{"title":"TELEFUNKEN","description":"\u003cp\u003eTELEFUNKEN Elektroakustik hand-builds and tests its microphones in South Windsor, Connecticut, preserving classic vacuum tube microphone designs and developing new microphone technology.\u003c\/p\u003e\u003cp\u003eExplore TELEFUNKEN tube, FET and dynamic microphones at Shivansh Electronics, Kolkata, West Bengal, India, with new TELEFUNKEN products added to the range as they arrive.\u003c\/p\u003e","products":[{"product_id":"telefunken-tf11-fet-alchemy-series-fet-condenser-microphones","title":"TELEFUNKEN TF11 FET","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF11 FET\u003c\/strong\u003e is a phantom-powered large-diaphragm condenser microphone from the TELEFUNKEN Elektroakustik Alchemy Series, combining an open, detailed Austrian-inspired voicing with modern FET performance.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe compact, cardioid-only TF11 has an exceptionally fast transient response, handles high sound pressure levels and keeps self-noise low, so it moves easily from the home studio to the commercial studio and the stage. Voice, drum overheads and acoustic instruments are its natural sources. It runs on standard +48V phantom power, needs no external power supply, and is designed and assembled by hand in the USA.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFixed polar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOpen and detailed tone\u003c\/strong\u003e with an exceptionally fast transient response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAustrian-inspired voicing\u003c\/strong\u003e in the tradition of classic European tube microphones, with modern FET performance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK51S edge-terminated capsule\u003c\/strong\u003e, large diaphragm, single membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed cardioid\u003c\/strong\u003e polar pattern\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e: more than 135 dB SPL for 1% THD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-noise phantom-powered FET amplifier\u003c\/strong\u003e: 4 dBA self-noise, 0.005% THD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCustom UK-made output transformer\u003c\/strong\u003e and premium through-hole components\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCompact size\u003c\/strong\u003e for every recording environment, from home to studio to stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDesigned and assembled by hand in the USA\u003c\/strong\u003e, individually tested and listened to\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF11 has a beautifully open, detailed frequency response across 20 Hz to 20 kHz. Its fast transient response captures the attack of drums, percussion and plucked strings cleanly, while the smooth, airy top end flatters voices and acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule and FET electronics\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt the heart of the TF11 is the TELEFUNKEN TK51S, an edge-terminated large-diaphragm capsule with a single membrane. Every capsule is frequency swept in-house before assembly. The FET amplifier uses premium through-hole components on hand-plugged circuit boards, with transistors biased for the lowest possible distortion, and drives a custom UK-made output transformer for an output impedance below 200 Ω.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid polar pattern\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe fixed cardioid pattern picks up mainly from the front of the microphone and rejects sound from the rear, which keeps vocals focused and helps separate instruments on stage and in the studio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom power, mounts and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF11 is powered by standard +48V phantom power from any mic preamp or audio interface, and is ready 15 seconds after power is applied. It ships with two mount options, the M 703 elastic shock mount and the M 782 stand mount, plus a protective MS01 microphone sleeve and a compact MC11 case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLike every TELEFUNKEN microphone, the TF11 is built in Connecticut, USA, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, giving very tight tolerances from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TF11 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC11 Microphone Case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 703 Shock Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 Stand Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMS01 Microphone Sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; Alchemy Series warranties are fully transferable between owners. Connect with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF11 FET: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF11 need an external power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TF11 is a FET condenser powered by +48V phantom power from your mic preamp or audio interface. Allow 15 seconds after switching phantom power on.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich polar pattern does the TF11 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fixed cardioid pattern, picking up mainly from the front of the microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the TF11 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for pop and rock vocals, drum overheads, acoustic guitar, cello and upright bass, percussion, and live sound on drums, piano and acoustic instruments.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF11 FET Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the TF11 differ from the TF17?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth are cardioid FET microphones in the same body. The TF11 uses the edge-terminated TK51S capsule for an open, detailed sound; the TF17 uses the centre-terminated TK47S capsule for a bolder, mid-forward sound.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF11 FET in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF11 FET is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67921565155695,"sku":"TELEFUNKEN-TF11-FET","price":154300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF11-FET-FET-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328797"},{"product_id":"telefunken-tf17-fet-alchemy-series-fet-condenser-microphones","title":"TELEFUNKEN TF17 FET","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF17 FET\u003c\/strong\u003e is the newest voice in the TELEFUNKEN Elektroakustik Alchemy Series: a phantom-powered large-diaphragm condenser microphone that pairs a rich, mid-forward German voicing with modern FET technology.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF17 is sonically bold, with a punchy transient response, high SPL handling and very low self-noise. Its extended low end, strong midrange and smooth top end add weight to voices, drums, electric guitar and piano, and give harsh or thin sources a smoother, fuller character. The fixed true cardioid TF17 runs on standard +48V phantom power and is designed and assembled by hand in the USA for the home, the studio or the stage.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFixed true cardioid\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBold, forward tone\u003c\/strong\u003e with a punchy transient response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMid-forward German voicing\u003c\/strong\u003e in the tradition of classic German tube microphones of the 1950s, with modern FET performance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK47S centre-terminated capsule\u003c\/strong\u003e, large diaphragm, single membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed true cardioid\u003c\/strong\u003e polar pattern\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e: more than 135 dB SPL for 1% THD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low-noise phantom-powered FET amplifier\u003c\/strong\u003e: 3 dBA self-noise, 0.01% THD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUK-made output transformer\u003c\/strong\u003e with a high-grade nickel-iron core, plus premium through-hole components\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCompact size\u003c\/strong\u003e for every recording environment\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDesigned and assembled by hand in the USA\u003c\/strong\u003e, individually tested and listened to\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF17 has an extended low-frequency response, a strong midrange and a smooth top end. That rich timbre adds weight and presence to vocals and drums, and its smooth character complements bright or thin sources such as electric guitar amps and brass.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule and FET electronics\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK47S is a centre-terminated large-diaphragm capsule with a single membrane, frequency swept in-house before assembly. The FET amplifier is built with premium through-hole components on hand-plugged circuit boards, with transistors biased for the lowest possible distortion, and feeds a UK-made output transformer with a high-grade nickel-iron core for an output impedance below 200 Ω.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTrue cardioid polar pattern\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe fixed true cardioid pattern focuses on the source in front of the microphone and rejects sound from the rear, which helps isolate vocals, drums and amps in the studio and on stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom power, mounts and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF17 is powered by standard +48V phantom power from any mic preamp or audio interface and is ready 15 seconds after power is applied. It ships with the M 703 elastic shock mount, the M 782 stand mount, an MS01 microphone sleeve and a compact MC11 case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF17 is built in Connecticut, USA, in the same facility as every TELEFUNKEN microphone, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to for very tight tolerances from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TF17 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC11 Microphone Case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 703 Shock Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 Stand Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMS01 Microphone Sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; Alchemy Series warranties are fully transferable between owners. Connect with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF17 FET: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF17 need an external power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TF17 is a FET condenser powered by +48V phantom power from your mic preamp or audio interface. Allow 15 seconds after switching phantom power on.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich polar pattern does the TF17 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fixed true cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the TF17 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for R\u0026amp;B, rap, rock and soul vocals, toms, kick drum and drum room, electric guitar and bass, piano, brass and live sound.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF17 FET Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the TF17 differ from the TF11?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth are cardioid FET microphones in the same body. The TF17 uses the centre-terminated TK47S capsule for a bold, mid-forward sound with extended lows; the TF11 uses the edge-terminated TK51S capsule for a more open, detailed sound.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF17 FET in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF17 FET is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67921571021167,"sku":"TELEFUNKEN-TF17-FET","price":154300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF17-FET-FET-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328798"},{"product_id":"telefunken-tf29-copperhead-alchemy-series-tube-condenser-microphones","title":"TELEFUNKEN TF29 Copperhead","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF29 Copperhead\u003c\/strong\u003e is a fixed-cardioid large-diaphragm tube condenser microphone from TELEFUNKEN Elektroakustik's Alchemy Series, prized for its natural, non-hyped tone and outstanding quality for its class.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn original TELEFUNKEN design, the TF29 is a true studio workhorse that captures vocals, guitars, drums and nearly any other source accurately and honestly. It pairs a TK67S single-membrane capsule with a New Old Stock 5654W tube and a premium Swedish-made output transformer, and ships as a complete system with its M 902 power supply, 7 m tube microphone cable, two mounts and a carrying case. The cardioid symbol on the front of the microphone sets it apart from its multi-pattern sibling, the TF39.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5654W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eNatural, non-hyped tonality\u003c\/strong\u003e with a balanced midrange and high end\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eExtended low-frequency response\u003c\/strong\u003e for weight and fullness\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed cardioid polar pattern\u003c\/strong\u003e, marked by the cardioid symbol on the front\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK67S centre-terminated large-diaphragm capsule\u003c\/strong\u003e, single membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eNew Old Stock 5654W vacuum tube\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003ePremium Swedish-made output transformer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e130 dB SPL maximum level\u003c\/strong\u003e and 7 dBA self-noise\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with M 902 power supply, M 803 7 m cable, M 703 shock mount, M 782 stand mount, sleeve and case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Copperhead sound is balanced and honest: a natural midrange and high end over an extended low end, without hype or exaggeration. That makes the TF29 a dependable first choice for natural vocals in styles such as folk and Americana, and a confident performer on electric guitar amps, saxophone and drums.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF29 uses TELEFUNKEN's TK67S centre-terminated large-diaphragm capsule with a single membrane. Capsules are frequency-swept in-house before assembly, so each microphone delivers a consistent, predictable response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube electronics and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eInside, the TF29 runs on a New Old Stock 5654W vacuum tube and a premium Swedish-made output transformer. Every critical component is quality controlled in-house before assembly, including capsule frequency sweeps and vacuum tube burn-in and noise grading, which keeps tolerances extremely tight from one microphone to the next. The result is 7 dBA self-noise, 87 dBA signal-to-noise ratio and 130 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFixed cardioid pattern\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA fixed cardioid pattern picks up mainly from the front, focusing on the source and reducing sound from the rear. Simply aim the side with the cardioid symbol at the source; there is no pattern switch to set, which keeps setup fast in busy sessions.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe included \u003cstrong\u003eM 902 power supply\u003c\/strong\u003e is designed and assembled in the USA, with premium-quality capacitors, improved regulation and RF suppression in a compact footprint. It connects to the microphone through the \u003cstrong\u003eM 803 tube microphone cable\u003c\/strong\u003e, a 7 m (23 ft) 7-pin XLR cable with high-purity copper conductors, low capacitance and a dense copper braid shield. Two mounts are included: the \u003cstrong\u003eM 703 elastic shock mount\u003c\/strong\u003e and the \u003cstrong\u003eM 782 stand mount\u003c\/strong\u003e; the microphone threads directly into either.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand-built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards and a custom headgrille designed for transparency and openness.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTF29 Copperhead microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902 fixed pattern power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803 tube microphone cable, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 703 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 stand mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMS01 microphone sleeve\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC03 lightweight zipper carrying case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for the power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphone at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF29 Copperhead: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF29 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TF29 is a tube microphone powered by its own M 902 power supply. Connect the power supply's XLR output to your preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the TF29 warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the TF29 and the TF39?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth share the Copperhead sound, tube and transformer. The TF29 has a fixed cardioid pattern and a TK67S single-membrane capsule; the TF39 Copperhead Deluxe adds cardioid, omnidirectional and figure-8 selection.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the TF29 best suited to?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for natural vocals, electric guitar amps, saxophone and drums, including kick drum outside and overheads.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set or matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF29 Copperhead Stereo Set and the TELEFUNKEN TF29 Copperhead Matched Pair are listed as separate products at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF29 Copperhead in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF29 Copperhead is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67921581965679,"sku":"TELEFUNKEN-TF29-Copperhead","price":292200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF29-COPPERHEAD-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328821"},{"product_id":"telefunken-tf39-copperhead-deluxe-alchemy-series-tube-condenser-microphones","title":"TELEFUNKEN TF39 Copperhead Deluxe","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF39 Copperhead Deluxe\u003c\/strong\u003e is a three-pattern large-diaphragm tube condenser microphone from TELEFUNKEN Elektroakustik's Alchemy Series, expanding the natural Copperhead sound with cardioid, omnidirectional and figure-8 selection.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF39 keeps everything that made the Copperhead a studio workhorse, a natural, non-hyped tone with a balanced midrange and extended low end, and adds pattern selection for greater flexibility in the studio. It pairs a TK67 centre-terminated large-diaphragm capsule with a New Old Stock 5654W tube and a premium Swedish-made output transformer, and ships as a complete system with its M 903 multi-pattern power supply, 7 m tube microphone cable, two mounts and a carrying case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePolar patterns\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eNatural, non-hyped Copperhead tonality\u003c\/strong\u003e with a balanced midrange and high end\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eExtended low-frequency response\u003c\/strong\u003e for weight and fullness\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns\u003c\/strong\u003e: cardioid, omnidirectional and figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3-position pattern switch\u003c\/strong\u003e on the included M 903 power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTK67 centre-terminated large-diaphragm capsule\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eNew Old Stock 5654W vacuum tube\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003ePremium Swedish-made output transformer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e130 dB SPL maximum level\u003c\/strong\u003e and 7 dBA self-noise\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with M 903 power supply, M 803 7 m cable, M 703 shock mount, M 782 stand mount, sleeve and case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF39 delivers the Copperhead character: a balanced, natural midrange and high end over an extended low end, captured accurately and honestly. It suits natural vocals in styles such as folk and Americana, electric guitar amps, saxophone and drums, and the extra patterns open it up to room and ensemble recording too.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF39 uses TELEFUNKEN's TK67 centre-terminated large-diaphragm capsule, which makes the three-pattern design possible. Capsules are frequency-swept in-house before assembly, so each microphone delivers a consistent, predictable response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube electronics and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eInside, the TF39 runs on a New Old Stock 5654W vacuum tube and a premium Swedish-made output transformer. Every critical component is quality controlled in-house before assembly, including capsule frequency sweeps and vacuum tube burn-in and noise grading, which keeps tolerances extremely tight from one microphone to the next. The result is 7 dBA self-noise, 87 dBA signal-to-noise ratio and 130 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree polar patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose the pattern on the M 903 power supply's 3-position switch. \u003cstrong\u003eCardioid\u003c\/strong\u003e focuses on the source in front and reduces sound from the rear, ideal for vocals and close miking. \u003cstrong\u003eOmnidirectional\u003c\/strong\u003e picks up evenly all round, for room sound, ensembles or a more open vocal. \u003cstrong\u003eFigure-8\u003c\/strong\u003e picks up front and back while rejecting the sides, for two singers facing each other or stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe included \u003cstrong\u003eM 903 power supply\u003c\/strong\u003e is designed and assembled in the USA, with premium-quality capacitors, improved regulation and RF suppression in a compact footprint, plus an on-board 3-position polar pattern switch. It connects to the microphone through the \u003cstrong\u003eM 803 tube microphone cable\u003c\/strong\u003e, a 7 m (23 ft) 7-pin XLR cable with high-purity copper conductors, low capacitance and a dense copper braid shield. Two mounts are included: the \u003cstrong\u003eM 703 elastic shock mount\u003c\/strong\u003e and the \u003cstrong\u003eM 782 stand mount\u003c\/strong\u003e; the microphone threads directly into either.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand-built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards and a custom headgrille designed for transparency and openness.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTF39 Copperhead Deluxe microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 903 multi-pattern power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803 tube microphone cable, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 703 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 stand mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMS01 microphone sleeve\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC03 lightweight zipper carrying case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for the power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphone at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF39 Copperhead Deluxe: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere do I change the polar pattern on the TF39?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn the included M 903 power supply, which has a 3-position switch for cardioid, omnidirectional and figure-8.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF39 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a tube microphone powered by its own power supply. Connect the power supply's XLR output to your preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the TF39 warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the TF39 and the TF29?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth share the Copperhead sound, tube and transformer. The TF39 adds omnidirectional and figure-8 to cardioid and uses the TK67 capsule; the TF29 is a fixed-cardioid model.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set or matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF39 Copperhead Deluxe Stereo Set and the TELEFUNKEN TF39 Copperhead Deluxe Matched Pair are listed as separate products at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF39 Copperhead Deluxe in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF39 Copperhead Deluxe is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67921584849263,"sku":"TELEFUNKEN-TF39-Copperhead-Deluxe","price":326700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF39-COPPERHEAD-DELUXE-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328821"},{"product_id":"telefunken-tf47-alchemy-series-tube-condenser-microphones","title":"TELEFUNKEN TF47","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF47\u003c\/strong\u003e is a large-diaphragm, three-pattern vacuum tube condenser microphone from the Alchemy Series, voiced for the classic \"German\" tube microphone sound: a deep low end, a forward midrange and a smooth, detailed top end.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN Elektroakustik built the TF47 to add depth and presence to any source, and it is especially at home on vocals, guitar amps and drums. An all-brass, centre-terminated TK47 capsule, a new old stock 5840W vacuum tube and TELEFUNKEN's own BV8 output transformer give it a warm, punchy character with top-end articulation that sits in the mix with authority and weight. It comes as a complete system with the M 903 power supply, a 7 m tube microphone cable, two mounts, a sleeve and a carrying case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e22 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eNOS 5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic \"German\" tube sound\u003c\/strong\u003e: full low end and forward midrange with a smooth, detailed top end\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns\u003c\/strong\u003e: cardioid, omnidirectional and figure-8, selected on the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK47 capsule\u003c\/strong\u003e: all-brass, centre-terminated large diaphragm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eNew old stock 5840W vacuum tube\u003c\/strong\u003e, burned in and noise graded in-house\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik BV8 output transformer\u003c\/strong\u003e, custom made and historically accurate\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e20 Hz - 20 kHz\u003c\/strong\u003e frequency range (±3 dB), 84 dBA signal-to-noise ratio\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDistinct antique nickel finish\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: M 903 power supply, M 803 7-pin cable, M 703 shock mount, M 782 stand mount, MS01 sleeve and ZC03 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF47 is a modern design inspired by the classic German tube microphones of the 1950s. Its deep low end and forward midrange bring weight and presence to vocals, drums and amplifiers, while a pleasant, articulate top end keeps it musical rather than harsh. The result is a warm, punchy sound that sits naturally in a dense mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt the heart of the TF47 is the \u003cstrong\u003eTK47\u003c\/strong\u003e, an all-brass, centre-terminated large-diaphragm capsule. Its signal is amplified by a \u003cstrong\u003enew old stock 5840W\u003c\/strong\u003e sub-miniature vacuum tube, known for very low noise and low microphonics, and leaves the microphone through TELEFUNKEN Elektroakustik's custom-made \u003cstrong\u003eBV8\u003c\/strong\u003e output transformer. Together they give the TF47 its warm, punchy voice and confident low end.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree polar patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose \u003cstrong\u003ecardioid\u003c\/strong\u003e for focused single-source recording, \u003cstrong\u003eomnidirectional\u003c\/strong\u003e to capture the room around the source, or \u003cstrong\u003efigure-8\u003c\/strong\u003e for front-and-back pickup. The pattern is selected with the 3-position switch on the M 903 power supply, so you can change it without touching the microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 903\u003c\/strong\u003e power supply is designed and assembled in the USA with premium capacitors, improved regulation and RF suppression, and is switchable for 115 V or 230 V mains. It connects to the microphone through the \u003cstrong\u003eM 803\u003c\/strong\u003e 7-pin tube microphone cable (7 m), built with high-purity copper conductors, low capacitance and a dense copper braid shield. Two mounts are included: the \u003cstrong\u003eM 703\u003c\/strong\u003e elastic shock mount and the \u003cstrong\u003eM 782\u003c\/strong\u003e stand mount.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt and tested by TELEFUNKEN\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLike every Alchemy Series microphone, the TF47 is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series. Critical components are checked in-house before assembly, including capsule frequency sweeps and vacuum tube burn-in and noise grading, and every microphone is individually tested and listened to, for very tight tolerances from one TF47 to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TF47 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 903 multi-pattern tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803 tube microphone cable, 7-pin, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 703 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 stand mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMS01 microphone sleeve\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC03 lightweight zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: register the microphone at t-funk.com\/warranty to extend cover to one year parts and labour on the capsule and tube and four years on the amplifier and power supply. Warranties on Alchemy Series products are transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF47: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF47 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TF47 is a vacuum tube microphone powered by its own M 903 power supply, which is included. Connect the power supply's XLR output to your mic preamp or audio interface with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I change the polar pattern?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the 3-position pattern switch on the M 903 power supply to choose cardioid, omnidirectional or figure-8.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF47 need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. After switching on the power supply, TELEFUNKEN recommends letting the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the power supply run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The power supply is set to 115 V or 230 V; make sure it matches your mains voltage before plugging in.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set or matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF47 Stereo Set and the TELEFUNKEN TF47 Matched Pair are listed as separate products at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF47 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF47 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67921586225519,"sku":"TELEFUNKEN-TF47","price":326700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF47-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328845"},{"product_id":"telefunken-tf51-alchemy-series-tube-condenser-microphones","title":"TELEFUNKEN TF51","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF51\u003c\/strong\u003e is a large-diaphragm, three-pattern vacuum tube condenser microphone from the Alchemy Series, a fresh take on the classic \"Austrian\" tube microphone sound: a smooth midrange, a balanced low end and an airy, open top end.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN Elektroakustik designed the TF51 to capture every nuance in pleasant detail, making it a reliable first choice for standout vocals, acoustic instruments and percussion. An edge-terminated TK51 capsule, a TELEFUNKEN Elektroakustik 6072A vacuum tube and a custom German-made output transformer give it a beautifully open, smooth and lifelike sound. It comes as a complete system with the M 903 power supply, a 7 m tube microphone cable, two mounts, a sleeve and a carrying case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e19 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6072A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic \"Austrian\" tube sound\u003c\/strong\u003e: airy, open top end with a balanced low end and natural midrange\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns\u003c\/strong\u003e: cardioid, omnidirectional and figure-8, selected on the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK51 capsule\u003c\/strong\u003e: edge-terminated large diaphragm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik 6072A vacuum tube\u003c\/strong\u003e, burned in and noise graded in-house\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCustom German-made output transformer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e20 Hz - 20 kHz\u003c\/strong\u003e frequency range (±3 dB), 86 dBA signal-to-noise ratio\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: M 903 power supply, M 803 7-pin cable, M 703 shock mount, M 782 stand mount, MS01 sleeve and ZC03 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF51 carries forward the \"Austrian\" microphone sound that TELEFUNKEN is closely associated with. Its smooth midrange and airy top end bring out detail and space in voices and acoustic instruments, while a balanced low end keeps the sound natural. The overall profile is open, smooth and articulate, a sound TELEFUNKEN describes as lifelike.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF51 is built around the \u003cstrong\u003eTK51\u003c\/strong\u003e, an edge-terminated large-diaphragm capsule. Its signal is amplified by a \u003cstrong\u003eTELEFUNKEN Elektroakustik 6072A\u003c\/strong\u003e vacuum tube, a low-noise tube tested, burned in and screened by TELEFUNKEN, and leaves the microphone through a custom \u003cstrong\u003eGerman-made output transformer\u003c\/strong\u003e. Together they produce the TF51's open, smooth and detailed voice.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree polar patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose \u003cstrong\u003ecardioid\u003c\/strong\u003e for focused single-source recording, \u003cstrong\u003eomnidirectional\u003c\/strong\u003e to capture the instrument together with the room, or \u003cstrong\u003efigure-8\u003c\/strong\u003e for front-and-back pickup. The pattern is selected with the 3-position switch on the M 903 power supply, so you can change it without touching the microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 903\u003c\/strong\u003e power supply is designed and assembled in the USA with premium capacitors, improved regulation and RF suppression, and is switchable for 115 V or 230 V mains. It connects to the microphone through the \u003cstrong\u003eM 803\u003c\/strong\u003e 7-pin tube microphone cable (7 m), built with high-purity copper conductors, low capacitance and a dense copper braid shield. Two mounts are included: the \u003cstrong\u003eM 703\u003c\/strong\u003e elastic shock mount and the \u003cstrong\u003eM 782\u003c\/strong\u003e stand mount.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt and tested by TELEFUNKEN\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eLike every Alchemy Series microphone, the TF51 is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series. Critical components are checked in-house before assembly, including capsule frequency sweeps and vacuum tube burn-in and noise grading, and every microphone is individually tested and listened to, for very tight tolerances from one TF51 to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TF51 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 903 multi-pattern tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803 tube microphone cable, 7-pin, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 703 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 stand mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMS01 microphone sleeve\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC03 lightweight zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: register the microphone at t-funk.com\/warranty to extend cover to one year parts and labour on the capsule and tube and four years on the amplifier and power supply. Warranties on Alchemy Series products are transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF51: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF51 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The TF51 is a vacuum tube microphone powered by its own M 903 power supply, which is included. Connect the power supply's XLR output to your mic preamp or audio interface with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I change the polar pattern?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the 3-position pattern switch on the M 903 power supply to choose cardioid, omnidirectional or figure-8.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the TF51 need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. After switching on the power supply, TELEFUNKEN recommends letting the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the power supply run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The power supply is set to 115 V or 230 V; make sure it matches your mains voltage before plugging in.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set or matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF51 Stereo Set and the TELEFUNKEN TF51 Matched Pair are listed as separate products at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF51 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF51 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67921595826543,"sku":"TELEFUNKEN-TF51","price":343900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF51-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328845"},{"product_id":"telefunken-m80-dynamic-series-microphones-dynamic-microphones","title":"TELEFUNKEN M80","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M80\u003c\/strong\u003e is a supercardioid dynamic microphone from the TELEFUNKEN Dynamic Series that delivers condenser-like performance in a rugged design, equally at home on stage and in the studio.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80 has become a staple in live sound reinforcement and studio recording. Its wide frequency response, condenser-like high-frequency extension and high SPL handling let it capture the full range of a source, making it a reliable first choice for lead vocals, snare drum and brass. A custom-wound impedance-matching transformer and intelligent internal construction keep handling noise low, and the hand-assembled build is designed to withstand the wear and tear of the road.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e50 Hz - 18 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.54 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePolar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eSupercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCondenser-like high-frequency extension\u003c\/strong\u003e that cuts through dense mixes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDetailed sound with high SPL handling\u003c\/strong\u003e: 135 dB SPL for 1% THD, for studio and stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSupercardioid polar pattern\u003c\/strong\u003e with excellent feedback rejection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e25 mm dynamic moving-coil capsule\u003c\/strong\u003e with a wide 50 Hz - 18 kHz response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCustom-wound T80 impedance-matching transformer\u003c\/strong\u003e, 325 ohms output impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow handling noise\u003c\/strong\u003e from intelligent internal construction\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRugged, road-ready build\u003c\/strong\u003e, designed and hand assembled in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN voices the M80 with a pronounced, extended high-frequency response and a natural, condenser-like character with a subtle high-frequency rise. Vocals gain clarity and presence without harshness, and the snap of a snare drum or the edge of a trumpet comes through cleanly, so the M80 sits forward in a busy mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSupercardioid pickup and feedback rejection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe supercardioid pattern focuses on the source in front of the capsule and rejects sound from the sides, which gives excellent gain before feedback with floor wedges and keeps spill from neighbouring instruments low. On a crowded stage this helps each vocal and instrument stay separate and easy to hear.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt the heart of the M80 is a 25 mm dynamic moving-coil capsule coupled to the TELEFUNKEN Elektroakustik T80, a custom-wound impedance-matching transformer, for a 325 ohms output impedance and a sensitivity of 1.54 mV\/Pa. The M80 shares its diaphragm and transformer with the M81 but is tuned for an extended top end, so the two models complement each other in multi-microphone set-ups such as drum kits, vocal groups and horn sections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for the road\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 184 mm body weighs 430 g and is built to survive touring. The XLR connector is held in place inside the body by a recessed set screw, which can be re-tightened with a small flathead screwdriver if the connector ever works loose. As a dynamic microphone the M80 needs no phantom power and connects with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOn stage and in the studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80 is equally suitable for live sound and recording. On stage its clarity helps a singer hear their own voice clearly in wedges or in-ear monitors without pushing the level, and its feedback rejection gives the engineer more headroom. In the studio the same detailed, condenser-like top end captures vocals, snare and brass with presence, while the dynamic design shrugs off very loud sources. Using the same microphone in both places keeps the sound of a performance consistent from rehearsal to record.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M80 dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 780 Microphone Clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMicrophone zipper bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when the microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. Connect with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M80: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M80 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The M80 is a dynamic moving-coil microphone and works from any standard mic input without phantom power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M80 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for lead vocals, snare drum and brass instruments, and also lists percussion and clean guitar amps among its strengths.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the M80 differ from the M81?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth use the same 25 mm capsule and T80 transformer. The M80 has a pronounced, extended high end; the M81 has a flatter, more neutral response with increased midrange clarity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M80 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M80 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940592746863,"sku":"TELEFUNKEN-M80-Standard","price":42800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M80-DYNAMIC-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329009"},{"product_id":"telefunken-m81-dynamic-series-microphones-dynamic-microphones","title":"TELEFUNKEN M81","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M81\u003c\/strong\u003e is a supercardioid universal dynamic microphone from the TELEFUNKEN Dynamic Series, with a flat frequency response and exceptional midrange clarity for the stage and the studio.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M81 is a proven choice for countless sources. It has the condenser-like response, minimal proximity effect and superior feedback rejection expected of a TELEFUNKEN Dynamic Series microphone, and its smooth response, clarity and wealth of body make it ideal for taming brighter vocals and guitar tones and for fattening up toms, horns and other thinner-sounding sources. A low-mass diaphragm and a custom-wound impedance-matching transformer make it an excellent first-choice dynamic for most situations.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e50 Hz - 18 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.54 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePolar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eSupercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDetailed, condenser-like performance\u003c\/strong\u003e in a rugged dynamic design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSmooth frequency response\u003c\/strong\u003e with a clear, defined midrange\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-mass diaphragm\u003c\/strong\u003e designed to reduce proximity effect\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSupercardioid polar pattern\u003c\/strong\u003e with excellent off-axis rejection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e25 mm dynamic moving-coil capsule\u003c\/strong\u003e and custom-wound T80 transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e: 135 dB SPL for 1% THD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhere the M80 is voiced with an extended top end, the M81 is tuned for a much more neutral, flatter response with increased midrange clarity. Bright voices and harsh guitar tones are smoothed without losing definition, while toms, horns and thinner sources gain body and weight. The result is a natural, honest sound that is easy to place in a mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMinimal proximity effect\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe low-mass diaphragm is designed to reduce proximity effect, so the low end stays controlled when a singer works close to the grille or when the microphone sits right on a drum or speaker. Tone stays consistent as the distance to the source changes, which makes the M81 dependable for performers who move around.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSupercardioid rejection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe supercardioid pattern gives superior off-axis rejection, keeping stage spill and ambient sound out of the channel. This is ideal for backing vocals near loud instruments or wedge monitors, and helps each source sit cleanly in the mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for the stage\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 184 mm, 430 g body is hand assembled in the USA and built for touring. The XLR connector is held in place by a recessed set screw that can be re-tightened with a small flathead screwdriver. As a dynamic microphone the M81 needs no phantom power and connects with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePart of a matched family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach Dynamic Series model has its own strengths but is designed to complement the others, so the M81 blends naturally with the M80 and M82 in multi-microphone applications such as drum kits, vocal groups and horn sections. A typical pairing is the M80 on lead vocal or snare and the M81 on backing vocals, toms, guitar amps and horns, giving a cohesive sound across the whole stage. The same character carries over to the low-profile M81-SH for tight positions around a drum kit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStandard\u003c\/strong\u003e (SYTM-050): the M81 in its standard finish, with the M 780 microphone clip and a zipper bag\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M81 dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 780 Microphone Clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMicrophone zipper bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when the microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. Connect with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M81: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M81 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The M81 is a dynamic moving-coil microphone and works from any standard mic input without phantom power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M81 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for vocals, toms, guitar amps and saxophone, and also lists distorted guitar amps, female vocals and brass among its strengths.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the M81 differ from the M80?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth share the same 25 mm capsule and T80 transformer. The M81 has a flatter, more neutral response with a clear midrange; the M80 has a pronounced, extended high end.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the M81 good for singers who work close to the microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Its low-mass diaphragm is designed to reduce proximity effect, keeping the low end controlled at close distances.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M81 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M81 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940600021359,"sku":"TELEFUNKEN-M81","price":42800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M81-DYNAMIC-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329047"},{"product_id":"telefunken-m80-sh-low-profile-kick-microphones-dynamic-microphones","title":"TELEFUNKEN M80-SH","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M80-SH\u003c\/strong\u003e is a low-profile supercardioid dynamic microphone from the TELEFUNKEN Dynamic Series, made for tight positions while delivering the wide frequency response and high SPL handling the M80 is known for.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRedesigned for 2026, the M80-SH is lighter, shorter and sleeker than ever, with a 40% reduction in overall weight, a 10% shorter length, vibration-dampening technology and updated packaging. Its compact footprint and built-in mount make it ideal for snare drum, guitar amps on stage, woodwinds and vocal positions for drummers and keyboard players, where a full-size microphone may be obstructive. It is sonically identical to the handheld M80.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLength (2026 redesign)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e114 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e210 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePolar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eSupercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSame detailed, condenser-like performance\u003c\/strong\u003e as the handheld M80\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-profile body with built-in mount\u003c\/strong\u003e for easier positioning in tight spaces\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2026 redesign\u003c\/strong\u003e: 40% lighter, 10% shorter, with vibration-dampening technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCustom-wound impedance-matching T80 transformer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e (135 dB SPL for 1% THD) and excellent off-axis rejection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSGMC-5R right-angle XLR cable\u003c\/strong\u003e and M 785 plastic drum mount included\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM80 sound in a compact body\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80-SH uses the same 25 mm dynamic moving-coil capsule and T80 transformer as the handheld M80 and is sonically identical to it. It has a natural, condenser-like response with a subtle high-frequency rise and the same high SPL handling, so snare drums keep their snap and voices keep their clarity in a dense mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLow-profile design and built-in mount\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt 114 mm long and 210 g, the redesigned M80-SH slips into places a full-size microphone cannot reach: between the rack tom and the hi-hat, close to a guitar cabinet, or in front of a drummer or keyboard player without blocking sight lines. The built-in mount and the included M 785 plastic drum mount make positioning quick, and vibration-dampening technology helps keep mechanical noise out of the signal.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSupercardioid pickup\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe supercardioid pattern minimises proximity effect and provides superior off-axis rejection. On a busy drum kit or a loud stage this keeps spill from neighbouring drums, cymbals and monitors low, so each channel stays focused on its own source.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRight-angle cable included\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80-SH ships with a TELEFUNKEN SGMC-5R 5-metre XLR cable with a right-angle connector, which keeps the cable run tidy and clear of sticks and hardware. As a dynamic microphone it needs no phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePart of the Dynamic Series drum sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN designs its Dynamic Series models to complement each other, giving a cohesive sound in multi-microphone set-ups such as drum kits. The M80-SH on snare works naturally alongside the M81-SH on toms and the M82 on kick, with the same low handling noise and road-ready build across the kit. The updated 2026 styling and packaging give a premium experience on stage and in the studio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM80-SH\u003c\/strong\u003e (SYTM-066): the 2026 low-profile microphone with the SGMC-5R right-angle XLR cable, M 785 plastic drum mount and ZB82 zipper bag\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M80-SH low-profile dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R 5-metre right-angle XLR cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 785 Plastic Drum Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZB82 Microphone Zipper Bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when the microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. The included SGMC-5R cable connects the microphone directly to a stage box, console or audio interface.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M80-SH: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M80-SH sound the same as the handheld M80?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN states that the low-profile models are sonically identical to their handheld versions.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M80-SH best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for snare drum, singing drummers or keyboard players, and woodwinds, and for tight-fit positions such as guitar amps on stage.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat changed in the 2026 redesign?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80-SH is now 40% lighter and 10% shorter, with vibration-dampening technology, refined styling and updated packaging.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M80-SH need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a dynamic moving-coil microphone and works from any standard mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M80-SH in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M80-SH is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940602085743,"sku":"TELEFUNKEN-M80-SH","price":42800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M80-SH-DYNAMIC-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329048"},{"product_id":"telefunken-m81-sh-low-profile-kick-microphones-dynamic-microphones","title":"TELEFUNKEN M81-SH","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M81-SH\u003c\/strong\u003e is a low-profile supercardioid universal dynamic microphone from the TELEFUNKEN Dynamic Series, ideal for tight drum miking, brass and vocal positions where a smaller footprint is needed.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRedesigned for 2026, the M81-SH is lighter, shorter and sleeker, with a 40% reduction in overall weight, a 10% shorter length and vibration-dampening technology. It delivers the same character and high SPL handling as the handheld M81, with a smooth frequency response and exceptional midrange articulation for toms, guitar amps, brass, woodwinds and percussion. It is sonically identical to the handheld M81.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLength (2026 redesign)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e114 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e210 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePolar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eSupercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSame clear, condenser-like performance\u003c\/strong\u003e as the handheld M81\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSmooth frequency response\u003c\/strong\u003e with exceptional midrange articulation\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-profile body with built-in mount\u003c\/strong\u003e for easier positioning\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2026 redesign\u003c\/strong\u003e: 40% lighter, 10% shorter, with vibration-dampening technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCustom-wound impedance-matching T80 transformer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e (135 dB SPL for 1% THD) and excellent off-axis rejection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSGMC-5R right-angle XLR cable\u003c\/strong\u003e and M 785 plastic drum mount included\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM81 sound in a compact body\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M81-SH shares the 25 mm dynamic moving-coil capsule and T80 transformer of the handheld M81 and sounds identical to it. The flat, neutral response and clear midrange add body and punch to toms and horns, and keep distorted guitar tones smooth and defined.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade for tight positions\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt 114 mm long and 210 g, the M81-SH fits easily around a drum kit, close to a guitar cabinet, or on a horn section without crowding the players. The built-in mount and the included M 785 plastic drum mount make quick work of positioning, and vibration-dampening technology helps keep mechanical noise out of the signal.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSupercardioid pickup\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe supercardioid pattern minimises proximity effect and gives superior off-axis rejection, so each tom or instrument channel stays focused on its own source with little spill from cymbals, neighbouring drums or stage monitors.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRight-angle cable included\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M81-SH ships with a TELEFUNKEN SGMC-5R 5-metre XLR cable with a right-angle connector, keeping cable runs neat and clear of sticks and hardware. As a dynamic microphone it needs no phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePart of the Dynamic Series drum sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN designs its Dynamic Series models to complement each other for a cohesive sound in multi-microphone set-ups. The M81-SH on toms sits naturally alongside the M80-SH on snare and the M82 on kick, and works just as well on a horn section or a row of guitar cabinets. The updated 2026 styling and packaging give a premium experience on stage and in the studio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM81-SH\u003c\/strong\u003e (SYTM-067): the 2026 low-profile microphone with the SGMC-5R right-angle XLR cable, M 785 plastic drum mount and ZB82 zipper bag\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M81-SH low-profile dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R 5-metre right-angle XLR cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 785 Plastic Drum Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZB82 Microphone Zipper Bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when the microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. The included SGMC-5R cable connects the microphone directly to a stage box, console or audio interface.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M81-SH: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M81-SH sound the same as the handheld M81?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN states that the low-profile models are sonically identical to their handheld versions.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M81-SH best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for toms, guitar amps on stage and brass instruments, and highlights its midrange articulation on woodwinds and percussion.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the M81-SH differ from the M80-SH?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth share the same body, capsule and transformer. The M81-SH has a flatter response with a clear midrange; the M80-SH has an extended, condenser-like top end.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M81-SH need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a dynamic moving-coil microphone and works from any standard mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M81-SH in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M81-SH is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940605198703,"sku":"TELEFUNKEN-M81-SH","price":42800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M81-SH-DYNAMIC-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329070"},{"product_id":"telefunken-m82-low-profile-kick-microphones-dynamic-microphones","title":"TELEFUNKEN M82","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M82\u003c\/strong\u003e is a robust end-address large-diaphragm dynamic microphone from the TELEFUNKEN Dynamic Series, designed with kick drum and broadcast vocals in mind and fitted with two independent onboard EQ switches.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts large dynamic diaphragm has superb low-frequency capability for fat, punchy kick drum tones, while the KICK EQ and HIGH BOOST switches let you tailor the response to the source with ease. That makes the M82 equally suited to vocals, percussion, guitar and bass amplifiers, organ and brass instruments, as well as broadcast and podcast voice. Each M82 is hand assembled and tested in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e146 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e25 Hz - 18 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic moving‑coil capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e32 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSwitchable onboard EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2‑band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLarge-diaphragm 32 mm dynamic capsule\u003c\/strong\u003e with superior low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced mid and high-frequency response\u003c\/strong\u003e that adds clarity and intelligibility\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIndependently switchable two-band EQ\u003c\/strong\u003e: KICK EQ mid cut and HIGH BOOST\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFour distinct EQ curves\u003c\/strong\u003e to match the microphone to the source\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery high SPL handling\u003c\/strong\u003e: 146 dB SPL for 1% THD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEnd-address design\u003c\/strong\u003e for easy positioning on most sound sources\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCardioid polar pattern\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLarge-diaphragm low end\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 32 mm dynamic moving-coil capsule reaches down to 25 Hz, giving kick drums and bass cabinets real weight and definition, while the balanced mid and high-frequency response keeps attack and articulation clear. With 146 dB SPL handling, the M82 stays clean inside a kick drum or right on a loud speaker.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKICK EQ and HIGH BOOST switches\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e\u003cstrong\u003eKICK EQ\u003c\/strong\u003e is a low-midrange notch filter with a 6 dB cut at 350 Hz that removes the boxy character of a kick drum and adds definition; it also helps bass amps or any source that needs a cleaner low midrange. \u003cstrong\u003eHIGH BOOST\u003c\/strong\u003e engages a slow-rising shelf starting around 2 kHz that opens the top end by 6 dB at 10 kHz for added presence. Because the switches work independently, the M82 offers four distinct responses.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBroadcast and podcast voice\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith HIGH BOOST on and KICK EQ off, TELEFUNKEN recommends the M82 for broadcast voice. The large diaphragm gives speech a full, warm body and the high-frequency lift adds intelligibility. The end-address design makes it natural to speak straight into, and the optional M 788 Podcast Microphone Boom Arm suits desk set-ups.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEnd-address design\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYou address the M82 from its end, like a handheld microphone, so it is quick to aim into a kick drum port, at a speaker cone or at a presenter. The 155 mm, 434 g body is mounted with the included M 782 stand mount and connects with the included SGMC-5R 5-metre right-angle XLR cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne microphone, many sources\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBeyond kick drum and voice, TELEFUNKEN lists clear EQ recommendations for a wide range of sources. Leave both switches off for vocals, clean electric guitar, brass and woodwind. Use HIGH BOOST alone for distorted guitar amps and mallet-based percussion. Use KICK EQ alone for a bass cabinet or the bottom of an organ rotating-speaker cabinet, and both switches together for floor and rack toms. This flexibility makes the M82 a dependable workhorse in the studio and on stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM82\u003c\/strong\u003e (SYTM-065): the microphone with the M 782 stand mount, SGMC-5R 5-metre right-angle XLR cable and ZB82 zipper bag\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M82 dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 782 Stand Mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R 5-metre right-angle XLR cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZB82 Microphone Zipper Bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when the microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. Optional accessory: M 788 Podcast Microphone Boom Arm.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M82: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich EQ setting should I use for kick drum?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN suggests KICK EQ on with HIGH BOOST off for a vintage kick sound, and both switches on for a modern kick sound or a kick drum with a resonant head.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the M82 be used for podcasts and broadcast?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Broadcast and podcast vocals are among its recommended applications; TELEFUNKEN suggests HIGH BOOST on and KICK EQ off for broadcast voice.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M82 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a dynamic moving-coil microphone and works from any standard mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat else is the M82 suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBass and guitar amps, floor and rack toms, vocals, clean electric guitar, brass and woodwind, mallet percussion and organ cabinets, using the EQ settings TELEFUNKEN recommends.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M82 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M82 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940615258479,"sku":"TELEFUNKEN-M82","price":94500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M82-DYNAMIC-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329070"},{"product_id":"telefunken-ela-m-251e-diamond-series-tube-condenser-microphones","title":"TELEFUNKEN ELA M 251E","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 251E\u003c\/strong\u003e is a meticulously accurate recreation of one of the most legendary large-diaphragm tube microphones of all time, the three-pattern classic of the late 1950s heard on countless hits and classic recordings.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts smooth yet present and open sound makes the ELA M 251E ideal for vocals and acoustic instruments: an extended and focused low end, a detailed midrange and a silky top end. Each microphone is true in every detail to the original, with parts interchangeable with 50-year-old vintage units. It is built around a US-made CK12 edge-terminated capsule, a TELEFUNKEN 6072A vacuum tube and a T14\/1 output transformer, and comes as a complete system with power supply, 10 m tube cable, shock mount, wooden box and locking flight case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6072A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRenowned high-end detail\u003c\/strong\u003e with body and low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eExceptionally warm and clear tone\u003c\/strong\u003e, smooth yet present and open\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns\u003c\/strong\u003e: cardioid, omnidirectional and figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUS-made CK12 capsule\u003c\/strong\u003e: historically accurate, edge terminated, dual diaphragm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN 6072A vacuum tube\u003c\/strong\u003e, tested and burned in in the USA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eT14\/1 output transformer\u003c\/strong\u003e, European-made to vintage specification\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: fully regulated M 950E power supply, vintage-compatible stand-mount cable, M 751 shock mount, WB50 wooden box and FC50 flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ELA M 251E is prized for a sound that is smooth, yet present and open. Its low end is extended and focused, the midrange is detailed and the top end is silky, so voices and acoustic instruments come across with body, clarity and natural air. TELEFUNKEN describes its tone as exceptionally warm and clear, with renowned high-end detail.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe historically accurate \u003cstrong\u003eCK12\u003c\/strong\u003e capsule is made in limited quantity in the USA. It is an edge-terminated, dual-diaphragm design, reverse engineered from an outstanding original example and tensioned and tuned to the early-1960s production run. The \u003cstrong\u003e6072A\u003c\/strong\u003e dual-triode tube is new production, screened by TELEFUNKEN and electronically and sonically tested and burned in in the USA, then hand-selected for the 251E. The \u003cstrong\u003eT14\/1\u003c\/strong\u003e output transformer is made to vintage specification by the original European manufacturer, exclusively for TELEFUNKEN, and gives a sonically pleasing tonality with excellent low-frequency clarity.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree polar patterns on the microphone\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose \u003cstrong\u003ecardioid\u003c\/strong\u003e for focused single-source recording, \u003cstrong\u003eomnidirectional\u003c\/strong\u003e to capture the source together with the room, or \u003cstrong\u003efigure-8\u003c\/strong\u003e for front-and-back pickup. As on the original design, the polarising network sits inside the microphone and the pattern switch is on the front of the body. The tube is self-biased, so no calibration is needed when a tube is changed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 950E\u003c\/strong\u003e power supply is designed and built in America with modern components and is fully regulated, so the microphone runs consistently regardless of line voltage variations. Its heater circuit ramps up to the optimum voltage over 20 seconds to extend tube life, and it is set for 115 V or 230 V mains. The \u003cstrong\u003eM 850E\u003c\/strong\u003e cable, made by TELEFUNKEN technicians in the USA, has a historically accurate swivel stand-mount connector on the microphone end and a 7-pin XLR on the power supply end, and is 10 m long. The \u003cstrong\u003eM 751\u003c\/strong\u003e shock mount uses an adjustable universal locking system and gives an additional 12 dB of isolation compared to conventional elastic shock mounts.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt by hand in Connecticut\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to its own microphone and burned in with it as a complete system. The locking flight case has a shell of layered hardwoods wrapped in a durable, vintage-inspired fabric, suede-lined cavities for every component, dual combination locks and nickel trim. The wooden microphone box is made in the USA of solid white oak with a satin lacquer, and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN ELA M 251E microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 950E tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 850E tube microphone cable, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 751 shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC50 locking flight case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWB50 wooden microphone box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRegister the microphone at t-funk.com\/warranty; repairs on new TELEFUNKEN Elektroakustik microphones are covered under TELEFUNKEN's limited warranty plan. A standard 3-pin microphone cable from the power supply to the preamp is not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 251E: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the ELA M 251E need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a vacuum tube microphone powered by its own M 950E power supply, which is included. Connect the power supply's XLR output to your mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere is the polar pattern switch?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn the front of the microphone. It selects cardioid, omnidirectional or figure-8.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the ELA M 251E need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Make all connections first, switch on the power supply and let the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the power supply run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The power supply is set to 115 V or 230 V; make sure it matches your mains voltage before plugging in.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 251E Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 251E in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 251E is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940899651951,"sku":"TELEFUNKEN-ELA-M-251E","price":2613500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-251E-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328880"},{"product_id":"telefunken-ela-m-251t-diamond-series-tube-condenser-microphones","title":"TELEFUNKEN ELA M 251T","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 251T\u003c\/strong\u003e is based on the classic ELA M 251E, but with a modern twist: its CK13™ capsule uses Alloy 2213™ as the diaphragm membrane material instead of gold, for modern-sounding detail and tone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAlloy 2213™ is an amalgam of titanium and aluminium originally developed for the aerospace industry. In the edge-terminated capsule it gives greater accuracy in the low frequencies and an airy, delicate representation of the upper range, while keeping the depth associated with ELA M 251 microphones for decades. Released in 2009, the ELA M 251T is TELEFUNKEN Elektroakustik's most premium offering. It is a complete system with a new old stock ECC801S tube, power supply, 10 m cable, shock mount, wooden box and locking flight case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eECC801S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eModern-sounding detail and tone\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePronounced high-end accuracy\u003c\/strong\u003e and low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns\u003c\/strong\u003e: cardioid, omnidirectional and figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCK13™ capsule\u003c\/strong\u003e: edge terminated, Alloy 2213™ sputtered, made in the USA\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eNew old stock ECC801S vacuum tube\u003c\/strong\u003e, made in Germany\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eT14\/1 output transformer\u003c\/strong\u003e, European-made to vintage specification\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: fully regulated M 950E power supply, American-made stand-mount cable, M 751 shock mount, WB50 wooden box and FC50 flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAlloy 2213 membrane\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe CK13™ is nearly identical to the CK12 capsule except for its membrane material. Alloy 2213™ is lighter than gold and gives a higher damping factor to the motion of the membrane. The result is greater accuracy in the low end and a uniquely modern, airy upper range, so the ELA M 251T captures a higher degree of detail while keeping the depth of a classic 251.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eECC801S\u003c\/strong\u003e is a German-made new old stock dual-triode tube, considered one of the best-sounding dual triodes ever manufactured and prized for its sweet tone and three-dimensional soundstage. This increasingly rare tube is a premium upgrade in the 251 circuit. It is matched with the historically accurate \u003cstrong\u003eT14\/1\u003c\/strong\u003e output transformer, made by the original European manufacturer, which gives excellent performance in the 251 circuit and is a great match for the ECC801S.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree polar patterns on the microphone\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSelect \u003cstrong\u003ecardioid\u003c\/strong\u003e for focused single-source recording, \u003cstrong\u003eomnidirectional\u003c\/strong\u003e to include the room, or \u003cstrong\u003efigure-8\u003c\/strong\u003e for front-and-back pickup. As on every ELA M 251, the pattern switch is on the front of the microphone and the polarising network sits inside the body. The amplifier is self-biased, so no calibration is needed when the tube is changed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 950E\u003c\/strong\u003e power supply is designed and built in America with modern components and is fully regulated, so the microphone runs consistently regardless of line voltage variations. Its heater circuit ramps up to the optimum voltage over 20 seconds to extend tube life, and it is set for 115 V or 230 V mains. The \u003cstrong\u003eM 850T\u003c\/strong\u003e cable, made by TELEFUNKEN technicians in the USA, has a historically accurate swivel stand-mount connector on the microphone end and a 7-pin XLR on the power supply end, and is 10 m long. The \u003cstrong\u003eM 751\u003c\/strong\u003e shock mount uses an adjustable universal locking system and gives an additional 12 dB of isolation compared to conventional elastic shock mounts.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt by hand in Connecticut\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to its own microphone and burned in with it as a complete system. The locking flight case has a shell of layered hardwoods wrapped in a durable, vintage-inspired fabric, suede-lined cavities for every component, dual combination locks and nickel trim. The wooden microphone box is made in the USA of solid white oak with a satin lacquer, and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN ELA M 251T microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 950E tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 850T tube microphone cable, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 751 shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC50 locking flight case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWB50 wooden microphone box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN lists the ELA M 251T system with a 4-year warranty; register the microphone at t-funk.com\/warranty. A standard 3-pin microphone cable from the power supply to the preamp is not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 251T: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the ELA M 251T and the ELA M 251E?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 251T uses the CK13™ capsule with an Alloy 2213™ membrane instead of gold, and a new old stock ECC801S tube instead of the 6072A. It gives a more modern sound, with greater low-frequency accuracy and an airy, delicate top end.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the ELA M 251T need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is powered by its own M 950E power supply, which is included. Connect the power supply's XLR output to your mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Make all connections first, switch on the power supply and let the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the power supply run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The power supply is set to 115 V or 230 V; make sure it matches your mains voltage before plugging in.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 251T Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 251T in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 251T is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940901486959,"sku":"TELEFUNKEN-ELA-M-251T","price":2613500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-251T-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328880"},{"product_id":"telefunken-c12-diamond-series-tube-condenser-microphones","title":"TELEFUNKEN C12","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN C12\u003c\/strong\u003e is a faithful recreation of the classic early-1950s large-diaphragm tube microphone, revered for its smooth and airy response and the epitome of classic, hi-fidelity sound.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhile it suits every type of instrument, the C12 lends itself especially well to drum overheads, acoustic guitar and vocals. Its silky top end gives plenty of air without sounding harsh or artificial, its midrange speaks clearly and articulately, and its low end is tight, focused and balanced. TELEFUNKEN builds on the original design with cathode self-biasing, a configuration that is quieter and more consistent than the original fixed bias. Nine polar patterns are selected remotely on the power supply.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRemote polar patterns\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6072A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eLegendary sweet and airy tone\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePhenomenal high-frequency clarity\u003c\/strong\u003e and definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e9 remote-selectable polar patterns\u003c\/strong\u003e, including cardioid, omnidirectional and figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUS-made CK12 capsule\u003c\/strong\u003e: historically accurate, edge terminated, dual diaphragm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN 6072A vacuum tube\u003c\/strong\u003e in a self-biased circuit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eT14\/1 output transformer\u003c\/strong\u003e, European-made to vintage specification\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: M 910 power supply with built-in pattern selector, vintage-compatible stand-mount cable, M 751 shock mount, WB10 wooden box and FC10 flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe C12 is known for a smooth, airy frequency response. The top end is silky and open, the midrange natural and articulate, and the low end tight and focused. On drum overheads it captures the sparkle of cymbals and the whole kit; on vocals and acoustic guitar it adds air and presence without harshness.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe historically accurate \u003cstrong\u003eCK12\u003c\/strong\u003e capsule is made by hand in limited quantity in South Windsor, Connecticut. This edge-terminated, dual-diaphragm design is considered one of the best-sounding capsules ever created. The new-production \u003cstrong\u003e6072A\u003c\/strong\u003e dual-triode tube is screened by TELEFUNKEN, tested and burned in in the USA and hand-selected for the C12. The \u003cstrong\u003eT14\/1\u003c\/strong\u003e output transformer is made to vintage specification by the original European manufacturer, exclusively for TELEFUNKEN, for a pleasing tonality with excellent low-frequency clarity.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSelf-bias for quieter operation\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe original 1950s circuit used a fixed bias, with a separate negative voltage on the tube grid. The TELEFUNKEN C12 uses \u003cstrong\u003ecathode self-bias\u003c\/strong\u003e as standard, which is known to improve frequency response and headroom, is quieter and more consistent, and needs a less complicated power supply.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNine patterns on the power supply\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe C12's capsule is remote polarised. The \u003cstrong\u003eM 910\u003c\/strong\u003e power supply combines the power supply and the pattern selector box in one unit, with a 9-position switch that moves from omnidirectional through cardioid to figure-8. This does not affect the sound but reduces interconnects, cabling and equipment. The M 910 is designed and built in America, fully regulated and calibrated to its own microphone; its heater circuit ramps up over 20 seconds to extend tube life, and it is set for 115 V or 230 V. The \u003cstrong\u003eM 810\u003c\/strong\u003e cable, made in the USA, has a historically accurate swivel stand-mount connector and a 7-pin XLR, 10 m long, and the \u003cstrong\u003eM 751\u003c\/strong\u003e shock mount gives an additional 12 dB of isolation compared to conventional elastic shock mounts.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt by hand in Connecticut\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to its own microphone and burned in with it as a complete system. The C12 has a grey powder-coated body with the classic TELEFUNKEN Diamond badge. The locking flight case has a shell of layered hardwoods wrapped in a durable, vintage-inspired fabric, suede-lined cavities for every component, dual combination locks and nickel trim. The wooden microphone box is made in the USA of solid white oak with a satin lacquer, and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN C12 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 910 tube microphone power supply with 9-position pattern switch\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 810 tube microphone cable, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 751 shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC10 locking flight case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWB10 wooden microphone box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRegister the microphone at t-funk.com\/warranty; repairs on new TELEFUNKEN Elektroakustik microphones are covered under TELEFUNKEN's limited warranty plan. A standard 3-pin microphone cable from the power supply to the preamp is not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN C12: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I change the polar pattern?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the 9-position pattern switch on the M 910 power supply. It covers omnidirectional, cardioid, figure-8 and the patterns in between, without touching the microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the C12 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is powered by its own M 910 power supply, which is included. Connect the power supply's XLR output to your mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the C12 need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Make all connections first, switch on the power supply and let the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN C12 Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN C12 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN C12 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940902502767,"sku":"TELEFUNKEN-C12","price":2010200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-C12-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328904"},{"product_id":"telefunken-u47-diamond-series-tube-condenser-microphones","title":"TELEFUNKEN U47","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN U47\u003c\/strong\u003e is a faithful recreation of the classic German large-diaphragm tube microphone of the late 1940s, true in every detail down to the historically accurate BV8 transformer and M7-style capsule.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA staple of top-tier professional studios, the U47 is known for its authoritative midrange and extended low end, excelling on everything from vocals, drums and electric guitar to orchestral and chamber recordings. TELEFUNKEN's version has been in production for over two decades and keeps the original circuit, point-to-point wiring and near-identical metalwork, for the same rich, vibrant and instantly recognisable tone. It is a complete system with power supply, 10 m cable, shock mount, wooden box and locking flight case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24.5 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eVF14K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic punchy, mid-forward sound\u003c\/strong\u003e with pleasing bite\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eLegendary extended low-frequency response\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo polar patterns\u003c\/strong\u003e: cardioid and omnidirectional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUS-made M7 capsule\u003c\/strong\u003e: historically accurate, centre terminated, dual diaphragm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN VF14K vacuum tube\u003c\/strong\u003e, a plug-and-play solution for the original tube type\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN BV8 output transformer\u003c\/strong\u003e, wound in America to vintage specification\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: fully regulated M 940H power supply, American-made vintage-compatible cable, M 740 shock mount, WB40 wooden box and FC40 flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe U47 has a classic punchy, mid-forward sound with pleasing bite and a legendary extended low end. Vocals sit easily in a mix with little processing, and its uniquely recognisable voicing suits drums, electric guitar and orchestral and chamber recordings alike.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM7\u003c\/strong\u003e centre-terminated, dual-diaphragm capsule combines the mechanical design of the earliest German condensers with a modern, more stable tensioning material, for a very punchy response with depth and clarity; it is made by hand in limited quantity in South Windsor, Connecticut. The \u003cstrong\u003eVF14K\u003c\/strong\u003e is TELEFUNKEN's drop-in solution to the dwindling supply of the original tube: a new old stock military-grade glass tube and a passive circuit in a plug-and-play casing that fits the original socket, with sonic characteristics extremely close to the original, nearly identical gain and distortion figures and a 5-year manufacturer's warranty. The \u003cstrong\u003eBV8\u003c\/strong\u003e is a hefty, nickel alloy core, twin-coil output transformer wound in America to vintage specification, with a 6.5:1 ratio, very low distortion and a wide, flat frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid and omnidirectional\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSelect \u003cstrong\u003ecardioid\u003c\/strong\u003e for focused pickup with the classic proximity effect, or \u003cstrong\u003eomnidirectional\u003c\/strong\u003e for a natural sense of space and bass without proximity effect. The pattern is selected on the microphone, and the U47 is easily told apart from its figure-8 sibling, the U48, by its polar pattern logo.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 940H\u003c\/strong\u003e power supply is designed and built in America with vintage-correct styling and modern components. It is fully regulated, calibrated to its own microphone and set for 115 V or 230 V mains, and it uses vintage-correct locking connectors and pinout, so it also mates with vintage microphones of this design. The \u003cstrong\u003eM 840TH\u003c\/strong\u003e cable, made by TELEFUNKEN technicians in the USA, has oxygen-free copper conductors, 100% shielding with a dense helical copper screen plus metallised foil, and is 10 m long. The \u003cstrong\u003eM 740\u003c\/strong\u003e is a vintage-styled clasping elastic shock mount with durable metal cages.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt by hand in Connecticut\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn production since 2004, the TELEFUNKEN recreation is wired point to point with precision metal film resistors and polystyrene capacitors, using near-identical metalwork, contacts, cable connectors and circuit components. Almost all metalwork and mechanical parts are interchangeable with original examples. The circuit runs on a single 105-volt line, as on the original design. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to its own microphone and burned in with it as a complete system. The locking flight case has a shell of layered hardwoods wrapped in a durable, vintage-inspired fabric, suede-lined cavities for every component, dual combination locks and nickel trim. The wooden microphone box is made in the USA of solid white oak with a satin lacquer, and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN U47 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 940H tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 840TH tube microphone cable, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 740 shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC40 locking flight case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWB40 wooden microphone box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eThe VF14K tube carries a 5-year manufacturer's warranty; register the microphone at t-funk.com\/warranty for TELEFUNKEN's limited warranty plan. A standard 3-pin microphone cable from the power supply to the preamp is not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN U47: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the U47 and the U48?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe U47 offers cardioid and omnidirectional; the U48 offers cardioid and figure-8. In cardioid the two are sonically identical.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the U47 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is powered by its own M 940H power supply, which is included. Connect the power supply's XLR output to your mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Make all connections first, switch on the power supply and let the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN U47 Stereo Set and the TELEFUNKEN U47\/U48 Studio Set are listed as separate products at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN U47 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN U47 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940905025903,"sku":"TELEFUNKEN-U47","price":2010200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-U47-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328905"},{"product_id":"telefunken-u48-diamond-series-tube-condenser-microphones","title":"TELEFUNKEN U48","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN U48\u003c\/strong\u003e is a historically accurate recreation of the figure-8 variant of the classic German large-diaphragm tube microphone, offering cardioid and bidirectional (figure-8) patterns and easily recognised by its red polar pattern logo.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne of the most iconic and versatile tube microphones ever created, the U48 is celebrated for its authoritative midrange, smooth low-end depth and the added flexibility of figure-8. It delivers on everything from soaring vocals and electric guitar to lush orchestral and chamber performances. TELEFUNKEN's recreation keeps every hallmark of the original, including the BV8 output transformer and M7-style capsule, for unmistakable warmth, detail and dimension. It is a complete system with power supply, 10 m cable, shock mount, wooden box and locking flight case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24.5 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVacuum tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eVF14K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic punchy, mid-forward sound\u003c\/strong\u003e with pleasing bite\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eLegendary extended low-frequency response\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo polar patterns\u003c\/strong\u003e: cardioid and figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUS-made M7 capsule\u003c\/strong\u003e: historically accurate, centre terminated, dual diaphragm\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN VF14K vacuum tube\u003c\/strong\u003e, a plug-and-play solution for the original tube type\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN BV8 output transformer\u003c\/strong\u003e, wound in America to vintage specification\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e: fully regulated M 940H power supply, American-made vintage-compatible cable, M 740 shock mount, WB40 wooden box and FC40 flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe U48 shares the punchy, mid-forward sound and extended low end of the U47; in cardioid the two are sonically identical. It is equally at home on vocals, piano, double bass and percussion, and adds figure-8 for duets, ensembles and stereo work.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhy figure-8\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e\u003cstrong\u003eFigure-8\u003c\/strong\u003e picks up equally from the front and rear while rejecting sound from the sides. That makes the U48 very helpful for controlling ambient and indirect sound when recording ensembles or in less-than-ideal rooms, for two performers facing each other, and as the side microphone in Mid-Side stereo. \u003cstrong\u003eCardioid\u003c\/strong\u003e gives focused single-source pickup. The pattern is selected on the microphone with the red polar pattern switch.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM7\u003c\/strong\u003e centre-terminated, dual-diaphragm capsule combines the mechanical design of the earliest German condensers with a modern, more stable tensioning material, for a very punchy response with depth and clarity; it is made by hand in limited quantity in South Windsor, Connecticut. The \u003cstrong\u003eVF14K\u003c\/strong\u003e is TELEFUNKEN's drop-in solution to the dwindling supply of the original tube: a new old stock military-grade glass tube and a passive circuit in a plug-and-play casing that fits the original socket, with sonic characteristics extremely close to the original, nearly identical gain and distortion figures and a 5-year manufacturer's warranty. The \u003cstrong\u003eBV8\u003c\/strong\u003e is a hefty, nickel alloy core, twin-coil output transformer wound in America to vintage specification, with a 6.5:1 ratio, very low distortion and a wide, flat frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePower supply, cable and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 940H\u003c\/strong\u003e power supply is designed and built in America with vintage-correct styling and modern components. It is fully regulated, calibrated to its own microphone and set for 115 V or 230 V mains, and it uses vintage-correct locking connectors and pinout, so it also mates with vintage microphones of this design. The \u003cstrong\u003eM 840TH\u003c\/strong\u003e cable, made by TELEFUNKEN technicians in the USA, has oxygen-free copper conductors, 100% shielding with a dense helical copper screen plus metallised foil, and is 10 m long. The \u003cstrong\u003eM 740\u003c\/strong\u003e is a vintage-styled clasping elastic shock mount with durable metal cages.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt by hand in Connecticut\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn production since 2004, the TELEFUNKEN recreation is wired point to point with precision metal film resistors and polystyrene capacitors, using near-identical metalwork, contacts, cable connectors and circuit components. Almost all metalwork and mechanical parts are interchangeable with original examples. The circuit runs on a single 105-volt line, as on the original design. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to its own microphone and burned in with it as a complete system. The locking flight case has a shell of layered hardwoods wrapped in a durable, vintage-inspired fabric, suede-lined cavities for every component, dual combination locks and nickel trim. The wooden microphone box is made in the USA of solid white oak with a satin lacquer, and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN U48 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 940H tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 840TH tube microphone cable, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 740 shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC40 locking flight case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWB40 wooden microphone box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eThe VF14K tube carries a 5-year manufacturer's warranty; register the microphone at t-funk.com\/warranty for TELEFUNKEN's limited warranty plan. A standard 3-pin microphone cable from the power supply to the preamp is not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN U48: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the U48 and the U47?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe U48 offers cardioid and figure-8; the U47 offers cardioid and omnidirectional. In cardioid the two are sonically identical. The U48 is identified by its red polar pattern logo.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the U48 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is powered by its own M 940H power supply, which is included. Connect the power supply's XLR output to your mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need to warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Make all connections first, switch on the power supply and let the system warm up for 10 minutes before use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the power supply run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The power supply is set to 115 V or 230 V; make sure it matches your mains voltage before plugging in.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN U48 Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN U48 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN U48 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940915315055,"sku":"TELEFUNKEN-U48","price":2010200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-U48-TUBE-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328927"},{"product_id":"telefunken-ela-m-260-small-diaphragm-condenser-microphones","title":"TELEFUNKEN ELA M 260","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260\u003c\/strong\u003e is one of the few small-diaphragm tube microphones available today: a thread-on capsule system built around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer, designed and hand assembled in the USA.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls it an absolute first choice for acoustic instrument recording. Everything from stringed instruments to drum overheads benefits from its combination of small-diaphragm precision and classic tube warmth, and its tonality and detail on strings, brass, woodwind and percussion stand out. The ELA M 260 ships as a complete system with the thread-on TK60 cardioid capsule, the M 902 power supply, a 7-metre tube cable, shock mount, windscreen and case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eThread‑on TK60 capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFlattering tone and open top end\u003c\/strong\u003e that complements most acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK60 cardioid capsule\u003c\/strong\u003e: edge terminated, 15 mm gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired amplifier\u003c\/strong\u003e around a NOS 5840W vacuum tube with premium through-hole components\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T60\u003c\/strong\u003e US-made output transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with power supply, 7-metre right-angle tube cable, shock mount, windscreen and case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. The NOS 5840W tube and T60 transformer give acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTK60 cardioid capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK60 capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads onto the amplifier body. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eComplete, road-ready system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe system ships ready to record: the M 902 tube power supply, the M 803R right-angle 7-pin tube microphone cable (7 m), the M 761 elastic shock mount, a WS20 20 mm foam windscreen and a ZC60 zipper case. Connect a standard 3-pin XLR cable from the power supply output to any microphone preamp.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M 260 tube microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902 tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803R right-angle 7-pin XLR tube microphone cable, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60 zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the ELA M 260 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for acoustic guitar, violin, mandolin and drum overheads, and for strings, brass, woodwind and percussion in general.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the ELA M 260 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a tube microphone powered by its own external power supply (M 902), connected with the included 7-pin tube cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich polar pattern does the ELA M 260 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCardioid, from the included thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphone warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 Cardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940975116655,"sku":"TELEFUNKEN-ELA-M-260-Cardioid","price":257700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328928"},{"product_id":"telefunken-m60-fet-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M60 FET","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET\u003c\/strong\u003e is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response, high SPL handling and a thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePaired with impressive clarity and subtle tonality, the M60 excels at capturing acoustic and percussive instruments in the studio and on stage. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer. Its circuit topology captures a wide frequency range for life-like reproduction of most sources, and it is fitted with the thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eThread‑on TK60 capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePunchy tone\u003c\/strong\u003e with extended high-frequency clarity and low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK60 cardioid capsule\u003c\/strong\u003e: edge terminated, 15 mm gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. TELEFUNKEN recommends it for acoustic guitar, drums, percussion and live sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTK60 cardioid capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK60 capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads onto the amplifier. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReady for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe system includes the SGMC-5R 5-metre right-angle XLR cable, the M 761 elastic shock mount, a WS20 20 mm foam windscreen and a ZC61 zipper carrying case. On stage the phantom-powered M60 needs no external power supply, and its slim 140 mm x 20 mm body is easy to place over a kit or close to an instrument.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich polar pattern does the M60 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCardioid, from the included thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M60 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M60 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for acoustic guitar, drums, percussion and live sound, including drum overheads, hi-hats and ride cymbals.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Cardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940979769711,"sku":"TELEFUNKEN-M60-FET-Cardioid","price":137600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328961"},{"product_id":"telefunken-dd4-drum-pack-drum-packs-drum-microphone-packs","title":"TELEFUNKEN DD4 Drum Pack","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN DD4 Drum Pack\u003c\/strong\u003e is a 4-microphone dynamic drum package that brings together the three voices of the TELEFUNKEN Dynamic Series, with drum mounts, cables and a hard shell case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DD4 combines the M82 for kick drum, the M80-SH for snare and two M81-SH for toms. It is a convenient all-in-one package, perfect for venues, studios and touring engineers, and a high-fidelity solution for capturing the complete drum kit. Every microphone comes with its mount and a 5-metre SGMC-5R cable with a right-angle connector, all loaded in a road-ready case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMicrophones in the pack\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM82 kick maximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e146 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM80‑SH \/ M81‑SH maximum SPL\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRight‑angle XLR cables included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4x 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 microphones in one package\u003c\/strong\u003e: M82 on kick, M80-SH on snare and two M81-SH on toms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree complementary Dynamic Series voices\u003c\/strong\u003e for a cohesive sound across the kit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM82 with two-band onboard EQ\u003c\/strong\u003e: KICK EQ and HIGH BOOST switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-profile M80-SH and M81-SH\u003c\/strong\u003e, 2026 redesign: 114 mm, 210 g, vibration-dampening technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDrum mounts and a right-angle cable for every microphone\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRugged HC85 hard shell case\u003c\/strong\u003e designed for travel or storage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM82 on kick drum\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M82 is an end-address large-diaphragm dynamic with a 32 mm capsule reaching down to 25 Hz and 146 dB SPL handling. Its two independent EQ switches shape the kick: \u003cstrong\u003eKICK EQ\u003c\/strong\u003e cuts 6 dB at 350 Hz to remove boxiness, and \u003cstrong\u003eHIGH BOOST\u003c\/strong\u003e adds a slow-rising shelf from around 2 kHz, +6 dB at 10 kHz, for beater attack. TELEFUNKEN suggests KICK EQ alone for a vintage kick sound and both switches for a modern kick sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM80-SH on snare, M81-SH on toms\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth low-profile models share a 25 mm dynamic moving-coil capsule, the custom-wound T80 transformer and a supercardioid pattern with superior off-axis rejection. The M80-SH has the M80's natural, condenser-like response with a subtle high-frequency rise for snare snap; the M81-SH has a smooth response and exceptional midrange articulation that fattens up toms. Redesigned for 2026, both are 40% lighter and 10% shorter, with a built-in mount for tight positions around the kit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAll-dynamic simplicity\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBecause every microphone in the DD4 is a dynamic moving-coil design, the whole pack works from any standard mic input with no phantom power and no external supplies. That makes it quick to patch on a busy stage, dependable in rehearsal rooms and simple for venues that need a permanent house kit set-up. The high SPL handling of all three models (135 dB SPL for the M80-SH and M81-SH, 146 dB SPL for the M82) keeps close-placed microphones clean at full playing level, and the supercardioid low-profile models keep spill between drums low. Add your own overhead or room microphones whenever the session calls for them.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA cohesive kit sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN designs each Dynamic Series model to complement the others: the M80's condenser-like extended high end, the M81's flat response and exceptional midrange, and the M82's superb low-frequency capability. Used together they give a cohesive sound in multi-microphone set-ups such as drum kits, with the same intelligent internal construction for low handling noise and dependable durability. On current production units a recessed set screw holds the XLR connector firmly inside the microphone body, and the rugged build is designed to withstand the wear and tear of the road.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounts, cables and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M 782 stand mount holds the M82, while each M80-SH and M81-SH gets both an M 784 metal and an M 785 plastic drum mount, so you can choose the best fit on every rim. 4 SGMC-5R 5-metre (16.4 feet) cables with right-angle female XLR connectors keep cable runs tidy and clear of sticks. Everything travels in the HC85 hard shell case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eDD4\u003cbr\u003e(SYTM‑068)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e1x M82 (kick), 1x M80‑SH (snare), 2x M81‑SH (toms), 1x M 782 stand mount, 3x M 784 metal and 3x M 785 plastic drum mounts, 4x SGMC‑5R 5 m right‑angle cables, HC85 hard shell case\u003c\/td\u003e\n\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M82 kick drum dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M80-SH low-profile dynamic microphone (snare)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M81-SH low-profile dynamic microphones (toms)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M 782 stand mount (for the M82)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 784 metal drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 785 plastic drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4x SGMC-5R 5-metre XLR cables with right-angle female XLR connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x HC85 hard shell case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when each microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. The DD5 is also available with three M81-SH tom microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN DD4 Drum Pack: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones are in the DD4?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M82 for kick, one M80-SH for snare and 2 M81-SH for toms.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The M82, M80-SH and M81-SH are dynamic moving-coil microphones and work from any standard mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich drum mounts are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M 782 stand mount for the M82, plus 3 M 784 metal and 3 M 785 plastic drum mounts for the M80-SH and M81-SH microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the DD4 and the DD5?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DD5 adds a third M81-SH tom microphone, with an extra pair of drum mounts and one more cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the microphones be used beyond the drum kit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN recommends the M80 voice for vocals, percussion and clean guitar amps, the M81 voice for distorted guitar amps and brass, and the M82 for bass cabinets and broadcast voice.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN DD4 Drum Pack in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN DD4 Drum Pack is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940984226159,"sku":"TELEFUNKEN-DD4-Drum-Pack","price":256000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-DD4-DRUM-PACK-DRUM-MICROPHONE-PACKS-SHIVANSH-ELECTRONICS-1.webp?v=1793328961"},{"product_id":"telefunken-dd5-drum-pack-drum-packs-drum-microphone-packs","title":"TELEFUNKEN DD5 Drum Pack","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN DD5 Drum Pack\u003c\/strong\u003e is a 5-microphone dynamic drum package that brings together the three voices of the TELEFUNKEN Dynamic Series, with drum mounts, cables and a hard shell case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DD5 combines the M82 for kick drum, the M80-SH for snare and three M81-SH for toms. It is a convenient all-in-one package, perfect for venues, studios and touring engineers, and a high-fidelity solution for capturing the complete drum kit. Every microphone comes with its mount and a 5-metre SGMC-5R cable with a right-angle connector, all loaded in a road-ready case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMicrophones in the pack\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM82 kick maximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e146 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM80‑SH \/ M81‑SH maximum SPL\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRight‑angle XLR cables included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5x 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e5 microphones in one package\u003c\/strong\u003e: M82 on kick, M80-SH on snare and three M81-SH on toms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree complementary Dynamic Series voices\u003c\/strong\u003e for a cohesive sound across the kit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM82 with two-band onboard EQ\u003c\/strong\u003e: KICK EQ and HIGH BOOST switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-profile M80-SH and M81-SH\u003c\/strong\u003e, 2026 redesign: 114 mm, 210 g, vibration-dampening technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDrum mounts and a right-angle cable for every microphone\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRugged HC85 hard shell case\u003c\/strong\u003e designed for travel or storage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM82 on kick drum\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M82 is an end-address large-diaphragm dynamic with a 32 mm capsule reaching down to 25 Hz and 146 dB SPL handling. Its two independent EQ switches shape the kick: \u003cstrong\u003eKICK EQ\u003c\/strong\u003e cuts 6 dB at 350 Hz to remove boxiness, and \u003cstrong\u003eHIGH BOOST\u003c\/strong\u003e adds a slow-rising shelf from around 2 kHz, +6 dB at 10 kHz, for beater attack. TELEFUNKEN suggests KICK EQ alone for a vintage kick sound and both switches for a modern kick sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM80-SH on snare, M81-SH on toms\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth low-profile models share a 25 mm dynamic moving-coil capsule, the custom-wound T80 transformer and a supercardioid pattern with superior off-axis rejection. The M80-SH has the M80's natural, condenser-like response with a subtle high-frequency rise for snare snap; the M81-SH has a smooth response and exceptional midrange articulation that fattens up toms. Redesigned for 2026, both are 40% lighter and 10% shorter, with a built-in mount for tight positions around the kit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAll-dynamic simplicity\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBecause every microphone in the DD5 is a dynamic moving-coil design, the whole pack works from any standard mic input with no phantom power and no external supplies. That makes it quick to patch on a busy stage, dependable in rehearsal rooms and simple for venues that need a permanent house kit set-up. The high SPL handling of all three models (135 dB SPL for the M80-SH and M81-SH, 146 dB SPL for the M82) keeps close-placed microphones clean at full playing level, and the supercardioid low-profile models keep spill between drums low. Add your own overhead or room microphones whenever the session calls for them.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA cohesive kit sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN designs each Dynamic Series model to complement the others: the M80's condenser-like extended high end, the M81's flat response and exceptional midrange, and the M82's superb low-frequency capability. Used together they give a cohesive sound in multi-microphone set-ups such as drum kits, with the same intelligent internal construction for low handling noise and dependable durability. On current production units a recessed set screw holds the XLR connector firmly inside the microphone body, and the rugged build is designed to withstand the wear and tear of the road.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounts, cables and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M 782 stand mount holds the M82, while each M80-SH and M81-SH gets both an M 784 metal and an M 785 plastic drum mount, so you can choose the best fit on every rim. 5 SGMC-5R 5-metre (16.4 feet) cables with right-angle female XLR connectors keep cable runs tidy and clear of sticks. Everything travels in the HC85 hard shell case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eDD5\u003cbr\u003e(SYTM‑069)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e1x M82 (kick), 1x M80‑SH (snare), 3x M81‑SH (toms), 1x M 782 stand mount, 4x M 784 metal and 4x M 785 plastic drum mounts, 5x SGMC‑5R 5 m right‑angle cables, HC85 hard shell case\u003c\/td\u003e\n\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M82 kick drum dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M80-SH low-profile dynamic microphone (snare)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M81-SH low-profile dynamic microphones (toms)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M 782 stand mount (for the M82)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4x M 784 metal drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4x M 785 plastic drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e5x SGMC-5R 5-metre XLR cables with right-angle female XLR connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x HC85 hard shell case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when each microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. The DD4 is also available with two M81-SH tom microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN DD5 Drum Pack: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones are in the DD5?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M82 for kick, one M80-SH for snare and 3 M81-SH for toms.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The M82, M80-SH and M81-SH are dynamic moving-coil microphones and work from any standard mic input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich drum mounts are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M 782 stand mount for the M82, plus 4 M 784 metal and 4 M 785 plastic drum mounts for the M80-SH and M81-SH microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the DD5 and the DD4?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DD4 has two M81-SH tom microphones instead of three, with one fewer pair of drum mounts and one fewer cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the microphones be used beyond the drum kit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN recommends the M80 voice for vocals, percussion and clean guitar amps, the M81 voice for distorted guitar amps and brass, and the M82 for bass cabinets and broadcast voice.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN DD5 Drum Pack in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN DD5 Drum Pack is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940989862255,"sku":"TELEFUNKEN-DD5-Drum-Pack","price":290500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-DD5-DRUM-PACK-DRUM-MICROPHONE-PACKS-SHIVANSH-ELECTRONICS-1.webp?v=1793328985"},{"product_id":"telefunken-dc6-drum-pack-drum-packs-drum-microphone-packs","title":"TELEFUNKEN DC6 Drum Pack","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN DC6 Drum Pack\u003c\/strong\u003e is a 6-microphone dynamic and small diaphragm condenser drum package that brings together the three voices of the TELEFUNKEN Dynamic Series plus a frequency-matched pair of M60 FET small-diaphragm condensers for cymbals and overheads, with drum mounts, cables and a hard shell case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DC6 combines the M82 for kick drum, the M80-SH for snare and two M81-SH for toms, together with two M60 FET microphones for cymbals and overheads. It is a convenient all-in-one package, perfect for venues, studios and touring engineers, and a high-fidelity solution for capturing the complete drum kit. Every microphone comes with its mount and a 5-metre SGMC-5R cable with a right-angle connector, all loaded in a road-ready case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMicrophones in the pack\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM82 kick maximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e146 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM80‑SH \/ M81‑SH maximum SPL\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRight‑angle XLR cables included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6x 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6 microphones in one package\u003c\/strong\u003e: M82 on kick, M80-SH on snare and two M81-SH on toms, plus a matched M60 FET overhead pair\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree complementary Dynamic Series voices\u003c\/strong\u003e for a cohesive sound across the kit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM82 with two-band onboard EQ\u003c\/strong\u003e: KICK EQ and HIGH BOOST switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-profile M80-SH and M81-SH\u003c\/strong\u003e, 2026 redesign: 114 mm, 210 g, vibration-dampening technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDrum mounts and a right-angle cable for every microphone\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRugged HC87 hard shell case\u003c\/strong\u003e designed for travel or storage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM82 on kick drum\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M82 is an end-address large-diaphragm dynamic with a 32 mm capsule reaching down to 25 Hz and 146 dB SPL handling. Its two independent EQ switches shape the kick: \u003cstrong\u003eKICK EQ\u003c\/strong\u003e cuts 6 dB at 350 Hz to remove boxiness, and \u003cstrong\u003eHIGH BOOST\u003c\/strong\u003e adds a slow-rising shelf from around 2 kHz, +6 dB at 10 kHz, for beater attack. TELEFUNKEN suggests KICK EQ alone for a vintage kick sound and both switches for a modern kick sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM80-SH on snare, M81-SH on toms\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth low-profile models share a 25 mm dynamic moving-coil capsule, the custom-wound T80 transformer and a supercardioid pattern with superior off-axis rejection. The M80-SH has the M80's natural, condenser-like response with a subtle high-frequency rise for snare snap; the M81-SH has a smooth response and exceptional midrange articulation that fattens up toms. Redesigned for 2026, both are 40% lighter and 10% shorter, with a built-in mount for tight positions around the kit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched M60 FET overheads\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe two M60 FET microphones are a frequency-matched pair with TK60 cardioid capsules: ultra-fast transient response, 5 dBA self-noise and more than 135 dB SPL handling for cymbals and overheads. They run on +48V phantom power and mount in the included M 761 elastic shock mounts; their thread-on capsules accept the optional TK61 omnidirectional and TK62 hypercardioid capsules.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA cohesive kit sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN designs each Dynamic Series model to complement the others: the M80's condenser-like extended high end, the M81's flat response and exceptional midrange, and the M82's superb low-frequency capability. Used together they give a cohesive sound in multi-microphone set-ups such as drum kits, with the same intelligent internal construction for low handling noise and dependable durability. On current production units a recessed set screw holds the XLR connector firmly inside the microphone body, and the rugged build is designed to withstand the wear and tear of the road.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounts, cables and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M 782 stand mount holds the M82, while each M80-SH and M81-SH gets both an M 784 metal and an M 785 plastic drum mount, so you can choose the best fit on every rim. 6 SGMC-5R 5-metre (16.4 feet) cables with right-angle female XLR connectors keep cable runs tidy and clear of sticks. Everything travels in the HC87 hard shell case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eDC6\u003cbr\u003e(SYTM‑080)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e1x M82 (kick), 1x M80‑SH (snare), 2x M81‑SH (toms), 2x M60 FET matched pair (overheads), 2x M 761 elastic mounts, 1x M 782 stand mount, 3x M 784 metal and 3x M 785 plastic drum mounts, 6x SGMC‑5R 5 m right‑angle cables, HC87 hard shell case\u003c\/td\u003e\n\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M82 kick drum dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M80-SH low-profile dynamic microphone (snare)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M81-SH low-profile dynamic microphones (toms)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M60 FET small-diaphragm condenser microphones with TK60 cardioid capsules, frequency matched (overheads)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts (for the M60s)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M 782 stand mount (for the M82)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 784 metal drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 785 plastic drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e6x SGMC-5R 5-metre XLR cables with right-angle female XLR connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x HC87 hard shell case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when each microphone is registered with TELEFUNKEN; Dynamic Series and SDC Series warranties are fully transferable between owners. The DC7 is also available with three M81-SH tom microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN DC6 Drum Pack: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones are in the DC6?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M82 for kick, one M80-SH for snare and 2 M81-SH for toms, plus a frequency-matched pair of M60 FET condensers with TK60 cardioid capsules for overheads.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M82, M80-SH and M81-SH are dynamic and need no phantom power. The two M60 FET overheads need +48V phantom power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich drum mounts are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M 782 stand mount for the M82, plus 3 M 784 metal and 3 M 785 plastic drum mounts for the M80-SH and M81-SH microphones, and two M 761 elastic shock mounts for the M60s.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the DC6 and the DC7?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DC7 adds a third M81-SH tom microphone, with an extra pair of drum mounts and one more cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the microphones be used beyond the drum kit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN recommends the M80 voice for vocals, percussion and clean guitar amps, the M81 voice for distorted guitar amps and brass, and the M82 for bass cabinets and broadcast voice, while the M60 FET suits acoustic guitar and percussion.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN DC6 Drum Pack in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN DC6 Drum Pack is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940993728879,"sku":"TELEFUNKEN-DC6-Drum-Pack","price":531800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-DC6-DRUM-PACK-DRUM-MICROPHONE-PACKS-SHIVANSH-ELECTRONICS-1.webp?v=1793328985"},{"product_id":"telefunken-dc7-drum-pack-drum-packs-drum-microphone-packs","title":"TELEFUNKEN DC7 Drum Pack","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN DC7 Drum Pack\u003c\/strong\u003e is a 7-microphone dynamic and small diaphragm condenser drum package that brings together the three voices of the TELEFUNKEN Dynamic Series plus a frequency-matched pair of M60 FET small-diaphragm condensers for cymbals and overheads, with drum mounts, cables and a hard shell case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DC7 combines the M82 for kick drum, the M80-SH for snare and three M81-SH for toms, together with two M60 FET microphones for cymbals and overheads. It is a convenient all-in-one package, perfect for venues, studios and touring engineers, and a high-fidelity solution for capturing the complete drum kit. Every microphone comes with its mount and a 5-metre SGMC-5R cable with a right-angle connector, all loaded in a road-ready case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMicrophones in the pack\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM82 kick maximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e146 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eM80‑SH \/ M81‑SH maximum SPL\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRight‑angle XLR cables included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7x 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e7 microphones in one package\u003c\/strong\u003e: M82 on kick, M80-SH on snare and three M81-SH on toms, plus a matched M60 FET overhead pair\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree complementary Dynamic Series voices\u003c\/strong\u003e for a cohesive sound across the kit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM82 with two-band onboard EQ\u003c\/strong\u003e: KICK EQ and HIGH BOOST switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow-profile M80-SH and M81-SH\u003c\/strong\u003e, 2026 redesign: 114 mm, 210 g, vibration-dampening technology\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDrum mounts and a right-angle cable for every microphone\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRugged HC87 hard shell case\u003c\/strong\u003e designed for travel or storage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM82 on kick drum\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M82 is an end-address large-diaphragm dynamic with a 32 mm capsule reaching down to 25 Hz and 146 dB SPL handling. Its two independent EQ switches shape the kick: \u003cstrong\u003eKICK EQ\u003c\/strong\u003e cuts 6 dB at 350 Hz to remove boxiness, and \u003cstrong\u003eHIGH BOOST\u003c\/strong\u003e adds a slow-rising shelf from around 2 kHz, +6 dB at 10 kHz, for beater attack. TELEFUNKEN suggests KICK EQ alone for a vintage kick sound and both switches for a modern kick sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eM80-SH on snare, M81-SH on toms\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth low-profile models share a 25 mm dynamic moving-coil capsule, the custom-wound T80 transformer and a supercardioid pattern with superior off-axis rejection. The M80-SH has the M80's natural, condenser-like response with a subtle high-frequency rise for snare snap; the M81-SH has a smooth response and exceptional midrange articulation that fattens up toms. Redesigned for 2026, both are 40% lighter and 10% shorter, with a built-in mount for tight positions around the kit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched M60 FET overheads\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe two M60 FET microphones are a frequency-matched pair with TK60 cardioid capsules: ultra-fast transient response, 5 dBA self-noise and more than 135 dB SPL handling for cymbals and overheads. They run on +48V phantom power and mount in the included M 761 elastic shock mounts; their thread-on capsules accept the optional TK61 omnidirectional and TK62 hypercardioid capsules.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA cohesive kit sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN designs each Dynamic Series model to complement the others: the M80's condenser-like extended high end, the M81's flat response and exceptional midrange, and the M82's superb low-frequency capability. Used together they give a cohesive sound in multi-microphone set-ups such as drum kits, with the same intelligent internal construction for low handling noise and dependable durability. On current production units a recessed set screw holds the XLR connector firmly inside the microphone body, and the rugged build is designed to withstand the wear and tear of the road.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounts, cables and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M 782 stand mount holds the M82, while each M80-SH and M81-SH gets both an M 784 metal and an M 785 plastic drum mount, so you can choose the best fit on every rim. 7 SGMC-5R 5-metre (16.4 feet) cables with right-angle female XLR connectors keep cable runs tidy and clear of sticks. Everything travels in the HC87 hard shell case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVersions and sets\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eDC7\u003cbr\u003e(SYTM‑081)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e1x M82 (kick), 1x M80‑SH (snare), 3x M81‑SH (toms), 2x M60 FET matched pair (overheads), 2x M 761 elastic mounts, 1x M 782 stand mount, 4x M 784 metal and 4x M 785 plastic drum mounts, 7x SGMC‑5R 5 m right‑angle cables, HC87 hard shell case\u003c\/td\u003e\n\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M82 kick drum dynamic microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M80-SH low-profile dynamic microphone (snare)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M81-SH low-profile dynamic microphones (toms)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M60 FET small-diaphragm condenser microphones with TK60 cardioid capsules, frequency matched (overheads)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts (for the M60s)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x M 782 stand mount (for the M82)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4x M 784 metal drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e4x M 785 plastic drum mounts (for the M80-SH and M81-SH)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e7x SGMC-5R 5-metre XLR cables with right-angle female XLR connector\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1x HC87 hard shell case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when each microphone is registered with TELEFUNKEN; Dynamic Series and SDC Series warranties are fully transferable between owners. The DC6 is also available with two M81-SH tom microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN DC7 Drum Pack: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones are in the DC7?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M82 for kick, one M80-SH for snare and 3 M81-SH for toms, plus a frequency-matched pair of M60 FET condensers with TK60 cardioid capsules for overheads.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M82, M80-SH and M81-SH are dynamic and need no phantom power. The two M60 FET overheads need +48V phantom power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich drum mounts are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne M 782 stand mount for the M82, plus 4 M 784 metal and 4 M 785 plastic drum mounts for the M80-SH and M81-SH microphones, and two M 761 elastic shock mounts for the M60s.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the DC7 and the DC6?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe DC6 has two M81-SH tom microphones instead of three, with one fewer pair of drum mounts and one fewer cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the microphones be used beyond the drum kit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN recommends the M80 voice for vocals, percussion and clean guitar amps, the M81 voice for distorted guitar amps and brass, and the M82 for bass cabinets and broadcast voice, while the M60 FET suits acoustic guitar and percussion.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN DC7 Drum Pack in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN DC7 Drum Pack is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940997333359,"sku":"TELEFUNKEN-DC7-Drum-Pack","price":566300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-DC7-DRUM-PACK-DRUM-MICROPHONE-PACKS-SHIVANSH-ELECTRONICS-1.webp?v=1793329009"},{"product_id":"telefunken-u47-stereo-set-diamond-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN U47 Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN U47 Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of U47 tube microphones with a dual power supply: the faithful recreation of the classic German large-diaphragm tube microphone of the late 1940s, with BV8 transformers and M7-style capsules, supplied as two identical systems in one locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe U47 is known for its authoritative midrange and extended low end, excelling on vocals, drums, electric guitar and orchestral and chamber recordings. In the Stereo Set, two hand-matched U47 microphones share one M 940HS dual power supply. With cardioid and omnidirectional on each microphone, the pair is ideal for a spaced omnidirectional pair in front of an orchestra or choir, a near-coincident cardioid pair on piano or acoustic ensembles, and a full-bodied stereo picture of a drum kit or a room.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual power supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 940HS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24.5 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo U47 microphones, frequency and gain matched\u003c\/strong\u003e: capsules, tubes and transformers hand-selected and tested\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 940HS dual power supply\u003c\/strong\u003e powering both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 polar patterns on each microphone\u003c\/strong\u003e: cardioid, omnidirectional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll the classic stereo techniques\u003c\/strong\u003e: XY, ORTF and spaced pair\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVF14K vacuum tube and BV8 output transformer\u003c\/strong\u003e in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete stereo system\u003c\/strong\u003e in one FC40S locking flight case, with two cables, two shock mounts and two wooden boxes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe U47 has a classic punchy, mid-forward sound with pleasing bite and a legendary extended low-frequency response. In omnidirectional it gives a natural sense of space and bass without proximity effect; in cardioid it gives focused pickup with the classic proximity effect. Matched in a pair, that weight and depth are identical on both channels, so large ensembles, pianos and drum kits sound full and balanced across the stereo image.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery TELEFUNKEN tube microphone Stereo Set is built around two meticulously matched microphones. For the U47 Stereo Set, all critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. A balanced stereo image, a stable centre and pan positions that behave as expected follow directly from that matching, and the two microphones can also be used side by side as identical mono tools on a session.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone uses the \u003cstrong\u003eM7\u003c\/strong\u003e centre-terminated, dual-diaphragm capsule, which combines the mechanical design of the earliest German condensers with a modern, more stable tensioning material, made by hand in limited quantity in South Windsor, Connecticut. The \u003cstrong\u003eVF14K\u003c\/strong\u003e is TELEFUNKEN's drop-in solution to the dwindling supply of the original tube: a new old stock military-grade glass tube and a passive circuit in a plug-and-play casing, with sonic characteristics extremely close to the original and a 5-year manufacturer's warranty. The \u003cstrong\u003eBV8\u003c\/strong\u003e is a hefty, nickel alloy core, twin-coil output transformer wound in America to vintage specification, with a 6.5:1 ratio, very low distortion and a wide, flat frequency response.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePatterns and stereo techniques\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe pattern is selected on each microphone. Set both to \u003cstrong\u003eomnidirectional\u003c\/strong\u003e for a \u003cstrong\u003espaced pair\u003c\/strong\u003e, the classic choice for orchestras, choirs and rooms, with natural low end and spaciousness. Set both to \u003cstrong\u003ecardioid\u003c\/strong\u003e for an \u003cstrong\u003eXY\u003c\/strong\u003e or \u003cstrong\u003eORTF\u003c\/strong\u003e pair, with more focus on the source and less room. The matched capsules, tubes and transformers keep both arrangements balanced and accurate.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 940HS\u003c\/strong\u003e dual power supply is American-made and powers both microphones at the same time. Like every TELEFUNKEN tube power supply, it is hand-built in Connecticut with premium components, calibrated to the specific microphone system it comes with and burned in with it as a complete unit. It uses vintage-correct locking connectors and pinout. Two \u003cstrong\u003eM 840TH\u003c\/strong\u003e cables, made by TELEFUNKEN technicians in the USA with oxygen-free copper conductors and 100% shielding (a dense helical copper screen plus metallised foil), are 10 m long each, and two \u003cstrong\u003eM 740\u003c\/strong\u003e vintage-styled clasping elastic shock mounts with durable metal cages hold the microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlight case and build\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eFC40S\u003c\/strong\u003e locking flight case is designed with delicate capsules, vacuum tubes and electronic components in mind. Its shell is made of a blend of seven hardwoods and wrapped in a durable travelling fabric, with dual combination locks and nickel trim, an embroidered TELEFUNKEN diamond logo inside the lid and an engraved logo plate (with matching serial number when applicable). It holds both microphones in their wooden boxes, the stereo power supply and both tube microphone cables. Every Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to the microphone system it comes with and burned in with it as a complete system. Each wooden microphone box is made in the USA of solid white oak with a satin lacquer and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x matched TELEFUNKEN U47 microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 940HS dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 840TH tube microphone cables, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 740 shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WB40 wooden microphone boxes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC40S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eThe VF14K tube carries a 5-year manufacturer's warranty; register each microphone at t-funk.com\/warranty for TELEFUNKEN's limited warranty plan. Two standard 3-pin microphone cables from the power supply outputs to the preamps are not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN U47 Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Stereo Set include?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo frequency and gain matched U47 microphones, one M 940HS dual power supply, two M 840TH 10 m cables, two M 740 shock mounts and two WB40 wooden boxes in an FC40S locking flight case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques can I use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith cardioid, omnidirectional on each microphone, the pair covers XY, ORTF and spaced pair.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the Stereo Set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 940HS dual power supply. Connect each XLR output of the power supply to a mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use just one microphone from the set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone is a complete, identical system, so either can be used on its own as a mono microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the U47 available as a single microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN U47 is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN U47 Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN U47 Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944732852591,"sku":"TELEFUNKEN-U47-Stereo-Set","price":4020200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-U47-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329262"},{"product_id":"telefunken-c12-stereo-set-diamond-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN C12 Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN C12 Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of C12 tube microphones with a dual power supply that controls the polar patterns of both microphones: the classic early-1950s large-diaphragm sound, smooth and airy, supplied as two identical systems in one locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe C12 lends itself especially well to drum overheads, acoustic guitar and vocals, with a silky top end that gives plenty of air without sounding harsh, a clear and articulate midrange and a tight, focused low end. In the Stereo Set, two hand-matched C12 microphones run from one M 910S dual power supply with two 9-position pattern switches, so both patterns are set remotely, without touching the microphones. TELEFUNKEN states that this system is capable of all common stereo recording techniques, including XY, ORTF, spaced pair, Blumlein and Mid-Side.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual power supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 910S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo C12 microphones, frequency and gain matched\u003c\/strong\u003e: capsules, tubes and transformers hand-selected and tested\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 910S dual power supply\u003c\/strong\u003e powering both microphones, with remote 9-position pattern switches for each\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e9 remote-selectable polar patterns per microphone\u003c\/strong\u003e, including cardioid, omnidirectional and figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll the classic stereo techniques\u003c\/strong\u003e: XY, ORTF, spaced pair, Blumlein and Mid-Side\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6072A vacuum tube and T14\/1 output transformer\u003c\/strong\u003e in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete stereo system\u003c\/strong\u003e in one FC10S locking flight case, with two cables, two shock mounts and two wooden boxes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe C12 is known for its legendary sweet and airy tone and phenomenal high-frequency clarity and definition. On a pair of overheads it captures the sparkle of cymbals and the whole kit; on piano, acoustic guitar and ensembles it adds air and presence without harshness. Matched gain and frequency response keep that sound identical on both sides of the stereo image.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery TELEFUNKEN tube microphone Stereo Set is built around two meticulously matched microphones. For the C12 Stereo Set, all critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. A balanced stereo image, a stable centre and pan positions that behave as expected follow directly from that matching, and the two microphones can also be used side by side as identical mono tools on a session.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone uses a historically accurate \u003cstrong\u003eCK12\u003c\/strong\u003e capsule, made by hand in limited quantity in South Windsor, Connecticut; this edge-terminated, dual-diaphragm design is considered one of the best-sounding capsules ever created. The new-production \u003cstrong\u003e6072A\u003c\/strong\u003e dual-triode tube is screened by TELEFUNKEN, tested and burned in in the USA and hand-selected, and runs in a \u003cstrong\u003ecathode self-bias\u003c\/strong\u003e configuration, which is quieter and more consistent than the original fixed bias and improves frequency response and headroom. The \u003cstrong\u003eT14\/1\u003c\/strong\u003e output transformer is made to vintage specification by the original European manufacturer, exclusively for TELEFUNKEN.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePatterns and stereo techniques\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe C12 capsule is remote polarised, so the pattern selector is built into the power supply. The \u003cstrong\u003eM 910S\u003c\/strong\u003e has a 9-position switch for each microphone, covering omnidirectional, cardioid, figure-8 and the patterns in between. Set both to cardioid for \u003cstrong\u003eXY\u003c\/strong\u003e or \u003cstrong\u003eORTF\u003c\/strong\u003e, both to omnidirectional for a \u003cstrong\u003espaced pair\u003c\/strong\u003e, both to figure-8 for a \u003cstrong\u003eBlumlein\u003c\/strong\u003e crossed pair, or one to cardioid and one to figure-8 for \u003cstrong\u003eMid-Side\u003c\/strong\u003e. Patterns can be adjusted while listening, without climbing to an overhead or moving a carefully placed pair.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 910S\u003c\/strong\u003e dual power supply is designed and built in America and powers both C12 microphones at the same time. It keeps classic styling and adds modern improvements: a slow-ramping filament voltage to extend tube life, and full regulation so the microphones always operate the same regardless of line voltage variations or location. Full regulation also means the M 910S can safely power just one microphone at the correct operating voltages when needed. It is hand-built in South Windsor, Connecticut, with premium components and double-thick circuit boards, built well over specification for decades of reliable operation. Two \u003cstrong\u003eM 810\u003c\/strong\u003e cables (10 m each), made in the USA with a historically accurate swivel stand-mount connector and a 7-pin XLR, connect the microphones, and two \u003cstrong\u003eM 751\u003c\/strong\u003e shock mounts give an additional 12 dB of isolation compared to conventional elastic shock mounts.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlight case and build\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eFC10S\u003c\/strong\u003e locking flight case is designed with delicate capsules, vacuum tubes and electronic components in mind. Its shell is made of a blend of seven hardwoods and wrapped in a durable travelling fabric, with dual combination locks and nickel trim, an embroidered TELEFUNKEN diamond logo inside the lid and an engraved logo plate (with matching serial number when applicable). It holds both microphones in their wooden boxes, the stereo power supply and both tube microphone cables, plus the two shock mounts. Every Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to the microphone system it comes with and burned in with it as a complete system. Each wooden microphone box is made in the USA of solid white oak with a satin lacquer and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x matched TELEFUNKEN C12 microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 910S dual tube microphone power supply with two 9-position pattern switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 810 tube microphone cables, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 751 shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WB10 wooden microphone boxes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC10S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRegister each microphone at t-funk.com\/warranty; repairs on new TELEFUNKEN Elektroakustik microphones are covered under TELEFUNKEN's limited warranty plan. Two standard 3-pin microphone cables from the power supply outputs to the preamps are not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN C12 Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Stereo Set include?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo frequency and gain matched C12 microphones, one M 910S dual power supply, two M 810 10 m cables, two M 751 shock mounts and two WB10 wooden boxes in an FC10S locking flight case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques can I use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN states that the C12 Stereo Set is capable of all common stereo recording techniques, including XY, ORTF, spaced pair, Blumlein and Mid-Side.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the Stereo Set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 910S dual power supply. Connect each XLR output of the power supply to a mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use just one microphone from the set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The M 910S is fully regulated, so it can safely power one microphone at the correct operating voltages.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the C12 available as a single microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN C12 is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN C12 Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN C12 Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944735572335,"sku":"TELEFUNKEN-C12-Stereo-Set","price":4020200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-C12-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329261"},{"product_id":"telefunken-ela-m-251e-stereo-set-diamond-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 251E Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 251E Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of ELA M 251E tube microphones with a dual power supply, built for stereo recording of the highest standard: a meticulously accurate recreation of the three-pattern classic of the late 1950s, supplied as two identical systems in one locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach ELA M 251E is smooth yet present and open, with an extended and focused low end, a detailed midrange and a silky top end, ideal for vocals and acoustic instruments. In the Stereo Set, two hand-matched microphones share one M 950ES dual power supply, so pianos, choirs, acoustic ensembles, drum overheads and rooms can be captured as a precise, balanced stereo image. Because each microphone offers cardioid, omnidirectional and figure-8 on its own body, the set covers every common stereo technique, from XY and ORTF to spaced pair, Blumlein and Mid-Side.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual power supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 950ES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo ELA M 251E microphones, frequency and gain matched\u003c\/strong\u003e: capsules, tubes and transformers hand-selected and tested\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 950ES dual power supply\u003c\/strong\u003e powering both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3 polar patterns on each microphone\u003c\/strong\u003e: cardioid, omnidirectional, figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll the classic stereo techniques\u003c\/strong\u003e: XY, ORTF, spaced pair, Blumlein and Mid-Side\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e6072A vacuum tube and T14\/1 output transformer\u003c\/strong\u003e in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete stereo system\u003c\/strong\u003e in one FC50S locking flight case, with two cables, two shock mounts and two wooden boxes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes the ELA M 251E's tone as exceptionally warm and clear, with renowned high-end detail, body and low-frequency definition. Voices and acoustic instruments come across with natural air, and in a matched pair that character is identical on the left and right channels, so a piano or a choir keeps its tonal balance from one side of the stereo picture to the other.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery TELEFUNKEN tube microphone Stereo Set is built around two meticulously matched microphones. For the ELA M 251E Stereo Set, all critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. A balanced stereo image, a stable centre and pan positions that behave as expected follow directly from that matching, and the two microphones can also be used side by side as identical mono tools on a session.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone uses a historically accurate \u003cstrong\u003eCK12\u003c\/strong\u003e capsule made in limited quantity in the USA: an edge-terminated, dual-diaphragm design reverse engineered from an outstanding original example and tensioned and tuned to the early-1960s production run. The new-production \u003cstrong\u003e6072A\u003c\/strong\u003e dual-triode tube is screened by TELEFUNKEN, tested and burned in in the USA, and hand-selected; the tube is self-biased, so no calibration is needed when a tube is changed. The \u003cstrong\u003eT14\/1\u003c\/strong\u003e output transformer is made to vintage specification by the original European manufacturer, exclusively for TELEFUNKEN, for a sonically pleasing tonality with excellent low-frequency clarity.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePatterns and stereo techniques\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach ELA M 251E has its pattern switch on the front of the body, with the polarising network inside the microphone as on the original design. Set both to \u003cstrong\u003ecardioid\u003c\/strong\u003e for XY or ORTF, both to \u003cstrong\u003eomnidirectional\u003c\/strong\u003e for a spaced pair, both to \u003cstrong\u003efigure-8\u003c\/strong\u003e for a Blumlein crossed pair, or one to cardioid and one to figure-8 for \u003cstrong\u003eMid-Side\u003c\/strong\u003e. Because the two microphones are matched, every one of these arrangements gives a balanced and accurate result.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 950ES\u003c\/strong\u003e dual power supply is designed and built in America and powers both microphones at the same time. It keeps classic styling but adds modern improvements: a slow-ramping filament voltage to extend tube life, and full regulation so the microphones always operate the same regardless of line voltage variations or location. Full regulation also means the M 950ES can safely power just one microphone at the correct operating voltages when needed. It is hand-built in South Windsor, Connecticut, with premium components and double-thick circuit boards, built well over specification for decades of reliable operation. Two \u003cstrong\u003eM 850E\u003c\/strong\u003e cables (10 m each), made in the USA with a historically accurate swivel stand-mount connector and a 7-pin XLR, connect the microphones, and two \u003cstrong\u003eM 751\u003c\/strong\u003e shock mounts give an additional 12 dB of isolation compared to conventional elastic shock mounts.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlight case and build\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eFC50S\u003c\/strong\u003e locking flight case is designed with delicate capsules, vacuum tubes and electronic components in mind. Its shell is made of a blend of seven hardwoods and wrapped in a durable travelling fabric, with dual combination locks and nickel trim, an embroidered TELEFUNKEN diamond logo inside the lid and an engraved logo plate (with matching serial number when applicable). It holds both microphones in their wooden boxes, the stereo power supply and both tube microphone cables. Every Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to the microphone system it comes with and burned in with it as a complete system. Each wooden microphone box is made in the USA of solid white oak with a satin lacquer and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x matched TELEFUNKEN ELA M 251E microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 950ES dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 850E tube microphone cables, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 751 shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WB50 wooden microphone boxes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC50S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eRegister each microphone at t-funk.com\/warranty; repairs on new TELEFUNKEN Elektroakustik microphones are covered under TELEFUNKEN's limited warranty plan. Two standard 3-pin microphone cables from the power supply outputs to the preamps are not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 251E Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Stereo Set include?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo frequency and gain matched ELA M 251E microphones, one M 950ES dual power supply, two M 850E 10 m cables, two M 751 shock mounts and two WB50 wooden boxes in an FC50S locking flight case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques can I use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith cardioid, omnidirectional, figure-8 on each microphone, the pair covers XY, ORTF, spaced pair, Blumlein and Mid-Side.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the Stereo Set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 950ES dual power supply. Connect each XLR output of the power supply to a mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use just one microphone from the set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The M 950ES is fully regulated, so it can safely power one microphone at the correct operating voltages.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the ELA M 251E available as a single microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 251E is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 251E Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 251E Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944735965551,"sku":"TELEFUNKEN-ELA-M-251E-Stereo-Set","price":5226800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-251E-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329239"},{"product_id":"telefunken-ela-m-251t-stereo-set-diamond-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 251T Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 251T Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of ELA M 251T tube microphones with a dual power supply: TELEFUNKEN Elektroakustik's most premium microphone, with the CK13™ Alloy 2213™ capsule and a new old stock ECC801S tube, supplied as two identical systems in one locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ELA M 251T is based on the classic ELA M 251E but with a modern twist: its capsule membrane is Alloy 2213™, an amalgam of titanium and aluminium originally developed for the aerospace industry, instead of gold. The result is greater accuracy in the low frequencies and an airy, delicate upper range, with the depth associated with ELA M 251 microphones. In the Stereo Set, two hand-matched microphones share one M 950ES dual power supply, so pianos, strings, choirs, drum overheads and rooms can be recorded in stereo with modern detail and a precise image. Cardioid, omnidirectional and figure-8 on each body cover XY, ORTF, spaced pair, Blumlein and Mid-Side.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual power supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 950ES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo ELA M 251T microphones, frequency and gain matched\u003c\/strong\u003e: capsules, tubes and transformers hand-selected and tested\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 950ES dual power supply\u003c\/strong\u003e powering both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e3 polar patterns on each microphone\u003c\/strong\u003e: cardioid, omnidirectional, figure-8\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll the classic stereo techniques\u003c\/strong\u003e: XY, ORTF, spaced pair, Blumlein and Mid-Side\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eECC801S vacuum tube and T14\/1 output transformer\u003c\/strong\u003e in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePoint-to-point wired in the USA\u003c\/strong\u003e, true to the original design\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete stereo system\u003c\/strong\u003e in one FC50S locking flight case, with two cables, two shock mounts and two wooden boxes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes the ELA M 251T as offering modern-sounding detail and tone, with pronounced high-end accuracy and low-frequency definition. In a matched pair, that detail is identical on both channels, which is exactly what fine stereo work needs: acoustic instruments keep their exact placement, and room reflections stay natural and even across the stereo picture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery TELEFUNKEN tube microphone Stereo Set is built around two meticulously matched microphones. For the ELA M 251T Stereo Set, all critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. A balanced stereo image, a stable centre and pan positions that behave as expected follow directly from that matching, and the two microphones can also be used side by side as identical mono tools on a session.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eCK13™\u003c\/strong\u003e capsule is nearly identical to the CK12 except for its membrane. Alloy 2213™ is lighter than gold and gives a higher damping factor to the motion of the membrane, for greater accuracy in the low end and a uniquely modern, airy upper range. The \u003cstrong\u003eECC801S\u003c\/strong\u003e is a German-made new old stock dual-triode tube, considered one of the best-sounding dual triodes ever manufactured and prized for its sweet tone and three-dimensional soundstage; it is an increasingly rare, premium upgrade in the 251 circuit. It is matched with the historically accurate \u003cstrong\u003eT14\/1\u003c\/strong\u003e output transformer, made by the original European manufacturer. The amplifier is self-biased, so no calibration is needed when a tube is changed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePatterns and stereo techniques\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach ELA M 251T has its pattern switch on the front of the body, with the polarising network inside the microphone. Set both to \u003cstrong\u003ecardioid\u003c\/strong\u003e for XY or ORTF, both to \u003cstrong\u003eomnidirectional\u003c\/strong\u003e for a spaced pair, both to \u003cstrong\u003efigure-8\u003c\/strong\u003e for a Blumlein crossed pair, or one to cardioid and one to figure-8 for \u003cstrong\u003eMid-Side\u003c\/strong\u003e. The matched capsules, tubes and transformers keep each arrangement balanced and accurate.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 950ES\u003c\/strong\u003e dual power supply is designed and built in America and powers both microphones at the same time. It adds modern improvements to a classic design: a slow-ramping filament voltage to extend tube life, and full regulation so the microphones always operate the same regardless of line voltage variations or location. Full regulation also means the M 950ES can safely power just one microphone at the correct operating voltages when needed. It is hand-built in South Windsor, Connecticut, with premium components and double-thick circuit boards, built well over specification for decades of reliable operation. Two \u003cstrong\u003eM 850T\u003c\/strong\u003e cables (10 m each), made in the USA with a swivel stand-mount connector and a 7-pin XLR, connect the microphones, and two \u003cstrong\u003eM 751\u003c\/strong\u003e shock mounts give an additional 12 dB of isolation compared to conventional elastic shock mounts.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlight case and build\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eFC50S\u003c\/strong\u003e locking flight case is designed with delicate capsules, vacuum tubes and electronic components in mind. Its shell is made of a blend of seven hardwoods and wrapped in a durable travelling fabric, with dual combination locks and nickel trim, an embroidered TELEFUNKEN diamond logo inside the lid and an engraved logo plate (with matching serial number when applicable). It holds both microphones in their wooden boxes, the stereo power supply and both tube microphone cables. Every Diamond Series microphone is reverse engineered from the original design, hand built and point-to-point wired (no circuit boards) at the TELEFUNKEN facility in South Windsor, Connecticut, USA, in small production runs. Most metalwork and mechanical parts are custom tooled and machined in the USA, and every power supply is calibrated to the microphone system it comes with and burned in with it as a complete system. Each wooden microphone box is made in the USA of solid white oak with a satin lacquer and carries a metal name plate with the model and serial number.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x matched TELEFUNKEN ELA M 251T microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 950ES dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 850T tube microphone cables, 10 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 751 shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WB50 wooden microphone boxes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC50S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN lists the ELA M 251T system with a 4-year warranty; register each microphone at t-funk.com\/warranty. Two standard 3-pin microphone cables from the power supply outputs to the preamps are not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 251T Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Stereo Set include?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo frequency and gain matched ELA M 251T microphones, one M 950ES dual power supply, two M 850T 10 m cables, two M 751 shock mounts and two WB50 wooden boxes in an FC50S locking flight case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques can I use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith cardioid, omnidirectional, figure-8 on each microphone, the pair covers XY, ORTF, spaced pair, Blumlein and Mid-Side.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the Stereo Set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 950ES dual power supply. Connect each XLR output of the power supply to a mic preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use just one microphone from the set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The M 950ES is fully regulated, so it can safely power one microphone at the correct operating voltages.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the ELA M 251T available as a single microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 251T is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 251T Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 251T Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944736424303,"sku":"TELEFUNKEN-ELA-M-251T-Stereo-Set","price":5226800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-251T-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329239"},{"product_id":"telefunken-ela-m-260-amplifier-small-diaphragm-condenser-microphones","title":"TELEFUNKEN ELA M 260 Amplifier","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Amplifier\u003c\/strong\u003e is the M 260 small-diaphragm tube microphone body on its own: the vacuum tube amplifier that accepts the thread-on TK60, TK61 and TK62 capsules, supplied without capsule, cable or power supply.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the heart of every ELA M 260 system, built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, and designed and hand assembled in the USA. Choose it as a spare body for a studio or rental inventory, to rebuild a system around capsules you already own, or to keep a session running while another body is serviced. TK6x capsules are shared with the TELEFUNKEN M60 FET, so one capsule collection can serve both amplifiers.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUS‑made TELEFUNKEN output transformer\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eT60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e11 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD (amplifier, 1 kHz at 1 Pa)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 0.15%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 260 tube amplifier body\u003c\/strong\u003e for the TELEFUNKEN SDC Series\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAccepts thread-on TK6x capsules\u003c\/strong\u003e: TK60 cardioid, TK61 omnidirectional, TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired circuit\u003c\/strong\u003e around a NOS 5840W tube with premium through-hole components\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T60\u003c\/strong\u003e US-made output transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e200 ohms output impedance\u003c\/strong\u003e, 83 dBA signal-to-noise ratio and 135 dB SPL maximum level with a capsule fitted\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSlim 20 mm body\u003c\/strong\u003e that fits the M 761 shock mount and WS20 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat the amplifier needs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe amplifier is one part of a complete system. To record you need a TK6x capsule, a tube microphone power supply that powers the ELA M 260 (the M 902 for one microphone or the M 902S dual supply for two), and a 7-pin XLR tube microphone cable such as the 7-metre M 803. The power supply delivers the B+ and heater voltages through the 7-pin cable and outputs the audio on a standard 3-pin XLR. No phantom power is used. The M 761 elastic shock mount and the WS20 20 mm foam windscreen fit the 20 mm body.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible capsules\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCare and service\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTube microphones, their power supplies and their cables carry potentially harmful voltages: make all connections, including fitting the capsule, before switching the power supply on, and never open the microphone or power supply while it is connected to mains power. The 5840W tube has flying leads that are soldered in place, so TELEFUNKEN asks that tube replacement is carried out only by its authorised repair facilities.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M 260 tube microphone amplifier body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo capsule, cable, shock mount, windscreen or power supply (available separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Amplifier: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a capsule included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The amplifier is supplied without a capsule. Fit a TK60 cardioid, TK61 omnidirectional or TK62 hypercardioid capsule, or the TK6X Capsule Set.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich power supply does it need?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA TELEFUNKEN tube microphone power supply for the ELA M 260: the M 902 powers one microphone and the M 902S dual supply powers two. Connect it with a 7-pin tube microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWill M60 FET capsules fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The ELA M 260 and the M60 FET both accept the thread-on TK6x capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a matched pair possible with a second amplifier?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor factory-matched stereo pairs TELEFUNKEN offers the ELA M 260 Stereo Sets. A second amplifier with your own capsules gives a working pair, but TELEFUNKEN supplies matching only with its sets.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a complete ELA M 260 system available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 (single microphone system) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Amplifier in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Amplifier is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944737472879,"sku":"TELEFUNKEN-ELA-M-260-Amplifier","price":131000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-AMPLIFIER-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329372"},{"product_id":"telefunken-ela-m-260-cardioid-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 260 Cardioid Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Cardioid Stereo Set\u003c\/strong\u003e is a matched pair of ELA M 260 small-diaphragm tube microphones with TK60 cardioid capsules, running from one M 902S dual power supply and packed in a single ZC60S zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls the ELA M 260 one of the few small-diaphragm tube microphones available today and an absolute first choice for acoustic instrument recording. Supplied as a matched set, two microphones are ready for coincident, near-coincident and spaced-pair stereo on drum overheads, acoustic guitar, strings, brass, woodwind and percussion. Each microphone is designed and hand assembled in the USA around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair with TK60 cardioid capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M 260\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual tube power supply for both microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 902S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two ELA M 260 tube microphones for stereo recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid capsules\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 902S dual power supply\u003c\/strong\u003e runs both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired amplifier\u003c\/strong\u003e around a NOS 5840W tube with the TELEFUNKEN T60 transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC60S zipper case\u003c\/strong\u003e holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA matched cardioid pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes this set as a matched set of ELA M 260 tube microphones with TK60 cardioid capsules. Every TK6x capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility, so the left and right channels of a stereo image sound alike. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, and TELEFUNKEN names it ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne power supply for both microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth microphones run from one \u003cstrong\u003eM 902S dual tube power supply\u003c\/strong\u003e, designed and assembled in the USA. Its compact circuit uses premium-quality capacitors with improved regulation and RF suppression, and every unit is burned in as a complete unit for reliable operation. Two M 803R right-angle 7-pin tube cables (7 m each) connect the microphones, and the two 3-pin XLR outputs feed any pair of microphone preamps; no phantom power is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo techniques with the TK60\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual recommends three stereo configurations for TK60 cardioid capsules. \u003cstrong\u003eXY\u003c\/strong\u003e: angle the microphones 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; this sounds the most direct and should always be phase coherent. \u003cstrong\u003eNear-coincident\u003c\/strong\u003e: angle the pair 110 degrees apart with the capsules 17 cm apart, a layout designed to mimic the placement of the human ears. \u003cstrong\u003eSpaced pair\u003c\/strong\u003e: set the microphones parallel, typically 60 cm apart, or up to 3 m depending on the distance from the source, the room and the stereo width you want.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's own recommendations: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRoom to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK61 omnidirectional and TK62 hypercardioid capsules thread onto the same M 260 bodies, so the pair can later be used for omni spaced-pair recording or hypercardioid live recording. The \u003cstrong\u003eZC60S softshell zipper case\u003c\/strong\u003e carries the complete stereo system: both microphones, two cables, two elastic shock mounts, the dual power supply, the removable TK6x capsules and additional accessories, in a smaller, lighter and more portable format than earlier stereo case configurations.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M 260 tube microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902S dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 803R right-angle 7-pin XLR tube microphone cables, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60S zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Cardioid Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN supplies the Cardioid Stereo Set as a matched set of ELA M 260 microphones, and every TK6x capsule is individually tested and matched by frequency response.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both tube microphones are powered by the included M 902S dual power supply through the 7-pin tube cables. Connect standard 3-pin XLR cables from the power supply to your preamps.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit this set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends XY, near-coincident (110 degrees, 17 cm) and spaced-pair setups for TK60 cardioid capsules. Always check for phase cancellation.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single ELA M 260 available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 (single microphone system) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Cardioid Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Cardioid Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944745501039,"sku":"TELEFUNKEN-ELA-M-260-Cardioid-Stereo-Set","price":499000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-CARDIOID-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329336"},{"product_id":"telefunken-ela-m-260-master-capsule-set-small-diaphragm-condenser-microphones","title":"TELEFUNKEN ELA M 260 Master Capsule Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Master Capsule Set\u003c\/strong\u003e is a single ELA M 260 small-diaphragm tube microphone supplied with all three thread-on capsules: TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls the ELA M 260 one of the few small-diaphragm tube microphones available today and an absolute first choice for acoustic instrument recording. With the full capsule set, one microphone covers close cardioid work on acoustic guitar and strings, open omnidirectional pickup of instruments and rooms, and tight hypercardioid placement on cymbals and percussion. It is designed and hand assembled in the USA around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer, and ships as a complete system with power supply, tube cable, shock mount, windscreen and case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK60, TK61 and TK62 included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns in one system\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFlattering tone and open top end\u003c\/strong\u003e that complements most acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK6x capsules\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired amplifier\u003c\/strong\u003e around a NOS 5840W tube with the TELEFUNKEN T60 transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with M 902 power supply, 7-metre right-angle tube cable, shock mount, windscreen and ZC60 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery capsule in one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The Master Capsule Set includes one of each:\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eChoosing a capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the TK60 cardioid as the everyday choice for acoustic guitar, violin, mandolin and overheads. Switch to the TK61 omnidirectional when you want the room and the full low end: TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance but pick up more ambient sound. Choose the TK62 hypercardioid for cymbals, percussion and less than ideal recording environments, where its tighter pattern keeps neighbouring sources down. Change capsules with the power supply switched off, in line with TELEFUNKEN's rule to make all connections before powering on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eComplete, ready-to-record system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe system ships with the M 902 tube power supply, designed and assembled in the USA with premium-quality capacitors, improved regulation and RF suppression; the M 803R right-angle 7-pin tube microphone cable (7 m); the M 761 elastic shock mount for the 20 mm body; a WS20 20 mm foam windscreen; and the ZC60 protective foam zipper case. Connect a standard 3-pin XLR cable from the power supply to any microphone preamp; no phantom power is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M 260 tube microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902 tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803R right-angle 7-pin XLR tube microphone cable, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60 zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Master Capsule Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is this different from the standard ELA M 260?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe standard ELA M 260 system includes the TK60 cardioid capsule only. The Master Capsule Set adds the TK61 omnidirectional and TK62 hypercardioid capsules, with the same power supply, cable, mount, windscreen and case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a tube microphone powered by the included M 902 power supply through the 7-pin tube cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use first?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eStart with the TK60 cardioid for acoustic guitar, strings and overheads, use the TK61 for open, natural room sound and the TK62 for cymbals, percussion or noisy rooms.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphone warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 Master Capsule Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Master Capsule Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Master Capsule Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944745861487,"sku":"TELEFUNKEN-ELA-M-260-Master-Capsule","price":292200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-MASTER-CAPSULE-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329336"},{"product_id":"telefunken-ela-m-260-master-capsule-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 260 Master Capsule Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Master Capsule Stereo Set\u003c\/strong\u003e is a matched pair of ELA M 260 small-diaphragm tube microphones with two full sets of thread-on capsules (TK60 cardioid, TK61 omnidirectional, TK62 hypercardioid), one M 902S dual power supply and a ZC60S zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls the ELA M 260 an absolute first choice for acoustic instrument recording, and this is its most flexible stereo package. With matched microphones and a cardioid, omni and hypercardioid capsule for each, one set covers XY and near-coincident cardioid recording, omnidirectional spaced pairs for rooms and ensembles, and hypercardioid pairs for live performance. Each microphone is designed and hand assembled in the USA around a NOS 5840W tube and a US-made TELEFUNKEN T60 transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair of tube microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M 260\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e2x each TK60, TK61 and TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual tube power supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 902S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two ELA M 260 tube microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo complete capsule sets\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid for each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEvery stereo technique TELEFUNKEN recommends\u003c\/strong\u003e for the SDC Series, from XY to a spaced omni pair\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 902S dual power supply\u003c\/strong\u003e runs both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC60S zipper case\u003c\/strong\u003e holds the complete system including the removable capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched microphones, matched capsules\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN supplies this set as a matched set of ELA M 260 tube microphones with interchangeable capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA stereo technique for every session\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SDC Series manual pairs each technique with a capsule. \u003cstrong\u003eXY\u003c\/strong\u003e with TK60 or TK62 capsules: 90 degrees apart, capsule centres directly over each other, as close as possible without touching, for the most direct and phase-coherent image. \u003cstrong\u003eNear-coincident\u003c\/strong\u003e with TK60 capsules: 110 degrees apart with the capsules 17 cm apart, mimicking the placement of the human ears. \u003cstrong\u003eSpaced pair\u003c\/strong\u003e with TK60 or TK61 capsules: parallel microphones, typically 60 cm apart and up to 3 m depending on distance, room and desired width.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's own recommendations: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne supply, one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth microphones run from one \u003cstrong\u003eM 902S dual tube power supply\u003c\/strong\u003e, designed and assembled in the USA. Its compact circuit uses premium-quality capacitors with improved regulation and RF suppression, and every unit is burned in as a complete unit for reliable operation. Two M 803R right-angle 7-pin tube cables (7 m each) connect the microphones, and the two 3-pin XLR outputs feed any pair of microphone preamps; no phantom power is needed. The \u003cstrong\u003eZC60S softshell zipper case\u003c\/strong\u003e carries the complete stereo system: both microphones, two cables, two elastic shock mounts, the dual power supply, the removable TK6x capsules and additional accessories, in a smaller, lighter and more portable format than earlier stereo case configurations.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M 260 tube microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK62 hypercardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902S dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 803R right-angle 7-pin XLR tube microphone cables, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60S zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Master Capsule Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference from the Cardioid Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Cardioid Stereo Set includes two TK60 capsules only. The Master Capsule Stereo Set adds two TK61 omnidirectional and two TK62 hypercardioid capsules, with the same M 902S power supply, cables, mounts, windscreens and ZC60S case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both tube microphones are powered by the included M 902S dual power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsules for which technique?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK60 or TK62 for XY, TK60 for the 110-degree near-coincident pair and TK60 or TK61 for a spaced pair. The TK62 pair is also excellent for live performance recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single Master Capsule system available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 Master Capsule Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Master Capsule Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Master Capsule Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944746287471,"sku":"TELEFUNKEN-ELA-M-260-Master-Capsule-Stereo-Set","price":533500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-MASTER-CAPSULE-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329344"},{"product_id":"telefunken-ela-m-260-tri-mono-system-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 260 Tri-Mono System","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Tri-Mono System\u003c\/strong\u003e is a matched set of three ELA M 260 small-diaphragm tube microphones, each with TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid capsules, plus three SD40 40 mm diffusion spheres, an M 963 power supply and an FC63 locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN offers the ELA M 260 in a Tri-Mono package for classic three-microphone tree recording of orchestras, choirs and ensembles, and for any session that needs three matched tube microphones. The ELA M 260 is one of the few small-diaphragm tube microphones available today, an absolute first choice for acoustic instruments with outstanding tonality on strings, brass, woodwind and percussion. Each microphone is designed and hand assembled in the USA around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched set of three tube microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x M 260\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e3x each TK60, TK61 and TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e40 mm diffusion spheres\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x SD40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set of three\u003c\/strong\u003e ELA M 260 tube microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree complete capsule sets\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid for every microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree SD40 40 mm diffusion spheres\u003c\/strong\u003e for the omnidirectional TK61\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 963 power supply\u003c\/strong\u003e for all three microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFC63 locking flight case\u003c\/strong\u003e for the complete system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe three-microphone tree\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual describes the classic three-microphone tree with this system: fit TK61 omnidirectional capsules with SD40 diffuse-field spheres, position the left and right microphones 2 m apart and place the centre microphone 1.5 m in front. Distances can be adjusted but should not be less than 1.5 m, and the left and right microphones can be angled outwards up to 90 degrees. The result is a wide, stable image with the full low end that omnidirectional capsules retain at a distance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsules and diffusion spheres\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SD40 spheres slip onto the TK61 to make its upper-midrange response more directional, which helps the outer microphones of a tree focus on the ensemble while the low end stays open.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMore than a tree\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBecause every microphone has all three capsules, the system also works as a matched stereo pair with a third microphone for a centre, spot or room position. Use two microphones in XY or a 110-degree near-coincident pair, or a spaced pair with TK60 or TK61 capsules, and keep the third for a soloist or the room. TELEFUNKEN's own recommendations: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TELEFUNKEN M 260 tube microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK62 hypercardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 963 power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 803R right-angle 7-pin XLR tube microphone cables, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x SD40 40 mm diffusion spheres\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC63 locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Tri-Mono System: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is a Tri-Mono system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA matched set of three ELA M 260 microphones with all capsule options and a set of three 40 mm diffuse-field spheres, intended above all for three-microphone tree recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. All three tube microphones are powered by the included M 963 power supply through the 7-pin tube cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow should I set up the tree?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK61 capsules with SD40 spheres, left and right 2 m apart, centre 1.5 m in front, with distances no less than 1.5 m and the outer microphones angled outwards up to 90 degrees.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Tri-Mono System in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Tri-Mono System is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944747008367,"sku":"TELEFUNKEN-ELA-M-260-Tri-Mono-System","price":861000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-TRI-MONO-SYSTEM-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329372"},{"product_id":"telefunken-m60-fet-amplifier-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M60 FET Amplifier","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Amplifier\u003c\/strong\u003e is the M60 FET microphone body on its own: the phantom-powered, true class-A discrete FET amplifier that accepts TELEFUNKEN's thread-on TK60, TK61 and TK62 capsules.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the part to buy when you already own TK6x capsules, want to add a second body to build a stereo pair, or need a spare amplifier for a busy studio or rental stock. Fit any TK6x capsule and it becomes an M60 (cardioid), M61 (omnidirectional) or M62 (hypercardioid). The amplifier is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean circuit with an American-made transformer, and its circuit topology captures a wide frequency range for life-like reproduction of most sources.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD, amplifier, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOutput impedance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM60 FET amplifier body\u003c\/strong\u003e, supplied without a capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAccepts all TK6x capsules\u003c\/strong\u003e: TK60 cardioid, TK61 omnidirectional, TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+48V phantom powered\u003c\/strong\u003e: no external power supply needed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne body, three microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 amplifier threads together with any TK6x capsule in seconds. Each capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response. With a TK60 the result is the M60 cardioid, ideal for drum overheads and acoustic guitar; with a TK61 the M61 omnidirectional; with a TK62 the M62 hypercardioid for cymbals, percussion and live stereo pairs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eQuiet and fast\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith a capsule fitted, the complete microphone offers 20 Hz - 20 kHz ±3 dB, 10 mV\/Pa sensitivity, more than 135 dB SPL handling and 89 dBA signal-to-noise ratio. The amplifier's own self-noise is 5 dBA and its distortion stays below 0.01% at 1 kHz and 1 Pa, so the body adds very little of its own to the capsule's sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExpand an existing system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAdd the amplifier to a single M60 system to make a second microphone for stereo work, or keep one as a backup for touring and live sound. The slim 140 mm x 20 mm body is easy to place over a kit or close to an instrument. TELEFUNKEN's M 761 elastic shock mount, WS20 20 mm foam windscreen, ZC61 zipper case and SGMC-5R cable complete the microphone; they are not part of this amplifier-only product.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect a 3-pin XLR cable such as TELEFUNKEN's SGMC-5R to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC61 zipper case (available separately).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eM60 FET amplifier body\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eCapsule, cable, shock mount, windscreen and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNeeds\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eOne TK60, TK61 or TK62 capsule and a 3‑pin XLR cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET amplifier (microphone body), no capsule\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: one year parts and labour on the amplifier, extended to four years when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Amplifier: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the amplifier include a capsule?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This is the M60 body only. Fit a TK60 cardioid, TK61 omnidirectional or TK62 hypercardioid capsule, or the TK6X three-capsule set, to use it.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsules fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll TELEFUNKEN TK6x Series thread-on capsules: TK60, TK61 and TK62.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I build a stereo pair with it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Add it to an existing M60 with a matching capsule; for factory-matched stereo, matched capsule pairs and complete stereo sets are also offered.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, +48V phantom power. Allow 15 seconds for the microphone to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a complete M60 FET available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET (with TK60 cardioid capsule and accessories) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Amplifier in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Amplifier is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944747598191,"sku":"TELEFUNKEN-M60-FET-Amplifier","price":111200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-AMPLIFIER-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329510"},{"product_id":"telefunken-m60-fet-cardioid-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M60 FET Cardioid Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Cardioid Stereo Set\u003c\/strong\u003e is a matched set of two M60 FET small-diaphragm condenser microphones with TK60 cardioid capsules, two cables, two shock mounts and windscreens, packed in one ZC62 dual zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. As a matched cardioid pair it is ready for XY, near-coincident and spaced-pair recording of drum overheads, acoustic guitar, piano, choirs and ensembles, in the studio and on stage. Each microphone is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair with TK60 cardioid capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhantom powered, no external supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two M60 FET microphones for stereo recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid capsules\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC62 dual zipper case\u003c\/strong\u003e with room for six capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA matched cardioid pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes this set as a matched set of M60 FET microphones with TK60 cardioid capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, and TELEFUNKEN names it ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo techniques with the TK60\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual recommends three stereo configurations for TK60 capsules. \u003cstrong\u003eXY\u003c\/strong\u003e: 90 degrees apart with the capsule centres directly over each other, as close as possible without touching, for the most direct and phase-coherent sound. \u003cstrong\u003eNear-coincident\u003c\/strong\u003e: 110 degrees apart with the capsules 17 cm apart, mimicking the placement of the human ears. \u003cstrong\u003eSpaced pair\u003c\/strong\u003e: parallel microphones, typically 60 cm apart and up to 3 m depending on the distance from the source, the room and the stereo width you want.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's own tips: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready to travel\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC62 dual zipper case has compartments for two microphones, two cables, two elastic mounts and six capsule containers, leaving room for additional capsules. TK61 omnidirectional and TK62 hypercardioid capsules thread onto the same bodies whenever a session calls for them.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SGMC-5R right-angle XLR cables, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Cardioid Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN supplies the Cardioid Stereo Set as a matched set of M60 FET microphones, and every TK6x capsule is individually tested and matched by frequency response.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone needs +48V phantom power from its preamp channel. Allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit this set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends XY, near-coincident (110 degrees, 17 cm) and spaced-pair setups for TK60 capsules. Always check for phase cancellation.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add omni or hypercardioid capsules?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK61 and TK62 capsules, including matched capsule pairs, thread straight onto both microphones, and the ZC62 has six capsule containers.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single M60 FET available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET (single microphone system) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Cardioid Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Cardioid Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944748024175,"sku":"TELEFUNKEN-M60-FET-Cardioid-Stereo-Set","price":274900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-CARDIOID-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329436"},{"product_id":"telefunken-m60-fet-deluxe-tri-mono-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M60 FET Deluxe Tri-Mono Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Deluxe Tri-Mono Set\u003c\/strong\u003e is a three-microphone M60 FET system with cardioid and omnidirectional capsules for every microphone, three SD40 diffusion spheres and the ZC63 tri zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes these three-microphone sets as capable of matched stereo and three-microphone tree recording configurations, and, in combination with additional matched pairs, ideal for multi-channel immersive audio capture. Each M60 is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer, giving fast transient response, high SPL handling and very low self-noise for orchestras, choirs, ensembles and rooms.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eThree‑microphone system\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x M60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e3x TK60 cardioid, 3x TK61 omni\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDiffusion spheres\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x SD40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree M60 FET microphones\u003c\/strong\u003e for matched stereo and three-microphone tree recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSix thread-on capsules\u003c\/strong\u003e: three TK60 cardioid and three TK61 omnidirectional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree SD40 diffusion spheres\u003c\/strong\u003e for the TK61 capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa); more than 135 dB SPL\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReady for immersive capture\u003c\/strong\u003e when combined with additional matched pairs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC63 tri zipper case\u003c\/strong\u003e for the complete system\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe three-microphone tree\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual describes the classic three-microphone tree with TK61 omnidirectional capsules and SD40 diffuse-field spheres: the left and right microphones 2 m apart with the centre microphone 1.5 m in front. Distances can be adjusted but should not be less than 1.5 m, and the left and right microphones can be angled outwards up to 90 degrees. This set supplies everything for that array except the stands and bar.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSD40 diffusion spheres\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK61 omnidirectional capsule is flat from 20 Hz to 5 kHz with a presence peak at 8 kHz. TELEFUNKEN recommends using it with SD40 diffuse-field spheres to make the upper midrange frequencies more directional, which helps the outer microphones of a tree focus on the ensemble while keeping the full low end of an omni.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid when the room calls for it\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree TK60 cardioid capsules come with the set. Flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, they suit drum overheads, acoustic guitar and other acoustic instruments, and TELEFUNKEN recommends cardioid capsules for less than ideal recording environments. Any two microphones can also work as an ORTF, XY or spaced pair, leaving the third for a centre fill or a spot microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect the SGMC-5R cables to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC63 tri zipper case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMicrophones\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x M60 FET amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCapsules\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x TK60 cardioid\u003cbr\u003e3x TK61 omnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eSpheres\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x SD40 diffusion sphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCables\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x SGMC‑5R right‑angle XLR cable, 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMounts\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x M 761 elastic shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCase\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eZC63 tri zipper carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x SD40 diffusion sphere\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x SGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC63 tri zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the product with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channels before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Deluxe Tri-Mono Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat can the Deluxe Tri-Mono Set record?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN states it is capable of matched stereo and three-microphone tree configurations, and with additional matched pairs it is ideal for multi-channel immersive audio capture.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsules are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree TK60 cardioid and three TK61 omnidirectional capsules, one of each per microphone, plus three SD40 diffusion spheres. TK62 hypercardioid capsules are available separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I set up the three-microphone tree?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse TK61 capsules with SD40 spheres, place the left and right microphones 2 m apart and the centre microphone 1.5 m in front; keep distances no less than 1.5 m.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, +48V phantom power on each channel. Allow 15 seconds for the microphones to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs an M60 FET stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Cardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Deluxe Tri-Mono Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Deluxe Tri-Mono Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944750285167,"sku":"TELEFUNKEN-M60-FET-Deluxe-Tri-Mono-Set","price":550700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-DELUXE-TRI-MONO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329487"},{"product_id":"telefunken-m60-fet-master-capsule-set-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M60 FET Master Capsule Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Master Capsule Set\u003c\/strong\u003e is a single M60 FET small-diaphragm condenser microphone supplied with all three thread-on capsules: TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling, impressive clarity and subtle tonality on acoustic and percussive instruments in the studio and on stage. With the full capsule set one microphone is an M60 cardioid, an M61 omni and an M62 hypercardioid, changing pattern on the move in seconds. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK60, TK61 and TK62 included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns in one system\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePunchy tone\u003c\/strong\u003e with extended high-frequency clarity and low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with 5-metre right-angle XLR cable, shock mount, windscreen and ZC61 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery capsule in one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The Master Capsule Set includes one of each:\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eChoosing a capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the TK60 cardioid as the everyday choice for acoustic guitar, overheads and acoustic instruments. Choose the TK61 omnidirectional for rooms, ensembles and distant pickup: TELEFUNKEN notes that omni capsules retain low end with distance but pick up more of the surroundings. Fit the TK62 hypercardioid for hi-hat, ride, percussion and live sound, and wherever the room is less than ideal. Mute the channel and switch off phantom power before changing capsules.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC61 zipper case has compartments for one microphone, one cable, one elastic mount and three capsule containers. The same TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Master Capsule Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is this different from the standard M60 FET?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe standard M60 FET includes the TK60 cardioid capsule only. The Master Capsule Set adds the TK61 omnidirectional and TK62 hypercardioid capsules, with the same cable, mount, windscreen and ZC61 case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use for cymbals?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN names the TK62 hypercardioid excellent for cymbals and percussion. Use the TK60 for overheads and acoustic guitar, and the TK61 for rooms and ensembles.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWill the capsules fit other TELEFUNKEN microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The TK6x capsules fit both the M60 FET and the ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Master Capsule Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Master Capsule Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Master Capsule Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944750350703,"sku":"TELEFUNKEN-M60-FET-Master-Capsule","price":189300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-MASTER-CAPSULE-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329416"},{"product_id":"telefunken-m60-fet-master-capsule-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M60 FET Master Capsule Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Master Capsule Stereo Set\u003c\/strong\u003e is a frequency-matched pair of M60 FET small-diaphragm condenser microphones with all three thread-on TK6x capsules for each microphone: cardioid, omnidirectional and hypercardioid.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the most flexible M60 stereo kit TELEFUNKEN offers. Two matched M60 amplifiers, six capsules, two cables, two shock mounts and two windscreens travel together in the ZC62 dual zipper case, so one kit covers XY, ORTF and spaced-pair recording, drum overheads, piano, choir and room microphones. Each microphone is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency‑matched pair\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e2x each TK60, TK61, TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFrequency-matched set\u003c\/strong\u003e of two M60 FET microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSix thread-on capsules\u003c\/strong\u003e: two each of TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range, 20 Hz - 20 kHz ±3 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC62 dual zipper case\u003c\/strong\u003e with six capsule containers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery stereo technique in one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual pairs each capsule with a stereo technique. TK60 cardioid capsules suit ORTF, with the microphones angled 110 degrees apart and the capsules 17 cm apart, designed to mimic the placement of the human ears. TK60 or TK61 capsules suit the A\/B spaced pair, about 60 cm apart and up to 3 m depending on the source and the desired width. TK60 or TK62 capsules suit XY, angled 90 degrees with the capsules directly over each other for a direct, phase-coherent image.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree voices per microphone\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; retains low-frequency information with distance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and live performance stereo recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN supplies this kit as a frequency-matched set of M60 microphones. Every TK6x capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility, so left and right channels stay consistent whichever pattern you choose.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect the SGMC-5R cables to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC62 dual zipper case and its six capsule containers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMicrophones\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M60 FET amplifier, frequency matched\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCapsules\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x TK60 cardioid\u003cbr\u003e2x TK61 omnidirectional\u003cbr\u003e2x TK62 hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCables\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x SGMC‑5R right‑angle XLR cable, 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMounts\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M 761 elastic shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eWindscreens\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x WS20 20 mm foam windscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCase\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eZC62 dual zipper carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphone (frequency-matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the product with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channels before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Master Capsule Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use for each stereo technique?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK60 cardioid for ORTF, TK60 or TK61 for a spaced pair and TK60 or TK62 for XY.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN describes the Master Stereo Set as a frequency-matched set of M60 FET microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the capsules fit other TELEFUNKEN microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, +48V phantom power. Mute the channels before switching it on and allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single Master Capsule Set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Master Capsule Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Master Capsule Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Master Capsule Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944754938223,"sku":"TELEFUNKEN-M60-FET-Master-Capsule-Stereo-Set","price":378400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-MASTER-CAPSULE-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329465"},{"product_id":"telefunken-m61-fet-omnidirectional-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M61 FET Omnidirectional Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M61 FET Omnidirectional Stereo Set\u003c\/strong\u003e is a matched set of two M60 FET small-diaphragm condenser microphones with TK61 omnidirectional capsules, two cables, two shock mounts and windscreens, packed in one ZC62 dual zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. Fitted with the TK61, flat from 20 Hz to 5 kHz with a presence peak at 8 kHz, a matched pair is the natural choice for spaced-pair stereo of choirs, ensembles, pianos and rooms, keeping the full low end even at a distance. Each microphone is hand assembled in TELEFUNKEN's US facility with an ultra-clean, true class-A discrete circuit and an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair with TK61 omni capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M61\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two M60 FET microphones with TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFull low end at a distance\u003c\/strong\u003e for spaced-pair, room and ensemble recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC62 dual zipper case\u003c\/strong\u003e with room for six capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA matched omnidirectional pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes this set as a matched set of M60 FET microphones with TK61 omni capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance and pick up more ambient sound, and that SD40 diffuse-field spheres make the TK61 more directional in the upper midrange.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe spaced pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SDC Series manual recommends TK61 omnidirectional (or TK60 cardioid) capsules for a \u003cstrong\u003espaced pair\u003c\/strong\u003e: position the two microphones parallel to each other, typically 60 cm apart, with spacing up to 3 m depending on the distance from the source, the environment and the stereo width you want. Because omni capsules keep their low end at a distance, the pair can stand back from a choir, orchestra or piano and still sound full. Always check for phase cancellation, and in noisy or less than ideal rooms TELEFUNKEN recommends cardioid or hypercardioid capsules instead.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready to travel\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC62 dual zipper case has compartments for two microphones, two cables, two elastic mounts and six capsule containers, leaving room for additional capsules. TK60 cardioid and TK62 hypercardioid capsules thread onto the same bodies for XY and near-coincident work.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SGMC-5R right-angle XLR cables, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M61 FET Omnidirectional Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN supplies the Omni Stereo Set as a matched set of M60 FET microphones, and every TK6x capsule is individually tested and matched by frequency response.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone needs +48V phantom power from its preamp channel. Allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo technique suits an omni pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the spaced pair for TK61 capsules: parallel microphones about 60 cm apart, widening up to 3 m. For XY or near-coincident work, fit TK60 or TK62 capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add other capsules?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 and TK62 capsules, including matched capsule pairs, thread straight onto both microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single M61 available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M61 FET Omnidirectional is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M61 FET Omnidirectional Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M61 FET Omnidirectional Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944758182255,"sku":"TELEFUNKEN-M61-FET-Omni-Stereo-Set","price":278400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M61-FET-OMNIDIRECTIONAL-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329436"},{"product_id":"telefunken-m61-fet-omnidirectional-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M61 FET Omnidirectional","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M61 FET Omnidirectional\u003c\/strong\u003e is the M60 FET small-diaphragm condenser microphone fitted with the TK61 omnidirectional capsule: a phantom-powered pencil microphone for open, natural pickup with full low end.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. In its M61 form the thread-on TK61 capsule is flat from 20 Hz to 5 kHz with a presence peak at 8 kHz, so acoustic instruments, rooms and ensembles are captured with their full weight and a clear top end. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK61 omnidirectional capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eOmni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional capsule\u003c\/strong\u003e, flat from 20 Hz to 5 kHz with a presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on capsule system\u003c\/strong\u003e: add TK60 cardioid or TK62 hypercardioid capsules at any time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with 5-metre right-angle XLR cable, shock mount, windscreen and ZC61 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe omnidirectional TK61\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance, which makes the M61 a natural choice for room, ensemble and distant pickup, and that they pick up more of the surrounding sound than cardioid capsules. Fitted with SD40 diffuse-field spheres, the TK61 becomes more directional in the upper midrange.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne amplifier, three patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M61 is the same M60 FET amplifier sold with the TK61. TK60 cardioid and TK62 hypercardioid capsules thread straight on, so the microphone can grow with your work, and the same TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone. The ZC61 zipper case has compartments for one microphone, one cable, one elastic mount and three capsule containers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M61 FET Omnidirectional: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the M60, M61 and M62?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThey are the same M60 FET amplifier with a different capsule: M60 with the TK60 cardioid, M61 with the TK61 omnidirectional and M62 with the TK62 hypercardioid.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhen should I choose omnidirectional?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhen you want the full low end at a distance and a natural sense of the room: ensembles, rooms and spaced stereo pairs. In noisy or less than ideal rooms TELEFUNKEN recommends cardioid or hypercardioid capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add other capsules later?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 and TK62 capsules, the TK6X three-capsule set and matched capsule pairs thread straight onto the M61.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M61 FET Omnidirectional Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M61 FET Omnidirectional in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M61 FET Omnidirectional is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944758641007,"sku":"TELEFUNKEN-M61-FET-Omni","price":139300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M61-FET-OMNIDIRECTIONAL-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329394"},{"product_id":"telefunken-m62-fet-hypercardioid-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M62 FET Hypercardioid Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M62 FET Hypercardioid Stereo Set\u003c\/strong\u003e is a matched set of two M60 FET small-diaphragm condenser microphones, each fitted with the TK62 hypercardioid capsule, packed with cables, shock mounts and windscreens in one dual zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes the TK62 as excellent for cymbals, percussion and as a stereo pair for live performance recording, and this set is built exactly for that job. Both microphones are hand assembled in TELEFUNKEN's US facility around an ultra-clean, true class-A discrete FET circuit with an American-made transformer, giving the fast transient response and high SPL handling the M60 is known for. The tight hypercardioid pattern focuses each microphone on its source, which helps on busy stages and in rooms that are less than ideal for recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair, TK62 hypercardioid\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M62\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two M60 FET microphones with TK62 hypercardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFocused hypercardioid pickup\u003c\/strong\u003e: flat from 150 Hz to 3 kHz, a dip at 6 kHz and a presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e with punchy tone and extended high-frequency clarity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK6x capsules\u003c\/strong\u003e: add TK60 cardioid or TK61 omnidirectional capsules at any time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete stereo kit\u003c\/strong\u003e in the ZC62 dual zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA stereo pair for live performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends hypercardioid and cardioid capsules for less than ideal recording environments, because an omnidirectional capsule picks up more ambient noise. With two matched M62 microphones set up as a coincident XY pair, a performance can be captured from the stage edge or the audience area with a direct, phase-coherent stereo image and less spill from the room.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for cymbals and percussion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, each M62 stays clean on hi-hats, ride cymbals and hand percussion. Use the pair as stereo overheads or split them across the hi-hat and ride: both microphones share the same matched response, so the two cymbal channels sit together naturally in the mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne amplifier, three patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M62 is an M60 FET amplifier with a TK62 capsule. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The ZC62 case has six capsule containers, so the pair can carry TK60 cardioid or TK61 omnidirectional capsules too, and the same capsules fit the ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect the SGMC-5R cable to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC62 dual zipper case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMicrophones\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M60 FET amplifier, matched\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCapsules\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x TK62 hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCables\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eSGMC‑5R right‑angle XLR cable, 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMounts\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M 761 elastic shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eWindscreens\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x WS20 20 mm foam windscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCase\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eZC62 dual zipper carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphone (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case with six capsule containers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the product with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channels before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M62 FET Hypercardioid Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M62?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M62 is the M60 FET amplifier fitted with the TK62 hypercardioid capsule. This set contains two of them as a matched set.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit a hypercardioid pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the XY technique with TK62 capsules: the two microphones angled 90 degrees apart with the capsules directly over each other. It sounds direct and is always phase coherent.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone needs +48V phantom power, standard on most mixers, consoles and preamps. Mute the channels before switching it on and allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I fit other capsules to these microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 cardioid and TK61 omnidirectional capsules thread straight onto the M60 body, and the ZC62 case holds up to six capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single M62 available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M62 FET Hypercardioid is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M62 FET Hypercardioid Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M62 FET Hypercardioid Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944759263599,"sku":"TELEFUNKEN-M62-FET-Hypercardioid-Stereo-Set","price":281800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M62-FET-HYPERCARDIOID-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329464"},{"product_id":"telefunken-m62-fet-hypercardioid-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M62 FET Hypercardioid","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M62 FET Hypercardioid\u003c\/strong\u003e is the M60 FET small-diaphragm condenser microphone fitted with the TK62 hypercardioid capsule: a phantom-powered pencil microphone for tight, focused pickup of cymbals, percussion and live sources.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. In its M62 form the thread-on TK62 capsule is flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz, and TELEFUNKEN names it excellent for cymbals, percussion and live performance recording. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK62 capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid capsule\u003c\/strong\u003e: flat 150 Hz to 3 kHz, dip at 6 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e for hi-hats, rides and percussion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with 5-metre right-angle XLR cable, shock mount, windscreen and ZC61 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe hypercardioid TK62\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The tighter hypercardioid pattern concentrates on the source in front of the microphone, which is why TELEFUNKEN recommends cardioid and hypercardioid capsules for less than ideal recording environments, such as a busy stage or a drum kit with many nearby sources.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for cymbals and percussion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD. The M60 family is a favourite of live sound engineers on hi-hat and ride cymbal, where its transient response keeps every stroke crisp and clear without harshness.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The slim 140 mm x 20 mm body is easy to place over a kit or close to an instrument.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne amplifier, three patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M62 is the same M60 FET amplifier sold with the TK62. TK60 cardioid and TK61 omnidirectional capsules thread straight on, and the same TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone. The ZC61 zipper case has compartments for one microphone, one cable, one elastic mount and three capsule containers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M62 FET Hypercardioid: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the M60, M61 and M62?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThey are the same M60 FET amplifier with a different capsule: M60 with the TK60 cardioid, M61 with the TK61 omnidirectional and M62 with the TK62 hypercardioid.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M62 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN names the TK62 excellent for cymbals, percussion and live performance recording; the M60 family is recommended for acoustic guitar, drums, percussion and live sound.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add other capsules later?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 and TK61 capsules, the TK6X three-capsule set and matched capsule pairs thread straight onto the M62.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M62 FET Hypercardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M62 FET Hypercardioid in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M62 FET Hypercardioid is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944759722351,"sku":"TELEFUNKEN-M62-FET-Hypercardioid","price":141100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M62-FET-HYPERCARDIOID-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329416"},{"product_id":"telefunken-m80-black-dynamic-series-microphones-dynamic-microphones","title":"TELEFUNKEN M80 Black","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M80 Black\u003c\/strong\u003e is the supercardioid M80 dynamic microphone from the TELEFUNKEN Dynamic Series in a black finish: condenser-like performance in a rugged design, equally at home on stage and in the studio.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80 has become a staple in live sound reinforcement and studio recording. Its wide frequency response, condenser-like high-frequency extension and high SPL handling let it capture the full range of a source, making it a reliable first choice for lead vocals, snare drum and brass. A custom-wound impedance-matching transformer and intelligent internal construction keep handling noise low, and the hand-assembled build is designed to withstand the wear and tear of the road. The black finish gives the M80 a discreet look on stage and on camera, with exactly the same capsule, transformer and specifications as the Standard finish.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e50 Hz - 18 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.54 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePolar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eSupercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBlack finish\u003c\/strong\u003e with identical specifications to the Standard M80\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCondenser-like high-frequency extension\u003c\/strong\u003e that cuts through dense mixes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDetailed sound with high SPL handling\u003c\/strong\u003e: 135 dB SPL for 1% THD, for studio and stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSupercardioid polar pattern\u003c\/strong\u003e with excellent feedback rejection\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e25 mm dynamic moving-coil capsule\u003c\/strong\u003e with a wide 50 Hz - 18 kHz response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCustom-wound T80 impedance-matching transformer\u003c\/strong\u003e, 325 ohms output impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow handling noise\u003c\/strong\u003e from intelligent internal construction\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRugged, road-ready build\u003c\/strong\u003e, designed and hand assembled in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN voices the M80 with a pronounced, extended high-frequency response and a natural, condenser-like character with a subtle high-frequency rise. Vocals gain clarity and presence without harshness, and the snap of a snare drum or the edge of a trumpet comes through cleanly, so the M80 sits forward in a busy mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA black finish for stage and screen\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M80 Black has a black finish on its body and grille, with the TELEFUNKEN diamond badge on the handle. It blends into a dark stage, a black drum kit or a video set, keeps the microphone visually discreet in front of a performer's face, and matches black stands, clips and cables. Only the finish changes: the capsule, transformer, sound, specifications and included accessories are exactly those of the M80 in its Standard finish.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSupercardioid pickup and feedback rejection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe supercardioid pattern focuses on the source in front of the capsule and rejects sound from the sides, which gives excellent gain before feedback with floor wedges and keeps spill from neighbouring instruments low. On a crowded stage this helps each vocal and instrument stay separate and easy to hear.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt the heart of the M80 is a 25 mm dynamic moving-coil capsule coupled to the TELEFUNKEN Elektroakustik T80, a custom-wound impedance-matching transformer, for a 325 ohms output impedance and a sensitivity of 1.54 mV\/Pa. The M80 shares its diaphragm and transformer with the M81 but is tuned for an extended top end, so the two models complement each other in multi-microphone set-ups such as drum kits, vocal groups and horn sections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for the road\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 184 mm body weighs 430 g and is built to survive touring. The XLR connector is held in place inside the body by a recessed set screw, which can be re-tightened with a small flathead screwdriver if the connector ever works loose. As a dynamic microphone the M80 Black needs no phantom power and connects with a standard 3-pin XLR microphone cable. It is equally suitable for live sound and recording, so the same microphone keeps the sound of a performance consistent from rehearsal to record.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOn stage and in the studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOn stage, the M80's clarity helps a singer hear their own voice clearly in wedges or in-ear monitors without pushing the level, and its feedback rejection gives the engineer more headroom. In the studio, the same detailed, condenser-like top end captures vocals, snare and brass with presence, while the dynamic design shrugs off very loud sources. TELEFUNKEN also lists percussion and clean guitar amps among its strengths, and the M80 pairs naturally with the M81 when a flatter, more neutral voice is needed on another source. For bands, worship teams, live streams and touring rigs that want a uniform black look across every vocal position, the M80 Black delivers the full M80 performance in a finish that suits dark stages and camera work.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M80 dynamic microphone, black finish\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 780 Microphone Clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMicrophone zipper bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule, extended to one year when the microphone is registered with TELEFUNKEN; Dynamic Series warranties are fully transferable between owners. Connect with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M80 Black: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the black finish change the sound?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The M80 Black has the same capsule, transformer, specifications and accessories as the M80 Standard; only the finish is different.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M80 Black need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a dynamic moving-coil microphone and works from any standard mic input without phantom power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M80 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for lead vocals, snare drum and brass instruments, and also lists percussion and clean guitar amps among its strengths.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the M80 differ from the M81?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth use the same 25 mm capsule and T80 transformer. The M80 has a pronounced, extended high end; the M81 has a flatter, more neutral response with increased midrange clarity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the M80 available in the Standard finish?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M80 in its Standard finish is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M80 Black in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M80 Black is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944760148335,"sku":"TELEFUNKEN-M80-Black","price":42800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M80-BLACK-DYNAMIC-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329313"},{"product_id":"telefunken-tf11-fet-stereo-set-alchemy-series-fet-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF11 FET Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF11 FET Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of TF11 FET large-diaphragm condenser microphones from TELEFUNKEN Elektroakustik's Alchemy Series, supplied with two of each accessory in a ZC11S zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF11 combines an open, detailed Austrian-inspired voicing with an exceptionally fast transient response with modern, phantom-powered FET performance. TELEFUNKEN measures both the amplifiers and the capsule sets within a strict 1 dB sensitivity tolerance, so the two microphones respond alike in critical stereo work. The set runs on standard +48V phantom power, needs no external power supply, and is designed and assembled by hand in the USA for the home studio, the commercial studio and the stage.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF11 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eAmplifiers and capsule sets measured within a strict 1 dB sensitivity tolerance\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK51S edge-terminated capsule\u003c\/strong\u003e in each microphone, large diaphragm, single membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed cardioid\u003c\/strong\u003e polar pattern on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e\u0026gt; 135 dB SPL maximum level\u003c\/strong\u003e and 4 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+48V phantom powered\u003c\/strong\u003e: no external power supply needed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo of each accessory\u003c\/strong\u003e: M 703 shock mounts, M 782 stand mounts and MS01 sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC11S zipper case\u003c\/strong\u003e holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF11 has a beautifully open, detailed frequency response across 20 Hz to 20 kHz. Its fast transient response catches the attack of drums, percussion and plucked strings cleanly, while the smooth, airy top end flatters voices and acoustic instruments. In stereo, TELEFUNKEN notes that the fast FET circuit produces an extremely detailed image with definition and presence, well suited to stringed instruments and percussive sources.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule and FET electronics\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF11 uses the TELEFUNKEN TK51S, an edge-terminated large-diaphragm capsule with a single membrane, frequency swept in-house before assembly. The FET amplifier is built with premium through-hole components on hand-plugged circuit boards, with transistors biased for the lowest possible distortion, and drives a custom UK-made output transformer (T218) for an output impedance below 200 ohms.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach FET Stereo Set includes two microphones with precision gain matched amplifiers and frequency matched capsules. Both the amplifiers and the capsule sets are measured within a strict 1 dB sensitivity tolerance. With the circuit's very fast transient response, TELEFUNKEN describes the stereo result as an extremely detailed image with definition and presence.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid pattern and phantom power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth TF11 microphones have a fixed cardioid pattern that picks up mainly from the front and rejects sound from the rear, ideal for XY and near-coincident pairs, overheads and close stereo miking. Each microphone runs on standard +48V phantom power from your preamp or audio interface and is ready 15 seconds after power is applied. Connect each one with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounts, sleeves and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery accessory comes in twos: two \u003cstrong\u003eM 703 elastic shock mounts\u003c\/strong\u003e and two \u003cstrong\u003eM 782 stand mounts\u003c\/strong\u003e, so each TF11 can be fitted for isolation or a compact, fixed position, plus two \u003cstrong\u003eMS01 microphone sleeves\u003c\/strong\u003e. The \u003cstrong\u003eZC11S\u003c\/strong\u003e protective foam zipper case holds the complete stereo system, keeping the matched microphones together between sessions and on the road.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF11 for pop and rock vocals, drum overheads, acoustic guitar, cello and upright bass, percussion, and live drums, piano and acoustic instruments. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF11 FET Stereo Set: two matched TF11 microphones with two of each accessory in one ZC11S zipper case. Standard 3-pin XLR microphone cables are not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF11 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC11S zipper case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphones with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; Alchemy Series warranties are fully transferable between owners. Connect each microphone with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF11 FET Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow closely are the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN measures both the amplifiers and the capsule sets of each FET Stereo Set within a strict 1 dB sensitivity tolerance, with gain matched amplifiers and frequency matched capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need an external power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Each TF11 is powered by +48V phantom power from your mic preamp or audio interface. Allow 15 seconds after switching phantom power on.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit the set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith two cardioid microphones, XY, near-coincident (ORTF) and spaced pairs all work well, for overheads, piano, acoustic guitar, choirs and ensembles.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the single TF11 FET available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF11 FET single microphone system is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF11 FET Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF11 FET Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944761000303,"sku":"TELEFUNKEN-TF11-FET-Stereo-Set","price":307700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF11-FET-STEREO-SET-FET-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329094"},{"product_id":"telefunken-tf17-fet-stereo-set-alchemy-series-fet-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF17 FET Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF17 FET Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of TF17 FET large-diaphragm condenser microphones from TELEFUNKEN Elektroakustik's Alchemy Series, supplied with two of each accessory in a ZC11S zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF17 combines a bold, mid-forward German voicing with a punchy transient response with modern, phantom-powered FET performance. TELEFUNKEN measures both the amplifiers and the capsule sets within a strict 1 dB sensitivity tolerance, so the two microphones respond alike in critical stereo work. The set runs on standard +48V phantom power, needs no external power supply, and is designed and assembled by hand in the USA for the home studio, the commercial studio and the stage.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF17\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF17 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eAmplifiers and capsule sets measured within a strict 1 dB sensitivity tolerance\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK47S centre-terminated capsule\u003c\/strong\u003e in each microphone, large diaphragm, single membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed cardioid\u003c\/strong\u003e polar pattern on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e\u0026gt; 135 dB SPL maximum level\u003c\/strong\u003e and 3 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+48V phantom powered\u003c\/strong\u003e: no external power supply needed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo of each accessory\u003c\/strong\u003e: M 703 shock mounts, M 782 stand mounts and MS01 sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC11S zipper case\u003c\/strong\u003e holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF17 has an extended low end, a strong midrange and a smooth top end. That rich timbre adds weight and presence to drums, piano and voices, and its smooth character complements bright or thin sources such as electric guitar amps and brass. A matched pair carries that weight across the whole stereo image, from drum room to piano.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule and FET electronics\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF17 uses the TELEFUNKEN TK47S, a centre-terminated large-diaphragm capsule with a single membrane, frequency swept in-house before assembly. The ultra-low-noise FET amplifier is built with premium through-hole components on hand-plugged circuit boards and feeds a UK-made output transformer (T217) with a high-grade nickel-iron core, for an output impedance below 200 ohms.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach FET Stereo Set includes two microphones with precision gain matched amplifiers and frequency matched capsules. Both the amplifiers and the capsule sets are measured within a strict 1 dB sensitivity tolerance. With the circuit's very fast transient response, TELEFUNKEN describes the stereo result as an extremely detailed image with definition and presence.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid pattern and phantom power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth TF17 microphones have a fixed cardioid pattern that picks up mainly from the front and rejects sound from the rear, ideal for XY and near-coincident pairs, overheads and close stereo miking. Each microphone runs on standard +48V phantom power from your preamp or audio interface and is ready 15 seconds after power is applied. Connect each one with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounts, sleeves and case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery accessory comes in twos: two \u003cstrong\u003eM 703 elastic shock mounts\u003c\/strong\u003e and two \u003cstrong\u003eM 782 stand mounts\u003c\/strong\u003e, so each TF17 can be fitted for isolation or a compact, fixed position, plus two \u003cstrong\u003eMS01 microphone sleeves\u003c\/strong\u003e. The \u003cstrong\u003eZC11S\u003c\/strong\u003e protective foam zipper case holds the complete stereo system, keeping the matched microphones together between sessions and on the road.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF17 for R\u0026amp;B, rap, rock and soul vocals, toms, kick drum and drum room, electric guitar and bass, piano, brass and live sound. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF17 FET Stereo Set: two matched TF17 microphones with two of each accessory in one ZC11S zipper case. Standard 3-pin XLR microphone cables are not included.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF17 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC11S zipper case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphones with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; Alchemy Series warranties are fully transferable between owners. Connect each microphone with a standard 3-pin XLR microphone cable.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF17 FET Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow closely are the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN measures both the amplifiers and the capsule sets of each FET Stereo Set within a strict 1 dB sensitivity tolerance, with gain matched amplifiers and frequency matched capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need an external power supply?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Each TF17 is powered by +48V phantom power from your mic preamp or audio interface. Allow 15 seconds after switching phantom power on.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit the set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith two cardioid microphones, XY, near-coincident (ORTF) and spaced pairs all work well, for overheads, piano, acoustic guitar, choirs and ensembles.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the single TF17 FET available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF17 FET single microphone system is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF17 FET Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF17 FET Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944761491823,"sku":"TELEFUNKEN-TF17-FET-Stereo-Set","price":307700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF17-FET-STEREO-SET-FET-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329095"},{"product_id":"telefunken-tf29-copperhead-matched-pair-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF29 Copperhead Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF29 Copperhead Matched Pair\u003c\/strong\u003e is two complete TF29 Copperhead large-diaphragm tube condenser microphone systems from TELEFUNKEN Elektroakustik's Alchemy Series, frequency and gain matched, each with its own M 902 power supply, cable, mounts, sleeve and ZC03 case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF29 delivers the natural, non-hyped Copperhead tone: a balanced midrange and high end over an extended low end. Capsules, tubes and transformers are hand-selected and tested for matched gain and frequency response. Because each microphone has its own power supply and case, TELEFUNKEN points out that a matched pair can be split and used independently: two separate systems with identical response, at separate locations, with the same performance.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF29\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF29 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK67S centre-terminated capsule\u003c\/strong\u003e and New Old Stock 5654W vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed cardioid pattern\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e130 dB SPL maximum level\u003c\/strong\u003e and 7 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo complete systems\u003c\/strong\u003e, each with its own M 902 power supply, M 803 cable and ZC03 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCan be split\u003c\/strong\u003e and used independently with identical response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Copperhead sound is balanced and honest: a natural midrange and high end over an extended low end, without hype or exaggeration. TELEFUNKEN describes the TF29 as a workhorse that accurately and transparently captures vocals, acoustic and electric guitar, drums and virtually any musical source, which makes a matched pair a dependable choice for overheads, acoustic instruments and room pictures.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF29 pairs the TK67S centre-terminated single-membrane capsule with a New Old Stock 5654W vacuum tube and a premium Swedish-made output transformer. Critical components are quality controlled in-house before assembly, including capsule frequency sweeps and vacuum tube burn-in and noise grading. Each microphone delivers 7 dBA self-noise, 87 dBA signal-to-noise ratio and 130 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo power supplies, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone comes with its own \u003cstrong\u003eM 902 fixed pattern power supply\u003c\/strong\u003e, designed and assembled in the USA with premium-quality capacitors, improved regulation and RF suppression, switchable for 115V or 230V mains. Each connects through its own \u003cstrong\u003eM 803\u003c\/strong\u003e 7 m 7-pin tube microphone cable, with high-purity copper conductors, low capacitance and a dense copper braid shield. Both microphones have a fixed cardioid pattern, marked by the cardioid symbol on the front. Simply aim the symbols at the source: there is no pattern switch to set, so matching the two channels is quick.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF29 for natural vocals, acoustic and electric guitar, saxophone and drums, including kick drum outside and overheads. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF29 Copperhead Matched Pair: two complete, matched TF29 systems, each with its own M 902 power supply, M 803 cable, M 703 shock mount, M 782 stand mount, MS01 sleeve and ZC03 case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF29 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 902 fixed pattern power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for each power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x ZC03 lightweight zipper carrying cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF29 Copperhead Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Matched Pair and a Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Matched Pair has two individual power supplies and two zipper cases; the Stereo Set has one dual power supply and a locking hard-shell case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the two microphones be used separately?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN notes that matched pairs can be split and used independently: two completely separate systems with identical response, even at separate locations.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the pair need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Each microphone is powered by its own included M 902 power supply. Connect each power supply's XLR output to your preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphones warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting each system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF29 Copperhead Stereo Set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF29 Copperhead Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF29 Copperhead Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF29 Copperhead Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944770339183,"sku":"TELEFUNKEN-TF29-Copperhead-Matched-Pair","price":514600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF29-COPPERHEAD-MATCHED-PAIR-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329135"},{"product_id":"telefunken-tf29-copperhead-stereo-set-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF29 Copperhead Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF29 Copperhead Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of TF29 Copperhead large-diaphragm tube condenser microphones from TELEFUNKEN Elektroakustik's Alchemy Series, with a dual power supply that runs both microphones and an FC03S locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF29 delivers the natural, non-hyped Copperhead tone: a balanced midrange and high end over an extended low end. All critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. The American-made M 960S powers both microphones at one time, and the whole system travels in one case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF29\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF29 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK67S centre-terminated capsule\u003c\/strong\u003e and New Old Stock 5654W vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFixed cardioid pattern\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e130 dB SPL maximum level\u003c\/strong\u003e and 7 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 960S dual power supply\u003c\/strong\u003e runs both microphones at one time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFC03S locking flight case\u003c\/strong\u003e with dual combination locks holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Copperhead sound is balanced and honest: a natural midrange and high end over an extended low end, without hype or exaggeration. TELEFUNKEN describes the TF29 as a workhorse that accurately and transparently captures vocals, acoustic and electric guitar, drums and virtually any musical source, which makes a matched pair a dependable choice for overheads, acoustic instruments and room pictures.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF29 pairs the TK67S centre-terminated single-membrane capsule with a New Old Stock 5654W vacuum tube and a premium Swedish-made output transformer. Critical components are quality controlled in-house before assembly, including capsule frequency sweeps and vacuum tube burn-in and noise grading. Each microphone delivers 7 dBA self-noise, 87 dBA signal-to-noise ratio and 130 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply and patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 960S\u003c\/strong\u003e is hand built in South Windsor, Connecticut, and is capable of powering both microphones at one time. It features a slow-ramping filament voltage to extend tube life and full regulation, so the microphones always operate the same regardless of line voltage variations or location; full regulation also means it can safely power only one microphone if needed. Each power supply is calibrated to the microphone system it comes with and is burned in as a full unit. Both microphones have a fixed cardioid pattern, marked by the cardioid symbol on the front. Simply aim the symbols at the source: there is no pattern switch to set, so matching the two channels is quick.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFC03S locking flight case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe FC03S is a combination locking flight case with a shell made from a blend of hardwoods, wrapped in a premium travel fabric, with dual combination locks and nickel trim. It holds two microphones, one stereo power supply, two tube microphone cables and two shock mounts, with zipper compartments for cables in the lid, so the complete stereo system travels in one case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF29 for natural vocals, acoustic and electric guitar, saxophone and drums, including kick drum outside and overheads. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF29 Copperhead Stereo Set: two matched TF29 microphones that share one M 960S dual power supply, with two cables, two shock mounts, two stand mounts and two sleeves, all in one FC03S locking flight case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF29 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 960S dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC03S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF29 Copperhead Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Stereo Set and a Matched Pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Stereo Set adds a dual power supply that runs both microphones and one locking hard-shell case; a Matched Pair has two separate power supplies and two zipper cases.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 960S dual power supply. Connect the power supply to your preamp with standard 3-pin XLR microphone cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the power supply run only one microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN's fully regulated stereo power supplies can safely power only one microphone at a time at the correct operating voltages, if needed.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF29 Copperhead Matched Pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF29 Copperhead Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF29 Copperhead Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF29 Copperhead Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944770765167,"sku":"TELEFUNKEN-TF29-Copperhead-Stereo-Set","price":583500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF29-COPPERHEAD-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329106"},{"product_id":"telefunken-tf39-copperhead-deluxe-matched-pair-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF39 Copperhead Deluxe Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF39 Copperhead Deluxe Matched Pair\u003c\/strong\u003e is two complete TF39 Copperhead Deluxe large-diaphragm tube condenser microphone systems from TELEFUNKEN Elektroakustik's Alchemy Series, frequency and gain matched, each with its own M 903 power supply, cable, mounts, sleeve and ZC03 case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF39 delivers the natural Copperhead sound with cardioid, omnidirectional and figure-8 pattern selection. Capsules, tubes and transformers are hand-selected and tested for matched gain and frequency response. Because each microphone has its own power supply and case, TELEFUNKEN points out that a matched pair can be split and used independently: two separate systems with identical response, at separate locations, with the same performance.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF39\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF39 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK67 centre-terminated dual-membrane capsule\u003c\/strong\u003e and New Old Stock 5654W vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCardioid, omnidirectional and figure-8\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e130 dB SPL maximum level\u003c\/strong\u003e and 7 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo complete systems\u003c\/strong\u003e, each with its own M 903 power supply, M 803 cable and ZC03 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCan be split\u003c\/strong\u003e and used independently with identical response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF39 delivers the Copperhead character, a balanced, natural midrange and high end over an extended low end, and adds pattern selection for greater flexibility. With two matched microphones and three patterns, it opens up the full range of stereo techniques, from coincident figure-8 pairs to spaced omnis in a good room.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF39 is built around the TK67 centre-terminated dual-membrane capsule, which makes the three-pattern design possible, together with a New Old Stock 5654W vacuum tube and a premium Swedish-made output transformer. Capsules are frequency swept and tubes burned in and noise graded in-house before assembly. Each microphone delivers 7 dBA self-noise, 87 dBA signal-to-noise ratio and 130 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo power supplies, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone comes with its own \u003cstrong\u003eM 903 multi-pattern power supply with 3-position pattern switch\u003c\/strong\u003e, designed and assembled in the USA with premium-quality capacitors, improved regulation and RF suppression, switchable for 115V or 230V mains. Each connects through its own \u003cstrong\u003eM 803\u003c\/strong\u003e 7 m 7-pin tube microphone cable, with high-purity copper conductors, low capacitance and a dense copper braid shield. Each M 903 has an on-board 3-position switch for cardioid, omnidirectional and figure-8, so the pattern of each microphone is set independently.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF39 for natural vocals in styles such as folk and Americana, electric guitar amps, saxophone and drums, including kick drum outside and overheads. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF39 Copperhead Deluxe Matched Pair: two complete, matched TF39 systems, each with its own M 903 power supply, M 803 cable, M 703 shock mount, M 782 stand mount, MS01 sleeve and ZC03 case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF39 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 903 multi-pattern power supply with 3-position pattern switch\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for each power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x ZC03 lightweight zipper carrying cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF39 Copperhead Deluxe Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Matched Pair and a Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Matched Pair has two individual power supplies and two zipper cases; the Stereo Set has one dual power supply and a locking hard-shell case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the two microphones be used separately?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN notes that matched pairs can be split and used independently: two completely separate systems with identical response, even at separate locations.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the pair need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Each microphone is powered by its own included M 903 power supply. Connect each power supply's XLR output to your preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphones warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting each system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF39 Copperhead Deluxe Stereo Set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF39 Copperhead Deluxe Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF39 Copperhead Deluxe Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF39 Copperhead Deluxe Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944772272495,"sku":"TELEFUNKEN-TF39-Copperhead-Deluxe-Matched-Pair","price":583500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF39-COPPERHEAD-DELUXE-MATCHED-PAIR-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329159"},{"product_id":"telefunken-tf39-copperhead-deluxe-stereo-set-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF39 Copperhead Deluxe Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF39 Copperhead Deluxe Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of TF39 Copperhead Deluxe large-diaphragm tube condenser microphones from TELEFUNKEN Elektroakustik's Alchemy Series, with a dual power supply that runs both microphones and an FC03S locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF39 delivers the natural Copperhead sound with cardioid, omnidirectional and figure-8 pattern selection. All critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. The American-made M 901S powers both microphones at one time, and the whole system travels in one case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e130 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e17 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF39\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF39 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK67 centre-terminated dual-membrane capsule\u003c\/strong\u003e and New Old Stock 5654W vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCardioid, omnidirectional and figure-8\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e130 dB SPL maximum level\u003c\/strong\u003e and 7 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 901S dual power supply\u003c\/strong\u003e runs both microphones at one time, with two 9-position pattern switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFC03S locking flight case\u003c\/strong\u003e with dual combination locks holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF39 delivers the Copperhead character, a balanced, natural midrange and high end over an extended low end, and adds pattern selection for greater flexibility. With two matched microphones and three patterns, it opens up the full range of stereo techniques, from coincident figure-8 pairs to spaced omnis in a good room.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF39 is built around the TK67 centre-terminated dual-membrane capsule, which makes the three-pattern design possible, together with a New Old Stock 5654W vacuum tube and a premium Swedish-made output transformer. Capsules are frequency swept and tubes burned in and noise graded in-house before assembly. Each microphone delivers 7 dBA self-noise, 87 dBA signal-to-noise ratio and 130 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply and patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 901S\u003c\/strong\u003e is hand built in South Windsor, Connecticut, and is capable of powering both microphones at one time. It features a slow-ramping filament voltage to extend tube life and full regulation, so the microphones always operate the same regardless of line voltage variations or location; full regulation also means it can safely power only one microphone if needed. Each power supply is calibrated to the microphone system it comes with and is burned in as a full unit. The M 901S dual power supply has two 9-position polar pattern switches, one per microphone, giving nine patterns from omnidirectional to figure-8, including cardioid. Each microphone's pattern is set independently, which makes mid-side and Blumlein recording simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFC03S locking flight case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe FC03S is a combination locking flight case with a shell made from a blend of hardwoods, wrapped in a premium travel fabric, with dual combination locks and nickel trim. It holds two microphones, one stereo power supply, two tube microphone cables and two shock mounts, with zipper compartments for cables in the lid, so the complete stereo system travels in one case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF39 for natural vocals in styles such as folk and Americana, electric guitar amps, saxophone and drums, including kick drum outside and overheads. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF39 Copperhead Deluxe Stereo Set: two matched TF39 microphones that share one M 901S dual power supply, with two cables, two shock mounts, two stand mounts and two sleeves, all in one FC03S locking flight case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF39 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 901S dual tube microphone power supply with two 9-position pattern switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC03S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF39 Copperhead Deluxe Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Stereo Set and a Matched Pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Stereo Set adds a dual power supply that runs both microphones and one locking hard-shell case; a Matched Pair has two separate power supplies and two zipper cases.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 901S dual power supply. Connect the power supply to your preamp with standard 3-pin XLR microphone cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan each microphone use a different pattern?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The M 901S has two 9-position pattern switches, one for each microphone, from omnidirectional to figure-8, so mid-side and other mixed-pattern setups are easy.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF39 Copperhead Deluxe Matched Pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF39 Copperhead Deluxe Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF39 Copperhead Deluxe Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF39 Copperhead Deluxe Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944772764015,"sku":"TELEFUNKEN-TF39-Copperhead-Deluxe-Stereo-Set","price":652500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF39-COPPERHEAD-DELUXE-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329135"},{"product_id":"telefunken-tf47-matched-pair-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF47 Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF47 Matched Pair\u003c\/strong\u003e is two complete TF47 large-diaphragm tube condenser microphone systems from TELEFUNKEN Elektroakustik's Alchemy Series, frequency and gain matched, each with its own M 903 power supply, cable, mounts, sleeve and ZC03 case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF47 delivers the classic \"German\" tube sound: a deep low end, a forward midrange and a smooth, detailed top end. Capsules, tubes and transformers are hand-selected and tested for matched gain and frequency response. Because each microphone has its own power supply and case, TELEFUNKEN points out that a matched pair can be split and used independently: two separate systems with identical response, at separate locations, with the same performance.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e22 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF47\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF47 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eall-brass TK47 centre-terminated capsule\u003c\/strong\u003e and New Old Stock 5840W vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCardioid, omnidirectional and figure-8\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e125 dB SPL maximum level\u003c\/strong\u003e and 10 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo complete systems\u003c\/strong\u003e, each with its own M 903 power supply, M 803 cable and ZC03 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCan be split\u003c\/strong\u003e and used independently with identical response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF47 is a modern design inspired by the classic German tube microphones of the 1950s. Its deep low end and forward midrange bring weight and presence to drums, piano and amplifiers, while a pleasant, articulate top end keeps it musical. In a matched pair, that warm, punchy character carries across the whole stereo picture and sits naturally in a dense mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF47 combines the all-brass, centre-terminated TK47 large-diaphragm capsule with a New Old Stock 5840W sub-miniature vacuum tube, known for very low noise and low microphonics, and TELEFUNKEN Elektroakustik's custom-made BV8 output transformer. The antique nickel finish matches across the pair. Each microphone delivers 10 dBA self-noise, 84 dBA signal-to-noise ratio and 125 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo power supplies, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone comes with its own \u003cstrong\u003eM 903 multi-pattern power supply with 3-position pattern switch\u003c\/strong\u003e, designed and assembled in the USA with premium-quality capacitors, improved regulation and RF suppression, switchable for 115V or 230V mains. Each connects through its own \u003cstrong\u003eM 803\u003c\/strong\u003e 7 m 7-pin tube microphone cable, with high-purity copper conductors, low capacitance and a dense copper braid shield. Each M 903 has an on-board 3-position switch for cardioid, omnidirectional and figure-8, so the pattern of each microphone is set independently.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF47 for vocals, guitar amps, drums, piano, trombone, upright bass, cello and percussion. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF47 Matched Pair: two complete, matched TF47 systems, each with its own M 903 power supply, M 803 cable, M 703 shock mount, M 782 stand mount, MS01 sleeve and ZC03 case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF47 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 903 multi-pattern power supply with 3-position pattern switch\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for each power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x ZC03 lightweight zipper carrying cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF47 Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Matched Pair and a Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Matched Pair has two individual power supplies and two zipper cases; the Stereo Set has one dual power supply and a locking hard-shell case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the two microphones be used separately?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN notes that matched pairs can be split and used independently: two completely separate systems with identical response, even at separate locations.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the pair need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Each microphone is powered by its own included M 903 power supply. Connect each power supply's XLR output to your preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphones warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting each system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF47 Stereo Set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF47 Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF47 Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF47 Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944774467951,"sku":"TELEFUNKEN-TF47-Matched-Pair","price":652500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF47-MATCHED-PAIR-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329182"},{"product_id":"telefunken-tf47-stereo-set-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF47 Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF47 Stereo Set\u003c\/strong\u003e is a frequency and gain matched pair of TF47 large-diaphragm tube condenser microphones from TELEFUNKEN Elektroakustik's Alchemy Series, with a dual power supply that runs both microphones and an FC03S locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF47 delivers the classic \"German\" tube sound: a deep low end, a forward midrange and a smooth, detailed top end. All critical components, including the capsules, tubes and transformers, are hand-selected and tested for matched gain and frequency response, so both microphones give identical responses for the most critical stereo recording. The American-made M 901S powers both microphones at one time, and the whole system travels in one case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e22 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF47\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF47 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eall-brass TK47 centre-terminated capsule\u003c\/strong\u003e and New Old Stock 5840W vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCardioid, omnidirectional and figure-8\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e125 dB SPL maximum level\u003c\/strong\u003e and 10 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 901S dual power supply\u003c\/strong\u003e runs both microphones at one time, with two 9-position pattern switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFC03S locking flight case\u003c\/strong\u003e with dual combination locks holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF47 is a modern design inspired by the classic German tube microphones of the 1950s. Its deep low end and forward midrange bring weight and presence to drums, piano and amplifiers, while a pleasant, articulate top end keeps it musical. In a matched pair, that warm, punchy character carries across the whole stereo picture and sits naturally in a dense mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF47 combines the all-brass, centre-terminated TK47 large-diaphragm capsule with a New Old Stock 5840W sub-miniature vacuum tube, known for very low noise and low microphonics, and TELEFUNKEN Elektroakustik's custom-made BV8 output transformer. The antique nickel finish matches across the pair. Each microphone delivers 10 dBA self-noise, 84 dBA signal-to-noise ratio and 125 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power supply and patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eM 901S\u003c\/strong\u003e is hand built in South Windsor, Connecticut, and is capable of powering both microphones at one time. It features a slow-ramping filament voltage to extend tube life and full regulation, so the microphones always operate the same regardless of line voltage variations or location; full regulation also means it can safely power only one microphone if needed. Each power supply is calibrated to the microphone system it comes with and is burned in as a full unit. The M 901S dual power supply has two 9-position polar pattern switches, one per microphone, giving nine patterns from omnidirectional to figure-8, including cardioid. Each microphone's pattern is set independently, which makes mid-side and Blumlein recording simple.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFC03S locking flight case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe FC03S is a combination locking flight case with a shell made from a blend of hardwoods, wrapped in a premium travel fabric, with dual combination locks and nickel trim. It holds two microphones, one stereo power supply, two tube microphone cables and two shock mounts, with zipper compartments for cables in the lid, so the complete stereo system travels in one case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF47 for vocals, guitar amps, drums, piano, trombone, upright bass, cello and percussion. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF47 Stereo Set: two matched TF47 microphones that share one M 901S dual power supply, with two cables, two shock mounts, two stand mounts and two sleeves, all in one FC03S locking flight case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF47 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 901S dual tube microphone power supply with two 9-position pattern switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for the power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC03S locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF47 Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Stereo Set and a Matched Pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Stereo Set adds a dual power supply that runs both microphones and one locking hard-shell case; a Matched Pair has two separate power supplies and two zipper cases.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both microphones are powered by the included M 901S dual power supply. Connect the power supply to your preamp with standard 3-pin XLR microphone cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan each microphone use a different pattern?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The M 901S has two 9-position pattern switches, one for each microphone, from omnidirectional to figure-8, so mid-side and other mixed-pattern setups are easy.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF47 Matched Pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF47 Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF47 Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF47 Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944786362735,"sku":"TELEFUNKEN-TF47-Stereo-Set","price":704200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF47-STEREO-SET-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329182"},{"product_id":"telefunken-tf51-matched-pair-alchemy-series-tube-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN TF51 Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TF51 Matched Pair\u003c\/strong\u003e is two complete TF51 large-diaphragm tube condenser microphone systems from TELEFUNKEN Elektroakustik's Alchemy Series, frequency and gain matched, each with its own M 903 power supply, cable, mounts, sleeve and ZC03 case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF51 delivers a fresh take on the classic \"Austrian\" tube sound: a smooth midrange, a balanced low end and an airy, open top end. Capsules, tubes and transformers are hand-selected and tested for matched gain and frequency response. Because each microphone has its own power supply and case, TELEFUNKEN points out that a matched pair can be split and used independently: two separate systems with identical response, at separate locations, with the same performance.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e19 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency and gain matched\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x TF51\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo frequency and gain matched TF51 microphones\u003c\/strong\u003e for identical left and right channels\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsules, tubes and transformers hand-selected and tested\u003c\/strong\u003e for matched gain and frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK51 edge-terminated capsule\u003c\/strong\u003e and TELEFUNKEN Elektroakustik 6072A vacuum tube in each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCardioid, omnidirectional and figure-8\u003c\/strong\u003e on both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e128 dB SPL maximum level\u003c\/strong\u003e and 8 dBA self-noise per microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo complete systems\u003c\/strong\u003e, each with its own M 903 power supply, M 803 cable and ZC03 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCan be split\u003c\/strong\u003e and used independently with identical response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSound character\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TF51 carries forward the \"Austrian\" microphone sound that TELEFUNKEN is closely associated with. Its smooth midrange and airy top end bring out detail and space, while a balanced low end keeps the sound natural. TELEFUNKEN describes the result as open, smooth and lifelike, a character that suits stereo pictures of acoustic instruments, strings, piano and drum overheads.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsule, tube and transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TF51 is built around the TK51 edge-terminated large-diaphragm capsule, a TELEFUNKEN Elektroakustik 6072A vacuum tube that is tested, burned in and screened by TELEFUNKEN, and a custom German-made output transformer (T31). Each microphone delivers 8 dBA self-noise, 86 dBA signal-to-noise ratio and 128 dB SPL maximum level.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll the electronic components in each pair are matched sonically and electronically, including the capsules, transformers and vacuum tubes. Both microphones are tested for matched gain and frequency response, giving you the confidence that the left and right channels will respond identically in coincident, near-coincident and spaced stereo techniques.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo power supplies, cables and mounts\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach microphone comes with its own \u003cstrong\u003eM 903 multi-pattern power supply with 3-position pattern switch\u003c\/strong\u003e, designed and assembled in the USA with premium-quality capacitors, improved regulation and RF suppression, switchable for 115V or 230V mains. Each connects through its own \u003cstrong\u003eM 803\u003c\/strong\u003e 7 m 7-pin tube microphone cable, with high-purity copper conductors, low capacitance and a dense copper braid shield. Each M 903 has an on-board 3-position switch for cardioid, omnidirectional and figure-8, so the pattern of each microphone is set independently.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRecommended applications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the TF51 for vocals, acoustic guitar, violin, drum overheads, grand piano, mandolin and percussion. As a matched pair, it is ready for the stereo side of that list: drum overheads and room, piano, acoustic guitar, strings, choirs and ensembles, and any source where a stable, detailed stereo image matters.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned and hand assembled in the USA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Alchemy Series is designed, hand built and tested in Connecticut, USA, in the same facility as TELEFUNKEN's Diamond Series, by a small, dedicated team of engineers and technicians. Each microphone is individually tested and listened to, with hand-plugged circuit boards, which keeps tolerances extremely tight from one microphone to the next.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis product is the TF51 Matched Pair: two complete, matched TF51 systems, each with its own M 903 power supply, M 803 cable, M 703 shock mount, M 782 stand mount, MS01 sleeve and ZC03 case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x TELEFUNKEN TF51 microphones, frequency and gain matched\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 903 multi-pattern power supply with 3-position pattern switch\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMains power cable for each power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 803 tube microphone cables, 7 m (7-pin XLR)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 703 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x M 782 stand mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x MS01 microphone sleeves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x ZC03 lightweight zipper carrying cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN Elektroakustik warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the microphones at TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply. Alchemy Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TF51 Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between a Matched Pair and a Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth contain two frequency and gain matched microphones, two tube microphone cables, two shock mounts and two stand mounts. The Matched Pair has two individual power supplies and two zipper cases; the Stereo Set has one dual power supply and a locking hard-shell case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the two microphones be used separately?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN notes that matched pairs can be split and used independently: two completely separate systems with identical response, even at separate locations.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the pair need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Each microphone is powered by its own included M 903 power supply. Connect each power supply's XLR output to your preamp with a standard 3-pin microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphones warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting each system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a TF51 Stereo Set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TF51 Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TF51 Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TF51 Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944786526575,"sku":"TELEFUNKEN-TF51-Matched-Pair","price":686900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TF51-MATCHED-PAIR-TUBE-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329215"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/TELEFUNKEN-logo-red-4K.webp?v=1793287813","url":"https:\/\/shivanshelectronics.in\/collections\/brands-telefunken.oembed?page=2","provider":"Shivansh Electronics","version":"1.0","type":"link"}