{"title":"Audio Recorders for Video","description":"\u003cp\u003eAudio recorders for video capture clean, high-resolution sound for film, documentary, wedding, event and online video work, independent of the camera's own audio circuitry. They give filmmakers proper microphone preamps, phantom power, timecode or camera-sync features and dedicated recording media, so dialogue and ambience can be recorded at a quality camera inputs rarely provide.\u003c\/p\u003e\u003cp\u003eThis category covers compact field recorders designed around video production, camera-mountable recorders and XLR microphone adapters that bring professional microphone inputs to cameras and recorders. Many models add features such as dual-level or 32-bit float recording, so that unexpected loud moments do not distort and quiet speech stays usable in post-production.\u003c\/p\u003e\u003ch3\u003eTypes of audio recorders for video\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDedicated multitrack recorders for film and video production\u003c\/li\u003e\n\u003cli\u003eCamera-mountable recorders that sit under a DSLR or mirrorless camera\u003c\/li\u003e\n\u003cli\u003eXLR microphone adapters that add professional inputs to a camera or recorder\u003c\/li\u003e\n\u003cli\u003eRecorders with timecode for syncing audio and video in post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho buys audio recorders for video\u003c\/h3\u003e\u003cp\u003eIndependent filmmakers, YouTubers and content creators, wedding and event videographers, documentary crews, journalists and corporate video teams buy recorders for video to get broadcast-quality sound on location.\u003c\/p\u003e\u003ch3\u003eWhat to look for in audio recorders for video\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNumber of XLR\/TRS inputs and whether they supply phantom power for condenser microphones\u003c\/li\u003e\n\u003cli\u003eRecording format and bit depth, including 32-bit float options\u003c\/li\u003e\n\u003cli\u003eTimecode, camera sync or slate features for easy alignment in editing\u003c\/li\u003e\n\u003cli\u003eSize, mounting options and power: AA batteries, USB power or external packs\u003c\/li\u003e\n\u003cli\u003eHeadphone monitoring quality and display visibility on location\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBrands we carry\u003c\/h3\u003e\u003cp\u003eIn this category Shivansh Electronics carries TASCAM.\u003c\/p\u003e\u003ch3\u003eWhy buy from Shivansh Electronics\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eGenuine products only, exactly as the manufacturer builds and specifies them\u003c\/li\u003e\n\u003cli\u003eExpert advice from our personnel on choosing and setting up audio recorders for video\u003c\/li\u003e\n\u003cli\u003eA Visual Guide data sheet for every product, with the manufacturer's official specifications\u003c\/li\u003e\n\u003cli\u003eA showroom in Dhakuria, Kolkata, where you can discuss your project with our personnel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eExplore Audio Recorders for Video at Shivansh Electronics, Kolkata, West Bengal, India.\u003c\/p\u003e","products":[{"product_id":"tascam-fr-av2-fr-av-series-audio-recorders-for-video","title":"TASCAM FR-AV2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM FR-AV2\u003c\/strong\u003e is a compact 2-channel field recorder for videographers that combines enhanced 32-bit float recording, a built-in timecode generator, a mixer and a 2-in \/ 2-out USB-C audio interface in one rugged housing.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMount it on your camera and you have two lockable XLR\/TRS combo inputs with TASCAM Ultra HDDA preamps (EIN -127 dBu), a 3.5 mm input with plug-in power for wireless or lavalier mics, 32-bit float recording up to 192 kHz from dual analogue-to-digital converters, and timecode generation and jam sync through 3.5 mm IN\/OUT jacks, held precise by a temperature-compensated crystal oscillator (TCXO). Add the optional AK-BT2 Bluetooth adapter for wireless audio monitoring, wireless timecode and control from the free TASCAM RECORDER CONNECT app. It runs on three AA batteries or USB bus power and weighs only 195 g without batteries.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual ADC recording up to 192 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32‑bit float\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUltra HDDA mic preamp EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-127 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e132 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTimecode generator with TCXO\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eTC IN \/ OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32-bit float recording\u003c\/strong\u003e with dual ADCs at 48, 96 or 192 kHz, or 24-bit recording, as WAV (BWF) files\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 XLR\/TRS combo inputs\u003c\/strong\u003e with Ultra HDDA preamps and per-channel phantom power (+24 V \/ +48 V)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3.5 mm camera\/EXT\/TC IN\u003c\/strong\u003e with plug-in power (+2.5 V \/ +5.0 V) and a \u003cstrong\u003ecamera\/LINE\/TC OUT\u003c\/strong\u003e with camera attenuation\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltimate Timecode\u003c\/strong\u003e: timecode generation, timecode in\/out and jam sync, SMPTE ST 12-1 LTC, high-accuracy TCXO\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2-in \/ 2-out USB-C audio interface\u003c\/strong\u003e for Mac, Windows and iOS, supporting 32-bit float\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow-cut filter, limiter or compressor, 4-band EQ, noise gate and phase invert on the inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInput delay and output delay, each 0-300 ms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMark functions, auto slate tone and BEXT \/ iXML metadata\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto File Save every 20 seconds against unexpected power loss\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch colour LCD; microSD cards up to 512 GB; 3 AA batteries or USB bus power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWireless monitoring, wireless timecode and app control with the optional AK-BT2 Bluetooth adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNo-clip 32-bit float recordings\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhen recording at 24-bit or 16-bit, a loud source can cause digital clipping that cannot be repaired in editing. The FR-AV2's dual-converter 32-bit float recording captures a wider dynamic range with greater clarity: you can raise the level of quiet dialogue without a change in tone or dynamics, and lower sounds that appear clipped to restore them. Pre-recording keeps up to 5 seconds before you press record, and a new file can be started during a take without a gap.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTimecode built in\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe FR-AV2 generates and reads timecode through its 3.5 mm IN\/OUT jacks, so you can take less gear to the shoot. Use it as the master, jam sync it to an external timecode source, or, with the AK-BT2, receive timecode wirelessly from compatible Bluetooth timecode devices. Timecode output can be sent at LTC level to timecode equipment or at mic level to a camera's audio input. Frame rates from 23.98 to 30 fps are supported, with half-rate timecode for 50 and 60 fps video.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade for the camera rig\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe camera\/LINE\/TC OUT jack feeds the camera a reference track with LINE or CAMERA level settings and an output delay of up to 300 ms to match the picture. An automatic slate tone at the head and tail of each recording, an oscillator for level checks and marks added manually, at set intervals or at peaks make syncing and editing faster. The compact fibreglass enclosure measures 99 x 80.4 x 40.3 mm and has a 1\/4-inch tripod thread.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWireless monitoring and app control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith the optional AK-BT2 Bluetooth adapter, audio can be monitored on Bluetooth earphones or speakers while wired headphones work in parallel, so two people can listen at once; three quality modes balance sound and connection stability. The free TASCAM RECORDER CONNECT app for iOS, iPadOS and Android controls and monitors up to five recorders from one device.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e32-bit float USB audio interface\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eConnect the FR-AV2 to a Mac, Windows computer or iOS device with a USB-C cable and it becomes a 2-in \/ 2-out audio interface at 48 or 96 kHz in 24-bit or 32-bit float, while it can also record to its microSD card as a backup. Windows uses the TASCAM ASIO driver; Mac and iOS use the standard OS driver. A card reader mode transfers recordings to the computer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM FR-AV2 field recorder\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety Guide (including warranty)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003emicroSD card, batteries, AK-BT2 Bluetooth adapter and PS-P520U AC adapter are sold separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM FR-AV2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need to set recording levels carefully with 32-bit float?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e32-bit float recording with dual ADCs captures a very wide dynamic range, so quiet sounds can be raised and loud sounds that look clipped can be lowered in editing without losing quality. A REC LEVEL control is still provided for monitoring and 24-bit recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the FR-AV2 provide timecode to my camera?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It generates timecode and outputs it from the camera\/LINE\/TC OUT jack, at LTC level for timecode equipment or at mic level for a camera's audio input. It can also jam sync to timecode received on its TC IN jack.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it as an audio interface?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Over USB-C it works as a 2-in \/ 2-out USB audio interface for Mac, Windows and iOS at 48 or 96 kHz, 24-bit or 32-bit float.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is the FR-AV2 powered?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBy three AA batteries (alkaline, Ni-MH or lithium), by USB bus power from a computer, or by the TASCAM PS-P520U AC adapter (sold separately). Alkaline batteries give about 9 hours of 24-bit stereo recording at 48 kHz without phantom power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM FR-AV2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM FR-AV2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948573000047,"sku":"TASCAM-FR-AV2","price":53000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-FR-AV2-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1_fdd30d37-faa2-436c-940e-e62a2586cf34.webp?v=1793322681"},{"product_id":"tascam-fr-av4-fr-av-series-audio-recorders-for-video","title":"TASCAM FR-AV4","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM FR-AV4\u003c\/strong\u003e is a 4-channel 32-bit float field recorder with a built-in mixer, timecode generator and HDMI sync, made for videographers, content creators and audio professionals.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDual AD converters, TASCAM Ultra HDDA low-noise mic preamps and 32-bit float recording capture everything from the quietest whisper to the loudest explosion with 133 dB of dynamic range and no fear of clipping. Four XLR\/TRS combo inputs feed a 4-in \/ 2-out mixer, and the FR-AV4 records all four channels plus a stereo mix, six tracks in all, to SD cards up to 512 GB. A TCXO-based timecode generator, timecode in and out on 3.5 mm jacks, HDMI and USB, and HDMI clock sync with record trigger and 4K \/ 8K pass-through lock audio firmly to video. It also works as a 6-in \/ 2-out USB-C audio interface, and its lightweight aluminium chassis is ready for the studio, location or field.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e4 inputs + stereo mix\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 tracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range, dual AD converters\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e133 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUltra HDDA mic preamp EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-127 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHDMI video pass‑through\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4K \/ 8K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32-bit float recording\u003c\/strong\u003e with dual AD converters at 48, 96 or 192 kHz, or 24-bit, as WAV (BWF), with MP3 mix files as an option\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 XLR\/TRS combo inputs\u003c\/strong\u003e with Ultra HDDA preamps (EIN -127 dBu) and +24 V \/ +48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBuilt-in mixer\u003c\/strong\u003e: four inputs to two outputs, with \u003cstrong\u003eAuto Mix\u003c\/strong\u003e gain sharing for dialogue (firmware V1.10 or later)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6-track recording\u003c\/strong\u003e (four inputs + stereo mix) to SD, SDHC or SDXC cards up to 512 GB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTimecode generator\u003c\/strong\u003e with high-accuracy TCXO; timecode via HDMI, 3.5 mm TC IN\/OUT, camera\/TC\/LINE OUT and USB, with jam sync\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHDMI sync\u003c\/strong\u003e: camera clock sync, record trigger, cascade of several units, 4K \/ 8K video pass-through with embedded audio\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6-in \/ 2-out USB-C audio interface\u003c\/strong\u003e for Mac, Windows, iOS and Android, 24-bit or 32-bit float\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1.9-inch colour touchscreen, jog dial and an assignable Fn key\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow-cut filter, EQ, limiter and noise gate; input and output delay 0-300 ms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAmbisonic recording in A-format and B-format (AmbiX, FuMa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAuto File Save every 20 seconds; locking HDMI and USB connections\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePowered by four AA batteries in the included BH-4AA holder, USB bus power or the optional PS-P520U AC adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecording and mixing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRecord a full multi-mic set-up with confidence. The built-in mixer gives each channel a fader and pan, and Auto Mix automatically prioritises the active microphone and lowers unused channels for a cleaner, more consistent dialogue mix. The monitor select screen routes any channel, or a mix of several, to the headphones. Files can be mono or stereo per channel or one 6-channel poly file, and pre-recording captures up to 7 seconds before you press record.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStay in sync wherever you shoot\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe FR-AV4's timecode generator removes the need for extra sync gear. Take timecode from the TC IN jack with jam sync, from a camera over HDMI, or wirelessly from compatible devices with the optional AK-BT2 Bluetooth adapter, and send it from TC OUT, the camera output, HDMI OUT and USB-C. Frame rates from 23.98 to 30 fps are supported, with half-rate timecode for 50 and 60 fps video, and a file timecode offset aligns the files with the camera.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eShoot smarter with HDMI-based sync\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eConnect a camera's HDMI output and the FR-AV4 syncs audio and video with precision using a shared master clock and timecode, even with cameras that have no timecode of their own. Record trigger starts and stops audio recording from the camera, so takes are never missed. 4K \/ 8K video passes through to a monitor recorder with multi-channel audio embedded, and several FR-AV4 units can be cascaded by HDMI to share clock, timecode and record start\/stop.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e32-bit float USB audio interface\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOver USB-C the FR-AV4 becomes a 6-in \/ 2-out audio interface for Mac, Windows, iOS and Android devices, sending the stereo mix and inputs 1-4 to the computer at 48 or 96 kHz in 24-bit or 32-bit float, while it can record to its SD card at the same time as a backup. The free TASCAM Audio File Manager software makes adjusting the levels of 32-bit float recordings simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWireless monitoring and app control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith the optional AK-BT2 Bluetooth adapter, monitor on Bluetooth headphones or speakers while the wired outputs work in parallel, each with its own volume. The free TASCAM RECORDER CONNECT app for iOS, iPadOS and Android shows waveforms, batch-edits metadata and controls up to five TASCAM recorders in real time, and REC-LINK starts recording on all connected units at once.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM FR-AV4 field recorder\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBH-4AA battery holder (pre-installed)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety Guide (including warranty)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eSD card, batteries, USB and HDMI cables, AK-BT2 Bluetooth adapter, PS-P520U AC adapter and extra BH-4AA holders are sold separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM FR-AV4: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many tracks can the FR-AV4 record?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSix: its four inputs plus a stereo mix, in 24-bit or 32-bit float at up to 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it sync with my camera without a timecode input?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connected by HDMI, the FR-AV4 locks to the camera's clock and can start and stop recording with the camera. It also reads timecode from HDMI and generates timecode itself.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it have a mixer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. A 4-in \/ 2-out mixer with fader and pan per channel, monitor select and Auto Mix gain sharing for dialogue (firmware V1.10 or later).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it as an audio interface?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It is a 6-in \/ 2-out USB-C audio interface for Mac, Windows, iOS and Android at 48 or 96 kHz, 24-bit or 32-bit float.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is it powered?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBy four AA batteries in the included BH-4AA holder, by USB bus power or a USB mobile battery, or by the TASCAM PS-P520U AC adapter (sold separately).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM FR-AV4 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM FR-AV4 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948577489263,"sku":"TASCAM-FR-AV4","price":119700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-FR-AV4-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1_fc483ff5-29c8-4ecb-a632-57159549d424.webp?v=1793322697"},{"product_id":"tascam-ca-xlr2d-c-fr-av-series-audio-recorders-for-video","title":"TASCAM CA-XLR2d-C","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM CA-XLR2d-C\u003c\/strong\u003e is TASCAM's XLR microphone adapter kit for mirrorless cameras, supplied with the CA-AK1-C accessory shoe mount adapter: on compatible cameras it sends digital audio through the accessory shoe and takes its power from the camera.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo XLR\/TRS combo inputs with TASCAM HDDA mic preamps and a 3.5 mm input with plug-in power let you choose the right microphone for every set-up, from a single shotgun mic for interviews to a stereo pair or the line-level mix from a master mixer. Because the audio travels digitally into the camera, there is no loss of quality and no need to synchronise picture and sound in post production. The kit also includes the CA-AK1-AN cold shoe mount adapter, a battery holder and a 3.5 mm cable, so the same unit can feed the analogue mic input of virtually any camera.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAudio into the camera via the CA‑AK1‑C\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDigital\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePlus 3.5 mm input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 XLR\/TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHDDA preamp EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-120 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e16 \/ 24‑bit, set by the camera\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e48 \/ 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital audio transfer\u003c\/strong\u003e through the camera's accessory shoe with the CA-AK1-C adapter (fitted)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePower from the camera\u003c\/strong\u003e through the shoe; the adapter is fixed with a lock lever\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 XLR\/TRS combo inputs\u003c\/strong\u003e with HDDA preamps, MIC \/ LINE switching and +48V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3.5 mm input\u003c\/strong\u003e (INPUT 3) with plug-in power for a lavalier mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e48 \/ 96 kHz and 16 \/ 24-bit, following the camera's settings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAttenuator 0 \/ 20 \/ 46 dB, low cut 80 \/ 220 Hz, auto level and limiter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1+2 LINK for stereo and an overload indicator for each input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAnalogue output in CAMERA or HEADPHONE mode for latency-free direct monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDetachable mic holder with shock mount, cable holder and a cold shoe on the top panel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe adapter and battery holder included for cameras with an analogue mic input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDigital audio straight into the camera\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith premium AD converters and TASCAM know-how, the CA-XLR2d-C transmits clean, noise-free digital audio directly into a compatible camera through its accessory shoe with the CA-AK1-C adapter. There is no deterioration in sound quality, the audio is already in the video file, and the unit is driven by power from the camera, so a compatible camera is all you need. TASCAM publishes a tested camera list for the adapters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHDDA mic preamps for every source\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe high-performance HDDA preamps handle anything from room tone to explosions with low noise and a wide dynamic range. Each XLR\/TRS input switches between microphone and line level and supplies +48V phantom power, so it accepts dynamic and condenser microphones as well as line-level signals from a mixer, and INPUT 3 takes a lavalier or other plug-in-power mic.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in processing on simple switches\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAuto level, a low-cut filter and a limiter sit on clearly labelled switches for each input, with a 0 \/ 20 \/ 46 dB attenuator and an overload indicator. The 1+2 LINK function adjusts the volume, level and limiter of both inputs together for stereo recording, and the SELECT switch chooses IN 1, IN 1+2 or IN 3 for the camera's recording channels.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned for a high degree of freedom\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA cold shoe on the top panel takes extra accessories, the detachable mic holder has a vibration-resistant shock mount, and a cable holder keeps the wiring tidy around the camera. The analogue output works in headphone mode for latency-free direct monitoring, and the shoe adapter can be changed by the user.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-XLR2d unit (with bottom connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-C accessory shoe mount adapter (with connector cover, attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe mount adapter (with interface connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic holder (attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBattery holder (with connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3.5 mm (1\/8-inch) stereo mini cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Guide (including warranty)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eCA-AK1-F, CA-AK1-N and CA-AK1-AN adapters are available separately; 2 AA batteries for the battery holder are sold separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM CA-XLR2d-C: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich cameras does the TASCAM CA-XLR2d-C work with?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith its CA-AK1-C adapter it connects digitally to the compatible cameras on TASCAM's tested camera list. With the included CA-AK1-AN cold shoe adapter, battery holder and 3.5 mm cable it also works with virtually any camera that has an analogue mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TASCAM CA-XLR2d-C need batteries?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. On a compatible camera it is powered through the accessory shoe. The included battery holder with two AA batteries can power it instead, to save the camera battery; the digital kit needs a connection to a powered camera to operate.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use condenser microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. INPUT 1 and INPUT 2 supply +48V phantom power on their XLR connectors, and INPUT 3 offers plug-in power for lavalier mics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I monitor with headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Set the OUTPUT switch to HEADPHONE for latency-free direct monitoring and adjust the volume with the VOLUME +\/- buttons.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM CA-XLR2d-C in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM CA-XLR2d-C is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948667765103,"sku":"TASCAM-CA-XLR2d-C","price":71550.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-CA-XLR2D-C-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1.webp?v=1793322314"},{"product_id":"tascam-ca-xlr2d-f-fr-av-series-audio-recorders-for-video","title":"TASCAM CA-XLR2d-F","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM CA-XLR2d-F\u003c\/strong\u003e is TASCAM's XLR microphone adapter kit for mirrorless cameras, supplied with the CA-AK1-F accessory shoe mount adapter: on compatible cameras it sends digital audio through the accessory shoe and takes its power from the camera.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo XLR\/TRS combo inputs with TASCAM HDDA mic preamps and a 3.5 mm input with plug-in power let you choose the right microphone for every set-up, from a single shotgun mic for interviews to a stereo pair or the line-level mix from a master mixer. Because the audio travels digitally into the camera, there is no loss of quality and no need to synchronise picture and sound in post production. The kit also includes the CA-AK1-AN cold shoe mount adapter, a battery holder and a 3.5 mm cable, so the same unit can feed the analogue mic input of virtually any camera.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAudio into the camera via the CA‑AK1‑F\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDigital\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePlus 3.5 mm input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 XLR\/TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHDDA preamp EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-120 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e16 \/ 24‑bit, set by the camera\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e48 \/ 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital audio transfer\u003c\/strong\u003e through the camera's accessory shoe with the CA-AK1-F adapter (fitted)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePower from the camera\u003c\/strong\u003e through the shoe; the adapter is fixed with a tightening dial\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 XLR\/TRS combo inputs\u003c\/strong\u003e with HDDA preamps, MIC \/ LINE switching and +48V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3.5 mm input\u003c\/strong\u003e (INPUT 3) with plug-in power for a lavalier mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e48 \/ 96 kHz and 16 \/ 24-bit, following the camera's settings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAttenuator 0 \/ 20 \/ 46 dB, low cut 80 \/ 220 Hz, auto level and limiter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1+2 LINK for stereo and an overload indicator for each input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAnalogue output in CAMERA or HEADPHONE mode for latency-free direct monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDetachable mic holder with shock mount, cable holder and a cold shoe on the top panel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe adapter and battery holder included for cameras with an analogue mic input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDigital audio straight into the camera\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith premium AD converters and TASCAM know-how, the CA-XLR2d-F transmits clean, noise-free digital audio directly into a compatible camera through its accessory shoe with the CA-AK1-F adapter. There is no deterioration in sound quality, the audio is already in the video file, and the unit is driven by power from the camera, so a compatible camera is all you need. TASCAM publishes a tested camera list for the adapters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHDDA mic preamps for every source\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe high-performance HDDA preamps handle anything from room tone to explosions with low noise and a wide dynamic range. Each XLR\/TRS input switches between microphone and line level and supplies +48V phantom power, so it accepts dynamic and condenser microphones as well as line-level signals from a mixer, and INPUT 3 takes a lavalier or other plug-in-power mic.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in processing on simple switches\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAuto level, a low-cut filter and a limiter sit on clearly labelled switches for each input, with a 0 \/ 20 \/ 46 dB attenuator and an overload indicator. The 1+2 LINK function adjusts the volume, level and limiter of both inputs together for stereo recording, and the SELECT switch chooses IN 1, IN 1+2 or IN 3 for the camera's recording channels.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned for a high degree of freedom\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA cold shoe on the top panel takes extra accessories, the detachable mic holder has a vibration-resistant shock mount, and a cable holder keeps the wiring tidy around the camera. The analogue output works in headphone mode for latency-free direct monitoring, and the shoe adapter can be changed by the user.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-XLR2d unit (with bottom connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-F accessory shoe mount adapter (with connector cover, attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe mount adapter (with interface connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic holder (attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBattery holder (with connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3.5 mm (1\/8-inch) stereo mini cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Guide (including warranty)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eCA-AK1-C, CA-AK1-N and CA-AK1-AN adapters are available separately; 2 AA batteries for the battery holder are sold separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM CA-XLR2d-F: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich cameras does the TASCAM CA-XLR2d-F work with?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith its CA-AK1-F adapter it connects digitally to the compatible cameras on TASCAM's tested camera list. With the included CA-AK1-AN cold shoe adapter, battery holder and 3.5 mm cable it also works with virtually any camera that has an analogue mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TASCAM CA-XLR2d-F need batteries?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. On a compatible camera it is powered through the accessory shoe. The included battery holder with two AA batteries can power it instead, to save the camera battery; the digital kit needs a connection to a powered camera to operate.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use condenser microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. INPUT 1 and INPUT 2 supply +48V phantom power on their XLR connectors, and INPUT 3 offers plug-in power for lavalier mics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I monitor with headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Set the OUTPUT switch to HEADPHONE for latency-free direct monitoring and adjust the volume with the VOLUME +\/- buttons.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM CA-XLR2d-F in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM CA-XLR2d-F is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948676153711,"sku":"TASCAM-CA-XLR2d-F","price":71550.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-CA-XLR2D-F-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1.webp?v=1793322337"},{"product_id":"tascam-ca-xlr2d-an-fr-av-series-audio-recorders-for-video","title":"TASCAM CA-XLR2d-AN","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM CA-XLR2d-AN\u003c\/strong\u003e Analogue Interface Kit brings professional XLR microphones to virtually any camera that has an analogue audio input, with TASCAM HDDA preamps and the CA-AK1-AN cold shoe mount adapter fitted.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMount it on the camera's shoe, power it from two AA batteries in the included battery holder and connect its output to the camera's microphone input with the included 3.5 mm cable. Two XLR\/TRS combo inputs and a 3.5 mm input with plug-in power let you choose the right microphone for every set-up, from a single shotgun mic for interviews to a stereo pair or the line-level mix from a master mixer, and it can later be upgraded to digital transfer with an optional CA-AK1-C, CA-AK1-F or CA-AK1-N adapter on compatible cameras.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith an analogue mic input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eAny camera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePlus 3.5 mm input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 XLR\/TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHDDA preamp EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-120 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBattery holder included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x AA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWorks with virtually any camera\u003c\/strong\u003e that has an analogue mic input, through the included 3.5 mm cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCA-AK1-AN cold shoe mount adapter\u003c\/strong\u003e fitted, fixed with a tightening dial\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBattery powered\u003c\/strong\u003e: 2 AA batteries in the included battery holder\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 XLR\/TRS combo inputs\u003c\/strong\u003e with HDDA preamps, MIC \/ LINE switching and +48V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3.5 mm input\u003c\/strong\u003e (INPUT 3) with plug-in power for a lavalier mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAttenuator 0 \/ 20 \/ 46 dB, low cut 80 \/ 220 Hz, auto level and limiter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1+2 LINK for stereo and an overload indicator for each input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOUTPUT in CAMERA mode (fixed level for a camera) or HEADPHONE mode for latency-free monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDetachable mic holder with shock mount, cable holder and a cold shoe on the top panel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReady for digital transfer with an optional CA-AK1-C, CA-AK1-F or CA-AK1-N adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-quality sound with your current camera\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAttach the CA-XLR2d-AN to the camera's shoe, fit the battery holder with two AA batteries and connect the OUTPUT jack to the camera's microphone input with the included cable. In CAMERA mode the output is a fixed level suited to a camera's mic input, while phantom power, attenuation, low cut, auto level and limiting are all handled on the CA-XLR2d.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHDDA mic preamps for every source\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe high-performance HDDA preamps handle anything from room tone to explosions with low noise and a wide dynamic range. Each XLR\/TRS input switches between microphone and line level and supplies +48V phantom power, so it accepts dynamic and condenser microphones as well as line-level signals from a mixer, and INPUT 3 takes a lavalier or other plug-in-power mic.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in processing on simple switches\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAuto level, a low-cut filter and a limiter sit on clearly labelled switches for each input, with a 0 \/ 20 \/ 46 dB attenuator and an overload indicator. The 1+2 LINK function adjusts the volume, level and limiter of both inputs together for stereo recording, and the SELECT switch chooses IN 1, IN 1+2 or IN 3 for the camera's recording channels.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned for a high degree of freedom\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA cold shoe on the top panel takes extra accessories, the detachable mic holder has a vibration-resistant shock mount, and a cable holder keeps the wiring tidy around the camera. The analogue output works in headphone mode for latency-free direct monitoring, and the shoe adapter can be changed by the user.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-XLR2d unit (with bottom connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe mount adapter (attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic holder (attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBattery holder (with connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3.5 mm (1\/8-inch) stereo mini cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Guide (including warranty)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eCA-AK1-C, CA-AK1-F and CA-AK1-N adapters are available separately; 2 AA batteries are sold separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM CA-XLR2d-AN: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich cameras does the TASCAM CA-XLR2d-AN work with?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt works with virtually any camera that has an analogue audio (mic) input: connect the OUTPUT jack to the camera with the included 3.5 mm cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is the TASCAM CA-XLR2d-AN powered?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBy two AA batteries (alkaline, Ni-MH or lithium) in the included battery holder.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use condenser microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. INPUT 1 and INPUT 2 supply +48V phantom power on their XLR connectors, and INPUT 3 offers plug-in power for lavalier mics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I monitor with headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Set the OUTPUT switch to HEADPHONE for latency-free direct monitoring and adjust the volume with the VOLUME +\/- buttons.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM CA-XLR2d-AN in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM CA-XLR2d-AN is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948676284783,"sku":"TASCAM-CA-XLR2d-AN","price":57150.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-CA-XLR2D-AN-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1.webp?v=1793322360"},{"product_id":"tascam-ca-xlr2d-n-fr-av-series-audio-recorders-for-video","title":"TASCAM CA-XLR2d-N","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM CA-XLR2d-N\u003c\/strong\u003e is TASCAM's XLR microphone adapter kit for mirrorless cameras, supplied with the CA-AK1-N accessory shoe mount adapter: on compatible cameras it sends digital audio through the accessory shoe and takes its power from the camera.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo XLR\/TRS combo inputs with TASCAM HDDA mic preamps and a 3.5 mm input with plug-in power let you choose the right microphone for every set-up, from a single shotgun mic for interviews to a stereo pair or the line-level mix from a master mixer. Because the audio travels digitally into the camera, there is no loss of quality and no need to synchronise picture and sound in post production. The kit also includes the CA-AK1-AN cold shoe mount adapter, a battery holder and a 3.5 mm cable, so the same unit can feed the analogue mic input of virtually any camera.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAudio into the camera via the CA‑AK1‑N\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDigital\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePlus 3.5 mm input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 XLR\/TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHDDA preamp EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-120 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e16 \/ 24‑bit, set by the camera\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e48 \/ 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital audio transfer\u003c\/strong\u003e through the camera's accessory shoe with the CA-AK1-N adapter (fitted)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePower from the camera\u003c\/strong\u003e through the shoe; the adapter is fixed with a tightening dial\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 XLR\/TRS combo inputs\u003c\/strong\u003e with HDDA preamps, MIC \/ LINE switching and +48V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3.5 mm input\u003c\/strong\u003e (INPUT 3) with plug-in power for a lavalier mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e48 \/ 96 kHz and 16 \/ 24-bit, following the camera's settings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAttenuator 0 \/ 20 \/ 46 dB, low cut 80 \/ 220 Hz, auto level and limiter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1+2 LINK for stereo and an overload indicator for each input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAnalogue output in CAMERA or HEADPHONE mode for latency-free direct monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDetachable mic holder with shock mount, cable holder and a cold shoe on the top panel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe adapter and battery holder included for cameras with an analogue mic input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital connection with the CA-AK1-N adapter is supported from firmware V1.20: update the unit before first use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDigital audio straight into the camera\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith premium AD converters and TASCAM know-how, the CA-XLR2d-N transmits clean, noise-free digital audio directly into a compatible camera through its accessory shoe with the CA-AK1-N adapter. There is no deterioration in sound quality, the audio is already in the video file, and the unit is driven by power from the camera, so a compatible camera is all you need. TASCAM publishes a tested camera list for the adapters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHDDA mic preamps for every source\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe high-performance HDDA preamps handle anything from room tone to explosions with low noise and a wide dynamic range. Each XLR\/TRS input switches between microphone and line level and supplies +48V phantom power, so it accepts dynamic and condenser microphones as well as line-level signals from a mixer, and INPUT 3 takes a lavalier or other plug-in-power mic.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in processing on simple switches\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAuto level, a low-cut filter and a limiter sit on clearly labelled switches for each input, with a 0 \/ 20 \/ 46 dB attenuator and an overload indicator. The 1+2 LINK function adjusts the volume, level and limiter of both inputs together for stereo recording, and the SELECT switch chooses IN 1, IN 1+2 or IN 3 for the camera's recording channels.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned for a high degree of freedom\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA cold shoe on the top panel takes extra accessories, the detachable mic holder has a vibration-resistant shock mount, and a cable holder keeps the wiring tidy around the camera. The analogue output works in headphone mode for latency-free direct monitoring, and the shoe adapter can be changed by the user.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-XLR2d unit (with bottom connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-N accessory shoe mount adapter (with connector cover, attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCA-AK1-AN cold shoe mount adapter (with interface connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic holder (attached to the unit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBattery holder (with connector cover)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3.5 mm (1\/8-inch) stereo mini cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Guide (including warranty)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eCA-AK1-C, CA-AK1-F and CA-AK1-AN adapters are available separately; 2 AA batteries for the battery holder are sold separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM CA-XLR2d-N: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich cameras does the TASCAM CA-XLR2d-N work with?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith its CA-AK1-N adapter it connects digitally to the compatible cameras on TASCAM's tested camera list. With the included CA-AK1-AN cold shoe adapter, battery holder and 3.5 mm cable it also works with virtually any camera that has an analogue mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TASCAM CA-XLR2d-N need batteries?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. On a compatible camera it is powered through the accessory shoe. The included battery holder with two AA batteries can power it instead, to save the camera battery; the digital kit needs a connection to a powered camera to operate.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use condenser microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. INPUT 1 and INPUT 2 supply +48V phantom power on their XLR connectors, and INPUT 3 offers plug-in power for lavalier mics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I monitor with headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Set the OUTPUT switch to HEADPHONE for latency-free direct monitoring and adjust the volume with the VOLUME +\/- buttons.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM CA-XLR2d-N in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM CA-XLR2d-N is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948676546927,"sku":"TASCAM-CA-XLR2d-N","price":79800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-CA-XLR2D-N-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1.webp?v=1793322387"},{"product_id":"tascam-dr-70d-dr-series-audio-recorders-for-video","title":"TASCAM DR-70D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM DR-70D\u003c\/strong\u003e is a 4-track audio field recorder and mixer for filmmakers, with four XLR\/TRS inputs, built-in stereo mics and a compact body that mounts above or below a camera.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour balanced XLR\/TRS combo inputs with TASCAM HDDA mic preamps meet the needs of production sound, from professional users to independent shooters. A pair of built-in omnidirectional mics captures sound on set, and each input feeds a 4-in \/ 2-out mixer, so every channel is recorded individually for post-production while a stereo mix goes to headphones and to the camera as a guide track. The interface is designed for quick adjustment, with a limiter, low-cut filter, delay and dual recording to keep levels under control, and slate tones make syncing picture and sound simple.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRecorded at once, up to 96 kHz \/ 24‑bit\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 tracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic or +4 dBu line inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x XLR\/TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEIN of the HDDA mic preamps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e−120 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24 V \/ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUp to 4 tracks recorded simultaneously\u003c\/strong\u003e: WAV \/ BWF at 44.1 \/ 48 \/ 96 kHz, 16 \/ 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 XLR\/TRS combo inputs\u003c\/strong\u003e for mics or +4 dBu line level, with 24 V or 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHDDA mic preamps\u003c\/strong\u003e (High Definition Discrete Architecture) with −120 dBu EIN\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in omnidirectional stereo microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3.5 mm EXT IN 1\/2 jack with plug-in power for video camera mics\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCAMERA OUT\u003c\/strong\u003e (attenuated to mic level) and \u003cstrong\u003eCAMERA IN\u003c\/strong\u003e for monitoring the camera\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDual recording: a safety file 1 to 12 dB lower\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLimiter, low-cut filter (40 \/ 80 \/ 120 \/ 180 \/ 220 Hz), delay, phase and mid-side decoding\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAutomatic and manual slate tones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMounts under a camera or on top with the shoe; tripod thread; 4 x AA, USB bus power, AC adapter or BP-6AA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFour XLR\/TRS inputs for any setup\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe four-channel design records combinations of shotgun mics, lavalier mics and the built-in stereo mic individually. Channels 1 and 2 can be a stereo input and channels 3 and 4 can use the built-in mics. Choose MONO or DUAL MONO for a single performer, STEREO or DUAL STEREO for the built-in mics or a stereo mic, and 2MIX or DUAL 2MIX for a stereo file of mixed inputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in 4-in \/ 2-out mixer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach input is sent to a stereo mixer with level and pan, so you record separate tracks for post-production while a stereo mix goes to headphones and the camera. Every input has a limiter, a low-cut filter and a delay of up to ±150 ms to compensate for different mic distances, and a mid-side decoder supports MS stereo mics.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHDDA mic preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTASCAM HDDA microphone preamps, built from a discrete architecture and carefully selected components, reach an equivalent input noise of −120 dBu, with a high-quality AD converter for quiet, clean audio up to 96 kHz \/ 24-bit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade to work with your camera\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe camera output sends a stereo mix to the camera for later synchronisation in editing software, attenuated to mic level to prevent overloading the camera's input. Slate tones, added automatically at the head and tail of a recording or with the SLATE button, line up the waveforms. The camera input lets you play back from the camera to evaluate a take, and a REMOTE jack accepts the TASCAM RC-3F footswitch or RC-10 wired remote.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM DR-70D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCamera attachment bracket screw hole covers (x 6)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's Manual (including warranty)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eAn SD, SDHC or SDXC card and 4 AA batteries are sold separately. The AK-DR70C shoe mount adapter is needed to mount the DR-70D on top of a camera.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM DR-70D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many tracks can the DR-70D record at once?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to four channels at once (stereo x 2 or mono x 4), as WAV or BWF files at 44.1, 48 or 96 kHz and 16 or 24-bit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it supply phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The four XLR\/TRS inputs can supply 24 V or 48 V phantom power for condenser microphones, and the EXT IN 1\/2 mini jack provides plug-in power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I sync the DR-70D's audio with my video?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSend the stereo mix to the camera through CAMERA OUT as a guide track and add slate tones at the start and end of recordings or with the SLATE button. Line the waveforms up in your editing software.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow can I mount it on my camera?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMount it under the camera with the camera attachment screw on top, on a tripod with the 1\/4-inch thread underneath, or on top of the camera with the shoe mount adapter of the AK-DR70C.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM DR-70D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM DR-70D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948695716207,"sku":"TASCAM-DR-70D","price":44000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-DR-70D-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1.webp?v=1793322657"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/GOLD-BANNER-AUDIO-RECORDERS-FOR-VIDEO.webp?v=1793444908","url":"https:\/\/shivanshelectronics.in\/collections\/audio-recorders-for-video.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}