{"title":"VERTIGO SOUND","description":"\u003cp\u003eVERTIGO Sound of Germany builds high-end analogue studio processors: the VSC-2 quad discrete compressor, VSC-3 compressor, VSM-3 mix satellite and VSP-2 microphone preamp, used for mixing and mastering in professional studios.\u003c\/p\u003e\u003cp\u003eExplore VERTIGO SOUND at Shivansh Electronics, Kolkata, West Bengal, India.\u003c\/p\u003e","products":[{"product_id":"vertigo-sound-vse-2-equalizers","title":"VERTIGO SOUND VSE-2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eVERTIGO SOUND VSE-2\u003c\/strong\u003e is a discrete gyrator EQ: a 3-band, dual mono equaliser with six fully discrete gyrators, 18 selectable frequencies per channel, stepped discrete cut and boost of ± 8 dB, a tunable 10 - 400 Hz high-pass filter and the unique A.I.R. mode, for tracking, mix bus and mastering.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VSE-2 is another big impact design from VERTIGO SOUND. The frequency of each band is selected by a discrete gyrator circuit, and cut and boost are realised with the dual discrete operational amplifier also used in the VSP-2 mic preamp. The discrete gyrator concept gives the gentle, smooth frequency processing everyone is looking for in today's digital studio, bringing the sound of the golden decade of analog recording equipment into the modern studio.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelectable frequencies per channel\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e18\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStepped discrete cut and boost\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e± 8 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e122 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNoise at unity gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-99 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiscrete gyrator\u003c\/strong\u003e based equaliser: six fully discrete gyrators\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiscrete operational cut and boost amplifier\u003c\/strong\u003e, ± 8 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCut and boost steps: ± 1, 2, 3.5, 5.5 and 8 dB, with variable Q\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e18 selectable frequencies\u003c\/strong\u003e on each channel (LF, MF, HF)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual mono\u003c\/strong\u003e design for tracking, mixing and MS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e 10 - 400 Hz with full bypass\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransformer-balanced input; electronically floating balanced output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAll EQ parameters on rotary switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eA.I.R. mode\u003c\/strong\u003e for the very top end\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHardwire bypass when switched off; super low noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe Discrete Triple Gyrator 1972\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFirst proposed in 1948, a gyrator is an electronic network used at the heart of equaliser designs as an alternative to the older inductor, which has inherent issues like ringing and odd harmonics. Gyrators store energy like real inductors, with almost no self-capacitance and nothing to pick up stray magnetic fields: the silky smooth sound of vintage inductor equalisers, with more punch and grip. Where other devices realise the gyrator with a standard IC, the VERTIGO SOUND 1972 is fully discrete and delivers a tube-like distortion spectrum, produced by the gyrator itself at the frequency you dial in.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVariable Q and stepped cut and boost\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe more you boost or cut, the narrower the bandwidth gets: high boosts stay focused around the selected frequency without pushing the areas above and below too much, a very musical characteristic. Cut and boost run in steps of ± 1, 2, 3.5, 5.5 and 8 dB on an in-house discrete operational amplifier that adds grip while staying natural sounding.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA.I.R. mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA.I.R. (All Impedance Resonance) sets the gyrator to work at the auditory threshold, extending the frequency response to the top end limit without adding presence or harshness. It is a good alternative to 10k for signals with high frequency content like cymbals, drums and full mixes.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFilter and bypass\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe EQ section and the high-pass filter can be used independently or together; switching the filter off bypasses its circuitry completely. When switched off, the VSE-2 goes into hardwire bypass, so the signal chain is not interrupted if the mains supply fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eVSE-2 discrete gyrator EQ\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVERTIGO SOUND VSE-2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is a gyrator EQ?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn equaliser whose bands are tuned by gyrator circuits instead of inductors. The VSE-2 uses fully discrete gyrators for a smooth sound with punch, grip and a tube-like distortion spectrum.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the VSE-2 stereo or dual mono?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is a dual mono design with two identical channels, suited to tracking, mixing, stereo bus and MS applications.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the A.I.R. setting do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt sets the gyrator to work at the auditory threshold, extending the top end without presence or harshness: an alternative to 10k for cymbals, drums and full mixes.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy does the VSE-2 sound subtle at first?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts processing is very soft and smooth, so it is easy to overdo frequencies like 5k, 8k and 10k; the first impression of subtlety comes from listening habits formed with more aggressive equalisers.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the VERTIGO SOUND VSE-2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VERTIGO SOUND VSE-2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004127637871,"sku":"VERTIGO-SOUND-VSE-2","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/VERTIGO-SOUND-VSE-2-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793681525"},{"product_id":"vertigo-sound-vsm-2-preamps-processors","title":"VERTIGO SOUND VSM-2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eVERTIGO SOUND VSM-2\u003c\/strong\u003e, a.k.a. the Mix Satellite, is a creative, fully analog mix and mastering tool in 2U: MS encoding and decoding on two fully balanced inserts, parallel blending, stereo width, AFL Solo of M and S, and two harmonic generators for 2nd and 3rd harmonics.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VSM-2 is VERTIGO SOUND's second unique design and an all-in-one solution for mastering studios, replacing switching devices and MS encoders and decoders. Switch between conventional stereo and MS processing within seconds, blend the mix with the unprocessed signal with one knob, and colour, saturate, enhance, compress, limit or distort your programme material with the Fet Crusher and Zener Blender. VERTIGO SOUND also offers the VSM-2 as a basic version without the harmonic generators.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. input and output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e128 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD at +28 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e≤ 0.003 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio at +6 dBu\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e104 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll analog, latency-free\u003c\/strong\u003e processing in 2U\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo fully balanced inserts\u003c\/strong\u003e on XLR with level-compensated MS encoding and decoding\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInsert 1 Dry \/ Wet\u003c\/strong\u003e control for parallel compression in LR and MS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eInsert 2 M \/ S stereo width\u003c\/strong\u003e control with a zoomed centre\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLevel-compensated \u003cstrong\u003eAFL Solo\u003c\/strong\u003e for the M and S signal\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2nd Harmonic Fet Crusher\u003c\/strong\u003e and \u003cstrong\u003e3rd Harmonic Zener Blender\u003c\/strong\u003e, each switchable to M, S or LR\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSix input filter modes per generator, including the unique Track mode; soft and hard style\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHardwire bypass for all and each processing stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to +30 dBu at the inputs and outputs; fast input \/ output metering and clip LEDs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStepped controls, pointer knobs and fine scales for easy recall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eInserts and MS processing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eInsert 1 is designed for a compressor: in MS mode an unlinked compressor processes M on channel A and S on channel B, with the S level compensated. Its Dry \/ Wet knob blends the compressed returns with the dry input for parallel compression. Insert 2 suits an equaliser: in MS mode it engages the stereo width control, in LR mode the knob is a stereo balance control. Each insert can be switched off with a hardwire bypass to compare.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAFL Solo for M and S\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Solo toggle lets you listen to the VSM-2 output encoded in M or S, after the output controls, so you hear the effect of every stage on the M or S part of the mix and can optimise compressor time constants for the centre and the sides separately.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFet Crusher and Zener Blender\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 2nd Harmonic Fet Crusher produces pure second harmonics emulating a class A triode tube stage, for warmth and richness. The 3rd Harmonic Zener Blender creates third harmonics, like a pentode driven into overload, for a brighter sound, more detail or a compression and limiting effect. Each has Drive, Input Filter (Low, Mid, Hi Mid, High, Full, Track), Shape, THD Mix, Level, Style and an LR \/ M \/ S selector.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for the studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll inputs, inserts and outputs are electronically balanced and fully floating. Audio grounds are separated from the steel case to avoid ground loops, and a noiseless linear power supply with a toroidal transformer keeps switching noise away from A\/D conversion.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eVSM-2 Mix Satellite\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVERTIGO SOUND VSM-2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use any compressor or equaliser with the VSM-2?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Insert 1 is designed mainly for a compressor and Insert 2 for an equaliser; for MS work, set the compressor to unlinked (dual mono) mode.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does parallel compression work on the VSM-2?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEngage Parallel Compression on Insert 1 and turn the Dry \/ Wet knob from Wet towards Dry to blend the compressed returns with the unprocessed input signal.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do the harmonic generators add?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Fet Crusher adds pure 2nd harmonics and the Zener Blender 3rd harmonics; each can be sent LR, M or S and filtered to a frequency band.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the VSM-2 need ventilation space?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt generates a fair amount of heat: keep the ventilation holes on top of the housing open.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the VERTIGO SOUND VSM-2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VERTIGO SOUND VSM-2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004127736175,"sku":"VERTIGO-SOUND-VSM-2","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/VERTIGO-SOUND-VSM-2-PREAMPS-AND-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793681527"},{"product_id":"vertigo-sound-vsp-2-preamps-processors","title":"VERTIGO SOUND VSP-2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eVERTIGO SOUND VSP-2\u003c\/strong\u003e is a two-channel, dual mono microphone preamplifier built around VERTIGO SOUND's fully discrete Twin Op Amp, the OPA 1976, with transformer-isolated inputs, stepped gain from 12 to 72 dB, a real DI instrument input and +24 dBu output.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VSP-2 is VERTIGO SOUND's third big impact design. Its in-house discrete op amp is combined with a mic input transformer with a low 1:2 ratio, for a smooth, warm and defined sound from the lowest bass to the very top end. The transformer handles very high input levels with very linear phase behaviour, and its low ratio makes the discrete op amp provide most of the amplification: a 'pedal to the floor' circuit for a unique, rich, full and characterful sound.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eGain range, 6 dB steps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 - 72 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. output, 600 Ω balanced\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+24 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range at 36 dB gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e116 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency response (± 1 dB)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 Hz - 35 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFully discrete Twin OPA 1976\u003c\/strong\u003e in each channel, built in house\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformer-isolated mic inputs\u003c\/strong\u003e, 1:2 ratio, 1.5 kΩ input impedance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eGain 12 - 72 dB\u003c\/strong\u003e: 10-position rotary switch in 6 dB steps\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e41-click fine gain trim\u003c\/strong\u003e, 0 - 6 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow-cut input filter at 80 Hz or 120 Hz, 12 dB\/oct\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReal DI instrument input\u003c\/strong\u003e straight into the Twin OPA, output muted while switching\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRamped 48 V phantom power, -20 dB pad and phase reverse per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSignal \/ clip LED per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eElectronically floating balanced outputs, +24 dBu into 600 Ω\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNoiseless linear power supply with toroidal transformer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe discrete OPA 1976\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMost newer designs use an integrated circuit for this job. The VERTIGO SOUND 1976 is a fully discrete operational amplifier: a well thought-out classic circuit which, together with the input transformer, the coupling capacitors and the specific choice of components, gives a fresh, punchy, precise and colourful sound without sounding dull or nasty at any time.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eControls\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has a stepped Gain switch and a Fine trim, a 120 Hz \/ Off \/ 80 Hz low-cut switch, and toggles for Instrument, 48 V, -20 dB and Phase. The LED shows green from -6 dBu to +19 dBu at the output and red at +19 dBu, close to clipping; the maximum output is +24 dBu, and the red LED marks the maximum input level of most common converters and analog gear.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReal DI input\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe unbalanced instrument input for guitar, bass, samples and more goes directly to the Twin OPA input without any circuitry in between. Simply throw the toggle switch and play: the output is muted while switching to avoid loud clicks.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eVSP-2 dual mic preamp\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVERTIGO SOUND VSP-2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many channels does the VSP-2 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo: it is a dual mono mic preamp with two identical, complete channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhen should I use the -20 dB pad?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the pad with the gain settings 12, 18, 24 and 30 dB. It does not affect the sound or the input impedance, but high gain settings with the pad engaged worsen the signal-to-noise ratio.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I plug a guitar or bass straight in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The instrument input is a real DI input that goes directly to the Twin OPA; throw the Instrument switch to use it.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the VSP-2 need ventilation space?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo, it generates very little heat, but its discrete op amps are sensitive to thermal and magnetic influences, so avoid mounting heat or magnetic stray-field generating devices directly above or below it.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the VERTIGO SOUND VSP-2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VERTIGO SOUND VSP-2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004127768943,"sku":"VERTIGO-SOUND-VSP-2","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/VERTIGO-SOUND-VSP-2-PREAMPS-AND-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793681523"},{"product_id":"vertigo-sound-vsc-3-compressors-limiters","title":"VERTIGO SOUND VSC-3","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eVERTIGO SOUND VSC-3\u003c\/strong\u003e is a quad discrete VCA compressor: four fully discrete 1979 VCAs in two channels, True Stereo, Mono summed and Dual Mono sidechain modes, Peak or RMS detection and a mastering-grade signal path with transformer input and floating balanced outputs.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VSC-3 is the successor of the VSC-2 and does everything the VSC-2 is known for, plus new features and options. It is named Quad Discrete Compressor because it uses four VCAs built only from discrete components, a nod to the best VCA-based compressors of the 70s and 80s. The VERTIGO SOUND VCA is named 1979. This classic topology is combined with a modern mastering-grade signal path and innovative features such as a ratio that rises with level in Soft mode. Developed as a bus compressor, with every control available separately per channel, it is just as useful in mastering and while recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDiscrete 1979 VCAs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. output level, 600 Ω\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+27 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency response (-3 dB)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 Hz - 70 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eCrosstalk between channels\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 100 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFour discrete 1979 VCAs\u003c\/strong\u003e: no integrated circuits, encased in ceramic for thermal stability\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTrue Stereo SC, Mono summed SC and Dual Mono\u003c\/strong\u003e modes; mid-side capable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePeak or RMS detection\u003c\/strong\u003e, switchable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSoft (TipToe) ratio\u003c\/strong\u003e rising from 1:1 to 8:1 with level, plus 2:1, 4:1, 8:1, 10:1 and Brick (40:1)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRatio switch compensates the level for equal-loudness comparison\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e10 attack and 10 release settings\u003c\/strong\u003e, including slow and fast auto release\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo switchable sidechain high-pass filters per channel (60 Hz \/ 90 Hz)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e20-segment gain reduction meter per channel, 0.25 to 20 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransformer-isolated inputs and floating balanced outputs; hard relay bypass\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDetented controls for easy recall; gold-plated rotary switches and CNC machined aluminium knobs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eToroidal transformer linear power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe discrete 1979 VCA\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMost newer designs use an integrated circuit for the VCA. The VERTIGO SOUND 1979 is a fully discrete voltage controlled amplifier that colours the signal more the more you compress and make up the output. With a carefully designed circuit and choice of components it gives a fresh, punchy, precise sound that does not turn dull or nasty even when pushed hard. It produces mainly second harmonics, depending on gain reduction and make up; turn the Threshold fully clockwise and use Make Up to add colour without compression.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTrue stereo without image shift\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has one 1979 VCA in the audio path and another in the sidechain. In Stereo SC mode both sidechains stay fully active and are not summed: the higher peak on either channel compresses both, so the VSC-3 reacts even to out-of-phase peaks without image shift, far removed from simple stereo linking. Channel A controls become the masters, so there is no left-right trimming. Mono SC mode reacts to the mono sum for more glue, and Dual mode gives two entirely separate compressors with crosstalk below -100 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTipToe ratio and time constants\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSoft is not the usual soft knee: it is a threshold-related ratio that rises from 1:1 up to 8:1 with level, so the compressor tiptoes into compression inaudibly. The fixed ratios run from medium to hard knee, and Brick (40:1) limits. Attack runs from 0.1 to 40 ms and release from 0.05 to 1.2 s plus two auto modes, all on detented switches; threshold covers -22 to +23 dBu and make up adds up to +22 dB, each with a zoomed range for the most used settings.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMastering-grade signal path\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe input is fully isolated by a line transformer with a Faraday shield and a magnetic mu-metal can; the audio then reaches the VCA and leaves through an electronically floating balanced output driver rated at +27 dBu into 600 Ω. Power supply, audio and signal processing boards are completely separated, the System switch is a real hardwire bypass, and a noiseless linear supply with a toroidal transformer keeps the studio free of switching noise.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eVSC-3 quad discrete VCA compressor\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVERTIGO SOUND VSC-3: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the VSC-3 a stereo or a dual-mono compressor?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth. It works in True Stereo SC mode, Mono summed SC mode or Dual Mono mode, where each channel has entirely separate controls and metering; dual mono also allows mid-side processing.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Soft ratio do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSoft (TipToe) is a ratio that increases with level, from 1:1 up to 8:1, for an inaudible start of compression. It is not a conventional soft knee.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the VSC-3 add colour without compressing?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Turn the Threshold fully clockwise and use Make Up to control the amount of harmonics from the discrete 1979 VCAs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need empty rack space for ventilation?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo, it generates very little heat, but its discrete VCAs are sensitive to temperature differences, so avoid mounting heat-generating devices directly above or below it.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the VERTIGO SOUND VSC-3 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VERTIGO SOUND VSC-3 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004127801711,"sku":"VERTIGO-SOUND-VSC-3","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/VERTIGO-SOUND-VSC-3-COMPRESSORS-AND-LIMITERS-SHIVANSH-ELECTRONICS-1.webp?v=1793681527"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/VERTIGO-SOUND-LOGO-4K-SQUARE-TRANSPARENT.webp?v=1793448551","url":"https:\/\/shivanshelectronics.in\/collections\/brands-vertigo-sound.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}