded platform loads with nothing to install: every monitoring control, all setup menus, click and drag room EQ with copy and paste, solo \/ mute speaker groups and matrix routing. Room EQ settings import and export as .csv files, and a link-local connection gives direct access over one network cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRoom tuning\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFirmware 2.x adds a graphical frequency \/ gain EQ window, slope controls for shelving filters, an offset trim for the bass management low-pass filters and channel delay with one sample resolution.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAudio control unit (ACU)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control unit (RCU)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eA140 dual redundant power supply unit (PSU)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGRACE DESIGN m908: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many speakers can it control?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSpeaker systems up to 24 channels: custom formats, immersive layouts up to 14.2.6, surround formats, 2.1, stereo and mono.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it have analogue inputs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOptionally: 8 channel ADC modules give 8 or 16 analogue inputs, plus optional 2 channel XLR, RCA and RIAA phono inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much room EQ is available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 12 bands per channel on all 24 outputs, 288 bands at any sample rate.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it be controlled from a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, from the embedded web UI in any browser on the same network, in sync with the RCU.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the GRACE DESIGN m908 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe GRACE DESIGN m908 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004317757807,"sku":"GRACE-DESIGN-M908","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/GRACE-DESIGN-M908-MONITOR-CONTROLLERS-AND-CALIBRATION-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793682556"},{"product_id":"grace-design-m905-monitor-controllers-calibration-ad-da-converters","title":"GRACE DESIGN m905","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eGRACE DESIGN m905\u003c\/strong\u003e is GRACE DESIGN's second generation reference stereo monitor controller: mastering quality DAC, s-Lock PLL, asynchronous USB, three stereo speaker outputs with sub, reference headphone amplifier and a hybrid remote control unit.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDAC performance is on par with the finest mastering equipment, the redesigned s-Lock PLL ensures ultra low jitter clock regeneration and the asynchronous USB Class 2 interface makes the m905 the master clock of the computer's USB audio bus. All audio and power supply circuitry is in a 2U rack mainframe, while system control is on a remote control unit that combines hardware switches, a rotary encoder and a colour graphical LCD.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range, A‑weighted\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e121 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at +20 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.0008 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStereo speaker outputs + sub\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVia DoP; PCM to 192 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDSD128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalogue inputs\u003c\/strong\u003e: unbalanced (or optional RIAA phono), balanced, CUE, talkback mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital inputs\u003c\/strong\u003e: 2 x AES3 (single or dual wire), S\/PDIF, optical, ADAT, USB; DSD128 via DoP\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMastering quality DAC with configurable de-emphasis; s-Lock dual-stage PLL\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHybrid RCU with built-in talkback mic and SPL meter (A and C weighting)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReference headphone amplifier with outputs on the RCU and the ACU\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMono, dim, mute, sub mute, solo, L-R, crossfeed and MON \u0026gt; CUE\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3 stereo speaker outputs; multi-mode SUB \/ DAC \/ METER output; digital loop-through outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCan transfer up to 10 channels to a computer as a standalone USB interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned to be used immediately\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAny engineer can use the system immediately; setup menus only drill down one level, the main screen is always one button away, inputs and outputs can be named, level offsets calibrated and presets stored.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003em905 Analog and phono option\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe m905 Analog omits the DAC for users with their own converters, adds a second balanced analogue input pair and can be upgraded to the digital version at any time. The phono module is a high performance RIAA preamplifier, available on new and existing units, with internal jumpers to suit a wide range of cartridges.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAudio control unit (ACU)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control unit (RCU) with tilt base and hardware premounted\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e25' serial cable (m905 Analog: network cable and 2 serial adapter jacks)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e6' AC power cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRubber feet and rack screws\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's manual and warranty registration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGRACE DESIGN m905: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many speaker sets can it switch?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree stereo speaker outputs, with two assignable mono subwoofer outputs or one stereo sub output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it play DSD?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. DSD64 and DSD128 via DoP v1.1 from the AES3, S\/PDIF or USB inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs there a version without the DAC?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the m905 Analog, which can be upgraded to the digital version later.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it measure SPL?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The RCU has a built-in microphone and SPL meter with level, peak, fast and slow modes and A and C weighting.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the GRACE DESIGN m905 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe GRACE DESIGN m905 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004318806383,"sku":"GRACE-DESIGN-M905","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/GRACE-DESIGN-M905-MONITOR-CONTROLLERS-AND-CALIBRATION-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793682565"},{"product_id":"grace-design-m701-studio-audio-interfaces-audio-interfaces-ad-da-converters","title":"GRACE DESIGN m701","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eGRACE DESIGN m701\u003c\/strong\u003e is a modular, high channel count AD \/ DA audio interface for all types of recording facilities: up to 64 channels of analogue and 340 channels of digital I\/O, GraceNet web control, a 32 x 8 low latency cue mixer and a dual redundant power supply in 2U.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe m701 integrates GRACE DESIGN's very highest quality AD \/ DA conversion into a powerful, configurable platform, from simple systems to large hybrid studios. Eight card slots take 8 channel ADC and DAC modules in any combination, or 4 channel microphone preamp modules; two digital interface slots and an option slot expand the digital I\/O, and 8 channel AES3, 8 channel ADAT and 2 channel S\/PDIF are included.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels of analogue I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels of digital I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e340\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDAC dynamic range, A‑wtd\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eADC to digital out, 192 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.05 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReference quality 8 channel ADC and DAC modules\u003c\/strong\u003e in eight slots\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 channel mic preamp module\u003c\/strong\u003e from the m108 and m801mk2 circuits\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIncluded I\/O: 8 ch ADAT, 8 ch AES3, 2 ch S\/PDIF, word clock in \/ out\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital interface options: network audio 64 x 64, AES67 \/ ST 2110 64 x 64, interface 32 x 32, USB 32 x 32; AES3 24 x 24 option\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eGraceNet built-in Ethernet \/ web browser control; full front panel with WVGA display\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in 32 x 8 low latency cue mixer with client mixer pages for artists\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIntegrated control of up to 12 GRACE DESIGN m108 mic preamps\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWorkflow load, edit, save and recall; dual redundant power supply; 5 year transferable warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eModern conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGRACE DESIGN has built AD \/ DA conversion into its products since the early 2000s. Analogue input and output circuitry, power supply and clock design are what differentiate a great sounding I\/O device, and the m701 furthers that legacy of open and musical sounding audio hardware. Incoming word clock is locked by the ultra low jitter s-Lock PLL.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGraceNet and cue mixer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGraceNet is built in and works with any browser: comprehensive metering of all inputs and outputs, every configuration and setup function, matrix routing and m108 control. The 32 x 8 cue mixer gives multiple low latency mixes, each available to the artist on a phone or tablet.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003em701\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC power cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 x 10-32 rack mount screws with nylon shoulder washers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 x adhesive backed rubber feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGRACE DESIGN m701: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I choose the analogue I\/O?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. ADC, DAC and mic preamp modules can be installed in any combination in the eight slots.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat latency does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith minimum phase filters 0.2 ms ADC to digital output at 48 kHz (0.05 ms at 192 kHz); the cue mixer adds 0.02 ms at 48 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need software?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. GraceNet runs inside the m701 and opens in any browser; the front panel also gives access to every setting.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it be used as a stage box?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. With mic preamp modules it serves as a 32 channel mic preamp stage box, with channel names entered from GraceNet or the front panel.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the GRACE DESIGN m701 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe GRACE DESIGN m701 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004321427823,"sku":"GRACE-DESIGN-M701","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/GRACE-DESIGN-M701-STUDIO-AUDIO-INTERFACES-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793682586"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/GOLD-BANNER-AD-DA-CONVERTERS.webp?v=1793444907","url":"https:\/\/shivanshelectronics.in\/collections\/ad-da-converters.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}