{"title":"Digital Mixing Consoles","description":"\u003cp\u003eDigital mixing consoles combine the inputs, processing and routing of a large analog desk with built-in effects, recallable scenes and multitrack recording. Every channel has equalisation, dynamics and routing processed digitally, and settings can be stored and recalled instantly for each band, service or event.\u003c\/p\u003e\u003cp\u003eThis category covers digital live and studio consoles with motorised faders and touch screens, versions with built-in multitrack recording, and expansion options for networked stage boxes and digital formats. A single digital console can replace an analog desk, outboard processors and effects racks.\u003c\/p\u003e\u003ch3\u003eTypes of digital mixing consoles\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDigital consoles for live sound, worship and events\u003c\/li\u003e\n\u003cli\u003eConsoles with built-in multitrack recording\u003c\/li\u003e\n\u003cli\u003eExpandable consoles with networked I\/O and expansion cards\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho buys digital mixing consoles\u003c\/h3\u003e\u003cp\u003eLive sound engineers, rental companies, houses of worship, theatres, broadcasters and educational institutions choose digital consoles for their flexibility and recall.\u003c\/p\u003e\u003ch3\u003eWhat to look for in digital mixing consoles\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNumber of input channels, mix buses and physical faders\u003c\/li\u003e\n\u003cli\u003eBuilt-in processing and effects per channel\u003c\/li\u003e\n\u003cli\u003eExpansion slots and networked stage box options\u003c\/li\u003e\n\u003cli\u003eMultitrack recording and DAW integration\u003c\/li\u003e\n\u003cli\u003eRemote control from tablets or computers\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBrands we carry\u003c\/h3\u003e\u003cp\u003eIn this category Shivansh Electronics carries TASCAM.\u003c\/p\u003e\u003ch3\u003eWhy buy from Shivansh Electronics\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eGenuine products only, exactly as the manufacturer builds and specifies them\u003c\/li\u003e\n\u003cli\u003eExpert advice from our personnel on choosing and setting up digital mixing consoles\u003c\/li\u003e\n\u003cli\u003eA Visual Guide data sheet for every product, with the manufacturer's official specifications\u003c\/li\u003e\n\u003cli\u003eA showroom in Dhakuria, Kolkata, where you can discuss your project with our personnel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eExplore Digital Mixing Consoles at Shivansh Electronics, Kolkata, West Bengal, India.\u003c\/p\u003e","products":[{"product_id":"tascam-sonicview-16-sonicview-series-digital-mixing-consoles","title":"TASCAM Sonicview 16","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM Sonicview 16\u003c\/strong\u003e is a 96 kHz digital mixing console with two 7-inch colour touchscreens, 16 Class 1 HDIA mic preamps, a 54-bit floating-point FPGA mixing engine, Dante as standard and two TASCAM expansion slots.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBuilt on more than 50 years of TASCAM know-how, the Sonicview combines newly developed Class 1 HDIA mic preamps, 32-bit A\/D converters and an FPGA mixing engine running at 96 kHz with 54-bit floating-point processing. The VIEW interface (Visual Interactive Ergonomic Workflow) places a touchscreen with eight encoders above every eight channels, so you can see and adjust many parameters without paging through menus. With 44 input channels, 22 MIX buses plus MAIN L\/R, seven freely assignable fader layers, Dante, a 32 x 32 USB audio interface, GPIO and a choice of option cards, it suits live music venues, concert halls, theatres, event spaces, installations, studios and broadcast work.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClass 1 HDIA mic\/line inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e54‑bit float FPGA mixing engine\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue to analogue latency\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.51 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRedundant Dante I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64 x 64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVIEW interface\u003c\/strong\u003e with two 7-inch colour touchscreens, each with 8 encoders\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e44 input channels\u003c\/strong\u003e (40 mono, 2 stereo) plus 4 stereo effect returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e22 MIX buses + MAIN L\/R\u003c\/strong\u003e, every output with a 31-band graphic EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e96 kHz, 54-bit float FPGA engine\u003c\/strong\u003e: 2-sample (20.8 µs) engine delay, 0.51 ms analogue to analogue\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant 64-in \/ 64-out Dante\u003c\/strong\u003e interface with Dante Domain Manager support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32-in \/ 32-out USB audio interface\u003c\/strong\u003e at 32-bit \/ 96 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 mic\/line inputs\u003c\/strong\u003e (up to +32 dBu) and \u003cstrong\u003e16 XLR line outputs\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 multi-effect processors\u003c\/strong\u003e with dedicated send buses and stereo returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16+1 100 mm motorised faders\u003c\/strong\u003e, 18 USER KEYS (up to 64 with the on-screen extension), 8 DCA groups\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 TASCAM expansion slots\u003c\/strong\u003e for MADI, Dante, AES\/EBU, analogue output, SMPTE ST 2110 and 32-track recording cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAutomatic mixer\u003c\/strong\u003e, Audio Follow Video, Ember+ control and SNMP monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2-track SD card recorder\u003c\/strong\u003e and SD \/ USB player\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFree \u003cstrong\u003eTASCAM Sonicview Control\u003c\/strong\u003e app for Windows, Mac and iPad: remote control and offline editing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStudio-grade sound at 96 kHz\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe internal sampling frequency is always 96 kHz, and the FPGA mixing engine works in 54-bit floating point so that audio captured by the 32-bit A\/D converters is mixed at the same resolution. The engine's internal delay is just two samples (20.8 µs), and the path from a mic input through the channel, bus and MAIN L\/R module to an analogue output takes only 0.51 ms. The Class 1 HDIA preamps use instrumentation amplifiers for low noise (EIN -128 dBu or less) and accept up to +32 dBu with the pad on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIntuitive VIEW interface\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Home Screen shows the state of every channel like an analogue console, and touching a function opens its settings at once. Full Screen mode spreads one channel's gain, compressor, EQ and more across all touchscreens. Channel name LCDs with colour LEDs, press-and-turn encoders, guarded MUTE keys and differently shaped SOLO and SEL keys help prevent mistakes. Seven fader layers, 18 colour-coded USER KEYS and 8 DCA groups can be arranged to suit each show.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible processing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery input channel has gate \/ expander \/ de-esser, high-pass filter and EQ, compressor \/ ducker and delay; every output has EQ, dynamics, delay and a 31-band graphic EQ. The 22 MIX buses can each be set as AUX or GROUP, stereo or mono, and MIX buses can send to other MIX buses. Digital routing lets one source feed several channels, so a concert PA mix and a live stream mix can be built separately from the same inputs. Four effect engines provide reverbs, delays, chorus, flanger, phaser and pitch shift.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNetworking, broadcast and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRedundant Dante with 64 inputs and 64 outputs is built in, and two TASCAM slots accept optional cards including the IF-ST2110 for SMPTE ST 2110-30\/31 and AES67 IP connections. Two monitor buses, talkback with return talkback, Audio Follow Video (video switcher tallies via GPIO move the faders), an automatic mixer for panel discussions, Ember+ remote control and SNMP monitoring make the Sonicview at home in broadcast studios and installations. Word clock in and out, 8-in \/ 8-out GPIO and a footswitch input complete the connections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM Sonicview 16 digital mixer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cords without lock (x 3, regional types)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLocking power cord AC-1800L\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDust cover AK-DCSV16\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTablet holders AK-TB15 (x 2)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTouch pen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's Manual (including warranty)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eSD cards (SDHC 8-32 GB or SDXC 64-128 GB, Class 10) are sold separately. Option cards, stage boxes, flight cases and rack-mount kits are available as TASCAM accessories.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM Sonicview 16: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Sonicview's 96 kHz engine mean in practice?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe mixer always runs at 96 kHz with 54-bit floating-point processing, giving high resolution and very low latency: 0.51 ms from an analogue input to an analogue output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it record a show?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It has a 32-in \/ 32-out USB audio interface for multitrack recording on a computer and a 2-track SD card recorder; the optional IF-MTR32 card adds 32-track recording to SD card on the console itself.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I control it remotely?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The free TASCAM Sonicview Control app for Windows, Mac and iPad controls the console over the network and also works as an offline editor. Ember+ remote control is supported as well.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it have Dante built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. A redundant 64-in \/ 64-out Dante interface (32 x 32 at 96 kHz) with PRIMARY and SECONDARY etherCON ports is standard.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM Sonicview 16 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM Sonicview 16 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948537282927,"sku":"TASCAM-Sonicview-16","price":728250.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-SONICVIEW-16-DIGITAL-MIXING-CONSOLES-SHIVANSH-ELECTRONICS-1_d39849bb-a1bd-47bb-bb4b-cee5831725a7.webp?v=1793323113"},{"product_id":"tascam-sonicview-16dp-sonicview-series-digital-mixing-consoles","title":"TASCAM Sonicview 16DP","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM Sonicview 16dp\u003c\/strong\u003e is a 96 kHz digital mixing console with two 7-inch colour touchscreens, 16 Class 1 HDIA mic preamps, a 54-bit floating-point FPGA mixing engine, Dante as standard and two TASCAM expansion slots. It is the dual-power (dp) model of the Sonicview 16: AC and DC power inputs for a redundant power supply.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBuilt on more than 50 years of TASCAM know-how, the Sonicview combines newly developed Class 1 HDIA mic preamps, 32-bit A\/D converters and an FPGA mixing engine running at 96 kHz with 54-bit floating-point processing. The VIEW interface (Visual Interactive Ergonomic Workflow) places a touchscreen with eight encoders above every eight channels, so you can see and adjust many parameters without paging through menus. With 44 input channels, 22 MIX buses plus MAIN L\/R, seven freely assignable fader layers, Dante, a 32 x 32 USB audio interface, GPIO and a choice of option cards, it suits live music venues, concert halls, theatres, event spaces, installations, studios and broadcast work.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClass 1 HDIA mic\/line inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e54‑bit float FPGA mixing engine\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue to analogue latency\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.51 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual power inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eAC + DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual power supply\u003c\/strong\u003e: AC input plus EXT DC IN (DC 14-27 V), with the dedicated TASCAM PS-P2450 AC adapter included\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVIEW interface\u003c\/strong\u003e with two 7-inch colour touchscreens, each with 8 encoders\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e44 input channels\u003c\/strong\u003e (40 mono, 2 stereo) plus 4 stereo effect returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e22 MIX buses + MAIN L\/R\u003c\/strong\u003e, every output with a 31-band graphic EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e96 kHz, 54-bit float FPGA engine\u003c\/strong\u003e: 2-sample (20.8 µs) engine delay, 0.51 ms analogue to analogue\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant 64-in \/ 64-out Dante\u003c\/strong\u003e interface with Dante Domain Manager support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32-in \/ 32-out USB audio interface\u003c\/strong\u003e at 32-bit \/ 96 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16 mic\/line inputs\u003c\/strong\u003e (up to +32 dBu) and \u003cstrong\u003e16 XLR line outputs\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 multi-effect processors\u003c\/strong\u003e with dedicated send buses and stereo returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e16+1 100 mm motorised faders\u003c\/strong\u003e, 18 USER KEYS (up to 64 with the on-screen extension), 8 DCA groups\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 TASCAM expansion slots\u003c\/strong\u003e for MADI, Dante, AES\/EBU, analogue output, SMPTE ST 2110 and 32-track recording cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAutomatic mixer\u003c\/strong\u003e, Audio Follow Video, Ember+ control and SNMP monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2-track SD card recorder\u003c\/strong\u003e and SD \/ USB player\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFree \u003cstrong\u003eTASCAM Sonicview Control\u003c\/strong\u003e app for Windows, Mac and iPad: remote control and offline editing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStudio-grade sound at 96 kHz\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe internal sampling frequency is always 96 kHz, and the FPGA mixing engine works in 54-bit floating point so that audio captured by the 32-bit A\/D converters is mixed at the same resolution. The engine's internal delay is just two samples (20.8 µs), and the path from a mic input through the channel, bus and MAIN L\/R module to an analogue output takes only 0.51 ms. The Class 1 HDIA preamps use instrumentation amplifiers for low noise (EIN -128 dBu or less) and accept up to +32 dBu with the pad on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIntuitive VIEW interface\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Home Screen shows the state of every channel like an analogue console, and touching a function opens its settings at once. Full Screen mode spreads one channel's gain, compressor, EQ and more across all touchscreens. Channel name LCDs with colour LEDs, press-and-turn encoders, guarded MUTE keys and differently shaped SOLO and SEL keys help prevent mistakes. Seven fader layers, 18 colour-coded USER KEYS and 8 DCA groups can be arranged to suit each show.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible processing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery input channel has gate \/ expander \/ de-esser, high-pass filter and EQ, compressor \/ ducker and delay; every output has EQ, dynamics, delay and a 31-band graphic EQ. The 22 MIX buses can each be set as AUX or GROUP, stereo or mono, and MIX buses can send to other MIX buses. Digital routing lets one source feed several channels, so a concert PA mix and a live stream mix can be built separately from the same inputs. Four effect engines provide reverbs, delays, chorus, flanger, phaser and pitch shift.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNetworking, broadcast and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRedundant Dante with 64 inputs and 64 outputs is built in, and two TASCAM slots accept optional cards including the IF-ST2110 for SMPTE ST 2110-30\/31 and AES67 IP connections. Two monitor buses, talkback with return talkback, Audio Follow Video (video switcher tallies via GPIO move the faders), an automatic mixer for panel discussions, Ember+ remote control and SNMP monitoring make the Sonicview at home in broadcast studios and installations. Word clock in and out, 8-in \/ 8-out GPIO and a footswitch input complete the connections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power for critical events\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Sonicview 16dp adds an EXT DC IN connector (XLR 4-pin type, DC 14-27 V) to the standard AC inlet, so the console can be fed from two power sources at the same time. TASCAM supplies the dedicated PS-P2450 AC adapter with the console.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM Sonicview 16dp digital mixer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC adapter (TASCAM PS-P2450)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cords without lock (x 6, regional types)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLocking power cords AC-1800L (x 2)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDust cover AK-DCSV16\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTablet holders AK-TB15 (x 2)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFerrite core\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTouch pen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's Manual (including warranty)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eSD cards (SDHC 8-32 GB or SDXC 64-128 GB, Class 10) are sold separately. Option cards, stage boxes, flight cases and rack-mount kits are available as TASCAM accessories.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM Sonicview 16dp: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Sonicview's 96 kHz engine mean in practice?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe mixer always runs at 96 kHz with 54-bit floating-point processing, giving high resolution and very low latency: 0.51 ms from an analogue input to an analogue output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it record a show?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It has a 32-in \/ 32-out USB audio interface for multitrack recording on a computer and a 2-track SD card recorder; the optional IF-MTR32 card adds 32-track recording to SD card on the console itself.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I control it remotely?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The free TASCAM Sonicview Control app for Windows, Mac and iPad controls the console over the network and also works as an offline editor. Ember+ remote control is supported as well.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the Sonicview 16 and the Sonicview 16dp?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Sonicview 16dp is the dual-power model: it accepts DC power through an EXT DC IN connector in addition to AC power, and the dedicated TASCAM PS-P2450 AC adapter is included. Size, weight and mixing features are the same.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM Sonicview 16dp in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM Sonicview 16dp is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948540887407,"sku":"TASCAM-Sonicview-16DP","price":904000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-SONICVIEW-16DP-DIGITAL-MIXING-CONSOLES-SHIVANSH-ELECTRONICS-1_99a6b093-ff35-417f-a808-a7898cdbba07.webp?v=1793323129"},{"product_id":"tascam-sonicview-24-sonicview-series-digital-mixing-consoles","title":"TASCAM Sonicview 24","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM Sonicview 24\u003c\/strong\u003e is a 96 kHz digital mixing console with three 7-inch colour touchscreens, 24 Class 1 HDIA mic preamps, a 54-bit floating-point FPGA mixing engine, Dante as standard and two TASCAM expansion slots.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBuilt on more than 50 years of TASCAM know-how, the Sonicview combines newly developed Class 1 HDIA mic preamps, 32-bit A\/D converters and an FPGA mixing engine running at 96 kHz with 54-bit floating-point processing. The VIEW interface (Visual Interactive Ergonomic Workflow) places a touchscreen with eight encoders above every eight channels, so you can see and adjust many parameters without paging through menus. With 44 input channels, 22 MIX buses plus MAIN L\/R, seven freely assignable fader layers, Dante, a 32 x 32 USB audio interface, GPIO and a choice of option cards, it suits live music venues, concert halls, theatres, event spaces, installations, studios and broadcast work.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClass 1 HDIA mic\/line inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e54‑bit float FPGA mixing engine\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue to analogue latency\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.51 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRedundant Dante I\/O\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e64 x 64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVIEW interface\u003c\/strong\u003e with three 7-inch colour touchscreens, each with 8 encoders\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e44 input channels\u003c\/strong\u003e (40 mono, 2 stereo) plus 4 stereo effect returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e22 MIX buses + MAIN L\/R\u003c\/strong\u003e, every output with a 31-band graphic EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e96 kHz, 54-bit float FPGA engine\u003c\/strong\u003e: 2-sample (20.8 µs) engine delay, 0.51 ms analogue to analogue\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant 64-in \/ 64-out Dante\u003c\/strong\u003e interface with Dante Domain Manager support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32-in \/ 32-out USB audio interface\u003c\/strong\u003e at 32-bit \/ 96 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24 mic\/line inputs\u003c\/strong\u003e (up to +32 dBu) and \u003cstrong\u003e16 XLR line outputs\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 multi-effect processors\u003c\/strong\u003e with dedicated send buses and stereo returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24+1 100 mm motorised faders\u003c\/strong\u003e, 18 USER KEYS (up to 64 with the on-screen extension), 8 DCA groups\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 TASCAM expansion slots\u003c\/strong\u003e for MADI, Dante, AES\/EBU, analogue output, SMPTE ST 2110 and 32-track recording cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAutomatic mixer\u003c\/strong\u003e, Audio Follow Video, Ember+ control and SNMP monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2-track SD card recorder\u003c\/strong\u003e and SD \/ USB player\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFree \u003cstrong\u003eTASCAM Sonicview Control\u003c\/strong\u003e app for Windows, Mac and iPad: remote control and offline editing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStudio-grade sound at 96 kHz\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe internal sampling frequency is always 96 kHz, and the FPGA mixing engine works in 54-bit floating point so that audio captured by the 32-bit A\/D converters is mixed at the same resolution. The engine's internal delay is just two samples (20.8 µs), and the path from a mic input through the channel, bus and MAIN L\/R module to an analogue output takes only 0.51 ms. The Class 1 HDIA preamps use instrumentation amplifiers for low noise (EIN -128 dBu or less) and accept up to +32 dBu with the pad on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIntuitive VIEW interface\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Home Screen shows the state of every channel like an analogue console, and touching a function opens its settings at once. Full Screen mode spreads one channel's gain, compressor, EQ and more across all touchscreens. Channel name LCDs with colour LEDs, press-and-turn encoders, guarded MUTE keys and differently shaped SOLO and SEL keys help prevent mistakes. Seven fader layers, 18 colour-coded USER KEYS and 8 DCA groups can be arranged to suit each show.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible processing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery input channel has gate \/ expander \/ de-esser, high-pass filter and EQ, compressor \/ ducker and delay; every output has EQ, dynamics, delay and a 31-band graphic EQ. The 22 MIX buses can each be set as AUX or GROUP, stereo or mono, and MIX buses can send to other MIX buses. Digital routing lets one source feed several channels, so a concert PA mix and a live stream mix can be built separately from the same inputs. Four effect engines provide reverbs, delays, chorus, flanger, phaser and pitch shift.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNetworking, broadcast and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRedundant Dante with 64 inputs and 64 outputs is built in, and two TASCAM slots accept optional cards including the IF-ST2110 for SMPTE ST 2110-30\/31 and AES67 IP connections. Two monitor buses, talkback with return talkback, Audio Follow Video (video switcher tallies via GPIO move the faders), an automatic mixer for panel discussions, Ember+ remote control and SNMP monitoring make the Sonicview at home in broadcast studios and installations. Word clock in and out, 8-in \/ 8-out GPIO and a footswitch input complete the connections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM Sonicview 24 digital mixer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cords without lock (x 3, regional types)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLocking power cord AC-1800L\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDust cover AK-DCSV24\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTablet holders AK-TB15 (x 3)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTouch pen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's Manual (including warranty)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eSD cards (SDHC 8-32 GB or SDXC 64-128 GB, Class 10) are sold separately. Option cards, stage boxes, flight cases and rack-mount kits are available as TASCAM accessories.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM Sonicview 24: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Sonicview's 96 kHz engine mean in practice?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe mixer always runs at 96 kHz with 54-bit floating-point processing, giving high resolution and very low latency: 0.51 ms from an analogue input to an analogue output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it record a show?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It has a 32-in \/ 32-out USB audio interface for multitrack recording on a computer and a 2-track SD card recorder; the optional IF-MTR32 card adds 32-track recording to SD card on the console itself.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I control it remotely?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The free TASCAM Sonicview Control app for Windows, Mac and iPad controls the console over the network and also works as an offline editor. Ember+ remote control is supported as well.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it have Dante built in?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. A redundant 64-in \/ 64-out Dante interface (32 x 32 at 96 kHz) with PRIMARY and SECONDARY etherCON ports is standard.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM Sonicview 24 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM Sonicview 24 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948549800303,"sku":"TASCAM-Sonicview-24","price":873900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-SONICVIEW-24-DIGITAL-MIXING-CONSOLES-SHIVANSH-ELECTRONICS-1_0e36d201-8630-4a5e-aec2-c00ee7609d8e.webp?v=1793323145"},{"product_id":"tascam-sonicview-24dp-sonicview-series-digital-mixing-consoles","title":"TASCAM Sonicview 24DP","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM Sonicview 24dp\u003c\/strong\u003e is a 96 kHz digital mixing console with three 7-inch colour touchscreens, 24 Class 1 HDIA mic preamps, a 54-bit floating-point FPGA mixing engine, Dante as standard and two TASCAM expansion slots. It is the dual-power (dp) model of the Sonicview 24: AC and DC power inputs for a redundant power supply.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBuilt on more than 50 years of TASCAM know-how, the Sonicview combines newly developed Class 1 HDIA mic preamps, 32-bit A\/D converters and an FPGA mixing engine running at 96 kHz with 54-bit floating-point processing. The VIEW interface (Visual Interactive Ergonomic Workflow) places a touchscreen with eight encoders above every eight channels, so you can see and adjust many parameters without paging through menus. With 44 input channels, 22 MIX buses plus MAIN L\/R, seven freely assignable fader layers, Dante, a 32 x 32 USB audio interface, GPIO and a choice of option cards, it suits live music venues, concert halls, theatres, event spaces, installations, studios and broadcast work.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClass 1 HDIA mic\/line inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e54‑bit float FPGA mixing engine\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue to analogue latency\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e0.51 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual power inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eAC + DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual power supply\u003c\/strong\u003e: AC input plus EXT DC IN (DC 14-27 V), with the dedicated TASCAM PS-P2450 AC adapter included\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVIEW interface\u003c\/strong\u003e with three 7-inch colour touchscreens, each with 8 encoders\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e44 input channels\u003c\/strong\u003e (40 mono, 2 stereo) plus 4 stereo effect returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e22 MIX buses + MAIN L\/R\u003c\/strong\u003e, every output with a 31-band graphic EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e96 kHz, 54-bit float FPGA engine\u003c\/strong\u003e: 2-sample (20.8 µs) engine delay, 0.51 ms analogue to analogue\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRedundant 64-in \/ 64-out Dante\u003c\/strong\u003e interface with Dante Domain Manager support\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32-in \/ 32-out USB audio interface\u003c\/strong\u003e at 32-bit \/ 96 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24 mic\/line inputs\u003c\/strong\u003e (up to +32 dBu) and \u003cstrong\u003e16 XLR line outputs\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 multi-effect processors\u003c\/strong\u003e with dedicated send buses and stereo returns\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e24+1 100 mm motorised faders\u003c\/strong\u003e, 18 USER KEYS (up to 64 with the on-screen extension), 8 DCA groups\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2 TASCAM expansion slots\u003c\/strong\u003e for MADI, Dante, AES\/EBU, analogue output, SMPTE ST 2110 and 32-track recording cards\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAutomatic mixer\u003c\/strong\u003e, Audio Follow Video, Ember+ control and SNMP monitoring\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e2-track SD card recorder\u003c\/strong\u003e and SD \/ USB player\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFree \u003cstrong\u003eTASCAM Sonicview Control\u003c\/strong\u003e app for Windows, Mac and iPad: remote control and offline editing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStudio-grade sound at 96 kHz\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe internal sampling frequency is always 96 kHz, and the FPGA mixing engine works in 54-bit floating point so that audio captured by the 32-bit A\/D converters is mixed at the same resolution. The engine's internal delay is just two samples (20.8 µs), and the path from a mic input through the channel, bus and MAIN L\/R module to an analogue output takes only 0.51 ms. The Class 1 HDIA preamps use instrumentation amplifiers for low noise (EIN -128 dBu or less) and accept up to +32 dBu with the pad on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIntuitive VIEW interface\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Home Screen shows the state of every channel like an analogue console, and touching a function opens its settings at once. Full Screen mode spreads one channel's gain, compressor, EQ and more across all touchscreens. Channel name LCDs with colour LEDs, press-and-turn encoders, guarded MUTE keys and differently shaped SOLO and SEL keys help prevent mistakes. Seven fader layers, 18 colour-coded USER KEYS and 8 DCA groups can be arranged to suit each show.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible processing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery input channel has gate \/ expander \/ de-esser, high-pass filter and EQ, compressor \/ ducker and delay; every output has EQ, dynamics, delay and a 31-band graphic EQ. The 22 MIX buses can each be set as AUX or GROUP, stereo or mono, and MIX buses can send to other MIX buses. Digital routing lets one source feed several channels, so a concert PA mix and a live stream mix can be built separately from the same inputs. Four effect engines provide reverbs, delays, chorus, flanger, phaser and pitch shift.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNetworking, broadcast and remote control\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRedundant Dante with 64 inputs and 64 outputs is built in, and two TASCAM slots accept optional cards including the IF-ST2110 for SMPTE ST 2110-30\/31 and AES67 IP connections. Two monitor buses, talkback with return talkback, Audio Follow Video (video switcher tallies via GPIO move the faders), an automatic mixer for panel discussions, Ember+ remote control and SNMP monitoring make the Sonicview at home in broadcast studios and installations. Word clock in and out, 8-in \/ 8-out GPIO and a footswitch input complete the connections.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual power for critical events\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Sonicview 24dp adds an EXT DC IN connector (XLR 4-pin type, DC 14-27 V) to the standard AC inlet, so the console can be fed from two power sources at the same time. TASCAM supplies the dedicated PS-P2450 AC adapter with the console.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM Sonicview 24dp digital mixer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC adapter (TASCAM PS-P2450)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePower cords without lock (x 6, regional types)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLocking power cords AC-1800L (x 2)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDust cover AK-DCSV24\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTablet holders AK-TB15 (x 3)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFerrite core\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTouch pen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM ID registration guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's Manual (including warranty)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eSD cards (SDHC 8-32 GB or SDXC 64-128 GB, Class 10) are sold separately. Option cards, stage boxes, flight cases and rack-mount kits are available as TASCAM accessories.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM Sonicview 24dp: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Sonicview's 96 kHz engine mean in practice?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe mixer always runs at 96 kHz with 54-bit floating-point processing, giving high resolution and very low latency: 0.51 ms from an analogue input to an analogue output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it record a show?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It has a 32-in \/ 32-out USB audio interface for multitrack recording on a computer and a 2-track SD card recorder; the optional IF-MTR32 card adds 32-track recording to SD card on the console itself.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I control it remotely?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The free TASCAM Sonicview Control app for Windows, Mac and iPad controls the console over the network and also works as an offline editor. Ember+ remote control is supported as well.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the Sonicview 24 and the Sonicview 24dp?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Sonicview 24dp is the dual-power model: it accepts DC power through an EXT DC IN connector in addition to AC power, and the dedicated TASCAM PS-P2450 AC adapter is included. Size, weight and mixing features are the same.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM Sonicview 24dp in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM Sonicview 24dp is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948549898607,"sku":"TASCAM-Sonicview-24DP","price":1029550.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-SONICVIEW-24DP-DIGITAL-MIXING-CONSOLES-SHIVANSH-ELECTRONICS-1_da31ab19-7451-4559-beba-45cb80cb3402.webp?v=1793323161"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/GOLD-BANNER-DIGITAL-MIXING-CONSOLES.webp?v=1793444924","url":"https:\/\/shivanshelectronics.in\/collections\/digital-mixing-consoles.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}