{"title":"RME","description":"\u003cp\u003eRME builds professional audio interfaces in Germany, from compact desktop USB interfaces and rack-mount flagships to MADI, AES, AVB, Dante and RAVENNA digital and network interfaces, with TotalMix FX for routing and monitoring.\u003c\/p\u003e\u003cp\u003eExplore RME audio interfaces at Shivansh Electronics, Kolkata, West Bengal, India, with new RME products added to the range as they arrive.\u003c\/p\u003e","products":[{"product_id":"rme-fireface-ucx-ii-studio-audio-interfaces-audio-interfaces","title":"RME Fireface UCX II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Fireface UCX II\u003c\/strong\u003e is a 40-channel 192 kHz advanced USB audio interface in a half-rack format: 8 analog inputs and outputs, ADAT, AES\/EBU, SPDIF, word clock and MIDI, with DURec recording, a colour display and full stand-alone operation.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe front panel holds two mic\/line preamps on XLR\/TRS combo sockets, two digitally controlled line\/instrument inputs, a high-power headphone output, four keys, an encoder and a colour display. At the rear are four balanced line inputs, six balanced line outputs, ADAT I\/O, AES\/EBU and coaxial SPDIF on a breakout cable, word clock and MIDI. SteadyClock FS, TotalMix FX with DSP effects and Room EQ, DC-coupled outputs for CV\/Gate, and Class Compliant mode for iOS and other operating systems complete the package.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (20 in \/ 20 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-128 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic gain range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e75 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e20 inputs \/ 20 outputs\u003c\/strong\u003e: 8 analog, 8 ADAT, 2 AES\/EBU and 2 SPDIF each way\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x mic\/line preamps\u003c\/strong\u003e with 75 dB gain range, 48V phantom power and AutoSet overload protection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x line\/instrument inputs\u003c\/strong\u003e on the front, Hi-Z 1 MOhm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6 x balanced line outputs\u003c\/strong\u003e, switchable +19, +13 and +4 dBu, all DC-coupled for CV\/Gate\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-power headphone output\u003c\/strong\u003e: 210 mW into 32 Ohm, 1 Ohm output impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDURec\u003c\/strong\u003e: record and play back all inputs and outputs directly to USB memory\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFull stand-alone operation\u003c\/strong\u003e with colour display, six memory states and MIDI control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e femtosecond clock and jitter-rejection technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with EQ, dynamics, reverb, echo and \u003cstrong\u003eRoom EQ\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClass Compliant mode\u003c\/strong\u003e for iOS, Windows, macOS and Linux; ARC USB support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDURec: Direct USB Recording\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDURec records all inputs and outputs directly to USB thumb drives or hard drives with up to 2 TB capacity via the rear USB port. Recording runs on the internal DSP, independent from a connected computer, turning the Fireface UCX II into what RME calls a stand-alone field recorder and multichannel live player, for example for virtual soundchecks. Each channel can be chosen individually for recording and playback.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFull stand-alone functionality\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour keys, the encoder, the high-resolution colour display and a well thought-out menu give direct access to every function from the front panel. Internal memory stores six complete states of the unit, so the Fireface UCX II can work without a computer and change role at the click of a button. TotalMix FX can also be controlled via MIDI.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and Room EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TotalMix FX DSP mixer creates multiple latency-free monitor mixes, in RME's words, with EQ, dynamics, reverb and delay for every output, including main monitors and headphone mixes. Room EQ adds a 9-band parametric EQ with delay and volume calibration. TotalMix Remote mirrors the complete mixer on an iPad or another computer over Ethernet and WiFi, and DIGICheck measures and analyses the audio data.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDC-coupled outputs for CV\/Gate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll line-level outputs are fully DC-coupled, so they can send control voltages and gate signals to modular synthesisers and other studio hardware alongside normal audio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock FS and Class Compliant mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock FS is based on a femtosecond clock and reduces intrinsic jitter when converting from and to analog over all digital formats. In Class Compliant mode the operating system recognises the unit directly, giving professional analog I\/O to iOS devices and other platforms without a proprietary driver.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Fireface UCX II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable (TOSLINK), 2 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eB0968 digital breakout cable (XLR\/RCA)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switched power supply, lockable connector, 12 V DC, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant for iOS and Linux.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Fireface UCX II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the Fireface UCX II record without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. DURec records all inputs and outputs to a USB thumb drive or hard drive (up to 2 TB) using the internal DSP, independent from a connected computer.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it work with an iPad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In Class Compliant mode no driver is needed, and TotalMix FX can be used directly from the iPad.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I control modular synthesisers?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All line outputs are DC-coupled and can send CV and gate signals, and MIDI I\/O controls external gear.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is it powered?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBy the included external power supply (12 V DC, lockable connector).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Fireface UCX II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Fireface UCX II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936946913647,"sku":"RME-Fireface-UCX-II","price":191844.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-FIREFACE-UCX-II-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329948"},{"product_id":"rme-babyface-pro-fs-studio-audio-interfaces-audio-interfaces","title":"RME Babyface Pro FS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Babyface Pro FS\u003c\/strong\u003e is a 24-channel 192 kHz bus-powered USB audio interface, machined from a block of aluminium, with two reference-quality mic preamps, two headphone outputs, ADAT\/SPDIF and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo XLR mic\/line inputs are built into the housing, each with digitally controlled gain and switchable 48V phantom power. Jack inputs 3 and 4 take any instrument, line or high-impedance source, so you can record a guitar with no extra hardware. Two balanced XLR outputs feed your monitors, and two headphone outputs (6.3 mm and 3.5 mm) have separate driver stages for low- and high-impedance headphones. The optical port works as ADAT with S\/MUX or as SPDIF, and with an external ADAT converter the Babyface Pro FS supports 12 inputs and 12 outputs. It runs on USB bus power, and works with Mac, Windows and, in Class Compliant mode, iOS devices.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (12 in \/ 12 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic gain range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e76 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine input SNR (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x digitally controlled mic preamps\u003c\/strong\u003e: 76 dB gain range in 1 dB steps (-11 to +65 dB) including a relay-driven PAD, individually switchable 48V\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x line\/instrument inputs\u003c\/strong\u003e (6.3 mm TS, 1 MOhm) for guitar, bass, keyboards and line sources\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x balanced XLR outputs\u003c\/strong\u003e with a \u003cstrong\u003e+19 \/ +4 dBu switch\u003c\/strong\u003e on the bottom\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x headphone outputs\u003c\/strong\u003e: 6.3 mm and 3.5 mm with separate driver stages; 3.5 mm output delivers 90 mW at 0.1 Ohm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOptical I\/O\u003c\/strong\u003e: ADAT with S\/MUX or SPDIF, for sessions up to 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e: the full circuit as in RME's ADI-2 Pro FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with 3-band parametric EQ on all inputs and outputs, plus Reverb and Echo\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB bus-powered\u003c\/strong\u003e: stable on USB 3 and most USB 2 ports with no loss in any specification\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClass Compliant mode\u003c\/strong\u003e for Mac, Windows and iOS devices; stand-alone routing and mixing\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI I\/O\u003c\/strong\u003e via included breakout cable, DC-coupled outputs, K-slot and mic stand thread\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFull-range capture\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME designed an XLR socket that integrates seamlessly into the housing. The two preamps reach a signal-to-noise ratio of 117 dB (A-weighted) with THD+N below -108 dB, and the relay-driven PAD gives line overload protection plus enough gain for even the lowest-level microphones. The line\/instrument inputs reach 120 dB SNR (A-weighted).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHeadphone power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe two headphone outputs, TRS and mini-jack in parallel, have completely separate driver stages to match low- and high-impedance headphones. The 3.5 mm output delivers 90 mW with an output impedance of just 0.1 Ohm, and both outputs use the same output op-amps as RME's ADI-2 Pro.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock FS\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Babyface Pro FS carries the full SteadyClock FS circuit for, in RME's words, lowest jitter and highest jitter immunity. RME says this gives a soundstage with more depth and clarity, helping you optimise recordings and mixes.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and TotalMix Remote\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX routes and mixes every input and playback channel to every output, with independent stereo submixes and a comprehensive Control Room section. The FPGA-based DSP adds a 3-band parametric EQ to all inputs and outputs and an FX send bus feeding Reverb and Echo. TotalMix FX runs on Windows, Mac and iPad, and TotalMix Remote controls the mixer from a tablet or another computer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePortable and expandable\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts efficient design almost never needs an external power supply, so the Babyface Pro FS is ideal for mobile recording, even with a pair of condenser microphones. On the bottom, the +19 \/ +4 dBu switch reduces the output level for sensitive active monitors and keeps TotalMix FX faders near 0 dB. A mic stand thread and a K-slot complete the package.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Babyface Pro FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, A plug to right-angle B plug, 1 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, C plug to right-angle B plug, 1 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCarrying box\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant for iOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Babyface Pro FS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the Babyface Pro FS need a power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAlmost never. It runs on USB bus power from USB 3 and most USB 2 ports with no loss in any specification. A DC socket accepts an optional external supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with an iPad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In Class Compliant mode no proprietary driver is needed, and TotalMix FX for iPad gives full control of the hardware mixer.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I plug in a guitar directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Inputs 3 and 4 are line\/instrument inputs with 1 MOhm impedance for guitar, bass and other high-impedance sources.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels are available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e24 at 48 kHz: 12 inputs and 12 outputs, made up of 4 analog plus 8 ADAT channels each way when an ADAT converter is connected.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Babyface Pro FS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Babyface Pro FS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936948486511,"sku":"RME-Babyface-Pro-FS","price":114059.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-BABYFACE-PRO-FS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329919"},{"product_id":"rme-digiface-aes-digital-audio-interfaces-audio-interfaces","title":"RME Digiface AES","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Digiface AES\u003c\/strong\u003e is a 192 kHz digital USB interface with AES\/SPDIF\/ADAT\/analog I\/O: 14 inputs and 16 outputs over USB 2.0, built around AES\/EBU on XLR, with two mic\/line preamps, SteadyClock FS, a built-in sample rate converter and full stand-alone operation.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe digital section offers AES\/EBU on XLR, coaxial SPDIF, optical SPDIF or 8-channel ADAT, all usable at the same time. Two digitally controlled mic\/line preamps on XLR\/TRS combo sockets, two balanced XLR outputs and a high-quality headphone output complete the analog side. An integrated SRC can be assigned to the AES, coaxial or optical input to solve clocking issues and adapt other sample rates. A colour display, four keys and an encoder give direct access to every function, and the unit runs on USB bus power or the included power supply.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInputs \/ outputs at 48 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 \/ 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-129 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eXLR output dynamic range (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e123 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES\/EBU I\/O\u003c\/strong\u003e on XLR, transformer-balanced, galvanically isolated\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSPDIF coaxial I\/O\u003c\/strong\u003e (RCA) and \u003cstrong\u003eoptical I\/O\u003c\/strong\u003e as SPDIF or 8-channel ADAT, all usable simultaneously\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBuilt-in SRC\u003c\/strong\u003e assignable to the AES, coaxial or optical input, 32 to 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x mic\/line preamps\u003c\/strong\u003e on XLR\/TRS combo sockets: 75 dB gain range in 1 dB steps incl. relay-driven PAD, individually switchable 48V\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x balanced XLR outputs\u003c\/strong\u003e, switchable +19, +13 and +4 dBu, 123 dB dynamic range (A-weighted)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHeadphone output\u003c\/strong\u003e, 160 mW into 32 Ohm, 5 Ohm output impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e clock and jitter-suppression technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with 3-band parametric EQ and Low Cut\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFull stand-alone operation\u003c\/strong\u003e: colour display, encoder, four keys, six memory Setups, MIDI control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB bus-powered\u003c\/strong\u003e or external supply; Class Compliant mode; MIDI I\/O; ARC USB support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDigital connectivity\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCentred on an AES\/EBU input and output on XLR, the Digiface AES also includes coaxial SPDIF and an optical port for SPDIF or 8-channel ADAT. All I\/Os work at the same time, so the unit receives and sends every common digital audio format. AES, coaxial and optical SPDIF carry two channels at up to 192 kHz; ADAT carries 8 channels at 48 kHz, 4 at 96 kHz and 2 at 192 kHz.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSample rate converter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe integrated SRC can be switched to any of the three stereo digital inputs. This lets the Digiface AES clock from its main AES source while listening to an SPDIF device running at a different rate. The SRC converts up to 1:7 and 7:1 with 139 dB dynamic range and THD+N of -139 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalog inputs and outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe two digitally controlled preamps offer 75 dB of gain including a relay-driven PAD, with an EIN of -129 dBu (A-weighted), line overload protection and enough gain for low-level microphones. The rear XLR outputs drive power amps or active monitors with up to 123 dB dynamic range (A-weighted), and the headphone output drives both high- and low-impedance headphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone and TotalMix FX\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSix device Setups stored in internal memory turn the Digiface AES into a different device at the click of a button, ideal for stand-alone use. TotalMix FX gives fully independent routing and mixing of all inputs and playback channels, with stereo submixes, a Control Room section, parametric EQ and remote control via TotalMix Remote or MIDI.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Digiface AES\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switched power supply, lockable connector, 12 V DC, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS (Intel and ARM).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Digiface AES: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does the Digiface AES support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAES\/EBU on XLR, coaxial SPDIF on RCA, and optical SPDIF or ADAT on TOSLINK, all usable at the same time.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the SRC for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe built-in sample rate converter adapts one digital input (AES, coaxial or optical) to the unit's clock, so you can monitor or record sources running at different sample rates.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need the power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt can run on USB bus power or on the included external power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All functions are available from the front panel, and six Setups can be stored for stand-alone use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Digiface AES in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Digiface AES is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936948912495,"sku":"RME-Digiface-AES","price":256461.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-DIGIFACE-AES-DIGITAL-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793330026"},{"product_id":"rme-digiface-avb-network-audio-interfaces-audio-interfaces-avb-networking","title":"RME Digiface AVB","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Digiface AVB\u003c\/strong\u003e is a 256-channel 192 kHz USB audio interface for AVB networks: 128 channels of recording and 128 channels of playback between a Mac or Windows computer and an AVB network, in a lightweight, bus-powered box.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDeveloped by RME, the Digiface AVB uses AVB, an open protocol developed by the IEEE, to move audio between computer and network over one Gigabit Ethernet port. Channels are organised in up to 16 streams of configurable size, from 2 to 32 channels each, and the included AVDECC controller software discovers AVB devices on the network and manages incoming and outgoing streams. A word clock input and output, a high-quality headphone output, TotalMix FX routing and RME's USB 3 driver complete the package, all powered by a single USB cable.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (128 in \/ 128 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB streams (up to 32 channels each)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEthernet port\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1 Gbit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWeight, USB bus‑powered\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e300 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e128 record \/ 128 playback channels\u003c\/strong\u003e at 48 kHz; 64 at 96 kHz; 32 at 192 kHz (24 bit)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAVB network I\/O\u003c\/strong\u003e: 128 channels at 48 and 96 kHz, 64 channels at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUp to 16 AVB streams\u003c\/strong\u003e of 2 to 32 channels each; AVDECC-based status and control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eGigabit Ethernet\u003c\/strong\u003e on RJ45 (100 Mbit\/s compatible), Auto MDI-X\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIncluded AVDECC controller\u003c\/strong\u003e to discover devices and manage stream connections\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e on BNC; clock from internal, AVB or word clock\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHeadphone output\u003c\/strong\u003e (6.3 mm TRS), DC-coupled, with independent submix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 3.0 bus-powered\u003c\/strong\u003e: one cable for audio and power; USB 2.0 compatible\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e routing with Control Room section, talkback and Mackie\/OSC remote\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOutgoing network latency\u003c\/strong\u003e selectable in steps of 8 ns; TotalMix Remote over the network\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAudio over AVB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Digiface AVB sends up to 128 channels for recording and playback at 48 kHz, 64 channels at 96 kHz (with 128 channels of AVB I\/O) or 32 channels at 192 kHz (64 channels of AVB I\/O). Streams of configurable size from 2 to 32 channels enable connections to AVB audio devices on the network, and RME describes it as offering high compatibility with existing AVB devices.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVDECC controller\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe accompanying software includes an AVDECC controller that discovers all AVB devices in a network and manages connections of incoming and outgoing streams, with basic monitoring built in. TotalMix FX then handles the routing between USB playback, AVB streams and the headphone output.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and TotalMix Remote\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX allows practically unlimited mixing and routing of all inputs and playback channels to any output, with a dedicated Control Room section, talkback, Main\/Phones switching, fader and mute groups, and remote control via Mackie or OSC protocol. TotalMix Remote controls the mixer from an iPad or another computer over the network.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompact and bus-powered\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMeasuring 11.2 x 8.3 x 2.6 cm and weighing 300 g, the Digiface AVB runs from USB bus power alone, drawing 1.5 W typically. It uses RME's well-known USB driver for Windows and macOS, with buffer sizes from 32 to 8192 samples.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Digiface AVB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 3.0 cable, 1.8 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote, DIGICheck and AVDECC controller. Drivers for Windows and macOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Digiface AVB: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the Digiface AVB transfer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e256 at 48 kHz: 128 for recording and 128 for playback. At 96 kHz it records and plays 64 channels each way, at 192 kHz 32 channels each way.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is powered by its USB connection, with a typical consumption of 1.5 W.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow are AVB connections made?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith the included AVDECC controller software, which discovers AVB devices on the network and connects incoming and outgoing streams of 2 to 32 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it sync to house clock?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It clocks from internal, the AVB network or the BNC word clock input, and provides a word clock output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Digiface AVB in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Digiface AVB is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936949436783,"sku":"RME-Digiface-AVB","price":104371.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-DIGIFACE-AVB-NETWORK-AUDIO-INTERFACES-AVB-NETWORKING-SHIVANSH-ELECTRONICS-1.webp?v=1793330026"},{"product_id":"rme-digiface-dante-network-audio-interfaces-audio-interfaces","title":"RME Digiface Dante","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Digiface Dante\u003c\/strong\u003e is a 256-channel 192 kHz USB audio interface: 64 channels of Dante (AES67) plus 64 channels of MADI in each direction over USB 3.0, in a lightweight, portable unit with four Gigabit network ports and stand-alone Dante\/MADI conversion.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME describes it as combining Dante network connectivity with everything RME is known for: USB 3, MADI, TotalMix FX and strong options in both USB and stand-alone operation. The two BNC sockets switch between word clock I\/O and coaxial MADI I\/O with up to 64 channels, and the total of Dante and MADI, 128 channels each way, is transferred over USB 3.0. Four RJ45 ports work as a built-in switch or as redundant primary\/secondary pairs, a headphone output gives a quick listen to any channel, and the unit runs on USB bus power with an included power supply for full load.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (128 in \/ 128 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante + MADI channels each way\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64 + 64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGigabit network ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e64 channels Dante (AES67)\u003c\/strong\u003e and \u003cstrong\u003e64 channels MADI\u003c\/strong\u003e in each direction at 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e128 record \/ 128 playback channels\u003c\/strong\u003e over USB 3.0; 64 \/ 64 at 96 kHz, 32 \/ 32 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x Gigabit Ethernet\u003c\/strong\u003e: switch mode (4 ports) or redundancy mode (primary\/secondary)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCoaxial MADI I\/O\u003c\/strong\u003e on BNC, switchable to word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStand-alone 64-channel Dante\/MADI converter\u003c\/strong\u003e when no computer is connected\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHeadphone output\u003c\/strong\u003e (6.3 mm TRS), DC-coupled, also usable as line output with its own submix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e routing and mixing with Control Room section and talkback\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB bus power plus external supply input\u003c\/strong\u003e for stable, redundant power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClass Compliant mode\u003c\/strong\u003e; RME MADIface series driver for Windows and macOS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI over MADI\u003c\/strong\u003e virtual port; ARC USB support; TotalMix Remote over the network\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante and MADI over USB 3\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Digiface Dante sends and receives 64 Dante channels on the network and 64 MADI channels on BNC, all transferred over USB 3.0 and handled through Dante control software and TotalMix FX. At 96 kHz 32 channels each of Dante and MADI are available, at 192 kHz 16 each. Clock comes from Dante, MADI, word clock or the internal clock, and Dante's AES67 compatibility adds another network format.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in network switch and redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith two banks of network ports, the Digiface Dante also works as a switch, connecting up to four network lines without extra switches. Alternatively, run redundancy mode with two ports each for the primary and secondary networks.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone Dante\/MADI converter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWithout USB, the Digiface Dante automatically becomes a 64-channel Dante to MADI and MADI to Dante converter, transferring all channels unchanged both ways. The headphone output can be preconfigured to play exactly the mix of channels you need, and full network redundancy and switch functions remain available. Power comes from the included supply or from a USB power supply or battery.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and TotalMix Remote\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX mixes as many independent submixes as there are outputs, with a dedicated Control Room section, talkback, fader and mute groups and Mackie\/OSC remote control. TotalMix Remote controls the mixer from an iPad or another computer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Digiface Dante\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 3.0 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitched power supply, lockable connector, 12 V DC, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows (Intel and ARM) and macOS (Intel and ARM).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Digiface Dante: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the Digiface Dante handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e256 at 48 kHz: 128 inputs and 128 outputs over USB 3.0, made up of 64 Dante and 64 MADI channels in each direction.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Without USB it works as a 64-channel Dante\/MADI converter in both directions, with a preconfigured headphone mix.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a network switch?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNot for small systems. The four network ports can work as a built-in switch, or as two redundant pairs for primary and secondary networks.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it bus-powered?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, it uses USB bus power. An external power supply is included for stable operation at highest load, for example with all four network ports in use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Digiface Dante in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Digiface Dante is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936949829999,"sku":"RME-Digiface-Dante","price":181154.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-DIGIFACE-DANTE-NETWORK-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793330049"},{"product_id":"rme-digiface-ravenna-network-audio-interfaces-audio-interfaces","title":"RME Digiface RAVENNA","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Digiface RAVENNA\u003c\/strong\u003e is a 192 kHz USB 3 audio interface for RAVENNA networks: 128 channels of RAVENNA and 64 channels of MADI in each direction, four Gigabit network ports, a headphone output and stand-alone RAVENNA\/MADI conversion, in a lightweight, portable unit.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Digiface RAVENNA combines a full RAVENNA stack with AES67 and ST 2110-30\/31 support and redundant audio-over-IP streaming to ST 2022-7, with everything RME is known for: USB 3, MADI, TotalMix FX and strong options in both USB and stand-alone operation. The two BNC sockets switch between word clock I\/O and coaxial MADI I\/O with up to 64 channels. Four RJ45 ports work in switched or redundancy mode, a browser-based GUI configures the RAVENNA module, and RME's MADIface series driver connects it to Mac and Windows computers. It runs on USB bus power, with an included power supply for full load.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRAVENNA channels each way at 48 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels each way at 48 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGigabit network ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e128 channels RAVENNA\u003c\/strong\u003e and \u003cstrong\u003e64 channels MADI\u003c\/strong\u003e at 48 kHz; 64 + 32 at 96 kHz; 32 + 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eNetwork standards\u003c\/strong\u003e: RAVENNA, AES67, ST 2110-30 \/ -31 and ST 2022-7 redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 streams\u003c\/strong\u003e, network layer 3, channel-based routing matrix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x Gigabit Ethernet\u003c\/strong\u003e: switched mode or redundancy mode (primary\/secondary)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCoaxial MADI I\/O\u003c\/strong\u003e on BNC, switchable to word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStand-alone 64-channel RAVENNA\/MADI converter\u003c\/strong\u003e without a computer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClock\u003c\/strong\u003e from PTP (RAVENNA), MADI, word clock or internal\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHeadphone output\u003c\/strong\u003e (6.3 mm TRS), DC-coupled, also usable as line output with its own submix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e routing and mixing; configuration via browser GUI and NMOS IS-04 \/ IS-05\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB bus power plus external supply input\u003c\/strong\u003e; MIDI over MADI; ARC USB support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRAVENNA and MADI over USB 3\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Digiface RAVENNA records and plays back 128 RAVENNA channels and 64 MADI channels at 48 kHz, 64 and 32 at 96 kHz, and 32 and 16 at 192 kHz. All channels are handled by RME's TotalMix FX and the RAVENNA web interface. Sample rates of 44.1 to 192 kHz are supported, with PTP or internal clock on the network side.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBroadcast-ready networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn the network side the interface offers a full RAVENNA stack with AES67 and ST 2110-30\/31 support, plus redundant audio-over-IP streaming according to ST 2022-7. The four network ports can act as a switch or as primary and secondary redundant pairs, and NMOS IS-04 \/ IS-05 is supported for configuration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone RAVENNA\/MADI converter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWithout a computer, the Digiface RAVENNA works as a mobile 64-channel MADI to RAVENNA and RAVENNA to MADI converter, transferring all channels unchanged both ways. A headphone submix of MADI and RAVENNA channels can be stored in the unit for stand-alone monitoring. Power comes from the included supply or from a USB power supply or battery.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and TotalMix Remote\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX mixes as many independent submixes as there are outputs, with a dedicated Control Room section, talkback, fader and mute groups and Mackie\/OSC remote control. TotalMix Remote controls the mixer from an iPad or another computer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Digiface RAVENNA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 3.0 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitched power supply, lockable connector, 12 V DC, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS 11 or higher.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Digiface RAVENNA: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the Digiface RAVENNA handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt 48 kHz, 128 RAVENNA channels and 64 MADI channels in each direction. At 96 kHz 64 RAVENNA and 32 MADI, at 192 kHz 32 RAVENNA and 16 MADI.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich network standards are supported?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRAVENNA, AES67, ST 2110-30 \/ -31 and ST 2022-7 redundant streaming, with NMOS IS-04 \/ IS-05 for configuration.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It then operates as a 64-channel RAVENNA\/MADI converter in both directions, with a stored headphone mix.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it bus-powered?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, it uses USB bus power. An external power supply is included for stable operation at highest load, for example with all four network ports in use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Digiface RAVENNA in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Digiface RAVENNA is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936950649199,"sku":"RME-Digiface-RAVENNA","price":258939.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-DIGIFACE-RAVENNA-NETWORK-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793330072"},{"product_id":"rme-digiface-usb-digital-audio-interfaces-audio-interfaces","title":"RME Digiface USB","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Digiface USB\u003c\/strong\u003e is a 66-channel 192 kHz USB audio interface: four optical ADAT\/SPDIF inputs and outputs plus a high-quality headphone output, in a compact, lightweight, bus-powered box.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach of the four optical ports carries ADAT (up to 8 channels) or SPDIF (stereo), giving 32 inputs and 32 outputs over ADAT at 48 kHz. The inputs detect the received format automatically, and each output can be switched individually between ADAT and SPDIF. A 6.3 mm TRS line\/headphone output adds channels 33\/34, freely routable in TotalMix FX. One USB 2.0 cable carries audio and power, so the Digiface USB connects ADAT converters, preamps and digital mixers to any Mac or Windows computer, and can even serve as a simple headphone amp on the move.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (32 in \/ 34 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e66\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical ADAT\/SPDIF I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWeight, USB bus‑powered\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e220 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x optical I\/O\u003c\/strong\u003e, each switchable between ADAT (8 channels) and SPDIF (stereo)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 inputs \/ 34 outputs\u003c\/strong\u003e at 48 kHz; 16 channels at 96 kHz (S\/MUX), 8 channels at 192 kHz (S\/MUX4)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eADAT and SPDIF\u003c\/strong\u003e can be used at the same time on different ports\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog line\/headphone output\u003c\/strong\u003e (6.3 mm TRS), 50 mW, 2 Ohm, DC-coupled, with its own submix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB bus-powered\u003c\/strong\u003e: one USB 2.0 cable for audio and power, works on USB 2.0 and USB 3 ports\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e routing and mixing: up to 17 independent stereo submixes, Control Room section, talkback\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncAlign and SyncCheck; clock from internal, ADAT or SPDIF\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClass Compliant mode\u003c\/strong\u003e selectable via firmware\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eARC USB\u003c\/strong\u003e support and free DIGICheck analysis software\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCompact\u003c\/strong\u003e: 12.8 x 5.5 x 2.2 cm, 220 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFour optical ports, one USB cable\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith four ADAT ports, the Digiface USB connects up to 32 channels of ADAT converters, mic preamps or digital mixer outputs to a computer. Supported are S\/MUX and S\/MUX4, so at 192 kHz eight channels remain available in each direction via 4 x ADAT or 4 x SPDIF. A Bitclock PLL keeps ADAT synchronised even in varispeed operation.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX allows practically unlimited routing and mixing of all inputs and playback channels to any output, with up to 17 fully independent stereo submixes for headphone mixes. A dedicated Control Room section adds talkback, Main\/Phones switching, fader and mute groups, and remote control via Mackie or OSC protocol. Every input, playback channel and output has peak and RMS meters calculated in hardware.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHeadphone output\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 6.3 mm TRS output hosts channels 33\/34 with 113 dB dynamic range (A-weighted), 2 Ohm output impedance and 50 mW of power, for monitoring or as an unbalanced line output with its own independent submix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Digiface USB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, 1.8 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows (Intel x64 and ARM) and macOS (Intel and ARM).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Digiface USB: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat can I connect to the Digiface USB?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAny device with ADAT or SPDIF optical connections: ADAT converters, mic preamps, digital mixers and recorders. Four ports give up to 32 channels each way at 44.1\/48 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is powered by its USB connection and works on USB 2.0 and USB 3 ports.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use ADAT and SPDIF at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each output can be set to ADAT or SPDIF individually, and the inputs detect the format automatically.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels are available at higher sample rates?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e16 channels each way at 96 kHz (S\/MUX) and 8 channels each way at 192 kHz (S\/MUX4), plus the headphone output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Digiface USB in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Digiface USB is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936951337327,"sku":"RME-Digiface-USB","price":66599.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-DIGIFACE-USB-DIGITAL-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329995"},{"product_id":"rme-fireface-802-fs-ae-studio-audio-interfaces-audio-interfaces","title":"RME Fireface 802 FS AE","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Fireface 802 FS AE\u003c\/strong\u003e is a 60-channel 192 kHz high-end USB audio interface with black front and rear panels, four high-transparency mic\/instrument preamps, 12 analog inputs and outputs, two ADAT ports, AES\/EBU, word clock, MIDI and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn the front, four XLR\/TRS combo inputs take microphones, instruments and line sources, each with individually switchable 48V phantom power or instrument mode, next to two high-power stereo headphone outputs. The rear offers eight balanced line inputs and eight balanced, DC-coupled line outputs, two ADAT optical I\/Os (also usable as optical SPDIF), AES\/EBU, word clock, MIDI and a USB port for the optional ARC USB. TotalMix FX with a complete effects section, Room EQ, Class Compliant mode and stand-alone operation with six memory slots make it a central hub for studio and live use.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (30 in \/ 30 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-131 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+6 to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e30 inputs \/ 30 outputs\u003c\/strong\u003e: 12 analog, 16 ADAT and 2 AES\/EBU each way\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x mic\/instrument\/line preamps\u003c\/strong\u003e on XLR\/TRS combo sockets, +6 to +60 dB gain, 48V and Hi-Z instrument mode per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 x balanced line inputs and 8 x balanced line outputs\u003c\/strong\u003e on 6.3 mm TRS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x stereo headphone outputs\u003c\/strong\u003e, +17 dBu, 200 mW into 32 Ohm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIndividually switchable reference levels\u003c\/strong\u003e on every input and output: -10 dBV, +4 dBu, Hi\/Lo Gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x ADAT I\/O\u003c\/strong\u003e (Multi-Mode: optical SPDIF), \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e, \u003cstrong\u003eword clock\u003c\/strong\u003e and \u003cstrong\u003eMIDI\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e jitter suppression and Intelligent Clock Control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with EQ, dynamics, reverb, echo and Room EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDC-coupled line outputs\u003c\/strong\u003e for CV\/Gate control of modular synthesisers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClass Compliant mode\u003c\/strong\u003e with all channels on Linux, Mac and iPadOS; stand-alone with 6 memory slots; ARC USB port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-transparency preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe four front preamps use the classic technology of RME's OctaMic II: a symmetrical design with very low distortion, a high signal-to-noise ratio and a linear frequency response, measuring -131 dBu EIN (A-weighted). Each input works as a Hi-Z instrument input too, so up to four guitars can be plugged in directly. LEDs show signal, clip, TS operation and phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReference-class conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll I\/Os operate at up to 192 kHz with low-latency AD and DA converters. The line outputs reach 118.5 dB SNR (A-weighted) with THD+N below -110 dB, and both headphone outputs drive high- and low-impedance headphones to high volume. Every input and output can be switched to -10 dBV, +4 dBu or Hi Gain, and all outputs support ASIO Direct Monitoring.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and Room EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX creates multiple latency-free monitor mixes, as RME puts it, with EQ, dynamics, reverb and delay for every output, including main monitors and musicians' headphone mixes. Room EQ adds a 9-band PEQ with delay and volume calibration. TotalMix Remote controls everything from an iPad or another computer over Ethernet and WiFi, and DIGICheck is included for analysis.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClass Compliant and stand-alone\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA recessed button on the rear switches to Class Compliant mode, giving driverless access to all channels on Linux, Mac and iPadOS. Six memory slots store complete configurations, so the Fireface 802 FS AE operates independently from a computer and can be set up via iPad, MIDI remote or ARC USB. Intelligent Clock Control retains the last valid sample rate if an external clock fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDC-coupled outputs for CV\/Gate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll line-level outputs are fully DC-coupled, so they can send control voltages and gate signals to modular synthesisers and other studio hardware.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Fireface 802 FS AE\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, USB-A\/B, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable (TOSLINK), 2 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 self-adhesive rubber feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant for Linux, Mac and iPadOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Fireface 802 FS AE: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the Fireface 802 FS AE have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e60 at 48 kHz: 30 inputs and 30 outputs, made up of 12 analog, 16 ADAT and 2 AES\/EBU channels each way.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I record guitars directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All four front inputs switch to Hi-Z instrument mode (1 MOhm), so up to four instruments can be connected without extra hardware.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add more mic inputs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The two ADAT I\/Os add up to 16 channels of external preamps or converters at 44.1\/48 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it work with an iPad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In Class Compliant mode, an iPad with USB-C can use up to 60 channels for recording and playback, with TotalMix FX for iPad.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Fireface 802 FS AE in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Fireface 802 FS AE is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936951796079,"sku":"RME-Fireface-802-FS-AE","price":260190.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-FIREFACE-802-FS-AE-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329971"},{"product_id":"rme-fireface-802-fs-studio-audio-interfaces-audio-interfaces","title":"RME Fireface 802 FS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Fireface 802 FS\u003c\/strong\u003e is a 60-channel 192 kHz high-end USB audio interface in a 19-inch enclosure, with four high-transparency mic\/instrument preamps, 12 analog inputs and outputs, two ADAT ports, AES\/EBU, word clock, MIDI and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn the front, four XLR\/TRS combo inputs take microphones, instruments and line sources, each with individually switchable 48V phantom power or instrument mode, next to two high-power stereo headphone outputs. The rear offers eight balanced line inputs and eight balanced, DC-coupled line outputs, two ADAT optical I\/Os (also usable as optical SPDIF), AES\/EBU, word clock, MIDI and a USB port for the optional ARC USB. TotalMix FX with a complete effects section, Room EQ, Class Compliant mode and stand-alone operation with six memory slots make it a central hub for studio and live use.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (30 in \/ 30 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-131 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+6 to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e30 inputs \/ 30 outputs\u003c\/strong\u003e: 12 analog, 16 ADAT and 2 AES\/EBU each way\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x mic\/instrument\/line preamps\u003c\/strong\u003e on XLR\/TRS combo sockets, +6 to +60 dB gain, 48V and Hi-Z instrument mode per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 x balanced line inputs and 8 x balanced line outputs\u003c\/strong\u003e on 6.3 mm TRS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x stereo headphone outputs\u003c\/strong\u003e, +17 dBu, 200 mW into 32 Ohm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIndividually switchable reference levels\u003c\/strong\u003e on every input and output: -10 dBV, +4 dBu, Hi\/Lo Gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x ADAT I\/O\u003c\/strong\u003e (Multi-Mode: optical SPDIF), \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e, \u003cstrong\u003eword clock\u003c\/strong\u003e and \u003cstrong\u003eMIDI\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e jitter suppression and Intelligent Clock Control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with EQ, dynamics, reverb, echo and Room EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDC-coupled line outputs\u003c\/strong\u003e for CV\/Gate control of modular synthesisers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClass Compliant mode\u003c\/strong\u003e with all channels on Linux, Mac and iPadOS; stand-alone with 6 memory slots; ARC USB port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-transparency preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe four front preamps use the classic technology of RME's OctaMic II: a symmetrical design with very low distortion, a high signal-to-noise ratio and a linear frequency response, measuring -131 dBu EIN (A-weighted). Each input works as a Hi-Z instrument input too, so up to four guitars can be plugged in directly. LEDs show signal, clip, TS operation and phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReference-class conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll I\/Os operate at up to 192 kHz with low-latency AD and DA converters. The line outputs reach 118.5 dB SNR (A-weighted) with THD+N below -110 dB, and both headphone outputs drive high- and low-impedance headphones to high volume. Every input and output can be switched to -10 dBV, +4 dBu or Hi Gain, and all outputs support ASIO Direct Monitoring.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and Room EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX creates multiple latency-free monitor mixes, as RME puts it, with EQ, dynamics, reverb and delay for every output, including main monitors and musicians' headphone mixes. Room EQ adds a 9-band PEQ with delay and volume calibration. TotalMix Remote controls everything from an iPad or another computer over Ethernet and WiFi, and DIGICheck is included for analysis.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClass Compliant and stand-alone\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA recessed button on the rear switches to Class Compliant mode, giving driverless access to all channels on Linux, Mac and iPadOS. Six memory slots store complete configurations, so the Fireface 802 FS operates independently from a computer and can be set up via iPad, MIDI remote or ARC USB. Intelligent Clock Control retains the last valid sample rate if an external clock fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDC-coupled outputs for CV\/Gate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll line-level outputs are fully DC-coupled, so they can send control voltages and gate signals to modular synthesisers and other studio hardware.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Fireface 802 FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, USB-A\/B, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable (TOSLINK), 2 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 self-adhesive rubber feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant for Linux, Mac and iPadOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Fireface 802 FS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the Fireface 802 FS have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e60 at 48 kHz: 30 inputs and 30 outputs, made up of 12 analog, 16 ADAT and 2 AES\/EBU channels each way.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I record guitars directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All four front inputs switch to Hi-Z instrument mode (1 MOhm), so up to four instruments can be connected without extra hardware.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add more mic inputs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The two ADAT I\/Os add up to 16 channels of external preamps or converters at 44.1\/48 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it work with an iPad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In Class Compliant mode, an iPad with USB-C can use up to 60 channels for recording and playback, with TotalMix FX for iPad.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Fireface 802 FS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Fireface 802 FS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936952189295,"sku":"RME-Fireface-802-FS","price":260190.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-FIREFACE-802-FS-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329948"},{"product_id":"rme-fireface-ufx-ii-studio-audio-interfaces-audio-interfaces","title":"RME Fireface UFX II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Fireface UFX II\u003c\/strong\u003e is a 60-channel 192 kHz high-end USB audio interface in a 1U 19-inch enclosure: four mic\/instrument preamps, 12 analog inputs and outputs, two ADAT ports, AES\/EBU, word clock, two MIDI ports, DURec recording and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe front panel carries four Neutrik combo inputs for microphones, line and instruments, two high-power headphone outputs, a colour display with three push encoders, MIDI 2 and the MEMORY USB port for DURec. The rear provides eight balanced line inputs, two balanced XLR monitor outputs, six balanced TRS line outputs, two ADAT optical I\/Os, AES\/EBU, word clock, MIDI 1 and a REMOTE port for the optional ARC USB. With 30 inputs and 30 outputs, TotalMix FX with a complete effects system and Room EQ, DC-coupled outputs and full stand-alone operation, it suits high-end home studios and commercial production facilities alike.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (30 in \/ 30 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-129.8 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic gain range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e75 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e30 inputs \/ 30 outputs\u003c\/strong\u003e: 12 analog, 16 ADAT and 2 AES\/EBU each way\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x mic\/instrument\/line inputs\u003c\/strong\u003e: PAD-free mic circuit with +18 dBu maximum input level, 75 dB gain range, 48V and AutoSet\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 x balanced line inputs\u003c\/strong\u003e, \u003cstrong\u003e2 x XLR monitor outputs\u003c\/strong\u003e (up to +24 dBu) and \u003cstrong\u003e6 x TRS line outputs\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x high-power headphone outputs\u003c\/strong\u003e, +19 dBu, 2 Ohm, 200 mW into 32 Ohm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDURec\u003c\/strong\u003e: record all inputs and outputs directly to USB memory via the front MEMORY port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x ADAT I\/O\u003c\/strong\u003e (also optical SPDIF), \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e, \u003cstrong\u003eword clock\u003c\/strong\u003e and \u003cstrong\u003e2 x MIDI I\/O\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e clock and jitter-suppression technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with EQ, dynamics, reverb, echo and \u003cstrong\u003eRoom EQ\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDC-coupled line outputs\u003c\/strong\u003e for CV\/Gate control of modular synthesisers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFull stand-alone operation\u003c\/strong\u003e with colour display and Setups; Class Compliant mode; ARC USB REMOTE port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDURec: Direct USB Recording\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDURec is an integrated digital recorder for all inputs and outputs, writing directly to USB thumb drives or hard drives with up to 2 TB capacity via the front MEMORY port. Recording is handled by the internal DSP, independent from a connected computer. RME describes it as turning the unit into a stand-alone field recorder and multichannel live player, for example for virtual soundchecks. All 60 channels can be individually chosen for recording and playback.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePremium conversion and preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME's premium AD\/DA converters and optimised analog circuits reach 119.5 dB SNR (A-weighted) on the mic inputs and 118.5 dB on the line outputs, with THD+N below -110 dB. The PAD-free mic circuit accepts up to +18 dBu and offers 75 dB of gain, with an EIN of -129.8 dBu. The TRS input of each combo socket doubles as a 1 MOhm instrument input.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and Room EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX creates as many independent submixes as there are outputs, with a complete DSP effects system of EQ, dynamics, reverb and echo, so musicians get latency-free monitor mixes, as RME puts it. Room EQ adds a 9-band PEQ with delay and volume calibration for the main monitors. TotalMix FX for iPad controls the hardware mixer and effects in Class Compliant mode, and DIGICheck is included for analysis.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone and control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe colour display and three encoders give direct access to all settings, and memory Setups let the Fireface UFX II work without a computer, for example as preamp, converter or monitor mixer. The optional ARC USB connects to the REMOTE port or to the computer and talks to TotalMix FX directly, with 15 assignable buttons, an encoder and a footswitch jack.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDC-coupled outputs for CV\/Gate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll line-level outputs are fully DC-coupled, sending control voltages and gate signals to modular synthesisers and other studio hardware.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Fireface UFX II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant mode with TotalMix FX for iPad.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Fireface UFX II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the Fireface UFX II record without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. DURec records all inputs and outputs to a USB thumb drive or hard drive (up to 2 TB) through the front MEMORY port, using the internal DSP.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e60 at 48 kHz: 30 inputs and 30 outputs, made up of 12 analog, 16 ADAT and 2 AES\/EBU channels each way.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it fit in a rack?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It is a 1U, 19-inch unit (48.3 cm wide including rack ears) with an internal power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with an iPad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In Class Compliant mode, TotalMix FX for iPad gives full control of the hardware mixer and DSP effects.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Fireface UFX II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Fireface UFX II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936953631087,"sku":"RME-Fireface-UFX-II","price":330022.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-FIREFACE-UFX-II-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329972"},{"product_id":"rme-fireface-ufx-iii-studio-audio-interfaces-audio-interfaces","title":"RME Fireface UFX III","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Fireface UFX III\u003c\/strong\u003e is a 188-channel, 24-bit\/192 kHz USB 3 audio interface in a 1U 19-inch enclosure: 94 inputs and 94 outputs from 12 analog channels, two ADAT ports, AES\/EBU and 64-channel MADI, with DURec recording, SteadyClock FS and TotalMix FX.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe front panel carries four XLR\/TRS combo inputs for microphone, instrument and line signals, two stereo headphone outputs with +19 dBu output level, MIDI I\/O, a colour display and the USB port for DURec. The rear provides eight balanced line inputs, eight balanced line outputs including XLR stereo monitor outputs, two ADAT optical I\/Os (also usable as optical SPDIF), AES\/EBU, optical MADI (SC), word clock BNC that doubles as coaxial MADI, a second MIDI I\/O and a REMOTE port for the optional ARC USB. In USB 3 Class Compliant mode all 94 channels each way are available without a driver.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (94 in \/ 94 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e188\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (optical or coaxial)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-129.8 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e94 inputs \/ 94 outputs\u003c\/strong\u003e: 12 analog, 16 ADAT, 2 AES\/EBU and 64 MADI each way\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 3.0\u003c\/strong\u003e with full 94-channel I\/O in Class Compliant mode for Linux, Mac and iPadOS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI optical (SC) and coaxial\u003c\/strong\u003e via the word clock BNC, with a split mode of 32 channels on each\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x mic\/instrument\/line inputs\u003c\/strong\u003e: 75 dB gain range, +18 dBu maximum input level, 48V and AutoSet\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 x balanced line inputs and 8 x balanced line outputs\u003c\/strong\u003e, XLR monitor outputs up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x high-power headphone outputs\u003c\/strong\u003e, +19 dBu, 2 Ohm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDURec\u003c\/strong\u003e: record inputs and outputs directly to USB memory via the front port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e clock and jitter-rejection technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with EQ, dynamics, reverb, echo and \u003cstrong\u003eRoom EQ\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDC-coupled line outputs\u003c\/strong\u003e for CV\/Gate; 2 x MIDI I\/O plus MIDI over MADI; ARC USB REMOTE port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eComprehensive MADI connectivity\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe optical MADI interface carries 64 channels in each direction, and the word clock BNC sockets can be switched to coaxial MADI. A split mode uses both MADI ports at once, with 32 channels each on optical and coaxial. Multiple MADI devices can be connected in series to expand the analog channel count, and MADI routing stays available in TotalMix FX even when the unit runs on a USB 2 port.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDURec: Direct USB Recording\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDURec is an integrated digital recorder for inputs and outputs, writing directly to USB thumb drives or hard drives with up to 2 TB capacity via the front USB port. Recording runs on the internal DSP, independent from a connected computer, turning the unit into what RME calls a stand-alone field recorder and multichannel live player for virtual soundchecks.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConversion and preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNew AD and DA converters reach 119.5 dB SNR (A-weighted) on the mic inputs and 118.5 dB on the line outputs, with THD+N below -110 dB. The four mic preamps offer 75 dB of gain with an EIN of -129.8 dBu, and each combo socket also works as a 1 MOhm instrument input.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and Room EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX handles routing and mixing for all 94 channels, with RME's latency-free monitor mixes, EQ, dynamics, reverb and delay for any output. Room EQ adds a 9-band PEQ with delay and volume calibration. TotalMix Remote mirrors the mixer on an iPad or another computer, and TotalMix FX for iPad manages up to 94 channels on an iPad with USB-C.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDC-coupled outputs for CV\/Gate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll line-level outputs are fully DC-coupled, sending control voltages and gate signals to modular synthesisers and other studio hardware.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Fireface UFX III\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 3.0 cable, USB-A\/B, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 3.0 cable, USB-C\/B, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 self-adhesive rubber feet\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant for Linux, Mac and iPadOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Fireface UFX III: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the Fireface UFX III have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e188 at 48 kHz: 94 inputs and 94 outputs, made up of 12 analog, 16 ADAT, 2 AES\/EBU and 64 MADI channels each way.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it work with a USB 2 port?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. On USB 2 it records and plays 30 channels each way (12 analog, 16 ADAT and AES); MADI stays available through TotalMix FX.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it record without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. DURec records to a USB thumb drive or hard drive (up to 2 TB) through the front USB port, using the internal DSP.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME drivers are available for Windows and macOS. In USB 3 Class Compliant mode all channels work without a driver on Linux, Mac and iPadOS.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Fireface UFX III in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Fireface UFX III is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936954057071,"sku":"RME-Fireface-UFX-III","price":362071.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-FIREFACE-UFX-III-STUDIO-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329995"},{"product_id":"rme-madiface-usb-digital-audio-interfaces-audio-interfaces","title":"RME MADIface USB","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME MADIface USB\u003c\/strong\u003e is a 128-channel mobile MADI USB 2.0 audio interface: 64 channels of recording and 64 channels of playback from a pocket-sized, bus-powered box with optical and coaxial MADI.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME describes it as mixer, router, format converter, stream splitter and signal repeater in one. Connect it to a Mac or Windows computer with a single USB cable that carries both audio and power, then link any MADI equipment over optical (SC) or coaxial (BNC) MADI. Both inputs can run in Seamless Redundancy mode, switching to the other input in real time if the current one fails. Without a computer, powered from any USB power supply or battery, it works as a bi-directional format converter and active repeater.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (64 in \/ 64 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI ports (optical + coaxial)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWeight, USB bus‑powered\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e273 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e64 record \/ 64 playback channels\u003c\/strong\u003e over USB 2.0 at 48 kHz; 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOptical and coaxial MADI I\/O\u003c\/strong\u003e, 56 and 64 channel mode plus 96k Frame\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB bus-powered\u003c\/strong\u003e: one cable for audio and power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeamless Redundancy\u003c\/strong\u003e with AutoSelect: automatic real-time switch to the other input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFour operation modes\u003c\/strong\u003e: 64 Channel Mix, Redundancy, 128 Channel Mix and straight routing\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMulti-format BNC input\u003c\/strong\u003e: coaxial MADI, AES3 (incl. SPDIF) or word clock as sync source\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e jitter suppression and DDS for free setting of the sample rate\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e routing matrix: 2048-channel mixer with latency-free submixes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI over MADI\u003c\/strong\u003e: virtual MIDI port with 16 channels to remote-control other MADI devices\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStand-alone mode\u003c\/strong\u003e as format converter and active repeater, plus Class Compliant mode via firmware\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI portability\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe compact MADIface USB supports the full 64 channels of a MADI stream for recording and playback on Mac and Windows. Its sturdy, bus-powered design makes it equally at home in a laptop bag and on a studio desk, connecting MADI equipment to any computer with a USB 2.0 port.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOperation modes\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e\u003cstrong\u003eDisable TotalMix\u003c\/strong\u003e turns the unit into a straight 64-channel I\/O interface with mirrored outputs. \u003cstrong\u003e64 Channel Mix\u003c\/strong\u003e uses one MADI input and sends identical data to both outputs. With \u003cstrong\u003eAutoSelect\u003c\/strong\u003e both inputs run in Seamless Redundancy mode. \u003cstrong\u003e128 Channel Mix\u003c\/strong\u003e keeps recording and playback at 64 channels but makes the second input available in TotalMix FX, with separate outputs and 128 output channels for independent mixes, monitoring and serial pass-through of a second source.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStand-alone format converter and repeater\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePowered from a USB wall supply or USB battery, the MADIface USB enters a pre-configured stand-alone mode. With one input connected, it converts coaxial to optical or optical to coaxial and sends the signal to two devices at once. With two inputs it converts in both directions simultaneously, even at different sample rates. Each MADI signal is fully decoded, rebuilt and reclocked by SteadyClock, so the unit also works as an active repeater that extends cable runs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and DIGICheck\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX handles mixing and routing between optical, coaxial and USB channels with RME's latency-free submixes and ASIO Direct Monitoring. DIGICheck, RME's measurement, analysis and test tool, is included free for Mac and Windows.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME MADIface USB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2.0 cable, 1.8 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX and DIGICheck. Drivers for Windows (Intel x64 and ARM) and macOS (Intel and ARM).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME MADIface USB: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does 128 channels mean?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e64 input and 64 output channels over USB at 48 kHz. In 128 Channel Mix mode, the second MADI input is additionally available in TotalMix FX for monitoring and routing.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The MADIface USB is powered by its USB connection. For stand-alone use, any standard 5 V USB power supply or USB battery works.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it switch inputs if a MADI line fails?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. With AutoSelect active and both inputs connected, it switches to the other input in real time if the current one fails.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich sample rates are supported?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e44.1, 48, 88.2, 96, 176.4 and 192 kHz, plus variable rates. MADI carries 64 channels at 48 kHz, 32 at 96 kHz and 16 at 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME MADIface USB in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME MADIface USB is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936954646895,"sku":"RME-MADIface-USB","price":93680.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-MADIFACE-USB-DIGITAL-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329903"},{"product_id":"rme-madiface-xt-ii-digital-audio-interfaces-audio-interfaces","title":"RME MADIface XT II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME MADIface XT II\u003c\/strong\u003e is a 394-channel Triple MADI USB 3.0 audio interface: three MADI ports, two mic\/line preamps, AES\/EBU, word clock and MIDI in a compact desktop unit, with SteadyClock FS, on-board DSP effects and full stand-alone operation.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo optical MADI ports and one coaxial MADI port carry up to 192 channels in each direction at 48 kHz. Two front XLR\/TRS combo inputs with 48V phantom power and AutoSet take microphones or line sources, two balanced XLR outputs feed your monitors, and a separate high-power headphone output can also work as an unbalanced line output. AES\/EBU and MIDI arrive on a D-sub with an included breakout cable. The colour display, two encoders and four keys let you set up the unit without a computer, and USB 3 Class Compliant mode transmits all 394 channels without a driver.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz (196 in \/ 198 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e394\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI ports (2 optical, 1 coaxial)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic\/line gain range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e75 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3 x MADI I\/O\u003c\/strong\u003e: 2 x optical (SC) and 1 x coaxial (BNC), 64 channels each at 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e394 channels over USB 3.0\u003c\/strong\u003e: 196 record \/ 198 playback channels at 48 kHz; USB 2.0 compatible\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x mic\/line preamps\u003c\/strong\u003e on XLR\/TRS combo sockets, 75 dB gain range in 1 dB steps, 48V phantom power and AutoSet\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x balanced XLR line outputs\u003c\/strong\u003e, switchable +24, +19, +13 and +4 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-power headphone output\u003c\/strong\u003e, 1 Ohm output impedance, 210 mW into 32 Ohm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES\/EBU I\/O\u003c\/strong\u003e (SPDIF compatible), \u003cstrong\u003eword clock I\/O\u003c\/strong\u003e and \u003cstrong\u003eMIDI I\/O\u003c\/strong\u003e, plus 3 x MIDI over MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, RME's femtosecond clock and jitter-rejection technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e with DSP EQ, dynamics, reverb and echo, plus \u003cstrong\u003eRoom EQ\u003c\/strong\u003e with 9-band PEQ, delay and volume calibration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 3 Class Compliant mode\u003c\/strong\u003e with all 394 channels, for Mac, Windows and Linux without a proprietary driver\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFull stand-alone operation\u003c\/strong\u003e with colour display, 6 memory Setups, MIDI remote and ARC USB port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTriple MADI on your desk\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach MADI port accepts and generates 56- and 64-channel mode plus 96k Frame, with up to 64 channels at 48 kHz, 32 channels at 96 kHz (S\/MUX) and 16 channels at 192 kHz (S\/MUX4). Optical MADI runs on standard SC connectors (62.5\/125 and 50\/125 fibre), coaxial MADI on 75 Ohm BNC. On a USB 2.0 port the unit stays usable with a reduced channel count on MADI 1.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalog inputs and outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe two Neutrik combo inputs reach a signal-to-noise ratio of 118.5 dB (A-weighted) with THD+N below -104 dB. The XLR outputs deliver 116 dB dynamic range (A-weighted) at up to +24 dBu, and the headphone output reaches +19 dBu with a 1 Ohm output impedance. Gain is set from the front MIC\/GAIN key or in TotalMix FX.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX and Room EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTotalMix FX gives fully independent routing and mixing of every input and playback channel to every output, with RME's latency-free submixes. The DSP adds 3-band EQ, Low Cut, Reverb, Echo, Compressor, Expander and Auto Level. Room EQ adds a 9-band parametric EQ with delay and volume calibration for monitor systems, including surround set-ups. TotalMix Remote controls the mixer from an iPad or another computer over Ethernet or WiFi.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock FS\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBased on a femto clock, SteadyClock FS reduces the intrinsic jitter of the MADIface XT II to an absolute minimum and filters clock jitter from as low as 1 Hz. The unit clocks from its internal clock, MADI, AES or word clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClass Compliant and stand-alone\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Class Compliant mode the operating system recognises the MADIface XT II directly and all 394 channels are transmitted at once, with several channel-order formats. Without a computer, the unit works as a stand-alone MADI router, mic preamp and monitor controller: store up to six complete Setups, control it via MIDI, or connect the optional ARC USB to the rear REMOTE port.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME MADIface XT II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/MIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 3 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal power supply with locking DC connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows (Intel and ARM) and macOS (Intel and ARM).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME MADIface XT II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the MADIface XT II handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e394 channels at 48 kHz: 196 inputs and 198 outputs over USB 3.0. At 96 kHz it records and plays back 100\/102 channels, at 192 kHz 52\/54 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME drivers are available for Windows and macOS. In Class Compliant mode no proprietary driver is required, and all 394 channels are still available.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Set it up from the colour display and keys, store up to six Setups, and use it as a stand-alone MADI router, preamp and monitor controller, with MIDI remote and ARC USB support.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it work with a USB 2.0 port?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The USB 3 port is compatible with USB 2.0, with a reduced channel count on MADI 1.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME MADIface XT II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME MADIface XT II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67936955531631,"sku":"RME-MADIface-XT-II","price":267895.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-MADIFACE-XT-II-DIGITAL-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793329903"},{"product_id":"rme-hdspe-madi-hdspe-series-pcie-audio-interfaces-audio-interfaces","title":"RME HDSPe MADI","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe MADI\u003c\/strong\u003e is a 128-channel MADI PCI Express card: 64 channels in and 64 out at up to 48 kHz, 32 at 96 kHz and 16 at 192 kHz, on optical and coaxial MADI at the same time, with word clock, two MIDI I\/Os and an analogue stereo monitor output.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe card's bracket carries MADI optical (SC) and MADI coaxial (BNC) inputs and outputs, a MADI error LED and the analogue line \/ headphone output. Both outputs carry identical signals, so the card can feed two devices at once. The included expansion board adds word clock I\/O on BNC with switchable termination and a 9-pin Mini-DIN for the MIDI breakout cable with two MIDI inputs and outputs. SteadyClock extracts the reference clock directly from the MADI signal, and three cards can work together in one computer for 192 inputs and 192 outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (64 in \/ 64 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e16 channels each way (S\/MUX4)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical MADI cable length\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2,000 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannel TotalMix matrix mixer\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8192\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI optical and coaxial\u003c\/strong\u003e I\/O with identical output signals: card as 1 to 2 splitter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e56 and 64 channel modes\u003c\/strong\u003e, single and double wire (96k Frame)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e: 8192-channel mixer, 42-bit internal resolution, fully MIDI remote controllable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalogue stereo line \/ phones output\u003c\/strong\u003e with 116 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e with switchable 75 Ohm termination and LOCK LED\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MIDI I\/O\u003c\/strong\u003e plus MIDI over MADI through a virtual MIDI port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, SyncAlign and SyncCheck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBuffer sizes 32 to 8192 samples\u003c\/strong\u003e, all settings changeable in real time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eConfiguration memory\u003c\/strong\u003e: last sample rate, clock mode and MADI format active at power-up\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptional \u003cstrong\u003eTime Code Option\u003c\/strong\u003e (TCO) and \u003cstrong\u003eARC USB\u003c\/strong\u003e remote\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMore than a computer I\/O\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll 64 inputs and 64 playback channels can be routed and mixed freely to 64 physical outputs. This turns the HDSPe MADI into a MADI optical patchbay and router, a coaxial \/ optical converter and splitter, and a MADI redistributor. The hardware delivers RMS and peak level meters for 192 channels at minimal CPU load.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLow latency for live work\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eVery low latencies make the card a partner for live recording and live mixing. The analogue monitor output uses RME's low-latency converter technology for monitoring of all input and output signals.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClean clocking over long distances\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhile many MADI devices need an extra word clock or AES line, the HDSPe MADI uses SteadyClock to extract the reference clock at lowest jitter directly from the MADI signal. The word clock input is galvanically isolated by transformer and handles single and double speed automatically.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe MADI PCI Express card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHDSPe MADI expansion board\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExpansion board ribbon cable (14-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Info guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX and DIGICheck. RME drivers for Windows and macOS. Requires one free PCI Express slot (1 lane).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe MADI: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the HDSPe MADI handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e64 inputs and 64 outputs at up to 48 kHz, 32 each way at 96 kHz and 16 each way at 192 kHz, all 24-bit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the optical and coaxial MADI ports together?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Both outputs carry identical signals, so two devices can be fed at once, and TotalMix can convert between optical and coaxial MADI.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need the expansion board?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly for word clock I\/O and the two MIDI ports. If neither is required, the expansion board does not have to be installed.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use several cards in one computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Three HDSPe MADI cards can work together for 192 inputs and 192 outputs; internal SYNC IN \/ OUT connectors keep them sample-accurate.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe MADI in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe MADI is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106364783,"sku":"RME-HDSPe-MADI","price":148845.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-MADI-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793325555"},{"product_id":"rme-hdspe-madi-fx-hdspe-series-pcie-audio-interfaces-audio-interfaces","title":"RME HDSPe MADI FX","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe MADI FX\u003c\/strong\u003e is a 390-channel triple MADI PCI Express card: two optical and one coaxial MADI I\/O, AES\/EBU, word clock, MIDI and a reference-quality phones output, with TotalMix FX and Seamless Redundancy Operation.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe main board carries two optical MADI I\/Os (SC, multi-mode) and the analogue output; the included BNC-X expansion board adds coaxial MADI, word clock on BNC and a 15-pin D-sub for the breakout cable with MIDI and AES\/EBU on XLR. A modular Hammerfall Pro Audio Core processes three times the channels of RME's earlier MADI card while reducing system load, with latencies down to 32 samples. Unused channels are deactivated automatically, so stereo playback needs no more performance than a stereo card. Only one PCIe slot plus one slot opening is needed.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAudio channels (194 in \/ 196 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e390\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTwo optical, one coaxial\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 x MADI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannel TotalMix FX mixer\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4096\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLowest buffer size\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32 samples\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e192 inputs and 192 outputs\u003c\/strong\u003e in MADI format at 44.1 \/ 48 kHz; 96 \/ 96 at 96 kHz, 48 \/ 48 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES\/EBU I\/O\u003c\/strong\u003e on XLR, transformer-balanced, also for synchronisation\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalogue stereo output\u003c\/strong\u003e for high- and low-impedance headphones with its own submix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e: 4096 channels, 46-bit, EQ, dynamics, reverb, echo and Room EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeamless Redundancy Operation\u003c\/strong\u003e (SRO) with the three MADI receivers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e, SteadyClock FS, single \/ double \/ quad speed detection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI\u003c\/strong\u003e: 1 x MIDI I\/O plus 3 x MIDI over MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDIGICheck\u003c\/strong\u003e with EBU R128 metering\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptional \u003cstrong\u003eOPTO-X\u003c\/strong\u003e board for a third optical MADI I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTotalMix FX for hundreds of channels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA special version of TotalMix FX hides unused channels and stores complete hide setups for one-click switching. The 192 kHz effects engine renders EQ, compressors, reverb and echo on the card for latency-free monitoring. In the matrix every channel is routed individually with its own level, turning the card into a MADI router.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSeamless Redundancy Operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn SRO mode the card records up to 64 channels from one MADI input. If that input fails, the audio of one of the other two inputs is used without interrupting the audio data, with no reclocking, and the interruption is minimised to a few samples.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMIDI over MADI and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach MADI I\/O has its own virtual MIDI port, so MIDI travels invisibly with the audio. This allows remote control and monitoring of all RME MADI devices over long distances, for example between front of house and stage, with free RME MIDI Remote software for Windows and Mac.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe MADI FX PCI Express card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHDSPe MADI FX BNC-X expansion board\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/MIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExpansion board ribbon cable (20-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal sync cable (3-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Info guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix FX, DIGICheck and MIDI Remote. RME drivers for Windows and macOS. Requires one free PCI Express slot (1 lane) and one free slot opening.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe MADI FX: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many MADI ports does the MADI FX have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree: two optical MADI I\/Os on the main board and one coaxial MADI I\/O on the BNC-X expansion board. With the optional OPTO-X board all three are optical.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat happens if a MADI feed fails?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Seamless Redundancy Operation the card switches to one of the other two MADI inputs without interrupting the audio data.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I monitor on headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The analogue stereo output suits high- and low-impedance headphones; any input, track or submix can be monitored, with one-click Cue for each of the 98 stereo submixes.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe MADI FX in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe MADI FX is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106463087,"sku":"RME-HDSPe-MADI-FX","price":182157.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-MADI-FX-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793325571"},{"product_id":"rme-opto-x-accessories-expansion-cards-audio-interfaces","title":"RME OPTO-X","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME OPTO-X\u003c\/strong\u003e is an alternative extension board for the HDSPe MADI FX triple MADI card that replaces the standard coaxial MADI I\/O with an optical MADI I\/O, so the card has three optical MADI I\/Os.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLike the standard BNC-X extension board it carries word clock input and output on BNC and the D-sub connector for the MIDI and AES\/EBU breakout cable, with full functionality. Connections and functions are identical to the standard board; only MADI 3 changes from coaxial to optical (SC, up to 2,000 m of multi-mode fibre).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe MADI FX (in place of the included BNC-X expansion board)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME OPTO-X extension board\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME OPTO-X: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat changes compared with the standard expansion board?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly MADI 3: it becomes an optical MADI I\/O instead of coaxial BNC. Word clock, MIDI and AES\/EBU stay the same.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many optical MADI ports does the MADI FX then have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree optical MADI I\/Os.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME OPTO-X in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME OPTO-X is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106594159,"sku":"RME-OPTO-X","price":46232.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-OPTO-X-EXPANSION-CARDS-SHIVANSH-ELECTRONICS-1.webp?v=1793325581"},{"product_id":"rme-adi-6432-adi-series-ad-da-converters","title":"RME ADI-6432","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-6432\u003c\/strong\u003e is a bidirectional 64-channel MADI to AES\/EBU format converter in a 19-inch, 2U enclosure: it converts all 64 channels of one MADI stream to 32 AES\/EBU ports and vice versa, at the same time, with 24-bit resolution up to 192 kHz.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI carries 64 channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz over a single coaxial (BNC) or optical cable. The 32 AES\/EBU inputs and outputs are on eight 25-pin D-sub connectors, transformer balanced and SPDIF compatible. Connected to an RME HDSPe MADI card it becomes a 32-port external AES\/EBU interface; two units build a complete digital multicore with no computer needed.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (at 48 kHz)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAES\/EBU I\/O ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e24‑bit, MADI and AES\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003estatus LEDs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e97\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI to AES\/EBU and AES\/EBU to MADI\u003c\/strong\u003e at the same time, all I\/Os up to 192 kHz \/ 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 x AES\/EBU I\/O\u003c\/strong\u003e on 8 x 25-pin D-sub, transformer balanced, high-sensitivity inputs (\u0026lt; 0.3 Vpp), SPDIF compatible\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI optical and coaxial\u003c\/strong\u003e with automatic input selection for redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReads and generates \u003cstrong\u003e56-channel, 64-channel and 96k frame\u003c\/strong\u003e MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, Intelligent Clock Control, SyncCheck and SyncAlign\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e in Single, Double and Quad Speed, switchable 75 Ohm termination\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI and RS232 over MADI\u003c\/strong\u003e; full remote control via MIDI or MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStatus display with 97 LEDs, all settings stored, LOCK KEYS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and Intelligent Clock Control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock lets the converter use MADI without an extra word clock connection and refreshes any clock signal, AES and word clock included, so it can be passed on at the word clock output. Intelligent Clock Control keeps the last valid sample rate if the input signal is lost, and multiple units can be stacked sample-aligned via word clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMIDI and RS232 inside MADI\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMIDI from the 5-pin DIN input travels invisibly in the MADI stream and comes out at the MIDI output of the device at the other end; serial RS232 data travels the same way at 9600 to 115200 baud. The converter itself can be remote controlled via MIDI or via MADI, for example with RME's free MIDI Remote software.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital AES\/EBU multicore with two units: 64 channels over one MADI line, coaxial up to 100 m or optical up to 2,000 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/EBU breakout for an RME HDSPe MADI card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMADI to MADI format converter (56\/64 channels, 96k frame)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES inserter and MADI merger: add sources to a MADI line that is not fully used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-6432\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME MIDI Remote software for Windows and Mac is available from rme-audio.de.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-6432: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels can it convert?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll 64 MADI channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz, in both directions at once.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Two units form a digital AES\/EBU multicore on their own; with an RME HDSPe MADI card the unit also works as a computer interface.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it accept SPDIF?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The highly sensitive AES\/EBU inputs also process SPDIF signals, for example with a simple phono to XLR adapter.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-6432 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-6432 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106692463,"sku":"RME-ADI-6432","price":383453.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-6432-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325594"},{"product_id":"rme-adi-6432r-adi-series-ad-da-converters","title":"RME ADI-6432R","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-6432R\u003c\/strong\u003e is the redundant-power version of the RME ADI-6432 bidirectional 64-channel MADI to AES\/EBU format converter: identical in function, but with two separate, simultaneously operating power supplies, so it keeps running without interruption if one electrical circuit fails.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI carries 64 channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz over a single coaxial (BNC) or optical cable. The 32 AES\/EBU inputs and outputs are on eight 25-pin D-sub connectors, transformer balanced and SPDIF compatible. Connected to an RME HDSPe MADI card it becomes a 32-port external AES\/EBU interface; two units build a complete digital multicore with no computer needed.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (at 48 kHz)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAES\/EBU I\/O ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e24‑bit, MADI and AES\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eredundant power supplies\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI to AES\/EBU and AES\/EBU to MADI\u003c\/strong\u003e at the same time, all I\/Os up to 192 kHz \/ 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 x AES\/EBU I\/O\u003c\/strong\u003e on 8 x 25-pin D-sub, transformer balanced, high-sensitivity inputs (\u0026lt; 0.3 Vpp), SPDIF compatible\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI optical and coaxial\u003c\/strong\u003e with automatic input selection for redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReads and generates \u003cstrong\u003e56-channel, 64-channel and 96k frame\u003c\/strong\u003e MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, Intelligent Clock Control, SyncCheck and SyncAlign\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e in Single, Double and Quad Speed, switchable 75 Ohm termination\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI and RS232 over MADI\u003c\/strong\u003e; full remote control via MIDI or MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStatus display with 97 LEDs, all settings stored, LOCK KEYS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo internal power supplies\u003c\/strong\u003e with two IEC inlets for connection to two different power sources\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRedundant power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eConnect both IEC receptacles to different power sources and switch on both power supplies at the front: both POWER LEDs light and the unit runs in redundancy mode. If one internal or external power source fails, the ADI-6432R continues without interruption. Redundancy costs only a few watts more (typical consumption 12 W).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and Intelligent Clock Control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock lets the converter use MADI without an extra word clock connection and refreshes any clock signal, AES and word clock included, so it can be passed on at the word clock output. Intelligent Clock Control keeps the last valid sample rate if the input signal is lost, and multiple units can be stacked sample-aligned via word clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMIDI and RS232 inside MADI\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMIDI from the 5-pin DIN input travels invisibly in the MADI stream and comes out at the MIDI output of the device at the other end; serial RS232 data travels the same way at 9600 to 115200 baud. The converter itself can be remote controlled via MIDI or via MADI, for example with RME's free MIDI Remote software.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital AES\/EBU multicore with two units: 64 channels over one MADI line, coaxial up to 100 m or optical up to 2,000 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/EBU breakout for an RME HDSPe MADI card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMADI to MADI format converter (56\/64 channels, 96k frame)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES inserter and MADI merger: add sources to a MADI line that is not fully used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-6432R\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME MIDI Remote software for Windows and Mac is available from rme-audio.de.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-6432R: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels can it convert?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll 64 MADI channels at up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz, in both directions at once.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Two units form a digital AES\/EBU multicore on their own; with an RME HDSPe MADI card the unit also works as a computer interface.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it accept SPDIF?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The highly sensitive AES\/EBU inputs also process SPDIF signals, for example with a simple phono to XLR adapter.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference from the ADI-6432?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADI-6432R has two power supplies that work at the same time and can be connected to two different power circuits. Everything else is identical.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-6432R in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-6432R is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106725231,"sku":"RME-ADI-6432R","price":429166.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-6432R-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325607"},{"product_id":"rme-m-16-ad-m-series-ad-da-converters","title":"RME M-16 AD","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-16 AD\u003c\/strong\u003e is a 16-channel high-end AD converter in a 19-inch, 2U enclosure: 16 balanced analog line inputs converted to MADI and ADAT in reference quality, up to 192 kHz, with analog limiters and three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fully symmetrical analog design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 116 dBA on all channels. The analog limiter, conceived for studio, stage and broadcast, handles input overloads of up to 17 dB without audible distortion (maximum input level +30 dBu). The inputs are on 6.3 mm TRS jacks and 25-pin D-sub connectors; the converted signals leave on optical and coaxial MADI at the same time and on four ADAT outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e116 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. reference level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 servo-balanced line inputs\u003c\/strong\u003e on 6.3 mm TRS and 2 x 25-pin D-sub (internally connected)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog limiter\u003c\/strong\u003e: maximum unclipped input +30 dBu, LED per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT out\u003c\/strong\u003e (S\/MUX up to 192 kHz) and ADAT sync input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e16 five-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo fan: silent operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe 16-channel M-16 AD\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M-16 AD is identical to the M-32 AD, with one 16-channel AD board fitted, no fan and lower power consumption. Its MADI OUT key selects any 16-channel block (1-16, 17-32, 33-48 or 49-64).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MADI input is a pass-through input: the converter replaces its own channel block and passes the rest unchanged. Up to 48 kHz two M-32 AD or four M-16 AD share one MADI line. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-16 AD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-16 AD: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical and coaxial outputs at the same time) and four ADAT optical outputs; the ADAT input serves only as an optional clock source.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TRS jacks and D-sub connectors are internally connected, so use one or the other for each channel.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-16 AD in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-16 AD is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106757999,"sku":"RME-M-16-AD","price":383689.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-16-AD-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325619"},{"product_id":"rme-m-32-ad-pro-m-series-ad-da-converters-avb-networking","title":"RME M-32 AD Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD Pro\u003c\/strong\u003e is a 32-channel AD converter with up to 192 kHz in a compact 1U, 19-inch enclosure, with two independent MADI ports (optical and coaxial), a Gigabit AVB network interface, two redundant internal power supplies and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHigh-resolution converter components and a fully balanced analog circuit design reach a signal-to-noise ratio of up to 120.7 dBA with very low THD. Each of the 32 line inputs on four 25-pin D-sub connectors can be set to +24, +19 or +13 dBu in the analog domain. The whole front is used for visual feedback: 32 backlit channel fields with custom labels show the level, and a display with encoder gives access to every setting at the unit.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSNR at +24 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120.7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (4 streams)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ewith 2 x PSU\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analog line inputs\u003c\/strong\u003e on 4 x 25-pin D-sub, servo-balanced, level per channel +24 \/ +19 \/ +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: optical SC and coaxial BNC, routed separately, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAVB\u003c\/strong\u003e on RJ45 Gigabit Ethernet: four streams of 4, 8, 12 or 16 channels each way, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInternal routing\u003c\/strong\u003e of up to 288 x 256 channels; MADI Auto Input for seamless redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e, 90-264 V AC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel fields with Peak \/ RMS metering and a magnetic cover for channel labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and encoder, 15 presets, lock with optional code, dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control via web interface (network or USB), JSON, IEEE 1722.1 AVDECC, MIDI over MADI and MIDI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB network audio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe AVB interface is based on the open network standards IEEE 802.1 and 1722.1 and carries all 32 analog channels at up to 192 kHz over a single Ethernet cable. Streams are deterministic, with fixed latency and reserved bandwidth. With AVB switches the converter integrates into larger networks; an AVDECC controller (included with the RME Digiface AVB, for example) makes the connections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo MADI ports with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOptical and coaxial MADI work independently, each with up to 64 channels; using both ports all 32 inputs travel at 192 kHz. MADI Auto Input switches seamlessly from the coaxial to an identical optical signal if one cable fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLabels and metering\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThirty-two inscribable label fields with backlight in green, yellow and red show the level of each channel. Labels are written or printed on one sheet held behind a magnetic cover and change without tools; five label sheets are included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWeb remote and firmware\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn integrated web server provides an easy remote interface in any current browser over the network or the USB port, with a JSON API for integration. Firmware updates are uploaded the same way and keep all settings and presets.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD Pro\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4 screws for the rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 power cords\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e5 customisable channel label sheets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrinted manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it send all 32 channels at 192 kHz?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: over AVB on one network cable, or over MADI using both ports with 16 channels each.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do the two power supplies do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEither or both IEC inlets can power the unit. With both connected to different sources it keeps running if one fails, and the STATE section can warn you.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is it controlled?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt the unit with display and encoder, or remotely via the web remote (network or USB), JSON, IEEE 1722.1 AVDECC, MIDI over MADI and MIDI.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need special switches for AVB?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connections between AVB devices need certified AVB switches (or compatible) and an AVDECC controller.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949106790767,"sku":"RME-M-32-AD-Pro","price":405070.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-PRO-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325641"},{"product_id":"rme-m-32-ad-pro-ii-m-series-ad-da-converters-avb-networking","title":"RME M-32 AD Pro II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD Pro II\u003c\/strong\u003e is a 32-channel, 192 kHz AD converter in a 1U 19-inch enclosure, with 32 analogue inputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Milan-certified AVB on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue inputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSNR at +24 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120.7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue inputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMilan-certified AVB\u003c\/strong\u003e on two fully redundant Gigabit ports: up to 128 channels at 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSteadyClock FS, SyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal single-channel routing of up to 288 x 256 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn AVB interface based on the open network standards IEEE 802.1 and 1722.1 carries all 32 analogue channels at up to 192 kHz over a single Ethernet cable. Up to 128 audio channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz) can be sent and received in total across all streams. The two fully redundant network ports follow the Milan recommendations, and the RME AVB core lets any AVB controller discover and fully control the converter, with fixed latency, guaranteed bandwidth and no switch configuration required.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 inputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD Pro II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD Pro II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 AD Pro II an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the AD (analogue to digital) model with 32 analogue inputs. The RME M-32 DA Pro II is the matching DA model with the same MADI and AVB connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two AVB network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD Pro II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD Pro II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114491247,"sku":"RME-M-32-AD-Pro-II","price":461970.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-PRO-II-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325659"},{"product_id":"rme-m-32-ad-pro-ii-d-m-series-ad-da-converters-dante-audio-converters","title":"RME M-32 AD Pro II-D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD Pro II-D\u003c\/strong\u003e is a 32-channel, 192 kHz AD converter in a 1U 19-inch enclosure, with 32 analogue inputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Dante on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue inputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSNR at +24 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120.7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue inputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDante\u003c\/strong\u003e on two fully redundant RJ45 ports: up to 64 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSingle-channel routing across all analogue and digital I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDante runs natively on the custom RME FPGA platform of the Pro II-D, with two fully redundant RJ45 ports for direct connectivity to other Dante devices through standard switches, up to 64 channels. A computer with a Dante software sound card can record and play back up to 64 channels to and from any of the converter's analogue and digital I\/O.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 inputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD Pro II-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD Pro II-D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 AD Pro II-D an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the AD (analogue to digital) model with 32 analogue inputs. The RME M-32 DA Pro II-D is the matching DA model with the same MADI and Dante connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two Dante network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD Pro II-D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD Pro II-D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114524015,"sku":"RME-M-32-AD-Pro-II-D","price":533549.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-PRO-II-D-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325677"},{"product_id":"rme-m-16-da-m-series-ad-da-converters","title":"RME M-16 DA","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-16 DA\u003c\/strong\u003e is a 16-channel high-end DA converter in a 19-inch, 2U enclosure: MADI or ADAT converted to 16 balanced analog line outputs in reference quality, up to 192 kHz, with three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA double balanced output design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 118 dBA on all channels. The 6.3 mm TRS jacks (servo-balanced, up to +21 dBu) and the 25-pin D-sub outputs (balanced, +24 dBu) have their own driver stages and work at the same time. Audio arrives on optical or coaxial MADI or on four ADAT inputs, and the outputs stay quiet when the unit is switched on and off.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDA channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e118 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eD‑sub output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 balanced line outputs\u003c\/strong\u003e on 6.3 mm TRS (up to +21 dBu) and 2 x 25-pin D-sub (+24 dBu), usable at once\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT in\u003c\/strong\u003e (S\/MUX up to 192 kHz) with SYNC LED per port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e16 six-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNoise suppression at the analog outputs on power-on and power-off\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo fan: silent operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe 16-channel M-16 DA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M-16 DA is identical to the M-32 DA, with one 16-channel DA board fitted, no fan and lower power consumption. Its MADI IN key selects any 16-channel block (1-16, 17-32, 33-48 or 49-64).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll MADI input channels pass to the output, so further M-32 DA or M-16 DA can follow in series up to 64 channels, and the same channels can be converted in several locations up to 2 km apart. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-16 DA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-16 DA: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical or coaxial input, with automatic switching) and four ADAT optical inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TRS jacks and D-sub outputs have their own driver stages and work simultaneously. With +24 dBu selected, the D-sub outputs use +24 dBu while the TRS jacks stay at +19 dBu.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-16 DA in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-16 DA is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114556783,"sku":"RME-M-16-DA","price":383689.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-16-DA-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325688"},{"product_id":"rme-m-32-ad-m-series-ad-da-converters","title":"RME M-32 AD","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 AD\u003c\/strong\u003e is a 32-channel high-end AD converter in a 19-inch, 2U enclosure: 32 balanced analog line inputs converted to MADI and ADAT in reference quality, up to 192 kHz, with analog limiters and three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fully symmetrical analog design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 116 dBA on all channels. The analog limiter, conceived for studio, stage and broadcast, handles input overloads of up to 17 dB without audible distortion (maximum input level +30 dBu). The inputs are on 6.3 mm TRS jacks and 25-pin D-sub connectors; the converted signals leave on optical and coaxial MADI at the same time and on four ADAT outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e116 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. reference level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 servo-balanced line inputs\u003c\/strong\u003e on 6.3 mm TRS and 4 x 25-pin D-sub (internally connected)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog limiter\u003c\/strong\u003e: maximum unclipped input +30 dBu, LED per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT out\u003c\/strong\u003e (S\/MUX up to 192 kHz) and ADAT sync input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e32 five-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTemperature-controlled low-noise fan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MADI input is a pass-through input: the converter replaces its own channel block and passes the rest unchanged. Up to 48 kHz two M-32 AD or four M-16 AD share one MADI line. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 AD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 AD: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical and coaxial outputs at the same time) and four ADAT optical outputs; the ADAT input serves only as an optional clock source.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TRS jacks and D-sub connectors are internally connected, so use one or the other for each channel.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 AD in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 AD is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949114589551,"sku":"RME-M-32-AD","price":472165.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-AD-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325703"},{"product_id":"rme-m-32-da-m-series-ad-da-converters","title":"RME M-32 DA","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 DA\u003c\/strong\u003e is a 32-channel high-end DA converter in a 19-inch, 2U enclosure: MADI or ADAT converted to 32 balanced analog line outputs in reference quality, up to 192 kHz, with three hardware reference levels up to +24 dBu.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA double balanced output design with current converter technology and RME's SteadyClock reaches a real-world signal-to-noise ratio of 118 dBA on all channels. The 6.3 mm TRS jacks (servo-balanced, up to +21 dBu) and the 25-pin D-sub outputs (balanced, +24 dBu) have their own driver stages and work at the same time. Audio arrives on optical or coaxial MADI or on four ADAT inputs, and the outputs stay quiet when the unit is switched on and off.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDA channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e118 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eD‑sub output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. sample rate\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 balanced line outputs\u003c\/strong\u003e on 6.3 mm TRS (up to +21 dBu) and 4 x 25-pin D-sub (+24 dBu), usable at once\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree hardware reference levels\u003c\/strong\u003e: +24, +19 and +13 dBu at 0 dBFS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e optical and coaxial: 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT in\u003c\/strong\u003e (S\/MUX up to 192 kHz) with SYNC LED per port\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e32 six-LED level meters with peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNoise suppression at the analog outputs on power-on and power-off\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI thru-mode\u003c\/strong\u003e and \u003cstrong\u003eAutomatic Delay Compensation\u003c\/strong\u003e for sample-aligned stacking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e via MIDI and MIDI over MADI; all settings stored\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTemperature-controlled low-noise fan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHardware reference levels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe level is switched in the analog domain with high-quality electronic switches, so signal-to-noise ratio and distortion stay at their best in every setting. +24 dBu at 0 dBFS gives 20 dB headroom over +4 dBu and follows the SMPTE recommendation; +19 dBu gives 15 dB and +13 dBu 9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCascading on one MADI line\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll MADI input channels pass to the output, so further M-32 DA or M-16 DA can follow in series up to 64 channels, and the same channels can be converted in several locations up to 2 km apart. Each unit's defined delay is compensated automatically by the next, so all channels stay sample-aligned.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock makes the conversion independent of the quality of external clocks. Intelligent Clock Control shows every clock state and keeps the last valid sample rate if the external source fails. The complete unit can be monitored and controlled via MIDI or MIDI over MADI, each unit with its own ID, using RME's free MIDI Remote software for Mac and PC.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 DA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable, 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 DA: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich digital formats does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI (optical or coaxial input, with automatic switching) and four ADAT optical inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use TRS and D-sub at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TRS jacks and D-sub outputs have their own driver stages and work simultaneously. With +24 dBu selected, the D-sub outputs use +24 dBu while the TRS jacks stay at +19 dBu.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many units can share one MADI line?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels at 48 kHz: two 32-channel or four 16-channel M-series converters. At 96 kHz 32 channels, at 192 kHz 16 channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 DA in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 DA is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949115769199,"sku":"RME-M-32-DA","price":472165.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-DA-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325717"},{"product_id":"rme-m-32-da-pro-ii-m-series-ad-da-converters-avb-networking","title":"RME M-32 DA Pro II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 DA Pro II\u003c\/strong\u003e is a 32-channel, 192 kHz DA converter in a 1U 19-inch enclosure, with 32 analogue outputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Milan-certified AVB on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency, and the DA converter reaches a THD+N of -111 dB. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at -1 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-111 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue outputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMilan-certified AVB\u003c\/strong\u003e on two fully redundant Gigabit ports: up to 128 channels at 48 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSteadyClock FS, SyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal single-channel routing of up to 256 x 288 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn AVB interface based on the open network standards IEEE 802.1 and 1722.1 carries all 32 analogue channels at up to 192 kHz over a single Ethernet cable. Up to 128 audio channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz) can be sent and received in total across all streams. The two fully redundant network ports follow the Milan recommendations, and the RME AVB core lets any AVB controller discover and fully control the converter, with fixed latency, guaranteed bandwidth and no switch configuration required.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 outputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 DA Pro II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 DA Pro II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 DA Pro II an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the DA (digital to analogue) model with 32 analogue outputs. The RME M-32 AD Pro II is the matching AD model with the same MADI and AVB connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two AVB network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 DA Pro II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 DA Pro II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949115801967,"sku":"RME-M-32-DA-Pro-II","price":461970.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-DA-PRO-II-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325736"},{"product_id":"rme-m-32-da-pro-ii-d-m-series-ad-da-converters-dante-audio-converters","title":"RME M-32 DA Pro II-D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-32 DA Pro II-D\u003c\/strong\u003e is a 32-channel, 192 kHz DA converter in a 1U 19-inch enclosure, with 32 analogue outputs on D-sub, two MADI I\/Os (coaxial and optional optical SFP), Dante on two fully redundant network ports and two redundant internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for professional studios, immersive sound installations, live sound systems and industrial applications, the M-32 Pro II series combines reliable analogue conversion with high-end network audio. High-resolution converter components and a fully balanced analogue circuit design reach signal-to-noise ratios of 120 dB(A) with very low latency, and the DA converter reaches a THD+N of -111 dB. Impulse response optimisation at 88.2 kHz and higher minimises ringing in the conversion. Tri-colour backlit channel label fields, a 2-inch display and one control knob put every function on the front panel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD+N at -1 dBFS\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-111 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels (coaxial + optical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels (redundant ports)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32 analogue outputs\u003c\/strong\u003e on four 25-pin D-sub connectors, up to +24 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePer-channel reference level\u003c\/strong\u003e: +24, +19 or +13 dBu at 0 dBFS, each with full converter resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MADI I\/O\u003c\/strong\u003e: coaxial BNC plus optical through the optional RME SFP module, up to 128 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDante\u003c\/strong\u003e on two fully redundant RJ45 ports: up to 64 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTwo monitored, fully redundant internal power supplies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTri-colour backlit channel label fields with Peak\/RMS metering and a magnetic cover for custom labels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch display and control knob; 15 presets kept through firmware updates; lock and dark mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSyncCheck and ICC clock fallback; MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O, USB 2.0 for remote control and firmware, optional MIDI I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSingle-channel routing across all analogue and digital I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante audio networking with two redundant ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDante runs natively on the custom RME FPGA platform of the Pro II-D, with two fully redundant RJ45 ports for direct connectivity to other Dante devices through standard switches, up to 64 channels. A computer with a Dante software sound card can record and play back up to 64 channels to and from any of the converter's analogue and digital I\/O.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os with separate signal routing: coaxial on BNC, and optical through the optional RME SFP module (multi-mode or single-mode, hot-pluggable). MADI Auto-Input switches seamlessly to the second input when the first one fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue line level performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery one of the 32 outputs can run at its own line level, matching a wide variety of analogue hardware. Besides +19 dBu and +13 dBu, the series also works with +24 dBu at 0 dBFS, and each level uses the full resolution of the converters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEasy to operate\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUsing the provided transparent papers, users create individual channel labels and fix them behind the magnetic cover, where they are illuminated depending on the signal level: a clear overview of channel assignment and signal flow in fixed installations. RME offers a channel template and printable labels as free downloads. All device states are on the front panel, and the converter can also be reached over the network (including Wi-Fi) and USB, with a JSON-based API and SysEx MIDI commands for integration.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 DA Pro II-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransparent label sheets for the backlit channel fields\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-32 DA Pro II-D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the RME M-32 DA Pro II-D an input or an output converter?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the DA (digital to analogue) model with 32 analogue outputs. The RME M-32 AD Pro II-D is the matching AD model with the same MADI and Dante connectivity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich line levels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+24, +19 or +13 dBu at 0 dBFS, switchable per channel, each with full converter resolution.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much redundancy is built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo monitored internal power supplies, two Dante network ports (primary and secondary), MADI Auto-Input across coaxial and optical MADI, and SyncCheck and ICC clock fallback.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-32 DA Pro II-D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-32 DA Pro II-D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949119897967,"sku":"RME-M-32-DA-Pro-II-D","price":533549.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-32-DA-PRO-II-D-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325751"},{"product_id":"rme-m-1620-pro-m-series-ad-da-converters-avb-networking","title":"RME M-1620 Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-1620 Pro\u003c\/strong\u003e is a 16-channel AD, 20-channel DA converter in a single-height 19-inch rack unit: 16 analogue line inputs and outputs (switchable up to +24 dBu per channel), two separate headphone outputs, 4 x ADAT I\/O, coaxial and optional optical MADI and Milan AVB on two Gigabit ports.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt converts 16 analogue line-level signals to and from MADI, ADAT and Milan network technology. The front panel combines LED level meters with a display and two separate headphone outputs for monitoring. Built-in redundancy covers dual network and dual MADI connections and a monitored DC input in addition to the internal AC power supply; a clear signalling system shows when an issue arises. With full stand-alone capability, settings are changed directly on the unit and complete user presets recalled.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs \/ outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16 \/ 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSeparate headphone outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x ADAT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMilan AVB channels at 48 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 analogue line inputs and 16 line outputs\u003c\/strong\u003e on 25-pin D-sub, each switchable to +24, +19 or +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 separate stereo headphone outputs\u003c\/strong\u003e (channels 17-20), +4 or +19 dBu per TRS connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLED level meters for all inputs and outputs plus a colour display and push knob\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT optical I\/O\u003c\/strong\u003e, coaxial MADI I\/O and an optional optical MADI SFP module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMilan-certified AVB\u003c\/strong\u003e: up to 128 channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz), IEEE 1722.1 ATDECC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in redundancy: dual network, dual MADI, internal AC supply plus a monitored 12 V DC input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eConverter filters configurable for the best impulse or frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e jitter reduction on digital inputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDC-coupled outputs; USB for firmware and remote control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMilan AVB networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Milan-certified model transmits and receives up to 128 channels at 48 kHz (96 at 96 kHz, 64 at 192 kHz) with precise, fixed latency across a deterministic network, and reveals its status and options to controllers using the open IEEE 1722.1 (ATDECC) standard.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAdd analogue and network I\/O to any MADI system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSeparate word clock BNC and coaxial MADI connectors, optional optical MADI via an SFP module and four ADAT ports in each direction let the converter fit into existing infrastructure. The aliasing filters can be configured manually (Sharp or Slow per sample rate) for optimal impulse and frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMonitoring and control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll device states are on the front panel, and the converter can be remote controlled over any network link, also wirelessly over Wi-Fi. The integrated routing matrix sends any analogue input straight to a headphone output, as well as digital signals and network streams, so checking any signal in the system is quick and simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-1620 Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy 20 channels of DA?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e16 analogue line outputs plus the two stereo headphone outputs (channels 17-20).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat power redundancy does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn internal AC supply (100-240 V AC) plus a monitored 12 V DC input; an optional redundant PSU is listed by RME.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many ADAT ports are there?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour optical ADAT inputs and four optical ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-1620 Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-1620 Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949128253807,"sku":"RME-M-1620-Pro","price":358838.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-1620-PRO-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325768"},{"product_id":"rme-m-1620-pro-d-m-series-ad-da-converters-dante-audio-converters","title":"RME M-1620 Pro D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-1620 Pro D\u003c\/strong\u003e is a 16-channel AD, 20-channel DA converter in a single-height 19-inch rack unit: 16 analogue line inputs and outputs (switchable up to +24 dBu per channel), two separate headphone outputs, 4 x ADAT I\/O, coaxial and optional optical MADI and Dante on two Gigabit ports.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt converts 16 analogue line-level signals to and from MADI, ADAT and Dante network technology. The front panel combines LED level meters with a display and two separate headphone outputs for monitoring. Built-in redundancy covers dual network and dual MADI connections and a monitored DC input in addition to the internal AC power supply; a clear signalling system shows when an issue arises. With full stand-alone capability, settings are changed directly on the unit and complete user presets recalled.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs \/ outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16 \/ 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSeparate headphone outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x ADAT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 analogue line inputs and 16 line outputs\u003c\/strong\u003e on 25-pin D-sub, each switchable to +24, +19 or +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 separate stereo headphone outputs\u003c\/strong\u003e (channels 17-20), +4 or +19 dBu per TRS connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLED level meters for all inputs and outputs plus a colour display and push knob\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT optical I\/O\u003c\/strong\u003e, coaxial MADI I\/O and an optional optical MADI SFP module\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e64-channel Dante\u003c\/strong\u003e on two ports: redundant, or daisy-chained when redundancy is not required\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in redundancy: dual network, dual MADI, internal AC supply plus a monitored 12 V DC input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eConverter filters configurable for the best impulse or frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWord clock I\/O on BNC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDC-coupled outputs; USB for firmware and remote control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M-1620 Pro D integrates 64-channel Dante connectivity with direct links to other audio devices through standard Ethernet switches. If redundancy is not required, the device can act as a switch itself and allow daisy-chains of several Dante devices. Up to 64 channels of any analogue and digital I\/O can be recorded and played back on a computer with a Dante software sound card.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAdd analogue and network I\/O to any MADI system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSeparate word clock BNC and coaxial MADI connectors, optional optical MADI via an SFP module and four ADAT ports in each direction let the converter fit into existing infrastructure. The aliasing filters can be configured manually (Sharp or Slow per sample rate) for optimal impulse and frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMonitoring and control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll device states are on the front panel, and the converter can be remote controlled over any network link, also wirelessly over Wi-Fi. The integrated routing matrix sends any analogue input straight to a headphone output, as well as digital signals and network streams, so checking any signal in the system is quick and simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro D\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-1620 Pro D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy 20 channels of DA?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e16 analogue line outputs plus the two stereo headphone outputs (channels 17-20).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat power redundancy does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn internal AC supply (100-240 V AC) plus a monitored 12 V DC input; an optional redundant PSU is listed by RME.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many ADAT ports are there?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour optical ADAT inputs and four optical ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs optical MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in; optical MADI uses the optional RME SFP module (multi-mode or single-mode).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-1620 Pro D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-1620 Pro D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949130056047,"sku":"RME-M-1620-Pro-D","price":406805.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-1620-PRO-D-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325785"},{"product_id":"rme-hdspe-aox-m-hdspe-series-pcie-audio-interfaces-audio-interfaces-avb-networking","title":"RME HDSPe AoX-M","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe AoX-M\u003c\/strong\u003e is a 512-channel PCI Express x4 card with Milan AVB networking on two RJ45 ports, AES3, MIDI, a DC-coupled phones output and internal expansion ports for up to four MADI I\/Os.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOccupying a single slot, the card sends and receives up to 512 channels of audio. Two optional dual MADI expansion boards (coaxial AoX-MADI-EXT-BNC or optical AoX-MADI-EXT-SFP) add four MADI inputs and four MADI outputs to the network channels. The phones jack monitors any signal reaching the card, and a stereo AES3 I\/O and MIDI sit on a breakout cable. The card can be built into a recording computer or audio processor, or installed in an external Thunderbolt expansion chassis for mobile recording, on macOS and Windows.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz record \/ playback\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMilan AVB network ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x RJ45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTotalMix mixer 46‑bit\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e256 x 256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith two optional expansion boards\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x MADI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e128 channels in Milan compliant 8-channel AVB stream format\u003c\/strong\u003e at any sample rate; up to 512 channels at 48 kHz with 12, 16 or 32-channel streams\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e17 stream ports\u003c\/strong\u003e each way: 16 audio streams plus one clock reference stream\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePrimary and secondary networks\u003c\/strong\u003e on two RJ45 Gigabit ports\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e512 channels at 48 kHz\u003c\/strong\u003e, 256 at 96 kHz and 128 at 192 kHz, 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix 256 x 256\u003c\/strong\u003e with presets, layouts, loopback and up to 128 stereo submixes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInput and output matrices\u003c\/strong\u003e: choose which of up to 770 inputs reach the computer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES3 I\/O\u003c\/strong\u003e (2 channels up to 192 kHz) and \u003cstrong\u003eMIDI I\/O\u003c\/strong\u003e on a breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDC-coupled phones \/ line output\u003c\/strong\u003e, +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSyncAlign, SyncCheck\u003c\/strong\u003e and DIGICheck DSP level meters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal \u003cstrong\u003eSYNC IN \/ OUT\u003c\/strong\u003e for several cards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMilan AVB networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe card implements Milan, an interoperability standard for time-aware Ethernet networks based on AVB, with deterministic streaming, fixed latency and reserved bandwidth. It is a Milan compliant endpoint configured through ATDECC from a controller on the network; the presentation time offset can be set per stream in samples for phase alignment.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible mixing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA driver dialog or web interface sets the network versus MADI channel count and pre-selects which inputs reach the 256-channel TotalMix engine; the remaining 256 channels pass straight through, and all 512 channels are available for recording. TotalMix offers presets, layouts, loopback and submixes.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI expansion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo internal expansion ports take dual MADI boards with 128 \/ 64 \/ 32 channels at 48 \/ 96 \/ 192 kHz each, in coaxial or optical (SFP) versions, plus a word clock BNC that can act as input on the board in slot A.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX-M card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/MIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal sync cable (3-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrinted manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eDrivers for Windows 10 or up and macOS 14 or up are downloaded from rme-audio.de. Requires one free PCI Express x4 slot. To control the network, add a separate network adapter to the computer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe AoX-M: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the card handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 512 channels each way at 48 kHz, 256 at 96 kHz and 128 at 192 kHz; 256 of them can be processed in TotalMix.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add MADI?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Up to two optional dual MADI expansion boards (AoX-MADI-EXT-BNC or AoX-MADI-EXT-SFP) add four MADI inputs and outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the card pass network traffic to the computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. To control the network connections, use a separate network adapter in the computer connected to the network through a switch.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe AoX-M in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe AoX-M is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949131268463,"sku":"RME-HDSPe-AoX-M","price":167253.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-AOX-M-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793325804"},{"product_id":"rme-hdspe-aox-d-hdspe-series-pcie-audio-interfaces-audio-interfaces","title":"RME HDSPe AoX-D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe AoX-D\u003c\/strong\u003e is a 512-channel PCI Express x4 card with Dante networking on two RJ45 ports, AES3, MIDI, a DC-coupled phones output and internal expansion ports for up to four MADI I\/Os.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOccupying a single slot, the card sends and receives up to 512 channels of audio. Two optional dual MADI expansion boards (coaxial AoX-MADI-EXT-BNC or optical AoX-MADI-EXT-SFP) add four MADI inputs and four MADI outputs to the network channels. The phones jack monitors any signal reaching the card, and a stereo AES3 I\/O and MIDI sit on a breakout cable. The card can be built into a recording computer or audio processor, or installed in an external Thunderbolt expansion chassis for mobile recording, on macOS and Windows.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels at 48 kHz record \/ playback\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante network ports\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x RJ45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTotalMix mixer 46‑bit\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e256 x 256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith two optional expansion boards\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x MADI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e512 Dante channels\u003c\/strong\u003e each way: the card appears as a 512-channel transmitter and receiver\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant or switched\u003c\/strong\u003e network ports, 1 Gb\/s and 100 Mb\/s\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePreferred Leader\u003c\/strong\u003e clocking from internal, Dante, MADI, AES or word clock\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e512 channels at 48 kHz\u003c\/strong\u003e, 256 at 96 kHz and 128 at 192 kHz, 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix 256 x 256\u003c\/strong\u003e with presets, layouts, loopback and up to 128 stereo submixes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInput and output matrices\u003c\/strong\u003e: choose which of up to 770 inputs reach the computer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES3 I\/O\u003c\/strong\u003e (2 channels up to 192 kHz) and \u003cstrong\u003eMIDI I\/O\u003c\/strong\u003e on a breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDC-coupled phones \/ line output\u003c\/strong\u003e, +13 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSyncAlign, SyncCheck\u003c\/strong\u003e and DIGICheck DSP level meters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal \u003cstrong\u003eSYNC IN \/ OUT\u003c\/strong\u003e for several cards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNetwork audio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn a Dante network the HDSPe AoX-D appears as a 512-channel transmitter and receiver. Channels are connected in the network's management software. In the default Redundancy mode each port connects to one of two separate networks; Switched mode lets several cards be daisy-chained.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible mixing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA driver dialog or web interface sets the network versus MADI channel count and pre-selects which inputs reach the 256-channel TotalMix engine; the remaining 256 channels pass straight through, and all 512 channels are available for recording. TotalMix offers presets, layouts, loopback and submixes.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI expansion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo internal expansion ports take dual MADI boards with 128 \/ 64 \/ 32 channels at 48 \/ 96 \/ 192 kHz each, in coaxial or optical (SFP) versions, plus a word clock BNC that can act as input on the board in slot A.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX-D card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES\/MIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal sync cable (3-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrinted manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eDrivers for Windows 10 or up and macOS 14 or up are downloaded from rme-audio.de. Requires one free PCI Express x4 slot. To control the network, add a separate network adapter to the computer.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe AoX-D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the card handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 512 channels each way at 48 kHz, 256 at 96 kHz and 128 at 192 kHz; 256 of them can be processed in TotalMix.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add MADI?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Up to two optional dual MADI expansion boards (AoX-MADI-EXT-BNC or AoX-MADI-EXT-SFP) add four MADI inputs and outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the card pass network traffic to the computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. To control the network connections, use a separate network adapter in the computer connected to the network through a switch.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe AoX-D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe AoX-D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949131301231,"sku":"RME-HDSPe-AoX-D","price":220424.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-AOX-D-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793325824"},{"product_id":"rme-aox-madi-ext-bnc-accessories-expansion-cards-audio-interfaces","title":"RME AoX-MADI-EXT-BNC","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME AoX-MADI-EXT-BNC\u003c\/strong\u003e is the coaxial expansion board for the HDSPe AoX cards: two MADI inputs and outputs on BNC plus a word clock BNC, with 128 \/ 64 \/ 32 channels at 48 \/ 96 \/ 192 kHz.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt connects to one of the two internal expansion ports of an HDSPe AoX-M or AoX-D. With two boards the card offers four MADI inputs and four MADI outputs in addition to its network audio channels. The word clock BNC works as an output by default and can be switched to input on the board in slot A.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX-M\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to two expansion boards per card (expansion ports A and B)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME AoX-MADI-EXT-BNC expansion board\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME AoX-MADI-EXT-BNC: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many MADI channels does one board add?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os: 128 channels at 48 kHz, 64 at 96 kHz and 32 at 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the word clock BNC be an input?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, on the board in expansion slot A; it acts as output by default.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME AoX-MADI-EXT-BNC in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME AoX-MADI-EXT-BNC is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949131333999,"sku":"RME-AoX-MADI-EXT-BNC","price":24851.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-AOX-MADI-EXT-BNC-EXPANSION-CARDS-SHIVANSH-ELECTRONICS-1.webp?v=1793325841"},{"product_id":"rme-aox-madi-ext-sfp-accessories-expansion-cards-audio-interfaces","title":"RME AoX-MADI-EXT-SFP","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME AoX-MADI-EXT-SFP\u003c\/strong\u003e is the optical expansion board for the HDSPe AoX cards: two MADI SFP module slots and a word clock BNC, with 128 \/ 64 \/ 32 channels at 48 \/ 96 \/ 192 kHz. SFP multi-mode modules are included.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt connects to one of the two internal expansion ports of an HDSPe AoX-M or AoX-D. A single-mode SFP module is available as an option for longer fibre runs (up to 20 km); the multi-mode modules cover up to 2 km on OM-1 fibre with LC duplex connectors. The word clock BNC works as an output by default and can be switched to input on the board in slot A.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX-M\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to two expansion boards per card (expansion ports A and B)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME AoX-MADI-EXT-SFP expansion board\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSFP multi-mode modules (included, as RME states)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME AoX-MADI-EXT-SFP: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the SFP modules included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, SFP multi-mode modules are included; a single-mode module is optional.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many MADI channels does one board add?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo MADI I\/Os: 128 channels at 48 kHz, 64 at 96 kHz and 32 at 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME AoX-MADI-EXT-SFP in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME AoX-MADI-EXT-SFP is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949131366767,"sku":"RME-AoX-MADI-EXT-SFP","price":30810.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-AOX-MADI-EXT-SFP-EXPANSION-CARDS-SHIVANSH-ELECTRONICS-1.webp?v=1793325854"},{"product_id":"rme-12mic-mic-preamps-preamps-processors-avb-networking","title":"RME 12Mic","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME 12Mic\u003c\/strong\u003e is a 12-channel, digitally controlled microphone preamplifier with no-compromise A\/D conversion, two redundant AVB network ports, coaxial and optical MADI and three ADAT outputs in a one-unit 19-inch chassis.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll twelve front XLR inputs accept microphone and line signals; inputs 1-4 are XLR\/TRS combo jacks with switchable Hi-Z for instruments. The PAD-free input stages offer a 75 dB gain range in 1 dB steps and accept up to +18 dBu, with an SNR above 120 dB(A). Every signal reaching the 12Mic can be routed to any output: up to eight AVB streams per direction, two MADI ports, three ADAT ports and the headphone output. Gains, phantom power, gain groups and AutoSet are set on the front panel or remotely from the built-in Web Remote. Redundant network ports, redundant MADI inputs and an optional redundant 12 V DC supply make it a natural fit for live sound as well as the studio.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic \/ line preamps (4 with TRS and Hi‑Z)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain range in 1 dB steps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e75 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEIN at 30 dB gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125.5 dB(A)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRedundant Gigabit ports MILAN certified\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x AVB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e12 mic \/ line preamps\u003c\/strong\u003e: inputs 1-4 XLR\/TRS combo with Hi-Z, inputs 5-12 XLR\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e75 dB gain range\u003c\/strong\u003e in 1 dB steps, PAD-free, up to +18 dBu input level\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePhantom power (48 V)\u003c\/strong\u003e switchable per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSNR above 120 dB(A)\u003c\/strong\u003e, EIN 125.5 dB(A) at 30 dB gain, THD+N below -104 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo redundant Gigabit AVB ports\u003c\/strong\u003e, MILAN certification with firmware 2.0.1\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 AVB streams per direction\u003c\/strong\u003e, each up to 16 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCoaxial MADI I\/O\u003c\/strong\u003e plus SFP slot for optional optical MADI, independent or redundant\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree ADAT outputs\u003c\/strong\u003e: up to 24 channels at single speed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e and \u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRouting matrix\u003c\/strong\u003e of up to 268 x 282 channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eGain groups, AutoSet and 15 presets\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWeb Remote\u003c\/strong\u003e over network, Wi-Fi or USB; HTTP \/ JSON, ATDECC and MIDI over MADI control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInternal power supply\u003c\/strong\u003e plus optional 12 V DC inlet for redundancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwelve transparent microphone preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe input stages are fully balanced all the way to the A\/D converter. Gain, phantom power, XLR\/TRS, Hi-Z and phase are set per channel, and channels can be linked into gain groups that keep their offsets. AutoSet pulls the gain back whenever a signal exceeds -6 dBFS, ideal for a quick, safe sound check. Each input has an LED that shows level, phantom power, TRS, Hi-Z and gain-group state at a glance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAVB networking with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME AVB core implements the IEEE standards for streaming, discovery and control, so any AVB controller can find and control the 12Mic. Two fully redundant network ports follow the MILAN recommendations, and firmware 2.0.1 adds MILAN certification. Streams have fixed latency and guaranteed bandwidth with no switch configuration, and the presentation time can be lowered to suit smaller networks.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI and ADAT for maximum flexibility\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI and optional optical MADI (SFP module) work independently or as a redundant pair, for daisy chaining, merging and converting MADI at very low latency. Three ADAT outputs carry up to 24 channels at single speed or 12 at 96 kHz, and can also send monitor mixes from AVB or MADI to headphone amplifiers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePlug and play control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEverything can be operated from the front panel: a 1.54-inch full-colour display, four display buttons, one button per channel and an encoder. The built-in web server provides a Web Remote in any current browser over the network, Wi-Fi or USB, including a visual routing matrix and gain groups. SteadyClock FS gives lowest jitter, and Intelligent Clock Control switches clock sources seamlessly.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME 12Mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFour screws for the rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCat5e network cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrinted manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eOptional accessories from RME: MADI-SFP-MM and MADI-SFP-SM optical modules, NT-RME-11 external power supply.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME 12Mic: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the 12Mic be used without an AVB network?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The analogue inputs can go straight to the coaxial or optical MADI outputs and to the three ADAT outputs, so the 12Mic also works as a MADI or ADAT preamp for any compatible interface or console.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo inputs accept instruments?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eInputs 1-4 are XLR\/TRS combo jacks; on the TRS jack Hi-Z (1 MOhm) can be switched on for guitars and basses. Inputs 5-12 are XLR mic \/ line inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is the 12Mic controlled remotely?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThrough the built-in Web Remote in a browser over the network, Wi-Fi or USB, through any AVB (ATDECC) controller, via HTTP \/ JSON, or via MIDI over MADI.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it offer redundancy?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: two redundant AVB network ports, MADI input redundancy with the optional SFP module, and a 12 V DC inlet for an optional external supply alongside the internal one.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME 12Mic in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME 12Mic is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139067247,"sku":"RME-12Mic","price":383453.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-12MIC-PREAMPS-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793325874"},{"product_id":"rme-12mic-d-mic-preamps-preamps-processors","title":"RME 12Mic-D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME 12Mic-D\u003c\/strong\u003e is a 12-channel, digitally controlled microphone preamplifier with Dante, MADI and ADAT, sonically identical to the 12Mic and built for high-end studio recording, live audio and location recording.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwelve front XLR inputs accept microphone and line signals; inputs 1-4 also take TRS jacks with switchable Hi-Z for instruments. The PAD-free input stages offer a 75 dB gain range and accept up to +18 dBu. Two RJ45 ports carry up to 64 Dante channels in each direction, in redundant or switched mode. Coaxial MADI, an SFP slot for optical MADI, three ADAT outputs and a headphone output complete the I\/O, and a routing matrix sends any of 204 input channels to any of 218 output channels. RME built the platform from the ground up on its own FPGA design for flexibility and stability for years to come.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic \/ line preamps (4 with TRS and Hi‑Z)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain range in 1 dB steps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e75 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDante channels in and out at 48 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRouting matrix inputs x outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e204 x 218\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e12 mic \/ line preamps\u003c\/strong\u003e: inputs 1-4 XLR\/TRS combo with Hi-Z, inputs 5-12 XLR\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e75 dB gain range\u003c\/strong\u003e in 1 dB steps, PAD-free, up to +18 dBu input level\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSNR above 120 dB(A)\u003c\/strong\u003e, EIN 125.5 dB(A) at 30 dB gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDante on two RJ45 ports\u003c\/strong\u003e: up to 64 channels in and out, redundant or switched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCoaxial MADI I\/O\u003c\/strong\u003e plus SFP slot for optional optical MADI, independent or redundant\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree ADAT outputs\u003c\/strong\u003e and a headphone output for monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRouting matrix\u003c\/strong\u003e: any of 204 inputs to any of 218 outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eGain groups, AutoSet and 15 presets\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWeb Remote\u003c\/strong\u003e over network, Wi-Fi or USB; HTTP and JSON control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInternal power supply\u003c\/strong\u003e plus optional 12 V DC inlet for redundancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDante networking with two ports\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhen connected to a Dante network, analogue and digital channels, including signals from connected MADI devices, can be transmitted to the network. In return the 12Mic-D receives up to 64 channels that can be forwarded to the headphones, ADAT and both MADI ports. By default the two network ports work as primary and secondary for Dante redundancy; switched mode connects them internally for daisy chains of several units.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwelve transparent microphone preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGain, phantom power, XLR\/TRS, Hi-Z and phase are set per channel at the unit or remotely. Gain groups link channels while keeping their offsets, and AutoSet reduces the gain whenever a signal exceeds -6 dBFS, making sound checks quick and safe.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI and ADAT for maximum flexibility\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI comes as standard, with optical MADI available through an optional SFP module. Both can work independently or as a redundant pair. Three ADAT outputs and a line level headphone output allow monitoring of all incoming digital and analogue signals.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePlug and play control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll device states can be controlled from the front panel with the display, four buttons, a button per channel and an encoder. The Web Remote works in any current browser on a computer or tablet over the network, Wi-Fi or USB, for quick gain groups, phantom power and routing of signals to the headphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME 12Mic-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFour screws for the rack mount brackets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCat5e network cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrinted manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eOptional accessories from RME: MADI-SFP-MM and MADI-SFP-SM optical modules, NT-RME-11 external power supply.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME 12Mic-D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the 12Mic-D differ from the 12Mic?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe preamps are sonically identical. The 12Mic-D connects to Dante networks (up to 64 channels each way), while the 12Mic uses AVB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many Dante channels does it support?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 64 channels in each direction at 48 kHz on a 1 Gb\/s network, 32 at 96 kHz and 16 at 192 kHz.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I daisy chain several units?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Set the network ports to switched mode in the Dante network settings and connect the units one after the other on the same network.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME 12Mic-D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME 12Mic-D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139100015,"sku":"RME-12Mic-D","price":449804.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-12MIC-D-PREAMPS-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793325893"},{"product_id":"rme-avb-tool-m-series-network-audio-interfaces-audio-interfaces-avb-networking","title":"RME AVB Tool","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME AVB Tool\u003c\/strong\u003e is a half-rack 19-inch MADI and AVB interface with four high-precision microphone, instrument and line inputs, a stereo headphone output and two balanced line outputs: router, mic preamp and MADI-AVB converter in one compact unit.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt combines MADI and deterministic AVB networked audio with the analogue signals most commonly found in a control room, recording studio or on stage. Four XLR\/TRS combo inputs offer remote-controllable 75 dB gain in 1 dB steps, +18 dBu line sensitivity and switchable high impedance on every channel. 128 channels of MADI I\/O, eight Gigabit AVB streams, SteadyClock FS and internal routing of up to 260 x 260 channels complete the package.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic\/inst\/line inputs (75 dB gain)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMADI channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB streams (128 channels)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHalf 19‑inch rack\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.0 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x XLR\/TRS combo inputs\u003c\/strong\u003e: remote-controllable 75 dB gain in 1 dB steps, +18 dBu maximum on XLR\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitchable \u003cstrong\u003ehigh impedance (1 MOhm)\u003c\/strong\u003e on every TRS input; balanced line level on the TRS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStereo headphone output\u003c\/strong\u003e and \u003cstrong\u003etwo balanced line outputs\u003c\/strong\u003e with +4 \/ +19 dBu reference levels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8-stream Gigabit AVB\u003c\/strong\u003e: AM824 or AAF (Milan compatible), up to 128 channels each way\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMADI\u003c\/strong\u003e: coaxial BNC plus optional optical SFP, seamless MADI input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal routing of up to 260 x 260 channels; MADI-AVB conversion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e ultra-low jitter clock; word clock I\/O\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1.54-inch colour display, control knob and four buttons; web interface remote control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal power supply with locking connector; K-slot lock port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-grade analogue inputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach XLR input has an EIN of 125.5 dB(A) at 30 dB gain and an SNR above 120 dB(A). The TRS inputs accept up to +20 dBu and switch to 1 MOhm for instruments. Two balanced TRS line outputs at the rear serve monitoring, and the stereo headphone output can be fed with any input, MADI or AVB signal through the routing matrix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e8-stream Gigabit AVB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME AVB core provides eight streams in AM824 (legacy AVB) or high-performance AAF (Milan compatible) format, with configurable size and format per stream. Up to 128 audio channels can be sent and received in total across all streams.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMADI with redundancy\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSeamless redundancy is available for all MADI signals whenever the secondary MADI port is mirrored with the same signal as the coaxial input. If redundancy is not required, the optional optical single-mode or multi-mode module works as an individual MADI I\/O with full bandwidth.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock FS\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFull SteadyClock FS performance gives the lowest jitter and highest jitter immunity in all clock modes, and Intelligent Clock Control switches the clock source seamlessly.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME AVB Tool\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal power supply with locking connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: RME Connector and MIDI Remote AVB for Windows and macOS. The latest manual is online at docs.rme-audio.com.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME AVB Tool: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat can the AVB Tool be used for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAs a four-channel mic, instrument and line preamp, a headphone and monitoring station, a router and a MADI-AVB format converter.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many AVB channels does it handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight streams, each up to 16 channels, with up to 128 channels sent and received in total.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need the SFP module?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCoaxial MADI is built in. The optional SFP module adds optical MADI and MADI input redundancy.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME AVB Tool in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME AVB Tool is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139132783,"sku":"RME-AVB-Tool","price":197072.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-AVB-TOOL-NETWORK-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793325909"},{"product_id":"rme-m-1610-pro-m-series-ad-da-converters-avb-networking","title":"RME M-1610 Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME M-1610 Pro\u003c\/strong\u003e is a 16-channel AD, 8-channel DA converter in a 1U 19-inch enclosure, with 16 analogue inputs, 8 balanced line outputs, a separate stereo headphone output, four ADAT outputs, coaxial and optional optical MADI, redundant AVB and dual internal power supplies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery analogue channel can be switched to +24, +19 or +13 dBu, each with the full dynamic range of the converters. TRS jacks provide alternative connections for D-sub inputs 11-16 and outputs 1-2, and quick-access buttons handle source selection and volume for the headphone output. The internal routing matrix connects 272 inputs and 298 outputs: eight AVB streams (128 channels), two MADI ports with up to 64 channels each, all analogue I\/O and the ADAT outputs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLine inputs \/ outputs (+24 dBu max.)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16 \/ 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRouting matrix\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e272 x 298\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAVB channels (8 streams)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMin. network delay\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.3 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 analogue inputs and 8 analogue outputs\u003c\/strong\u003e, per channel +24 \/ +19 \/ +13 dBu at full resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTRS jacks in parallel to D-sub inputs 11-16 and outputs 1-2\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeparate stereo headphone output\u003c\/strong\u003e with quick-access source and volume\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT optical outputs\u003c\/strong\u003e, up to S\/MUX4 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCoaxial and optional optical MADI\u003c\/strong\u003e, MADI Auto-Input redundancy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant AVB\u003c\/strong\u003e: two Gigabit ports, eight streams, 128 channels; network delay down to 0.3 ms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo monitored, fully redundant internal power supplies; DC-coupled outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, SyncCheck and Intelligent Clock Control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2-inch colour display and control knob; remote control via web interface, JSON, IEEE 1722.1 ATDECC, MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for engineers with analogue gear\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned at the request of recording engineers using a variety of analogue effects and instruments in their sessions, the M-1610 Pro adds user-friendly features for studio, live and broadcast: TRS alternative connections, redundant network ports, a headphone output for monitoring and troubleshooting, and quick-access buttons.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDeterministic AVB networking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLowest converter latencies and deterministic AVB networking with a configurable network delay down to 0.3 ms deliver samples, even from multiple devices, time-aligned with nanosecond accuracy across an entire network.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransparent conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe AD and DA filters are optimised for each sample rate, with a focus on accuracy and RME's signature transparency. With SteadyClock FS the conversion to and from analogue is state-of-the-art at any level and across all digital formats.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1610 Pro\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRME publishes the latest manual online (docs.rme-audio.com); firmware updates are free on the RME product page.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME M-1610 Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many outputs does the M-1610 Pro have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight balanced line outputs on D-sub (outputs 1-2 also on TRS) plus a separate stereo headphone output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the routing capacity?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e272 inputs and 298 outputs: eight AVB streams (128 channels), two MADI ports with up to 64 channels each, all analogue I\/O and the ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it suitable for live use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: two redundant internal power supplies, two redundant AVB ports and MADI Auto-Input keep the signal running.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME M-1610 Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME M-1610 Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139231087,"sku":"RME-M-1610-Pro","price":333751.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-M-1610-PRO-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793325925"},{"product_id":"rme-madi-sfp-mm-accessories-cables-connectors","title":"RME MADI-SFP-MM","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME MADI-SFP-MM\u003c\/strong\u003e is RME's multi-mode MADI SFP module: an optical SFP transceiver that extends compatible RME devices with a MADI port for up to 64 audio channels in each direction, over fibre runs of up to 2 km (OM-1 fibre).\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe module accepts fibre cables with LC (Lucent Connector) on an LC duplex receptacle. As most MADI devices use SC (square) connectors, it comes with an adapter cable and an SC-SC coupler, so existing MADI cables can be used. The variant is clearly marked on the module and packaging (MM). Multi-mode modules work reliably with other multi-mode MADI devices.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME 12Mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME AVB Tool\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1610 Pro\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 Pro II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 Pro II-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x SFP module with LC connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x 2 m fibre optic cable (LC to SC adapter cable)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x SC (female) to SC (female) coupler\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME MADI-SFP-MM: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eMulti mode or single mode?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose multi mode when the other MADI device uses multi-mode fibre, which most MADI systems do; it covers up to 2 km on OM-1 fibre.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use my existing SC MADI cables?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The included LC to SC adapter cable and SC-SC coupler connect the module to standard SC MADI cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME MADI-SFP-MM in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME MADI-SFP-MM is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139263855,"sku":"RME-MADI-SFP-MM","price":12166.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-MADI-SFP-MM-CABLES-CONNECTORS-SHIVANSH-ELECTRONICS-1.webp?v=1793325939"},{"product_id":"rme-madi-sfp-sm-accessories-cables-connectors","title":"RME MADI-SFP-SM","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME MADI-SFP-SM\u003c\/strong\u003e is RME's single-mode MADI SFP module: an optical SFP transceiver that extends compatible RME devices with a MADI port for up to 64 audio channels in each direction, over fibre runs of up to 20 km (9\/125 fibre).\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe module accepts fibre cables with LC (Lucent Connector) on an LC duplex receptacle. As most MADI devices use SC (square) connectors, it comes with an adapter cable and an SC-SC coupler, so existing MADI cables can be used. The variant is clearly marked on the module and packaging (SM). Single-mode modules work reliably with other single-mode MADI devices, which is the less common type in MADI systems.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME 12Mic\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME AVB Tool\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1610 Pro\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 Pro II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-32 Pro II-D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME M-1620 Pro D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AoX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x SFP module with LC connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x 2 m fibre optic cable (LC to SC adapter cable)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 x SC (female) to SC (female) coupler\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME MADI-SFP-SM: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eMulti mode or single mode?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose single mode for very long runs (up to 20 km) when the other MADI device also uses single-mode fibre. Multi mode is the more common type in MADI systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use my existing SC MADI cables?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The included LC to SC adapter cable and SC-SC coupler connect the module to standard SC MADI cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME MADI-SFP-SM in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME MADI-SFP-SM is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139362159,"sku":"RME-MADI-SFP-SM","price":12166.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-MADI-SFP-SM-CABLES-CONNECTORS-SHIVANSH-ELECTRONICS-1.webp?v=1793325948"},{"product_id":"rme-micstasy-mic-preamps-preamps-processors","title":"RME Micstasy","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME Micstasy\u003c\/strong\u003e is an 8-channel full range microphone, line and instrument preamp with reference-quality 24-bit \/ 192 kHz AD conversion, fully remote controllable via MIDI and MIDI over MADI, in a 2-unit 19-inch chassis.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMicstasy amplifies and digitises every analogue source: high-level stage signals, studio line signals, instruments and dynamic, condenser or ribbon microphones. It works analogue (mic \/ line in to line out) and digital (mic \/ line in to digital out) at the same time, so the amplified signals at the eight balanced line outputs can be passed on without a separate splitter. Eight XLR inputs on the rear offer an 85 dB gain range from -56.5 dBu up to +30 dBu, eight front TRS inputs take line and instrument signals with Hi-Z, and four AES\/EBU and two ADAT outputs deliver the digital signal. The optional I64 MADI Card adds MADI I\/O with serial cascading of up to eight units.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic \/ line \/ instrument channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain range in 0.5 dB steps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e85 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum input level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD latency at single speed\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 samples\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 balanced XLR mic \/ line inputs\u003c\/strong\u003e with 85 dB gain range, -56.5 dBu to +30 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-end circuitry\u003c\/strong\u003e with 4 relays per channel and a super low-noise microphone front end\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eNear click-free gain changes\u003c\/strong\u003e in steps of 0.5 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 front TRS line \/ instrument inputs\u003c\/strong\u003e with Hi-Z option\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 balanced XLR line outputs\u003c\/strong\u003e, up to +27 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x AES\/EBU out\u003c\/strong\u003e on D-sub (8 channels at 192 kHz) and \u003cstrong\u003e2 x ADAT out\u003c\/strong\u003e (8 channels at 96 kHz)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLo Cut\u003c\/strong\u003e 18 dB\/oct, phase, \u003cstrong\u003eM\/S encoding\u003c\/strong\u003e for the digital outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAutoSet\u003c\/strong\u003e automatic gain reduction with multiple linking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e13-LED level meter\u003c\/strong\u003e per channel, 8 user presets\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFully remote controllable\u003c\/strong\u003e via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOptional I64 MADI Card\u003c\/strong\u003e: 64-channel MADI with serial cascading and digital return path\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock, SyncCheck\u003c\/strong\u003e and Intelligent Clock Control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne preamp for every source\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel offers gain, +48 V phantom power, phase reversal, M\/S processing for the digital outputs, Lo Cut, AutoSet and Hi-Z, all switched per channel with the SELECT key and the SET encoder. TotalGain spans line levels from stage equipment to the quietest ribbon microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAutoSet: overload protection without a limiter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBecause the gain is controlled digitally, Micstasy can set it automatically: when a signal reaches the threshold (-1, -3, -6 or -12 dBFS) the gain is reduced, with no extra circuitry in the signal path. Channels can be linked so stereo pairs keep their balance, and the gain can still be changed manually.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVery low latency\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe AD converters' digital filter delays the signal by only 12 samples at single speed (0.25 ms), 9 samples at double speed and 5 samples at quad speed, so monitoring through the converter feels like analogue.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRemote control and MADI\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll functions can be controlled via MIDI, and with the I64 MADI Card via MIDI over MADI, so the unit can sit right next to the microphones. Each Micstasy can get its own ID. With the I64 MADI Card up to eight units can be cascaded on one MADI line, with Delay Compensation and eight channels usable as a digital return path.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME Micstasy\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable (TOSLINK), 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME Micstasy: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the analogue and digital outputs at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The amplified signals are available at the eight analogue line outputs while the AD converter feeds the AES\/EBU and ADAT outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it support ribbon and condenser microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Phantom power is switchable per channel for condenser microphones, and the high gain with a super low-noise front end suits dynamic and ribbon microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs MADI included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMADI is available with the optional I64 MADI Card, which adds coaxial and optical MADI I\/O, serial cascading and remote control via MADI.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Micstasy in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Micstasy is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139689839,"sku":"RME-Micstasy","price":482856.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-MICSTASY-PREAMPS-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793325959"},{"product_id":"rme-dmc-842-mic-preamps-preamps-processors","title":"RME DMC-842","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME DMC-842\u003c\/strong\u003e is an 8-channel AES42 interface and remote controller for digital microphones, converting their signals to ADAT, AES\/EBU, analogue and optional MADI in a 2-unit 19-inch chassis.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt connects and controls up to eight digital microphones, supplies digital phantom power per input and supports both Mode 1 and Mode 2. Eight switchable hi-end sample rate converters give flexible clocking. RME developed the unit in close co-operation with microphone manufacturers for maximum compatibility. Eight balanced line outputs, four AES\/EBU outputs on D-sub, two ADAT outputs, word clock and MIDI are built in, and the optional I64 MADI Card adds MADI I\/O with serial cascading.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAES42 digital microphone inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDigital phantom power per input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain per channel\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0 to +63 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue line outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+27 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 XLR AES\/EBU inputs\u003c\/strong\u003e, fully compatible with AES42\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital phantom power\u003c\/strong\u003e switchable per input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMode 1 and Mode 2\u003c\/strong\u003e supported; gain per channel even in asynchronous Mode 1\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e8-channel 24-bit sample rate conversion\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 balanced XLR line outputs\u003c\/strong\u003e up to +27 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x AES\/EBU out\u003c\/strong\u003e on D-sub (8 channels at 192 kHz), \u003cstrong\u003e2 x ADAT out\u003c\/strong\u003e (8 channels at 96 kHz)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM\/S decoding \/ encoding\u003c\/strong\u003e, stereo or mono per input pair\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e13-LED level meter\u003c\/strong\u003e per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSyncAlign\u003c\/strong\u003e, SyncCheck and SteadyClock; word clock in \/ out\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFully remote controllable\u003c\/strong\u003e via MIDI, AES and MADI; DMC-Control software\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOptional I64 MADI Card\u003c\/strong\u003e with serial cascading of several units\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFuture-proof\u003c\/strong\u003e through flash updates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMode 1 and Mode 2 with built-in sample rate converters\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Mode 1 the microphone is the clock master; with more than one microphone the DMC-842's SRCs decouple the clocks. In Mode 2 the microphone follows the DMC-842's control signal and no conversion is needed. The input switches automatically to the mode the microphone signals. The SRCs convert in full 24-bit resolution at ratios up to 1:7 or 7:1 and also act as jitter killers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFull control of the microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGain from 0 to +63 dB per channel, and, as far as the microphone supports them, low cut, directivity pattern, pre-attenuation, mute, peak limiter and more: from the front panel's Parameter menu or from the free RME DMC-Control software over MIDI or MIDI over MADI.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue and digital outputs at once\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe microphone signals are available at eight balanced analogue line outputs with selectable reference level (+13, +19 or +24 dBu), at four AES\/EBU outputs and at two ADAT outputs. With the I64 MADI Card up to eight units can be cascaded on one MADI line with Delay Compensation.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME DMC-842\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME driver CD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable (TOSLINK), 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME DMC-842: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is AES42?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAES42 is the standard for digital microphones: the microphone sends AES3 digital audio and receives digital phantom power, sync and control over a standard XLR cable. The DMC-842 provides all of this for eight microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I connect normal AES\/EBU sources?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The inputs are compatible with AES3 and AES\/EBU. Switch digital phantom power off for such sources.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is the DMC-842 controlled from a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith the free RME DMC-Control software via MIDI, or via MIDI over MADI with the I64 MADI Card.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME DMC-842 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME DMC-842 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949139788143,"sku":"RME-DMC-842","price":426936.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-DMC-842-PREAMPS-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793325974"},{"product_id":"rme-hdspe-aes-hdspe-series-pcie-audio-interfaces-audio-interfaces","title":"RME HDSPe AES","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe AES\u003c\/strong\u003e is a 32-channel AES\/EBU PCI Express card: eight AES inputs and eight AES outputs (16 channels each way) at 192 kHz, word clock I\/O and two MIDI I\/Os, for broadcast, TV, theatre, stage and the professional studio.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe main board carries word clock on BNC and a 25-pin D-sub with AES inputs and outputs 1-4 for a standard digital AES\/EBU breakout cable. The expansion board adds channels 9-16 on a second D-sub and the MIDI breakout connector, and needs no PCIe slot. As a genuine PCI Express design without a PCI bridge it achieves significant performance gains and lowest latency. The optional Time Code Option synchronises the card to LTC and video.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels (16 in \/ 16 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInputs and outputs at 192 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 x AES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannel TotalMix mixer\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHardware level meters\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e192 kHz at full channel count\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSingle, Double and Quad Wire\u003c\/strong\u003e with direct conversion between the formats\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e for highest jitter suppression and clock regeneration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix\u003c\/strong\u003e: 512 channels, 42-bit, up to 8 independent stereo submixes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e48 Peak \/ RMS level meters\u003c\/strong\u003e computed in hardware\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock I\/O\u003c\/strong\u003e with automatic single \/ double \/ quad speed detection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MIDI I\/O\u003c\/strong\u003e via breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUp to 3 HDSPe cards\u003c\/strong\u003e in one computer, in any combination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA powerful AES router\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DSP-based TotalMix mixer routes and mixes all 16 inputs and 16 playback channels to all 16 outputs. Routings can be copied and pasted, faders ganged and grouped, and with the matrix window the HDSPe AES becomes a redistributor, patchbay, router, converter and splitter. The mixer is fully MIDI-controllable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClocking under control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock lets the card set the sample rate freely: video and audio rates can be chosen directly, and two faders adjust the rate in real time within ±4 % and ±0.4 %. SyncCheck and Intelligent Clock Control show whether every input is locked and fully synchronised.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eGenuine PCI Express\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe HDSPe AES is a 1-lane PCI Express endpoint with 2.5 Gbps line speed and packet-based full-duplex transfer of up to 500 MB\/s, not a PCI design behind a bridge. Up to three HDSPe cards can be combined in one computer in any combination.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AES PCI Express card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHDSPe AES expansion board\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExpansion board ribbon cable (26-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Info guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eAES\/EBU breakout cables (XLR to 25-pin D-sub) are optional. Free RME software: TotalMix and DIGICheck. Drivers for Windows and macOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe AES: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow are the AES\/EBU signals connected?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThrough two 25-pin D-sub connectors, four AES inputs and outputs each, using standard digital AES\/EBU breakout cables with XLR connectors (optional from RME in 3 m and 6 m).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it support 192 kHz on all channels?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All 16 channels each way run at up to 192 kHz in Single Wire mode; Double and Quad Wire devices are supported natively.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the card sync to timecode?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, with the optional Time Code Option (TCO), which extracts position and a clean word clock from LTC and video.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe AES in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe AES is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949148701039,"sku":"RME-HDSPe-AES","price":118047.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-AES-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793325988"},{"product_id":"rme-adi-2-4-pro-se-adi-series-ad-da-converters","title":"RME ADI-2\/4 Pro SE","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2\/4 Pro SE\u003c\/strong\u003e is a 2-channel AD and 4-channel DA converter in a half-rack (9.5-inch) 1U enclosure, with 32-bit \/ 768 kHz converters reaching up to 123 dBA signal to noise ratio, two Extreme Power headphone outputs, a balanced 4.4 mm Pentaconn output and an RIAA phono mode.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBased on years of continued development of the ADI-2 Pro, the Special Edition adds a newly developed circuit board, improved specifications and a faster DSP. It is a multitude of devices in one housing: a high-end AD\/DA converter in professional studio quality, a double headphone amplifier, a USB DAC, an AD\/DA front end and headphone amp for iPad and iPhone, an AD\/DA front end for measurement systems at up to 768 kHz, a multi-format converter for AES, SPDIF and ADAT, a DSD record and playback solution and a vinyl digitising system. A powerful DSP adds a 5-band parametric EQ, Bass \/ Treble, Crossfeed and RME's Loudness concept, and the included MRC remote control puts the main functions in your hand.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e32‑bit AD\/DA conversion (PCM and DSD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e768 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal to noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e123 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, balanced phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 AD \/ 4 DA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 servo-balanced analogue inputs\u003c\/strong\u003e on XLR\/TRS combo jacks, reference levels +1, +7, +13, +19 and +24 dBu, plus 0 to +6 dB digital trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 DA channels\u003c\/strong\u003e: balanced XLR line outputs, impedance-balanced TRS outputs on the rear and two phones outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo Extreme Power headphone outputs\u003c\/strong\u003e with Hi-Power, Lo-Power and IEM settings: 2.1 W unbalanced, 4 W balanced per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTrue Balanced phones\u003c\/strong\u003e on the 4.4 mm Pentaconn, independent from the XLR outputs, so balanced phones and line outputs work at the same time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRIAA mode\u003c\/strong\u003e for moving magnet cartridges: connect a turntable directly, no external phono preamp needed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES, coaxial SPDIF and optical SPDIF \/ ADAT\u003c\/strong\u003e inputs and outputs (AES and coaxial via the included BO968 breakout cable)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 2.0 Class Compliant\u003c\/strong\u003e: stereo mode up to 768 kHz and DSD, multichannel mode with 6 inputs and 8 outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e: 5-band parametric EQ (7-band with Bass \/ Treble), Dual EQ, Loudness, Crossfeed, M\/S processing, SRC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e for lowest jitter and highest jitter immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTrigger Out\u003c\/strong\u003e (12 V, 3.5 mm) to switch power amplifiers on and off with the converter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIPS display\u003c\/strong\u003e with level meters, a 30-band analyser, State Overview and Dark Volume\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMRC Multi-Remote Control\u003c\/strong\u003e and \u003cstrong\u003eADI-2 Remote\u003c\/strong\u003e software for Windows, macOS and iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExtreme Power headphone outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME's Extreme Power headphone stage delivers 2.1 W per channel unbalanced and up to 4 W per channel in balanced mode, with an output impedance of only 0.1 Ohm. An IEM setting joins Hi-Power and Lo-Power for full in-ear monitor compatibility. All phones outputs feature a mute relay, over-current detection, DC protection and plug detection: when headphones are plugged in, the DSP selects the right output for the volume knob and ramps the volume up from a lower level. PH 3\/4 is independent from the rear outputs, while PH 1\/2 is ideal for comparing headphones with individual volume and EQ settings.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTrue Balanced phones and four DA channels\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBalanced headphones on the front 4.4 mm Pentaconn use DAC channels 3\/4, so the rear outputs can still output an independent signal via DAC 1\/2. In True Balanced mode the maximum output level rises to +7 dBu for IEM, +13 dBu for Lo-Power and +25 dBu for Hi-Power while the signal to noise ratio stays unchanged. The rear TRS outputs can be fed from the Line 1\/2 or Phones 3\/4 signal path, perfect for insert effects during mastering.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVinyl digitising with RIAA mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to moving magnet compatibility, the ADI-2\/4 Pro SE connects directly to a turntable via the TS input. It provides the right input impedance (45 kOhm, 150 pF), RIAA equalisation with a deviation below ±0.05 dB and gain settings from +14 to +38 dB, so records can be digitised in the highest quality.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAutomatic operating modes and USB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Basic Mode Auto the unit reconfigures itself from the connected cables: Preamp (analogue in to analogue out), AD\/DA converter as soon as a digital signal is attached, or USB interface and USB DAC when a computer is detected. The Class Compliant USB 2.0 port works natively with macOS, iOS, Linux and Windows 10; under Windows RME's MADIface series driver adds WDM and ASIO. Stereo mode supports up to 768 kHz and DSD, multichannel mode records 6 and plays 8 channels up to 192 kHz, also with an iPad.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA universal DC input accepts 9.5 to 15 V, and an internal high-efficiency switching regulator followed by low-noise linear regulators keeps the specifications intact even with less optimal power supplies. The included 40 W switching supply has a lockable connector, and battery operation opens up mobile and galvanically isolated use.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2\/4 Pro SE\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMRC remote control with battery\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply with IEC socket, lockable connector, DC 12 V, 40 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital breakout cable AES\/SPDIF (BO968)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB 2 cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual and quick start guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: ADI-2 Remote (Windows, macOS, iOS) and DIGICheck. Class Compliant for macOS, iOS and Linux; RME driver for Windows with WDM and ASIO.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2\/4 Pro SE: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I connect a turntable directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The RIAA mode on the TS input works with moving magnet cartridges and provides the input impedance, RIAA equalisation and gain needed, so no external phono preamp is required.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use balanced headphones and the line outputs at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Balanced headphones on the 4.4 mm Pentaconn use DAC channels 3\/4, while the rear outputs keep playing an independent signal from DAC 1\/2.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo driver is needed on macOS, iOS and Linux thanks to Class Compliant USB 2.0. On Windows the RME MADIface series driver adds full WDM and ASIO support.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a remote control included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The MRC Multi-Remote Control with battery is included; it controls volume, balance, Bass \/ Treble, input selection, mute, Loudness and EQ, plus four programmable keys.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2\/4 Pro SE in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2\/4 Pro SE is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949148733807,"sku":"RME-ADI-2-4-Pro-SE","price":297714.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-4-PRO-SE-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326006"},{"product_id":"rme-adi-2-pro-fs-r-black-edition-adi-series-ad-da-converters","title":"RME ADI-2 Pro FS R Black Edition","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2 Pro FS R Black Edition\u003c\/strong\u003e is RME's reference 2-channel AD\/DA converter, USB DAC, USB interface and headphone amplifier: ultra-fidelity PCM up to 768 kHz, DSD record and Direct DSD playback, two Extreme Power headphone outputs and the extended MRC Multi-Remote Control.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME's reference AD\/DA converter is a host of devices put together into one half-rack unit, with a simple and mostly automated way of using it right out of the box: a high-end AD\/DA converter in professional studio quality, a double headphone amplifier, a USB DAC, an AD\/DA front end and headphone amp for iPad and iPhone, a multi-format converter for AES, SPDIF and ADAT, a DSD record and playback solution and an AD\/DA front end for audio measurement at up to 768 kHz. The Black Edition offers slightly improved specifications and comes with the new extended MRC remote control.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePCM sample rate (DSD up to 11.2 MHz)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e768 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal to noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e124 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAdvanced Balanced phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+28 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, Extreme Power phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 servo-balanced analogue inputs\u003c\/strong\u003e on XLR\/TRS combo jacks with 4 hardware reference levels (+4, +13, +19, +24 dBu) and 0 to +6 dB digital trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeparate balanced XLR and impedance-balanced TRS line outputs\u003c\/strong\u003e on the rear\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo Extreme Power headphone outputs\u003c\/strong\u003e: 0.1 Ohm, up to +22 dBu and 1.5 W per channel, low and high power modes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAdvanced Balanced phones mode\u003c\/strong\u003e: up to +28 dBu, 2.9 W per channel, 0.2 Ohm, 3 dB more SNR\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAES, coaxial SPDIF and optical SPDIF \/ ADAT\u003c\/strong\u003e I\/O (AES and coaxial via the included BO968 breakout cable)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 2.0 Class Compliant\u003c\/strong\u003e: stereo mode 2 in \/ 2 out up to 768 kHz, multichannel mode 6 in \/ 8 out\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSD record and Direct DSD playback\u003c\/strong\u003e up to DSD256 (11.2 MHz)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e with 2.17 GFLOPS: 5-band parametric EQ, Bass \/ Treble, Loudness, Crossfeed, M\/S processing, SRC\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e for perfect jitter reduction and stable clocking\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIPS display\u003c\/strong\u003e with level meters, 30-band spectral analyser and State Overview\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMRC Multi-Remote Control\u003c\/strong\u003e and lockable 24 W power supply included; \u003cstrong\u003eADI-2 Remote\u003c\/strong\u003e software for Windows, macOS and iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePerfect sound capture and reproduction\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery detail of the ADI-2 Pro is aimed at the absolute reference sound. The main PCB is a 10-layer design with custom copper thickness, separating the ample power for the phones outputs. Super-low-noise power supply stages and precise regulators keep the power rails clean, and the analogue circuit is fully symmetrical, balanced and DC-coupled throughout. The 4-channel AD converter is used in a dual mono design for 3 dB better signal to noise ratio, and two premium DACs feed two separate stereo outputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExtreme Power and Advanced Balanced headphone outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Extreme Power design brings the full performance of the DAC to the phone jack even with low impedance headphones: 0.1 Ohm output impedance, +22 dBu and 1.5 W per channel, with THD far below -100 dB even at full power. Current limiting, power surveillance, overload detection and DC protection are built in. RME's Advanced Balanced mode delivers a balanced signal path from the DAC straight to the headphones, with 3 dB more SNR, optimised frequency response, 0.2 Ohm output impedance and up to +28 dBu.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAutomatic modes and USB\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn Basic Mode Auto the unit becomes a preamp, an AD\/DA converter or a USB interface and USB DAC, depending on the connected cables. The Class Compliant USB 2.0 port works with Mac and iOS devices without a driver; under Windows RME's MADIface series driver adds full WDM and ASIO, including DSD over ASIO. An external power supply with lockable connector allows battery operation for mobile and galvanically isolated use.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDSP features and operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e5-band parametric EQs for fully individual phones compensation, Bass \/ Treble with quick access, binaural Crossfeed, adjustable Loudness, selectable AD\/DA filters, M\/S processing, stereo width and phase reversal are all included, with full storage of all settings. The high-resolution IPS display shows RME's 30-band spectral analyser, warnings and guidance messages, and the MRC remote control adds four programmable keys with 52 functions.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2 Pro FS R Black Edition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMRC remote control with battery\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply, lockable connector, DC 12 V, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital breakout cable AES\/SPDIF (BO968)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual and quick start guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: ADI-2 Remote (Windows, macOS, iOS) and DIGICheck. Optional accessory: Unirack universal rackmount adapter for two 9.5-inch devices.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2 Pro FS R Black Edition: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it play DSD?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It records DSD and plays DSD64, DSD128 and DSD256 (11.2 MHz), via DoP over AES, SPDIF and USB or native DSD over ASIO, including a DSD Direct mode on the rear outputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I drive balanced headphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Both phones outputs together form a balanced output in Advanced Balanced mode, with up to +28 dBu and 2.9 W per channel; headphones with separate left and right cabling (4 wires) are needed, for example via an adapter to 4-pin XLR.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNot on Mac and iOS: the USB 2.0 port is Class Compliant. On Windows the RME MADIface series driver provides WDM and ASIO.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is different on the Black Edition?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRME describes the ADI-2 Pro FS R Black Edition with slightly improved specifications, a black finish and the new extended MRC Multi-Remote Control in the box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2 Pro FS R Black Edition in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2 Pro FS R Black Edition is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949150077295,"sku":"RME-ADI-2-Pro-FS-R-Black-Edition","price":140558.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-PRO-FS-R-BLACK-EDITION-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326032"},{"product_id":"rme-adi-2-dac-fs-adi-series-ad-da-converters","title":"RME ADI-2 DAC FS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2 DAC FS\u003c\/strong\u003e is an ultra-fidelity PCM \/ DSD 768 kHz digital to analogue converter with an Extreme Power headphone output, a super low noise IEM output, balanced and unbalanced line outputs and the MRC Multi-Remote Control.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ADI-2 DAC is the home and hi-fi optimised version of the ADI-2 Pro. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5-band parametric EQ and Crossfeed. The current version comes with an improved SteadyClock FS, a further improved DA conversion and an adapted analogue output stage for even better noise and distortion values: 123 dBA, distortion below -120 dB and THD+N of -116 dB, with +2.5 dB digital headroom. With its simplified operation and compact half-rack design it is the ideal centre piece from home listening up to studio reference playback.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePCM sample rate (DSD up to DSD256)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e768 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal to noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e123 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eIEM output noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-121 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, Extreme Power phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReference DA conversion\u003c\/strong\u003e from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and unbalanced RCA line outputs\u003c\/strong\u003e with 4-stage hardware reference level and Auto Ref Level\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eExtreme Power headphone output\u003c\/strong\u003e: 0.1 Ohm, up to +22 dBu and 1.5 W per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSuper low noise IEM output\u003c\/strong\u003e (3.5 mm): -121 dBu noise level, near zero output impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUSB 2.0 Class Compliant\u003c\/strong\u003e up to 768 kHz and DSD256; a true 2-channel full duplex interface\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+2.5 dB digital headroom\u003c\/strong\u003e against intersample peaks; distortion-free digital volume over 190 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e: 5-band parametric EQ, Bass \/ Treble, Loudness, Crossfeed, M\/S processing\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e with femtosecond-class self jitter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIPS display\u003c\/strong\u003e with 30-band analyser and \u003cstrong\u003eAutoDark\u003c\/strong\u003e mode: all lights off after 10 seconds\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMRC Multi-Remote Control\u003c\/strong\u003e with four programmable keys; \u003cstrong\u003eADI-2 Remote\u003c\/strong\u003e software for Windows, macOS and iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSuper low noise for IEM lovers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eModern in-ear monitors are extremely sensitive and uncover the noise floor of any player, DAC or headphone amp. RME added the most advanced IEM output imaginable as a second phones connection on the front: its noise floor is 10 dB lower than that of the Extreme Power output, output impedance is near zero Ohms, THD reaches new lows, and click-free on\/off and volume ramp-up are included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExtreme Power headphone output\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Extreme Power stage delivers +22 dBu (10 V) and 1.5 W per channel with 0.1 Ohm output impedance and THD below -110 dB even at 32 Ohm near full output. A mute relay, DC protection and over-current protection are built in, and sensor contacts detect when headphones are plugged in: the DSP sets the volume knob to that output and ramps the volume up smoothly.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe DAC\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePacked into the compact half 19-inch format, the ADI-2 DAC converts SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS. The fully balanced and DC-coupled circuit design gives highest phase accuracy at lowest roll-off, and the SPDIF input signal can even be recorded via USB. The Class Compliant USB 2.0 port works with Mac and iOS without a driver; under Windows RME's MADIface series driver adds WDM and ASIO, including DSD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLights out and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith AutoDark activated, display, function keys, volume knob and even the standby button go off after 10 seconds without operation. The included MRC remote has clearly labelled buttons, readable even in low light, for standby, volume, balance, Bass and Treble, input selection, mute, Loudness and EQ, plus four programmable keys.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2 DAC FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRemote control (MRC) with battery\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply, lockable connector, DC 12 V, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: ADI-2 Remote (Windows, macOS, iOS) and DIGICheck. Bit test audio files are available from RME to check the playback path.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2 DAC FS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the IEM output for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is a dedicated 3.5 mm output for very sensitive in-ear monitors, with a noise floor 10 dB lower than the Extreme Power output (-121 dBu) and near zero output impedance.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it play DSD and high sample rates?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It plays PCM up to 768 kHz and DSD up to DSD256 via USB, Class Compliant on Mac and iOS and with RME's driver on Windows.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it as a preamp for active speakers?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The balanced XLR and unbalanced RCA line outputs have a 4-stage reference level and a distortion-free digital volume control, operated from the front or the included remote.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNot on Mac and iOS. On Windows the RME MADIface series driver provides WDM and ASIO.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2 DAC FS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2 DAC FS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949154402671,"sku":"RME-ADI-2-DAC-FS","price":166498.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-DAC-FS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326053"},{"product_id":"rme-adi-2-fs-adi-series-ad-da-converters","title":"RME ADI-2 FS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ADI-2 FS\u003c\/strong\u003e is a compact and extremely flexible 2-channel high-end AD\/DA converter in a 9.5-inch housing, with first-class conversion from and to SPDIF, AES and ADAT at up to 192 kHz, a High Power headphone output and SteadyClock FS.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAs the successor of the renowned ADI-2, the ADI-2 FS has been completely redesigned, for example with the complete analogue input stage of the ADI-2 Pro, while keeping the same easy operation and I\/Os. Balanced analogue inputs and outputs, monitoring via the headphone output, 3-stage hardware input and output level control and the additional modes DIG and ANA make it a universal tool and a flexible problem solver: an AD\/DA converter in professional studio quality, a powerful headphone amplifier, a multi-format converter with monitoring, an analogue impedance converter, level adapter, balancer and distribution amplifier. It is also an ideal supplement to RME interfaces, adding two analogue inputs and outputs and an extra headphone output.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e24‑bit AD\/DA conversion\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, High Power phones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.7 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDigital formats: SPDIF, AES, ADAT\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 servo-balanced analogue line inputs\u003c\/strong\u003e on XLR\/TRS combo jacks, input level +4, +13 or +19 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and unbalanced TRS line outputs\u003c\/strong\u003e, usable at the same time, +4, +13 or +19 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh Power headphone output\u003c\/strong\u003e: 0.1 Ohm, +19 dBu, 0.7 W per channel, THD -110 dB, click-free relay\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSPDIF coaxial (AES\/EBU compatible) and optical I\/O\u003c\/strong\u003e, also ADAT up to 192 kHz with S\/MUX4\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMode DIG\u003c\/strong\u003e: digital format converter between SPDIF, AES and ADAT with DA monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMode ANA\u003c\/strong\u003e: analogue loop-through up to +22 dBu as line preamp, level adapter, balancer or distribution amp\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e and Intelligent Clock Control, sample rates 32 to 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVariable output level\u003c\/strong\u003e: the VOL knob can also control the rear line outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6-LED level meters\u003c\/strong\u003e with multiple brightness stages and peak hold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFlexible power\u003c\/strong\u003e: lockable 24 W supply included, 9 to 15 V DC for battery operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReference class analogue and clocking\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe analogue inputs use the advanced circuit design of the ADI-2 Pro, with outstandingly low noise and distortion and an extended frequency response. Three settings for input and output levels give perfect compatibility in the analogue domain. SteadyClock FS, RME's clock technology for maximum jitter suppression and lowest self-jitter, guarantees superb sound quality completely independent from the quality of the reference clock.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersatile format conversion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe coaxial RCA I\/O has switchable Channel Status to make it fully AES\/EBU compatible (cable adapter required), and the optical TOSLINK ports handle SPDIF up to 192 kHz and also serve as ADAT I\/O, even at 192 kHz. With the input set to DIG the unit works as a digital format converter with simultaneous monitoring: the signal is recreated bit-accurately and freed from jitter, available on both digital outputs and on the analogue and headphone outputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue loop-through (ANA)\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe output selection ANA connects the analogue output circuitry directly to the analogue input circuitry. The AD converter keeps converting the input to SPDIF, AES or ADAT, while the analogue path handles levels up to +22 dBu. Gain and attenuation come from the input and output level settings, or fully variable with the VOL knob, so the ADI-2 FS also works as a line-level preamp and as a balanced to unbalanced converter.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh Power headphone output\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA down-scaled version of the ADI-2 Pro's Extreme Power output stage delivers up to 0.7 W per channel, 0.1 Ohm output impedance, a maximum output level of +19 dBu and very low THD of -110 dB. It offers the same 120 dBA SNR as the rear outputs and a relay ensures click-free switching.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ADI-2 FS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUser's guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExternal switching power supply, lockable connector, DC 12 V, 24 W\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eOptional RME accessories: RM-19-X 19-inch rack adapter, Unirack, AUTOK car lighter cable, AKKUK battery cable and TOSLINK optical cables.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ADI-2 FS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add it to my RME audio interface?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connected via ADAT or SPDIF, it adds two analogue inputs and outputs and a headphone output to RME interfaces, at up to 192 kHz with S\/MUX4 on ADAT.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it convert between digital formats?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In DIG mode it converts between SPDIF coaxial, AES\/EBU (Professional or Consumer Channel Status) and ADAT, with the signal also monitored on the analogue outputs and headphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need a computer or driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The ADI-2 FS is a stand-alone converter with digital and analogue I\/O; it stores all settings and recalls them at power on.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it run from a battery?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The DC input accepts 9 to 15 V for continuous operation, so a battery, rechargeable battery or 12 V power bank can be used for mobile and ground-isolated work.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ADI-2 FS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ADI-2 FS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949154599279,"sku":"RME-ADI-2-FS","price":101633.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ADI-2-FS-AD-DA-CONVERTERS-SHIVANSH-ELECTRONICS-1.webp?v=1793326071"},{"product_id":"rme-hdspe-aio-pro-hdspe-series-pcie-audio-interfaces-audio-interfaces","title":"RME HDSPe AIO Pro","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe AIO Pro\u003c\/strong\u003e is a 30-channel 24-bit \/ 192 kHz PCI Express audio interface card with stereo analogue I\/O, a high-power phones output, ADAT, SPDIF, AES\/EBU and MIDI, all usable at the same time.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe completely reworked successor of the HDSPe AIO serves professional users in studio and broadcast. Its AD \/ DA conversion uses the reference converter design of RME's ADI-2 Pro, with analogue input levels of +24, +19, +13 and +4 dBu and additional output reference levels. A dedicated output attenuator raises the signal-to-noise ratio at low levels, and mute relays keep the phones, XLR and RCA outputs free of crackling when the computer starts. The optional TCO synchronises to LTC and video.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels analogue and digital\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue reference level (XLR)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhones power per channel (32 Ohm)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e730 mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue SNR\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStereo analogue I\/O\u003c\/strong\u003e, 24-bit \/ 192 kHz, balanced with the optional XLR breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll analogue I\/Os at 192 kHz\u003c\/strong\u003e with a constant channel count\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eADAT I\/O\u003c\/strong\u003e (192 kHz via S\/MUX4), \u003cstrong\u003eSPDIF\u003c\/strong\u003e and \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e I\/O, both 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-power phones output\u003c\/strong\u003e with its own DA converter and playback device, Hi \/ Lo power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMIDI I\/O\u003c\/strong\u003e with 16 channels hi-speed MIDI\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e, \u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e and \u003cstrong\u003eDIGICheck\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMute relays\u003c\/strong\u003e on the outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNative PCI Express, no bridge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReference levels for every studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eInputs switch between +24, +19, +13 and +4 dBu; outputs offer +24, +19, +13 and +4 dBu balanced or +19, +13, +4 and -2 dBu unbalanced. This makes the card easy to integrate with professional and semi-professional equipment.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA phones output with real power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed headphone output delivers +19 dBu in Hi-Power mode with 0.1 Ohm output impedance and up to 730 mW per channel into 32 Ohm, with a separate DA converter and its own playback device for an independent submix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAnalogue and digital at the same time\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAnalogue, ADAT, SPDIF and AES\/EBU inputs and outputs all work simultaneously. The ADAT port can also act as optical SPDIF, and SteadyClock FS gives maximum jitter suppression of external clock signals for clean conversion in every clock mode.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe AIO Pro PCI Express card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital adapter cable (phono \/ XLR to 9-pin D-sub)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAnalogue adapter cable (phono \/ TRS \/ MIDI to 15-pin D-sub)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInternal cable (3-core)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 optical cable (TOSLINK)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Info guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eThe basic version ships with unbalanced RCA analogue breakout cables; the analogue XLR breakout cable (BO9632XLRMKH) is optional. Optional Word Clock Module and TCO. Drivers for Windows and macOS.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe AIO Pro: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the analogue inputs and outputs balanced?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith the included RCA breakout cable they are unbalanced. The optional analogue XLR breakout cable turns them balanced, with up to +24 dBu levels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan SPDIF and AES\/EBU be used at the same time?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. All inputs and outputs work simultaneously, even coaxial SPDIF and AES\/EBU.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it support word clock?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith the optional Word Clock Module: one galvanically isolated word clock input and two outputs on BNC.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe AIO Pro in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe AIO Pro is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949163184495,"sku":"RME-HDSPe-AIO-Pro","price":102636.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-AIO-PRO-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793326087"},{"product_id":"rme-hdspe-raydat-hdspe-series-pcie-audio-interfaces-audio-interfaces","title":"RME HDSPe RayDAT","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME HDSPe RayDAT\u003c\/strong\u003e is a 72-channel PCI Express card with four ADAT optical I\/Os, SPDIF, AES\/EBU and two MIDI I\/Os: up to 36 inputs and 36 outputs at the same time.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to separated hardware and record \/ playback devices, even SPDIF (phono) and AES\/EBU (XLR) work simultaneously. The main board carries ADAT 1 and 2 and the digital D-sub; the expansion board adds ADAT 3 and 4 and the MIDI breakout port. TotalMix, RME's DSP mixer and router with hardware level metering and complete MIDI remote capability, completes the card. The RayDAT is the PCI Express version of the HDSP 9652 and supports the optional TCO for LTC and video sync.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannels (36 in \/ 36 out)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOptical I\/O, 192 kHz via S\/MUX4\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x ADAT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eChannel TotalMix mixer\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2592\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e32 channels high‑speed MIDI\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x MIDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 x ADAT I\/O\u003c\/strong\u003e: 32 channels at 48 kHz, 16 at 96 kHz (S\/MUX in hardware), 8 at 192 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSPDIF and AES\/EBU I\/O\u003c\/strong\u003e, both 192 kHz, usable at the same time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x MIDI I\/O\u003c\/strong\u003e via breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTotalMix\u003c\/strong\u003e: 2592 channels, 42-bit internal resolution\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e, Bitclock PLL for ADAT, SyncAlign and SyncCheck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eBuffer sizes 32 to 8192 samples\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNative PCI Express, secure flash update\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptional \u003cstrong\u003eWord Clock Module\u003c\/strong\u003e and \u003cstrong\u003eTCO\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for multitrack recording\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour ADAT ports connect four 8-channel ADAT preamps or converters for 32 channels at 48 kHz. At 96 kHz S\/MUX in hardware still gives 16 channels each way, and 192 kHz is supported via S\/MUX4.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEnhanced Mixed mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll inputs and outputs operate simultaneously. Status windows show mode and sample rate for record and playback, and TMS (Track Marker Support) reads CD \/ DAT start IDs and CD subcode.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSteadyClock and synchronisation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSteadyClock combines maximum jitter suppression with full varipitch and software-controlled sample rates. The optional Time Code Option adds LTC and video sync, and the optional Word Clock Module adds a galvanically isolated word clock input and two outputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME HDSPe RayDAT PCI Express card\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHDSPe RayDAT expansion board\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDigital breakout cable (XLR \/ RCA)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMIDI breakout cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExpansion board ribbon cable (14-conductor)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 optical cables (TOSLINK), 2 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick Info guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eFree RME software: TotalMix and DIGICheck. Drivers for Windows and macOS. Requires one free PCI Express slot (1 lane).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME HDSPe RayDAT: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels can I record?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 36 inputs and 36 outputs at 48 kHz: 32 ADAT, 2 SPDIF and 2 AES\/EBU channels each way.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo I need the expansion board?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly for ADAT 3 and 4 and the MIDI ports. All essential electronics are on the PCIe card.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use word clock?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, with the optional Word Clock Module: one galvanically isolated input and two outputs on BNC.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME HDSPe RayDAT in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME HDSPe RayDAT is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949172457839,"sku":"RME-HDSPe-RayDAT","price":80275.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-HDSPE-RAYDAT-PCIE-AUDIO-INTERFACES-SHIVANSH-ELECTRONICS-1.webp?v=1793326102"},{"product_id":"rme-octamic-ii-mic-preamps-preamps-processors","title":"RME Octamic II","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME OctaMic II\u003c\/strong\u003e is an 8-channel microphone and line preamp with 192 kHz \/ 24-bit AD conversion, balanced line outputs, two ADAT outputs and four AES\/EBU outputs in a 1-unit 19-inch chassis.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLowest distortion, an excellent signal-to-noise ratio and a perfectly linear frequency response pass microphone signals on truly unchanged. Eight XLR \/ TRS combo inputs offer a gain range from +6 dB to +60 dB; the TRS inputs are free of phantom power and work as real line inputs up to +22 dBu. Each channel has +48 V phantom power, an 80 Hz low cut and phase reversal, plus 48V, CLIP and SIG LEDs. The amplified signals are available at the same time at eight servo-balanced line outputs and at the ADAT and AES\/EBU outputs. SteadyClock keeps the conversion clean even with jittery external clocks.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic \/ line inputs XLR \/ TRS combo\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic preamp EIN (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-130 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 to 60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAD conversion\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e8 balanced XLR \/ TRS mic \/ line inputs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eGain range +6 dB to +60 dB\u003c\/strong\u003e, input level from -41 dBu up to +22 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMic preamp EIN -130 dBu\u003c\/strong\u003e, THD below 0.0005 % at 30 dB gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePhantom power, 80 Hz low cut and phase\u003c\/strong\u003e per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClip Hold\u003c\/strong\u003e for long-term peak detection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e8 servo-balanced TRS line outputs\u003c\/strong\u003e, max. +21 dBu, switchable Hi Gain \/ +4 dBu \/ -10 dBV\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 x ADAT out\u003c\/strong\u003e (8 channels at 96 kHz) and \u003cstrong\u003e4 x AES\/EBU out\u003c\/strong\u003e on D-sub (8 channels at 192 kHz)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eWord clock and AES sync input\u003c\/strong\u003e, master or slave\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSteadyClock\u003c\/strong\u003e: jitter-immune, super-stable clock\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInternal wide-range power supply\u003c\/strong\u003e with line filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClean preamps with smart indicators\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePhantom power starts softly over one second and stays above 47 V even with all eight channels loaded. The SIG LED shows the input level over a 50 dB range to help set the gain, and CLIP lights 2 dB below full scale. With Clip Hold on, any clip makes the LED flash once per second until reset, so no momentary overload goes unnoticed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAD conversion with analogue outputs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe digital outputs carry all eight channels at once: two ADAT outputs with S\/MUX up to 96 kHz and four AES\/EBU outputs on a 25-pin D-sub up to 192 kHz. Six DIP switches on the rear set sync source, master \/ slave, sample rate and AES format. The analogue line outputs run in parallel, with a reference level that matches the connected equipment.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME OctaMic II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cord\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eManual\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOptical cable (TOSLINK), 2 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME OctaMic II: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the TRS inputs be used for line signals?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The TRS inputs of the combo jacks are free of phantom power and accept up to +22 dBu, so they work as real line inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the analogue outputs and digital outputs together?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The analogue line outputs, ADAT outputs and AES\/EBU outputs all work at the same time.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is the digital section configured?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith six DIP switches on the rear: sync source, internal or external clock, 44.1 or 48 kHz, double speed, quad speed and AES professional or consumer format.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME Octamic II in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME Octamic II is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949172588911,"sku":"RME-Octamic-II","price":192847.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-OCTAMIC-II-PREAMPS-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793326115"},{"product_id":"rme-arc-usb-accessories-remote-controls-foot-switches","title":"RME ARC USB","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eRME ARC USB\u003c\/strong\u003e (Advanced Remote Control USB) is a wired desktop remote for TotalMix FX with 15 freely assignable, illuminated keys, a large encoder wheel and a footswitch input.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDesigned for direct access to the most frequently used actions and commands of TotalMix FX, the ARC USB simplifies workflow and greatly increases the usability of an RME interface in the studio. It is a USB 1.1 MIDI remote control, natively compatible with Windows and Mac: as soon as it is present, TotalMix FX detects it and communicates with it. More than 40 commands can be assigned to its keys, including snapshots, Mono, DIM, Speaker B, Talkback, Cue and phones volume, and the ARC USB can control several interfaces at the same time. The ARC USB is bus powered and, thanks to USB 1.1, works with long USB cables.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAll RME audio interfaces detected and supported by TotalMix FX, back to interfaces released in 2001 (via the computer)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStand-alone mode with direct connection: Fireface UFX+, UFX II, UFX III, UCX II, Fireface 802 FS and MADIface XT II\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWindows and Mac computers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRME ARC USB (Advanced Remote Control USB)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB cable, 1.8 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStickers to change the key labels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRME ARC USB: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the ARC USB need a driver?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a class compliant USB MIDI device; TotalMix FX detects it automatically on Windows and Mac.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it work without a computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, with RME interfaces that have an ARC USB connector (Fireface UFX+, UFX II, UFX III, UCX II, 802 FS, MADIface XT II), where it takes fixed stand-alone functions such as setups, phones volume and DURec transport.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the RME ARC USB in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe RME ARC USB is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67949172818287,"sku":"RME-ARC-USB","price":20874.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/RME-ARC-USB-REMOTE-CONTROLS-FOOT-SWITCHES-SHIVANSH-ELECTRONICS-1.webp?v=1793326136"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/RME-LOGO-4K-SQUARE.webp?v=1793265769","url":"https:\/\/shivanshelectronics.in\/collections\/brands-rme.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}