{"title":"Equalizers","description":"\u003cp\u003eEqualizers give you control over tone: passive and active designs, shelving and bell bands, high-pass and low-pass filters, used to sculpt individual sources while tracking, to balance a mix or to make final tonal moves in mastering. This category covers studio outboard equalizers in mono and stereo, rack-mount and 500-series formats, from vintage-inspired passive circuits to clean modern designs.\u003c\/p\u003e\u003cp\u003eEvery unit comes with its own product guide and data sheet, and our personnel can help you match an equalizer to your studio workflow. Explore Equalizers at Shivansh Electronics, Kolkata, West Bengal, India.\u003c\/p\u003e","products":[{"product_id":"manley-core-preamps-processors-compressors-limiters-equalizers","title":"MANLEY CORE","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMANLEY CORE®\u003c\/strong\u003e Reference Channel Strip integrates a microphone preamp, three-band EQ and dual-stage limiting in a streamlined 2U format: the essential tube channel strip.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHand-built in California, the CORE combines a custom hand-wound MANLEY IRON® input transformer, all-tube Class A gain stages and MANLEY's acclaimed ELOP® electro-optical compression with FET brick-wall limiting. Designed for intuitive operation without compromising sonic performance, it delivers in tracking and mixing sessions, on vocals, bass, guitars and DI tracks alike.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum mic gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum preamp output\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+35 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEQ with sweepable mid\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3‑band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMANLEY Power® universal supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e90‑254 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll-tube preamp path\u003c\/strong\u003e: one 12AX7 for gain and one 6922 White follower output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMANLEY IRON®\u003c\/strong\u003e transformer-coupled mic input with 40 or 60 dB of gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced XLR line input and front-panel Hi-Z DIRECT IN (10 MΩ)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e120 Hz high-pass filter (6 dB\/octave), phase reverse and 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eELOP® electro-optical compressor\u003c\/strong\u003e with a fixed 3:1 ratio and variable attack and release\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-band EQ\u003c\/strong\u003e: low and high shelves (±12 dB) plus a sweepable mid (±10 dB)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFET brick-wall limiter\u003c\/strong\u003e with output gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLarge illuminated VU meter: direct out, main out or gain reduction\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1\/4\" TRS insert, direct output and main output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMANLEY Power®\u003c\/strong\u003e supply, 90-254 V AC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProven MANLEY tube elements\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe CORE employs established MANLEY circuit designs throughout its signal path, a streamlined collection of MANLEY's renowned circuits including elements from the VOXBOX and SLAM!. The microphone preamp features custom-wound transformers and all-tube amplification for up to 60 dB of gain with exceptional headroom. The ELOP® compressor provides the smooth, transparent gain reduction found in MANLEY's dedicated limiters, and the three-band shelving and peak EQ offers musical frequency contouring optimised for vocal and instrument processing. Try it on DI guitar tracks as well.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMusical equalisation with transparent optical compression\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe three-band EQ delivers broad, musical tone shaping with high and low shelving bands plus a sweepable mid band (100 Hz-1 kHz or 1 kHz-10 kHz). The ELOP® compressor operates with a fixed 3:1 ratio for natural dynamic control of vocals, bass and other sources requiring consistent level management. The integrated FET brick-wall limiter keeps signal peaks below safe levels while tracking into recording software or digital consoles.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA 1\/4\" TRS insert point sits between the preamp\/compressor and the EQ\/limiter sections, so the preamp and compressor can be used as a standalone unit or external processors can be patched in. Direct Output 1 carries the signal after the preamp and compressor; Main Output 2 carries the full chain.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCalifornia craftsmanship with MANLEY Power®\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach CORE is hand-assembled and tested at MANLEY's California facility. MANLEY Power® is MANLEY's proprietary high-voltage switch-mode supply: a regulated 300 V B+ rail gives huge headroom and consistent performance whatever the mains voltage, with lower noise and a lighter unit, and quiet operation worldwide.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eMANLEY CORE reference channel strip\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMANLEY CORE: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat makes the CORE special?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is a streamlined \"greatest hits\" channel strip that combines the best of MANLEY's renowned circuits, including elements from the VOXBOX and SLAM!, in one user-friendly unit with a comprehensive all-tube signal path.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the sections of the CORE independently?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The 1\/4\" TRS insert between the preamp\/compressor and the EQ\/limiter lets you use the preamp and compressor on their own or patch in other equipment, and the direct and main outputs give additional routing flexibility.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich tubes does the CORE use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOne 12AX7WA for the gain stage and one 6922 as a White follower output stage, carefully selected and hand-tested by MANLEY.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the compressor section work?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt uses MANLEY's ELOP® electro-optical technology: an optical cell provides smooth, musical and transparent gain reduction with a fixed 3:1 ratio, taming dynamics without sounding over-processed.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MANLEY CORE in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MANLEY CORE is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002592588143,"sku":"MANLEY-CORE","price":369000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MANLEY-CORE-PREAMPS-AND-PROCESSORS-COMPRESSORS-AND-LIMITERS-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793678444"},{"product_id":"manley-stereo-pultec-style-eq-equalizers-preamps-processors","title":"MANLEY Stereo Pultec-Style EQ","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMANLEY Stereo Pultec-Style EQ\u003c\/strong\u003e delivers dual-channel passive equalisation with all-tube make-up gain, engineered specifically for stereo mixing and mastering.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHand-built in California, this EQ combines passive inductor-based EQ networks with all-tube make-up gain amplification for phase-coherent frequency shaping and rich harmonic character: a passive tube EQ on \"stereoids\". It works equally well on two individual mono sources, such as bass drum and vocals, and adds dimension, weight and clarity to mixes.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFully differential, all‑tube\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFlat frequency response\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 Hz‑70 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e116 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 0.01 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo channels of passive inductor EQ\u003c\/strong\u003e with all-tube make-up gain in 2U\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow section: boost and cut at 20, 30, 60, 90 or 120 Hz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh section: boost with bandwidth control at 1 kHz to 16 kHz, cut at 4, 8, 12, 16 or 20 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMANLEY input transformer\u003c\/strong\u003e with nickel laminations in a mu-metal case; 3 kΩ input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransformerless 1\/4\" Hi-Z input (5 kΩ) and phase reverse for the XLR input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced transformer-coupled XLR outputs\u003c\/strong\u003e via the custom MANLEY 9611, plus direct 1\/4\" outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSilent conductive-plastic BOOST and CUT controls and sealed gold-contact frequency switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBypass switch and AUTO-MUTE with warm-up delay\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAdjustable feedback \/ gain: unity ±5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhase-coherent stereo equalisation with passive topology\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe passive architecture of this EQ maintains the phase relationships critical for stereo imaging while delivering musical frequency contouring across both channels. The passive EQ network ensures minimal phase shift, allowing broad tonal adjustments to the complete stereo field without compromising spatial information. From low-frequency reinforcement to high-frequency extension, it adds dimension, weight and clarity to mixes.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEnhanced frequency selection with all-tube amplification\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMANLEY's implementation expands on the classic passive design with additional frequency selections that cover low-end resonance points and ultra-high-frequency air for modern production. All-tube make-up gain stages restore the signal level with harmonic enhancement, while the robust power supply ensures extended headroom and low noise. Conductive-plastic potentiometers provide continuously variable control with silent operation and long-term reliability.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBoost and cut together\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoosting a low frequency and cutting the same or an adjacent one creates a signature resonant shelf: the low-frequency weight is kept while the mid-bass tightens, adding a powerful, cohesive punch to the whole stereo image without muddying the mix. In the high frequencies, the same approach adds air and sparkle while controlling harshness.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCalifornia craftsmanship since 1990\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMANLEY has manufactured and refined its passive tube EQs since 1990. Each unit is hand-assembled in California with premium components, including custom MANLEY 9611 output transformers for balanced, transformer-coupled outputs: more than three decades of MANLEY engineering in a trusted workhorse of recording, mixing and mastering studios around the world.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eMANLEY Stereo Pultec-Style EQ\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMANLEY Stereo Pultec-Style EQ: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it only for stereo material?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is two matched channels in one 2U chassis with a unified power supply, ideal for a stereo mix bus or sub-groups, and it works equally well on two individual mono sources such as bass drum and vocals.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the all-tube make-up gain amplifier do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe passive EQ attenuates the signal, so a dedicated amplifier restores it. MANLEY's single-ended, Class A tube amplifier, built around a 12AX7 and a 6414\/5965, gives immense headroom and a subtle warmth and liquidity.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat output options are there?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has a balanced, transformer-coupled XLR output via the custom MANLEY 9611 transformer, with a touch of big-iron character, and a direct capacitor-coupled unbalanced 1\/4\" output for a cleaner, more transparent path.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich mains voltage does it use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach unit is purpose-built for the destination country's mains voltage (100 V, 120 V or 220-240 V AC, 50\/60 Hz), as indicated on the serial number badge. Changing the operating voltage requires the dedicated power transformer.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MANLEY Stereo Pultec-Style EQ in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MANLEY Stereo Pultec-Style EQ is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002592555375,"sku":"MANLEY-STEREO-PULTEC-STYLE-EQ","price":636000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MANLEY-STEREO-PULTEC-STYLE-EQ-EQUALIZERS-PREAMPS-AND-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793678443"},{"product_id":"manley-massive-passive-stereo-eq-equalizers-preamps-processors","title":"MANLEY Massive Passive Stereo EQ","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMANLEY Massive Passive\u003c\/strong\u003e is MANLEY's flagship stereo tube equaliser: organic, musical and unmistakably powerful passive equalisation with all-tube make-up gain.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSince its introduction, the Massive Passive has redefined passive tube equalisation. Hand-built in California, it combines metal-film resistors, film capacitors and hand-wound inductors with all-tube make-up gain stages for unparalleled tonal sculpting in tracking, mixing and mastering. Paired with MANLEY's own M\/S matrix it becomes an audio engineer's dream in mid\/side mode.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, shelf or bell\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 bands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequencies, 22 Hz to 27 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e44\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum boost or cut\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e123 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll-passive tone sculpting\u003c\/strong\u003e: resistors, capacitors and hand-wound inductors only in the EQ path\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFour parallel bands per channel\u003c\/strong\u003e, each switchable to shelf or bell, boost or cut\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e44 overlapping, interleaved frequencies from 22 Hz to 27 kHz (about 1\/4-octave spacing)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUnique BANDWIDTH control that also shapes the shelf curves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive high-pass (22-220 Hz) and low-pass (6-18 kHz) filters plus gain trims\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVacuum tube make-up gain and line drivers\u003c\/strong\u003e: 2 x 5751, 4 x 6922\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced XLR and 1\/4\" inputs and outputs; hardwire bypass on the XLR jacks\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMANLEY Power®\u003c\/strong\u003e universal supply, 90-254 V AC (2020 version)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRadical boosts without artefacts, natural cuts without phase smear\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFrom vocals and instruments to full stereo mixes, the Massive Passive delivers huge high-frequency boosts without sibilance and low-end fatness without mud. Its passive topology and vacuum tube amplification make every adjustment feel intuitive and sound transparent.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePassive, parallel, musical\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUnlike most EQs with a series filter topology, the Massive Passive runs its four bands in parallel, so broad or extreme boosts cause no internal overload, even with several bands overlapping. A clean tube amplifier stage restores the level after the passive network. The curves interact organically rather than clinically, for a rich, musical sound that enhances tone instead of dissecting it.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBandwidth instead of Q\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBANDWIDTH defines how wide or narrow each curve is: counter-clockwise for broader, smoother curves, clockwise for more focused adjustments. In shelf mode it also changes the shelf shape, introducing a gentle dip or bump near the corner frequency for more musical contouring. Because the filters interact, results feel natural rather than surgical.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIdeal for mid\/side work\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmooth yet punchy mid bands without phasy midrange, even when pushed, make the Massive Passive an ideal EQ for M\/S mode with any M\/S matrix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eMANLEY Massive Passive Stereo EQ\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMANLEY Massive Passive Stereo EQ: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat are the main applications?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTracking, mixing and mastering: tone shaping while recording, broad organic curves on instruments and buses, and subtle tonal balancing of masters. It is equally at home on vocals, acoustic instruments, mix buses and entire masters.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I recognise a unit with MANLEY Power®?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCurrent units have a red illuminated push-button instead of a black rotary power switch, a universal 90-254 V AC input with no voltage selector, and a revised tube complement, PCB layout and power section.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich tubes does it use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe current MANLEY Power® version uses 2 x 5751 (gain stages) and 4 x 6922 (output and driver stages). Use the correct retube kit for the serial number: older and newer versions are not interchangeable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs there a version for mastering?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The Massive Passive Stereo EQ Mastering Version has stepped controls for precise recall and high-pass and low-pass filters optimised for mastering.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MANLEY Massive Passive Stereo EQ in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MANLEY Massive Passive Stereo EQ is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002592522607,"sku":"MANLEY-MASSIVE-PASSIVE-STEREO-EQ","price":890000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MANLEY-MASSIVE-PASSIVE-STEREO-EQ-EQUALIZERS-PREAMPS-AND-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793678443"},{"product_id":"manley-voxbox-preamps-processors-compressors-limiters-equalizers","title":"MANLEY VOXBOX","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMANLEY VOXBOX®\u003c\/strong\u003e Reference Channel Strip integrates a mic preamp, passive EQ, opto compressor and de-essing\/limiting in a single all-tube signal path: a complete tube recording channel for vocals and more.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHand-built in California, the VOXBOX combines circuit topologies from MANLEY's acclaimed standalone processors, including the passive inductor-based EQ, Variable Mu® and ELOP® compression designs, to deliver comprehensive vocal and instrument processing with vacuum tube amplification throughout. Its all-tube, Class A signal path runs from start to finish, with the compressor placed before the preamplifier to prevent clipping. Don't let the name fool you: this is a serious channel strip for any instrument.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClass A signal path\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eAll‑tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum mic gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSignal‑to‑noise ratio (typical)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 110 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMANLEY Power® universal supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e90‑254 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAll-tube, Class A signal path\u003c\/strong\u003e from start to finish (12AX7, 12BH7 and 6414\/5965 tubes, hand-tested and paired)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformer-coupled mic preamp\u003c\/strong\u003e derived from the MANLEY Mono Mic Preamp: up to 60 dB gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMic, line and front-panel instrument inputs, 48 V phantom power, 80 \/ 120 Hz high-pass filter and 0° \/ 180° phase\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eElectro-optical compressor\u003c\/strong\u003e before the preamp: smooth 3:1 ratio, five attack and five release settings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePassive inductor EQ\u003c\/strong\u003e with Class A tube amplification: low peak, mid dip and high peak bands\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDe-esser\u003c\/strong\u003e at 3, 6, 9 or 12 kHz, or a 10:1 output limiter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePreamp out, EQ out and an insert point between the sections\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStereo link for the compressor and the de-esser of two units\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMANLEY Power®\u003c\/strong\u003e switch-mode supply: 90-254 V AC, 50\/60 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProven MANLEY circuits in one chain\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VOXBOX draws from established MANLEY circuit designs, integrating them into a cohesive recording and processing chain. The microphone preamp uses transformer-coupled input stages derived from the MANLEY Mono Mic Preamp. The compression section combines electro-optical gain reduction with characteristics of both the Variable Mu® and ELOP® compressor designs, providing versatile dynamic control from gentle compression to fast peak limiting.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePassive inductor EQ with optical dynamics\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe EQ employs genuine inductors and Class A tube amplification for musical tone shaping: a low peak (0 to +10 dB, 20 Hz to 1 kHz), a mid dip (0 to -10 dB, 200 Hz to 7 kHz) and a high peak (0 to +10 dB, 1.5 kHz to 20 kHz). The electro-optical compressor delivers smooth, transparent gain reduction for vocals, instruments and complex programme material, while the integrated de-esser and limiter give precise high-frequency dynamics control and output level management for tracking to digital systems.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA compressor before the preamp\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VOXBOX compressor is based on a passive optical circuit with minimal components, a design that adds no measurable distortion or noise. Placing it before the mic preamplifier helps prevent the preamp from clipping and allows transparent gain reduction. The ratio is a smooth 3:1, and the attack and release controls give a wide range of characters, from subtle and transparent to more aggressive, while always remaining musical.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCalifornia craftsmanship with MANLEY Power®\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach VOXBOX is hand-assembled and tested at MANLEY's California facility using carefully selected vacuum tubes and premium components. MANLEY Power® is a proprietary high-voltage switch-mode supply that gives the tubes a rock-solid, regulated 300 V DC rail for huge headroom and consistent performance worldwide, with a lower noise floor, and it accepts any mains voltage from 90 V to 254 V.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eMANLEY VOXBOX channel strip\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMANLEY VOXBOX: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the VOXBOX only for vocals?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It was designed with vocal recording in mind, but its all-tube signal path, musical EQ and flexible dynamics make it an excellent tool for bass, acoustic guitars, DI guitars, drums and other instruments.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the sections independently?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. PREAMP OUT gives the signal after the preamp and compressor, EQ OUT after the full channel strip, and an insert point lets external processors be patched in between the two main sections.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich tubes does the VOXBOX use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA 12AX7, a 12BH7 and a 6414\/5965, each hand-tested and paired during manufacture.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat mains voltage does it need?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe internal MANLEY Power® universal supply accepts 90-254 V AC at 50\/60 Hz; power consumption is 31 W (34 VA).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MANLEY VOXBOX in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MANLEY VOXBOX is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002592653679,"sku":"MANLEY-VOXBOX","price":700000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MANLEY-VOXBOX-PREAMPS-AND-PROCESSORS-COMPRESSORS-AND-LIMITERS-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793678444"},{"product_id":"manley-massive-passive-stereo-eq-mastering-version-equalizers-preamps-processors","title":"MANLEY Massive Passive Stereo EQ Mastering Version","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eMANLEY Massive Passive Stereo EQ Mastering Version\u003c\/strong\u003e is the modern classic tube mastering EQ: the best mid-range in the mastering business, with stepped controls for precise recall.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSince its debut, the Massive Passive has defined what a modern tube equaliser can be: musical, intuitive and unmistakably analogue. Hand-built in California, it captures the warmth and dimensionality of classic tube circuits with the precision and quality demanded by mastering engineers, and its high-pass and low-pass filters are optimised for mastering applications.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eControls for precise recall\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eStepped\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePer channel, shelf or bell\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 bands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFilters optimised for mastering\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHP \/ LP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMake‑up gain and line drivers\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eAll‑tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStepped controls\u003c\/strong\u003e for precise recall of mastering settings\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eHigh-pass and low-pass filters optimised for mastering\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAll-passive EQ network: resistors, capacitors and hand-wound inductors only\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFour parallel bands per channel, each switchable to shelf or bell\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBANDWIDTH control that also shapes the shelf curves\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eVacuum tube make-up gain and line drivers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSmooth, musical tone shaping: an ideal partner for any M\/S matrix\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHand-crafted in California with premium components\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEffortless tone shaping for every source\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFrom vocals and guitars to full mixes and masters, the Massive Passive delivers lush, natural tone with musical curves that enhance rather than alter. Its passive design and tube-driven make-up gain ensure that every move feels organic and sounds effortless.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePrecision and character in perfect harmony\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery control on the Massive Passive is tuned for sonic integrity: broad, natural boosts and silky, phase-coherent cuts that make tracks breathe. Balanced I\/O, all-tube amplification and meticulous craftsmanship make it an indispensable tool in any high-end studio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade for mastering and M\/S\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Mastering Version is ideal for subtle tonal balancing, gentle enhancement and removing unwanted build-up, with immense headroom and minimal phase distortion. Smooth yet punchy mid bands without phasy midrange make it ideal in M\/S mode, where the mastering-optimised high-pass and low-pass filters make for a super-solid low end.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA legacy of innovation, built by hand\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor over three decades MANLEY has set the standard in analogue excellence. Each Massive Passive is hand-assembled, tested and tuned by skilled craftspeople in California.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eMANLEY Massive Passive Stereo EQ Mastering Version\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMANLEY Massive Passive Stereo EQ Mastering Version: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does the Mastering Version differ from the standard Massive Passive?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMANLEY states that the Mastering Version offers stepped controls for precise recall and high-pass and low-pass filters optimised for mastering applications.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy is it so good in M\/S mode?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts smooth yet punchy mid bands have no phasy midrange even when pushed, and in M\/S mode the mastering filters give a super-solid low end.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is Bandwidth and how does it compare to Q?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBANDWIDTH replaces the conventional Q control: counter-clockwise gives broader, smoother curves, clockwise tightens them. In shelf mode it also changes the shelf shape, adding a gentle dip or bump near the corner frequency.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich tubes does the current version use?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe current MANLEY Power® Massive Passive uses 2 x 5751 tubes for the gain stages and 4 x 6922 tubes for the output and driver stages.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the MANLEY Massive Passive Stereo EQ Mastering Version in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MANLEY Massive Passive Stereo EQ Mastering Version is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002595668335,"sku":"MANLEY-MASSIVE-PASSIVE-STEREO-EQ-MASTERING-VERSION","price":1069000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/MANLEY-MASSIVE-PASSIVE-STEREO-EQ-MASTERING-VERSION-EQUALIZERS-PREAMPS-AND-PROCESSORS-SHIVANSH-ELECTRONICS-1.webp?v=1793678457"},{"product_id":"solid-state-logic-super-9000-outboard-preamps-processors-compressors-limiters-equalizers","title":"SOLID STATE LOGIC Super 9000","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC Super 9000\u003c\/strong\u003e is a SuperAnalogue channel strip in 1U: first introduced in the legendary SL 9000 J and perfected in the Duality, it brings the ultra-low distortion, exceptional punch and breathtaking clarity of SSL's SuperAnalogue consoles, with a dual SuperAnalogue \/ VHD mic pre, 9000 dynamics and the 292 'Pink' and 242 'Black' EQ circuits.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 9000 Series became the benchmark for modern music production: clean, wide and open, with extended highs, ultra-deep lows and punch that paved the way for the modern SSL sound. SuperAnalogue technology creates a signal path so transparent and wide in bandwidth that nothing is lost: super-wide bandwidth, ruler-flat response, ultra-low transient intermodulation distortion, no electrolytic capacitors in the audio path, extremely low noise and very low phase shift. Super 9000 adds flexible routing, a balanced insert, an external key input and side-chain linking for stereo pairs.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSuperAnalogue or VHD mic pre\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eDual\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePink and Black Knob EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e292 \/ 242\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e9000 compressor modes\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eRMS \/ Peak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic pre impedance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1.3 \/ 11 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual mic pre\u003c\/strong\u003e: SuperAnalogue (9000) or VHD (Duality), with +48 V, polarity invert and pad\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo mic pre impedances: 1.3 kΩ and 11 kΩ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDedicated LINE input with \u003cstrong\u003eINPUT FLIP\u003c\/strong\u003e to run it through the mic pre\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eQuintessential 9000 \/ Duality dynamics\u003c\/strong\u003e: peak \/ hard knee or soft knee, programme-dependent or fast attack\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eClassic gate \/ expander with fast attack and HOLD\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4-band SSL EQ\u003c\/strong\u003e: G-Series 'Pink Knob' 292 or E-Series 'Black Knob' 242, fully parametric mid-bands\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e18 dB\/octave HPF and 12 dB\/octave LPF\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced insert point and external side-chain (key) input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFilters and EQ to the dynamics side chain; flexible process order\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLine output trim and switchable input \/ output metering\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDynamics side-chain link for two units (TS \/ TRS cable, not included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDual mic amp: SuperAnalogue or VHD\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChoose between two world-class preamps, just like the flagship Duality console. The pristine, high-headroom SuperAnalogue preamp gives unmatched clarity; the Variable Harmonic Drive circuit adds character and saturation, from 2nd order harmonics for rich valve-like warmth to 3rd order for a harder, transistor-style edge. The best way to drive VHD is to raise the MIC gain while lowering TRIM, then fine-tune with DRIVE.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eINPUT FLIP\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eINPUT FLIP routes the rear LINE input to the mic pre while the MIC connection goes through the line path: an easy way to process line-level returns from the computer with VHD saturation at the mix stage, without re-patching.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFull dynamics processing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe compressor \/ limiter is identical to that of the 9000 Series and Duality consoles: a true RMS side chain and soft knee give very transparent compression even with heavy gain reduction, PK switches to peak sensing with a hard knee, and fast attack clamps down on spiky percussion. The classic gate \/ expander has variable hysteresis in the threshold and a HOLD control, and the dynamics can be placed before or after the EQ.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePink (292) and Black (242) EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 292 G-Series 'Pink Knob' EQ has variable-Q mid-bands that tighten as you push harder, and shelves with a steeper slope and the signature undershoot \/ overshoot. In 292 mode the LMF range can be divided by 3 and the HMF range multiplied by 3. The 242 E-Series 'Black Knob' EQ has constant-Q mid-bands, often described as more surgical, and LF \/ HF bands switchable between bell and shelf.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible processing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA balanced insert can sit after the input stage or at the output, before the output trim. The filters can move to the input or the dynamics side chain, the EQ can feed the side chain, an external key input can drive the dynamics, and two units can be linked as a stereo pair.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSuper 9000\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cord for your country\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety sheet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC Super 9000: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the two preamps?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SuperAnalogue preamp is extremely low-noise and transparent; the VHD preamp adds controllable 2nd and 3rd harmonic distortion, from valve-like warmth to transistor-style edge.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use VHD on tracks from my computer?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connect them to LINE IN, press INPUT FLIP and release LINE: the line signal then runs through the mic pre, with PAD for hot levels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich EQ circuits are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe G-Series 'Pink Knob' 292 (default) and the E-Series 'Black Knob' 242, selected with the E button.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan two units be linked?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connect their S\/C LINK jacks with a TS or TRS cable (not included) and press LINK on both.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC Super 9000 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC Super 9000 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003712532847,"sku":"SOLID-STATE-LOGIC-SUPER-9000","price":244000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-SUPER-9000-PREAMPS-AND-PROCESSORS-EQUALIZERS-COMPRESSORS-AND-LIMITERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680460"},{"product_id":"solid-state-logic-e-series-eq-module-500-series-modules-equalizers","title":"SOLID STATE LOGIC E-Series EQ Module","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC E-Series EQ Module\u003c\/strong\u003e brings the classic SL 4000 E console channel EQ to 500-series racks, with two switchable EQ flavours, the 'Brown' and the 'Black' knob circuits, in a versatile 4-band design based on the 611E channel strip.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe module features two different EQs found on editions of the console produced between 1981 and 1989, each with unique response curves and tonal character. The type fitted to a console was distinguished by the colour of the LF knob caps, so the two flavours became known as the 'Brown' and 'Black' EQs, loved by generations of professional producers. The module works at the +4 dBu nominal level common to 500-series modules.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eClassic console channel strip\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e611E\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEQ flavours: Brown and Black\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBands, parametric mids\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBlack Knob range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+\/‑18 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eImmortal SSL 4000 E-Series circuitry\u003c\/strong\u003e in 500-series format\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e'Black 242' and 'Brown 02' twin EQ design\u003c\/strong\u003e, switched with BLK\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eVersatile 4-band channel EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBell curve option on HF and LF\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFully parametric LMF and HMF with Q\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eModule IN switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBrown Knob EQ ('02')\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe default circuit, standard on all early production E-Series consoles. Its parametric mid bands use SSL's classic logarithmically symmetric design, so the +\/-3 dB points keep the same musical interval from the centre frequency at any frequency and gain; the shelves are traditional 6 dB\/octave designs with a fixed-Q bell option. It was used on countless recordings and mixes in the early eighties.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBlack Knob EQ ('242')\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDeveloped in the mid-eighties, the Black Knob EQ offers enhanced cut and boost ranges (+\/-18 dB instead of +\/-15 dB) with a different control law for tighter control of low frequencies. It is the design retained as the 'E-Series' EQ option on later SSL consoles.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eE-Series EQ Module\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC E-Series EQ Module: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the Brown and Black EQ?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Brown ('02') EQ is the original early E-Series circuit; the Black ('242') adds +\/-18 dB range and a different control law for tighter low frequencies. BLK switches between them.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do I need to use it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA 500-series compatible rack; fit the module with the rack power off.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the mid bands fully parametric?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. HMF and LMF have gain, frequency and Q; HF and LF are shelves with a bell option.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC E-Series EQ Module in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC E-Series EQ Module is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003713220975,"sku":"SOLID-STATE-LOGIC-E-SERIES-EQ-MODULE","price":98000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-E-SERIES-EQ-MODULE-500-SERIES-MODULES-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680454"},{"product_id":"solid-state-logic-six-ch-module-500-series-modules-preamps-processors-equalizers","title":"SOLID STATE LOGIC SiX CH Module","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC SiX CH Module\u003c\/strong\u003e is a single-width 500-series channel strip with the SuperAnalogue channel processing of SSL's SiX console: mic pre, HF and LF EQ and the one-knob compressor. Deceptively simple, extremely effective.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSiX CH is a simple way to add extra mic \/ line inputs to the line-level returns of any professional audio device, including the stereo channels of the SiX console, and a flexible way to build a professional modular mixer from a summing 500-series rack. Its SuperAnalogue mic pre uses the same technology as SiX and the large-format SSL consoles, with a wide gain range and ultra-low noise: clean, fast and punchy, the perfect preamplifier for any source.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSuperAnalogue mic pre gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+6 to +72 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTypical mic pre EIN\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-129 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSSL shelf \/ bell EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2‑band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFront TRS Hi‑Z input\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e1 MΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSSL SuperAnalogue mic pre\u003c\/strong\u003e with +48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePhase (polarity) invert switch\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e5-segment LED meter in dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitched 12 dB\/octave, 75 Hz high-pass filter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic SSL HF and LF EQ\u003c\/strong\u003e, switchable from shelf to bell\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSingle-knob channel compressor\u003c\/strong\u003e with variable threshold\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFront panel TRS line input with 1 MΩ Hi-Z switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSuperAnalogue pre-amp\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eGAIN adjusts the mic pre-amp from +6 to +72 dB or the line amp from -3 to +63 dB. The rear 500-series XLR is the default mic input (1.2 kΩ) with individually switched 48 V; the [LINE] switch selects the front 1\/4\" TRS jack. A switched 12 dB\/octave 75 Hz high-pass filter removes rumble and AC noise, Ø inverts the polarity of the XLR mic amp and a five-segment LED meter shows the output level in dBu.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSSL HF and LF EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA classic SSL-style gentle, broad-stroke two-band design rooted in the E-Series EQ: high and low shelving filters at 3.5 kHz and 60 Hz with +\/-15 dB of gain. Each band can be independently switched to a bell curve, which moves the centre frequency to 5 kHz and 200 Hz for greater versatility. EQ IN switches the EQ in circuit or bypasses it completely.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eChannel compressor\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA one-knob compressor using the tried and tested SSL feed-forward design: attack of about 5 ms (programme dependent) with an over-easy soft knee, release of about 300 ms and a 2:1 ratio. The threshold runs from +10 to -20 dBu with three LEDs showing gain reduction, and automatic make-up gain maintains the signal level. CMP IN bypasses it for easy comparison.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTRS line input\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe front TRS line input is a convenient way to add instruments on the fly or to use SiX CH as a feature-packed summing module. Its 10 kΩ impedance changes to 1 MΩ with Hi-Z, suitable for passive guitar pickups without an external DI box.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eSiX CH Module (500-series)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC SiX CH Module: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the SiX CH channel strip?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA SuperAnalogue mic pre with 48 V, polarity and 75 Hz HPF, a two-band SSL EQ with shelf \/ bell switching, a one-knob compressor and a front TRS line \/ Hi-Z input.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I plug a guitar into it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Select [LINE] and press Hi-Z for a 1 MΩ input suitable for passive pickups.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it be used for summing?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. In a summing 500-series rack it becomes part of a professional modular mixer.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the EQ and compressor be bypassed?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. EQ IN and CMP IN bypass each section completely.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC SiX CH Module in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC SiX CH Module is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003715285359,"sku":"SOLID-STATE-LOGIC-SIX-CH-MODULE","price":49000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-SIX-CH-MODULE-500-SERIES-MODULES-PREAMPS-AND-PROCESSORS-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680459"},{"product_id":"solid-state-logic-fusion-outboard-preamps-processors-equalizers","title":"SOLID STATE LOGIC Fusion","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC Fusion\u003c\/strong\u003e is an all-analogue 2U stereo outboard processor for the modern hybrid studio: six analogue colouration tools that bring tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse only real analogue circuits can provide.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SSL sonic legacy is built on mic pres, classic channel EQ and dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor and the unique SSL summing bus. Fusion takes SSL into a new era with Vintage Drive, the Violet EQ, the HF Compressor, the hidden Stereo LMC, Stereo Image and a custom Transformer, plus workflow features for hybrid studios: input and output trims, overload LEDs, peak-hold metering, a 3rd order high-pass filter and a stereo or mid-side insert. It is a superb partner for the SSL Stereo Bus Compressor.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eAnalogue colour circuits\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eViolet EQ shelves\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+\/‑9 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStereo or mid‑side insert\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM\/S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum input and output level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+27 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage Drive\u003c\/strong\u003e: non-linear harmonic saturation and soft compression with DRIVE and DENSITY\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eViolet EQ\u003c\/strong\u003e: minimum phase-shift 2-band shelving EQ, four frequencies per band, +\/-9 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHF Compressor\u003c\/strong\u003e: high-frequency-only compression for smooth harshness reduction\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStereo LMC\u003c\/strong\u003e: hidden full-band Listen Mic Compressor with wet \/ dry control\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStereo Image\u003c\/strong\u003e: true analogue M\/S width and SPACE controls\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformer\u003c\/strong\u003e: custom SSL transformer circuit for low-end weight and top-end sparkle\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eStereo or mid-side insert point, switchable pre \/ post EQ or Stereo Image\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3rd order high-pass filter: OFF, 30, 40, 50 Hz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e+\/-12 dB input and output trims, input overload LEDs at +27 dBu\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIndividual IN switches, two master bypass modes and a peak-hold master meter\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced XLR inputs, outputs and insert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVintage Drive\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA unique non-linear harmonic enhancement circuit that brings cohesion and strength to a mix. DRIVE and DENSITY interact to produce harmonic saturation and soft compression derived from overloading an analogue circuit: use it lightly for subtle thickening or drive it hard for more extreme distortion, guided by the tri-colour LED.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eViolet EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe first new SSL analogue EQ circuit for more than 25 years: a minimum phase-shift two-band shelving EQ designed to quickly dial in low-end weight and high-end sheen. The LOW band offers 30, 50, 70 or 90 Hz and the HIGH band 8, 12, 16 or 20 kHz, each with +\/-9 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHF Compressor and Stereo LMC\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe HF Compressor acts on high frequencies only, for smooth, transparent harshness reduction and a tape-like top-end roll-off. Hold its IN switch for five seconds to unlock the hidden sixth colour: a full-band stereo Listen Mic Compressor, with X-OVER becoming a wet \/ dry parallel mix control.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo Image and Transformer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eStereo Image is a true analogue mid-side circuit: WIDTH raises the side signal to widen the image and SPACE boosts or cuts bass in the sides for depth. The switched custom SSL transformer adds subtle low-frequency saturation with a high-frequency phase shift: thicker low end and added sparkle.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDesigned for the hybrid studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBalanced XLR connections can serve as a stereo insert for mix bus processing, switchable pre-Violet EQ, or as a mid-side insert for separate processing of the mid and sides, switchable pre-Stereo Image. Input and output trims, overload LEDs, a large peak-hold meter and two bypass modes complete the workflow.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFusion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cord for your country\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety sheet\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick-start guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC Fusion: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the hidden sixth colour?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHold the HF Compressor IN switch for five seconds: the circuit becomes a full-band stereo Listen Mic Compressor and X-OVER becomes a wet \/ dry control.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan Fusion process mid and side separately?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Hold INSERT for two seconds for M\/S mode: the left insert becomes the mid insert and the right insert the side insert.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I connect Fusion to an audio interface?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eConnect two spare interface outputs to the Fusion inputs and the Fusion outputs to two interface inputs, then use it as a hardware insert or print the mix back.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes Fusion work on 230 V?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It runs on 230 V or 115 V; check that the fuse orientation matches your supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC Fusion in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC Fusion is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003715973487,"sku":"SOLID-STATE-LOGIC-FUSION","price":244000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-FUSION-PREAMPS-AND-PROCESSORS-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680467"},{"product_id":"solid-state-logic-uv-eq-module-500-series-modules-equalizers","title":"SOLID STATE LOGIC UV EQ Module","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC UV EQ Module\u003c\/strong\u003e (ULTRAVIOLET Stereo Equaliser) takes the acclaimed minimum phase-shift Violet stereo EQ of Fusion into 500-series format and adds two fully parametric SSL mid-bands with precision Focus mode: sculpt instruments, enhance busses and fine-tune masters.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUV EQ draws on the SSL legacy of careful selection of frequencies and response curves to create a musical, intuitive EQ that quickly dials in the sound of a mix, from broad musical strokes to surgical precision, creative filtering and colouration. It is the perfect partner for the SSL G-COMP Stereo Bus Compressor module, offering advanced SSL processing all from 500-series modules.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStereo EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4‑band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMid‑band gain in Focus mode\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+\/‑18 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e18 dB\/octave high‑pass filter\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e30 \/ 40 \/ 50 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDedicated output trim\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+\/‑12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e4-band stereo EQ\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh and low shelving bands\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMinimum-phase design\u003c\/strong\u003e inherited from Fusion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDual fully parametric mid-bands\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePrecision \u003cstrong\u003eFocus\u003c\/strong\u003e mode\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh-pass filter at key fixed frequencies\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDedicated output trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitched bypass\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSurgical precision to creative colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBeyond Violet is ULTRAVIOLET\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOver and above the Violet EQ of Fusion, UV EQ adds two dedicated mid-bands with precision Focus mode. They are classic SSL parametric mid-bands capable of the traditional SSL processing techniques and far beyond, from absolute surgical precision to creative notch-style filtering and resonant screaming. The LMF sweeps from 100 Hz to 1.1 kHz and the HMF from 600 Hz to 9 kHz, each with a variable Q and +\/-9 dB of gain.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFocus mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFocus lets you hone in on problem frequencies, or on frequencies you want to accentuate or attenuate. Pressing FOCUS automatically narrows the chosen Q further and increases the gain range beyond the normal +\/-9 dB to a huge +\/-18 dB, transforming this sweet, musical SSL EQ into a more surgical tool.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eShelving bands\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe LF shelf is stepped at 30, 50, 70 or 90 Hz and the HF shelf at 8, 12, 16 or 20 kHz, each with +\/-9 dB of continuous gain detented at 0 dB. Full mixes tend to benefit from a modest amount of 30, 50 or 70 Hz for weight, while 8 kHz and 12 kHz are good starting points for tasteful high end.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHPF and trim\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 18 dB\/octave stereo high-pass filter at 30, 40 or 50 Hz removes rumble and tightens the low end; OFF bypasses it completely. Its interaction with the LF shelf gives unique ways to sculpt signals, including the sought-after boost and cut effect. The dedicated +\/-12 dB trim lets you hit converters with plenty of headroom, or the perfect amount when clipping is wanted.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eUV EQ Module (500-series)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC UV EQ Module: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs UV EQ stereo?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It is a stereo equaliser; one set of controls and the IN switch act on both channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does Focus do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt narrows the chosen mid-band Q further and extends the gain range from +\/-9 dB to +\/-18 dB for surgical work.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere does the EQ design come from?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe shelving EQ is the minimum phase-shift Violet EQ section of the SSL Fusion, with two SSL parametric mid-bands added.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich module pairs well with it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSOLID STATE LOGIC names the G-COMP Stereo Bus Compressor module as its perfect partner.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC UV EQ Module in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC UV EQ Module is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003716563311,"sku":"SOLID-STATE-LOGIC-UV-EQ-MODULE","price":78000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-UV-EQ-MODULE-500-SERIES-MODULES-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680468"},{"product_id":"solid-state-logic-revival-4000-outboard-preamps-processors-compressors-limiters-equalizers","title":"SOLID STATE LOGIC Revival 4000","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSOLID STATE LOGIC Revival 4000\u003c\/strong\u003e is a signature analogue channel strip that puts the immortal 4000 Series into a 1U 19\" rack: the 4000 E transformer-balanced mic pre, discrete Class A VCA dynamics, the 4-band E Series EQ with 'Brown Knob' 02 and 'Black Knob' 242 circuits, and the 4000 B one-knob de-esser.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOriginally launched in 1976, the SSL 4000 Series consoles revolutionised music production and became the industry benchmark, from the rare 4000 B to the SL 4000 E, the most influential mixing console of all time. For the first time the most revered circuits of the B and E Series consoles unite in one channel strip. With flexible routing, a balanced insert point, an external key input and side-chain linking for stereo pairs, Revival 4000 brings SSL's analogue heritage into any modern studio.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTransformer‑balanced mic pre\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+20 to +70 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBrown and Black Knob EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e02 \/ 242\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDiscrete E Series dynamics\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eClass A VCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e4000 B one‑knob de‑esser\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic 4000 E transformer-balanced mic preamp\u003c\/strong\u003e with +48 V, polarity, pad and line input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eMusical one-knob 4000 B de-esser\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltimate 4000 E dynamics\u003c\/strong\u003e: discrete Class A VCA compressor, soft or hard knee, fast attack, logarithmic or linear release\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eClassic gate \/ expander with fast attack\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eClassic 4-band SSL EQ\u003c\/strong\u003e with fully parametric mids and switchable 'Brown Knob' 02 and 'Black Knob' 242 circuits\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh and low-pass filters: 12 dB\/octave (02) or 18 dB\/octave HPF (242)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBalanced insert point and external side-chain (key) input\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFilters and EQ to the dynamics side chain; flexible process order\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLine output trim and switchable input \/ output metering\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDynamics side-chain link for two units as a stereo pair\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e4000 E Series mic preamp\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eRevival 4000 uses the exact transformer-balanced preamp circuit of the original 4000 E Series console. MIC gives +20 to +70 dB of gain, with 48V phantom power, a 20 dB PAD and polarity invert. LINE selects the rear line input, sourced after the preamp, and TRIM adds +\/-20 dB of clean gain.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e4000 B Series de-esser\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe de-esser uses the original de-esser circuit of the iconic 4000 B compressor \/ limiter: a 10:1 ratio and a 7 kHz high-pass filtered side chain give broadband compression precisely triggered by sibilance, ideal for harsh vocals, drums and other aggressive sources. One THRESHOLD knob (+10 to -20 dB) sets the amount, with LEDs at 3, 6 and 10 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eUltimate 4000 E Series dynamics\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe compressor \/ gate stays true to the original E Series channel strip, with a true RMS side-chain detector and an all-discrete gain reduction stage identical to the discrete Class A VCA chip of the original console. Switches defeat the soft knee, select a fast attack and choose logarithmic or linear release. The gate \/ expander works as a gate or a 2:1 expander with up to 40 dB of range and a fast attack option.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eClassic 4-band E Series EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo iconic EQ options: the 4000 E 'Brown Knob' 02, with SSL's symmetrical mid-band design and 6 dB\/octave shelves switchable to a fixed-Q bell, and the 'Black Knob' 242, with wider +\/-18 dB cut and boost, a refined control response and a steeper 18 dB\/octave high-pass filter.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFlexible processing and routing\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA balanced insert point brings external outboard into the signal path, at the input or the output. ROUTE switches move the dynamics or de-esser after the EQ, take the side chain from the external key input, and link two units. The filters and EQ can feed the dynamics side chain, and the meter reads the input or output.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRevival 4000\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cord for your country\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety sheet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSOLID STATE LOGIC Revival 4000: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich EQ circuits are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth the 4000 E 'Brown Knob' 02 and the 'Black Knob' 242, selected with the BLK switch.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan two units be used as a stereo pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Connect their S\/C LINK jacks with a TRS or TS cable, press LINK on both and match the compressor settings.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I change the processing order?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The filters can move to the input, the dynamics and de-esser can go after the EQ, and the insert can move to the output.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it accept line-level sources?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The rear LINE IN combo input takes line sources such as synthesisers or a computer audio output, with +\/-20 dB of trim.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SOLID STATE LOGIC Revival 4000 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SOLID STATE LOGIC Revival 4000 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003719020911,"sku":"SOLID-STATE-LOGIC-REVIVAL-4000","price":244000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SOLID-STATE-LOGIC-REVIVAL-4000-PREAMPS-AND-PROCESSORS-EQUALIZERS-COMPRESSORS-AND-LIMITERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680474"},{"product_id":"harrison-mr3eq-500-series-modules-equalizers","title":"HARRISON MR3eq","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eHARRISON MR3eq\u003c\/strong\u003e is a 3-band parametric EQ with high-pass filter in 500 Series format, originally developed for the HARRISON MR3 studio console and one of HARRISON's most popular EQ designs.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIntroduced in 1981, the Music Recording 3 (MR3) console rapidly became a preferred tool for leading engineers and studios worldwide, helping to create iconic albums. The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design: its circuit allows precision in surgical tasks or broad musical strokes with lots of band interaction for a rich and colourful sonic character. Like all HARRISON production tools, it delivers the vibe to inspire artists and the precision for engineers to excel.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eParametric EQ, +\/‑10 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3‑band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eBell response on HI and LOW\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eProportional Q\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMid band, variable Q\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e400 Hz - 8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHigh‑pass filter\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThe HARRISON sound\u003c\/strong\u003e in 500 Series format\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePerfect for both precision EQ work and broad musical strokes\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-band parametric EQ\u003c\/strong\u003e with +\/-10 dB boost \/ cut range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-frequency shelf (800 Hz - 15 kHz)\u003c\/strong\u003e, 6 dB\/octave, switchable to a 2nd-order bell\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMid band (400 Hz - 8 kHz)\u003c\/strong\u003e with continuously variable Q\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow-frequency shelf (40 - 800 Hz), switchable to a 2nd-order bell\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSeparate high-pass filter\u003c\/strong\u003e with 3 dB corner frequency\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSeparate IN switches for the EQ and HPF sections\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eInput overload LED\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompatible with 500 Series format chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003e3-band parametric EQ with HPF\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe HI and LOW sections provide a 6 dB\/octave shelving response with corner frequency and boost \/ cut on separate knobs. The bell button changes the response to a second-order bell with the classic HARRISON proportional Q, where the Q narrows as the boost increases; the frequency knob then sets the centre frequency and the boost \/ cut range remains +\/-10 dB. The MID section offers a continuously variable Q from narrow to wide, with centre frequency and boost \/ cut on separate knobs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-pass filter\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA separate high-pass filter section provides a 12 dB\/octave slope with a 3 dB corner frequency, from 25 Hz to 3.1 kHz. Separate IN switches let you engage the filter and the EQ independently, so the MR3eq works equally well in tracking and mixdown.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eMR3eq 500 Series module\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHARRISON MR3eq: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do I need to use the MR3eq?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA 500 Series format rack (chassis). Fit the module with the rack's power off, using the panel fixing screws supplied with the rack.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is proportional Q?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn bell mode the Q narrows as the boost increases: gentle boosts are broad and musical, larger boosts become more focused.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use the filter without the EQ?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The HP filter and the EQ have separate IN switches.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the HARRISON MR3eq in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe HARRISON MR3eq is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003979526511,"sku":"HARRISON-MR3EQ","price":34000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/HARRISON-MR3EQ-500-SERIES-MODULES-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680923"},{"product_id":"harrison-32classic-ms-mix-strip-preamps-processors-equalizers","title":"HARRISON 32Classic MS Mix Strip","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eHARRISON 32Classic MS Mix Strip\u003c\/strong\u003e is a high-performance all-analog channel strip in 1U: the transformer-coupled mic preamp, filters and 4-band EQ of the flagship 32Classic recording console, with hybrid workflow features and an integrated stereo mix bus for summing several units together.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe 32Classic MS brings the signature HARRISON sound and processing tools from the 32Classic large-format console to your studio, and for the first time that sound is available in 19\" rack format. It includes the exact transformer mic preamp of the console, a front-panel mic \/ instrument input, a balanced insert point, the classic 32C 4-band EQ with high-pass and low-pass filters, a channel output fader with a 0 dB fixed-level switch, and a mix bus routing section that lets you build an analog mixer one Mix Strip at a time.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic preamp gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e70 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e32Classic parametric EQ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4‑band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eHigh‑pass and low‑pass filters\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEIN, 150 Ω source\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; -127 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32Classic transformer-coupled mic preamp\u003c\/strong\u003e with 70 dB of clean gain\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e48 V phantom power, -20 dB pad and polarity reverse\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFront-panel combo input\u003c\/strong\u003e: mic (XLR) or instrument HiZ (1\/4\" jack, 1.2 MΩ)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSeparate rear line input with level trim\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced insert point\u003c\/strong\u003e between the input section and the EQ\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e32Classic 4-band parametric EQ\u003c\/strong\u003e with proportional Q and LOW \/ HIGH bell switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-pass (25 Hz - 3.15 kHz) and low-pass (160 Hz - 20 kHz) filters\u003c\/strong\u003e, 12 dB\/octave\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOutput FADER with 0 dB switch; pre and post fader XLR outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eIntegrated stereo mix bus\u003c\/strong\u003e with pan, bus assign, master level and L\/R meters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC power pass-through for connected units; power switch on the front panel; 19\" 1U\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe HARRISON mic pre: the sound of legends\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA defining feature of classic HARRISON recordings is the high-performance transformer-coupled microphone preamp. The 32Classic MS preamp offers 70 dB of clean gain and the warm, rich tone HARRISON is famous for: the transformer's gentle roll-off at each end of the spectrum and its delicate phase shift create a sweet and musical sound for virtually any source. Mic and line inputs have independent gain controls, and a tri-colour LED shows the input signal.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCharacterful filters and the 32Classic EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAs on the original 3232 and the latest 32Classic console, the filters have a musical 12 dB\/octave slope; the high-pass filter, from 25 Hz to 3.1 kHz, adds a characterful 3 dB resonant peak, and the low-pass spans 160 Hz to 20 kHz. The 4-band parametric EQ, crafted in the 1970s when the sound had to be right on the way in, has LOW (40-600 Hz), two MID (200 Hz - 3.1 kHz and 400 Hz - 6 kHz) and HIGH (900 Hz - 13 kHz) bands with +\/-10 dB and proportional Q, for broad musical curves and precise sculpting.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIntegrated mix bus and sidecar\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBuild a HARRISON recording and mixing system one channel at a time: outputs of several units are cascaded through the rear summing connectors with the bus link cables, and the sum link cable makes one unit the bus master with the MIX OUTPUT level and L\/R meters. Balance signals with the faders and pan them across the stereo outputs, or engage the 0 dB fader bypass to record at unity gain. Combined as a sidecar, several units add the HARRISON sound to drum or instrument buses in any studio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e32Classic MS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIEC power cord for your country\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety sheet\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e1 bus link cable and 1 sum link cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHARRISON 32Classic MS Mix Strip: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use one 32Classic MS on its own?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. On its own only the FADER and 0 dB output controls are used; use the supplied sum link cable to access the MIX OUTPUT section during single-unit use.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I connect several units?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eConnect the rear mix bus connectors with the bus link cables, dedicate one unit as the bus master with the sum link cable, and chain mains power through the AC pass-through.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it have an instrument input?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the front-panel combo connector takes a 1\/4\" instrument jack (HiZ, 1.2 MΩ) as well as an XLR microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere is the insert point in the signal flow?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eDirectly after the input section and before the EQ, with balanced XLR send and return on the rear and an INS switch on the front.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the HARRISON 32Classic MS Mix Strip in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe HARRISON 32Classic MS Mix Strip is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68003979592047,"sku":"HARRISON-32CLASSIC-MS-MIX-STRIP","price":168000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/HARRISON-32CLASSIC-MS-MIX-STRIP-PREAMPS-AND-PROCESSORS-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793680941"},{"product_id":"vertigo-sound-vse-2-equalizers","title":"VERTIGO SOUND VSE-2","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eVERTIGO SOUND VSE-2\u003c\/strong\u003e is a discrete gyrator EQ: a 3-band, dual mono equaliser with six fully discrete gyrators, 18 selectable frequencies per channel, stepped discrete cut and boost of ± 8 dB, a tunable 10 - 400 Hz high-pass filter and the unique A.I.R. mode, for tracking, mix bus and mastering.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VSE-2 is another big impact design from VERTIGO SOUND. The frequency of each band is selected by a discrete gyrator circuit, and cut and boost are realised with the dual discrete operational amplifier also used in the VSP-2 mic preamp. The discrete gyrator concept gives the gentle, smooth frequency processing everyone is looking for in today's digital studio, bringing the sound of the golden decade of analog recording equipment into the modern studio.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelectable frequencies per channel\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e18\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eStepped discrete cut and boost\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e± 8 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e122 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNoise at unity gain\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e-99 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiscrete gyrator\u003c\/strong\u003e based equaliser: six fully discrete gyrators\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiscrete operational cut and boost amplifier\u003c\/strong\u003e, ± 8 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCut and boost steps: ± 1, 2, 3.5, 5.5 and 8 dB, with variable Q\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e18 selectable frequencies\u003c\/strong\u003e on each channel (LF, MF, HF)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual mono\u003c\/strong\u003e design for tracking, mixing and MS\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e 10 - 400 Hz with full bypass\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTransformer-balanced input; electronically floating balanced output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAll EQ parameters on rotary switches\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eA.I.R. mode\u003c\/strong\u003e for the very top end\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHardwire bypass when switched off; super low noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe Discrete Triple Gyrator 1972\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFirst proposed in 1948, a gyrator is an electronic network used at the heart of equaliser designs as an alternative to the older inductor, which has inherent issues like ringing and odd harmonics. Gyrators store energy like real inductors, with almost no self-capacitance and nothing to pick up stray magnetic fields: the silky smooth sound of vintage inductor equalisers, with more punch and grip. Where other devices realise the gyrator with a standard IC, the VERTIGO SOUND 1972 is fully discrete and delivers a tube-like distortion spectrum, produced by the gyrator itself at the frequency you dial in.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVariable Q and stepped cut and boost\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe more you boost or cut, the narrower the bandwidth gets: high boosts stay focused around the selected frequency without pushing the areas above and below too much, a very musical characteristic. Cut and boost run in steps of ± 1, 2, 3.5, 5.5 and 8 dB on an in-house discrete operational amplifier that adds grip while staying natural sounding.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA.I.R. mode\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA.I.R. (All Impedance Resonance) sets the gyrator to work at the auditory threshold, extending the frequency response to the top end limit without adding presence or harshness. It is a good alternative to 10k for signals with high frequency content like cymbals, drums and full mixes.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFilter and bypass\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe EQ section and the high-pass filter can be used independently or together; switching the filter off bypasses its circuitry completely. When switched off, the VSE-2 goes into hardwire bypass, so the signal chain is not interrupted if the mains supply fails.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eVSE-2 discrete gyrator EQ\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eVERTIGO SOUND VSE-2: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is a gyrator EQ?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAn equaliser whose bands are tuned by gyrator circuits instead of inductors. The VSE-2 uses fully discrete gyrators for a smooth sound with punch, grip and a tube-like distortion spectrum.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the VSE-2 stereo or dual mono?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is a dual mono design with two identical channels, suited to tracking, mixing, stereo bus and MS applications.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the A.I.R. setting do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt sets the gyrator to work at the auditory threshold, extending the top end without presence or harshness: an alternative to 10k for cymbals, drums and full mixes.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhy does the VSE-2 sound subtle at first?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts processing is very soft and smooth, so it is easy to overdo frequencies like 5k, 8k and 10k; the first impression of subtlety comes from listening habits formed with more aggressive equalisers.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the VERTIGO SOUND VSE-2 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe VERTIGO SOUND VSE-2 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004127637871,"sku":"VERTIGO-SOUND-VSE-2","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/VERTIGO-SOUND-VSE-2-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793681525"},{"product_id":"chandler-limited-little-devil-eq-500-series-modules-equalizers","title":"CHANDLER LIMITED Little Devil EQ","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eCHANDLER LIMITED Little Devil EQ\u003c\/strong\u003e is a 500-series English-style console equaliser: capacitor-based Treble and Bass shelves, two inductor-based Mid bands with seven frequencies and a Q switch each, a three-position low cut and hardwire bypass, all discrete class A.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCHANDLER LIMITED's Little Devil modules use all discrete circuits that combine CHANDLER's best designs with classic designs from the past, transformer balanced everything and American handmade quality: discrete amplifiers, inductors and transformers, with no surface-mount parts or ribbon cables. All controls are marked ±1 to 6 in the playful Devil spirit of the concept, and the modules run without problem on any 500-series rack and power supply.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOn every band\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±18 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInductor mid frequencies\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e7 + 7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTreble shelf\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eLow cut\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e47 \/ 82 \/ 150 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEnglish-style console EQ\u003c\/strong\u003e in the 500-series format\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTreble shelf\u003c\/strong\u003e ±18 dB at 12 kHz; \u003cstrong\u003eBass shelf\u003c\/strong\u003e ±18 dB at 60 or 110 Hz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHi Mid\u003c\/strong\u003e and \u003cstrong\u003eLo Mid\u003c\/strong\u003e, inductor based, ±18 dB, seven frequencies per band\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHi Q \/ Lo Q\u003c\/strong\u003e switch on each mid band\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eThree-position low cut: 47, 82 and 150 Hz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHardwire bypass\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eClass A, discrete silicon transistor circuit; inductors and transformers\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eThrough-hole build without surface-mount parts or ribbon cables\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTreble and Bass shelves\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Treble and Bass controls are English-style high and low shelving circuits, capacitor based, with a distinct sound that differs from modern gyrator parametric circuits: the Treble smooth and open, the Bass warm and round. The selectable Bass was tuned for different uses: 60 Hz for a deep, low bass suited to drums and bass guitar, and 110 Hz for a wide sweeping curve that accents mid frequencies as well as bass, excellent for filling out guitars, bass and just about anything else.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eInductor mid bands with Q\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Hi Mid (1k2, 2k7, 3k3, 4k7, 5k6, 6k8, 8k2) and Lo Mid (220, 270, 330, 390, 470, 560, 820 Hz) bands are inductor based. The Q switch on each band sharpens or smooths the peak for a mellow or a more pointed boost and cut, and also changes the amount of overall boost and cut: switch to Hi Q to dig in to the track, or Lo Q for a smoother EQ sound and more resolution.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eLow cut and bypass\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA three-position filter cuts at 47, 82 or 150 Hz, and the hardwire bypass compares the processed and the original sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the rack\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Little Devil EQ is tested to start up without power errors in common 500-series racks. CHANDLER LIMITED recommends a rack with an external power supply for any 500 module, and a wire from earth to power supply common where the rack allows.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eLittle Devil EQ module\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCHANDLER LIMITED Little Devil EQ: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat format is it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA single-slot 500-series module (frame dependent I\/O), powered from the rack at ±16 V.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat are the bass shelf frequencies?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e60 Hz or 110 Hz according to the manual and the front panel (the web page lists 50 \/ 110 Hz).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the Q switch do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt sharpens (Hi Q) or smooths (Lo Q) the peak of each mid band and changes the amount of boost and cut.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow much current does it draw?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e+16 V @ +90 mA and -16 V @ -70 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the CHANDLER LIMITED Little Devil EQ in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe CHANDLER LIMITED Little Devil EQ is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68004483629423,"sku":"CHANDLER-LIMITED-LITTLE-DEVIL-EQ","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/CHANDLER-LIMITED-LITTLE-DEVIL-EQ-500-SERIES-MODULES-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793683240"},{"product_id":"art-eq341-eq-crossovers-equalizers","title":"ART EQ341","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eART EQ341\u003c\/strong\u003e is a dual-channel 15-band graphic equaliser in a 1U rackmount, with 20 mm centre-detent sliders, a switchable 6 or 12 dB range and balanced XLR, TRS and unbalanced RCA connections.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART 300-Series graphic equalisers are designed for live sound, studio and installation audio applications to provide intuitive sound shaping, versatile features and silent operation. The EQ341 is a dual-channel 15-band EQ. Each channel has an independently switchable range of 6 or 12 dB, a master level control and a bypass switch to quickly compare the dry and processed signals. The rear panel has balanced XLR, balanced 1\/4 inch TRS and unbalanced RCA connectors, so the EQ341 is easy to integrate into any system, and a ground lift switch helps to eliminate hum.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e2\/3 octave, ISO spacing\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x 15 bands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSwitchable range per channel\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±6 or ±12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSliders with centre detent\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInputs and outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eXLR, TRS, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual 15-band graphic EQ\u003c\/strong\u003e, 2\/3 octave, ISO spacing\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e20 mm sliders\u003c\/strong\u003e with centre detent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSwitchable 6 dB or 12 dB range\u003c\/strong\u003e per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eMaster level controls\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBypass switch\u003c\/strong\u003e per channel to compare dry and processed signals\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and 1\/4 inch TRS\u003c\/strong\u003e inputs and outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUnbalanced RCA\u003c\/strong\u003e input and output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eGround lift switch\u003c\/strong\u003e to help eliminate hum\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e1U rackmount\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eControls\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has 15 band sliders from 25 Hz to 16 kHz with 20 mm travel and a centre detent, a Range switch with LED indicators for ±6 dB or ±12 dB, a Bypass switch with bypass and clip LEDs, and a Level control. The overload LED threshold is 6 dB below clipping with all filters flat.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConnections\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has balanced XLR and 1\/4 inch inputs and outputs and an unbalanced RCA input and output. Input impedance is 20 kΩ balanced and 15 kΩ unbalanced, and the outputs have an impedance below 150 Ω. A GND \/ LIFT switch on the rear panel helps to eliminate hum.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eEQ341 dual 15-band graphic equaliser\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eART EQ341: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many bands does the EQ341 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003e15 bands per channel at 2\/3 octave ISO spacing, on two channels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the range switch do?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt sets the slider range of each channel to ±6 dB for subtle shaping or ±12 dB for more control.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I connect consumer equipment with RCA plugs?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each channel has an unbalanced RCA input and output beside the balanced XLR and 1\/4 inch TRS connectors.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs there a way to reduce hum?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The rear panel has a ground lift switch to help eliminate hum.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the ART EQ341 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ART EQ341 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68009821307247,"sku":"ART-EQ341","price":16261.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/ART-EQ341-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793745857"},{"product_id":"art-eq351-eq-crossovers-equalizers","title":"ART EQ351","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eART EQ351\u003c\/strong\u003e is a single-channel 31-band graphic equaliser in a 1U rackmount, with variable high-pass and low-pass filters, a switchable 6 or 12 dB range and a bypass control.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART 300-Series graphic equalisers are designed for live sound, studio and installation audio applications to provide intuitive sound shaping, versatile features and silent operation. The EQ351 is a single-channel 31-band EQ with a switchable range of 6 or 12 dB, for subtle shaping or dramatic sculpting of your sound. The high-pass and low-pass filters can quickly dial in the optimal bass and treble response, and the bypass control lets you compare the dry and processed signals for easy reference. The rear panel has balanced XLR, balanced 1\/4 inch TRS and unbalanced RCA connectors, so the EQ351 is easy to integrate into any system, and a ground lift switch helps to eliminate hum.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e1\/3 octave, ISO spacing\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e31 bands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSwitchable range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±6 or ±12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e10‑250 Hz and 3‑40 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHPF \/ LPF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInputs and outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eXLR, TRS, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e31-band graphic EQ\u003c\/strong\u003e, 1\/3 octave, ISO spacing, constant-Q filters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e20 mm sliders\u003c\/strong\u003e with centre detent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eSwitchable 6 dB or 12 dB range\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eVariable high-pass and low-pass filters\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eMaster level control\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHard-wire bypass\u003c\/strong\u003e and clip indicator\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and 1\/4 inch TRS\u003c\/strong\u003e inputs and outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUnbalanced RCA\u003c\/strong\u003e input and output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eGround lift switch\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e1U rackmount\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConstant-Q filters and sliders\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART's EQ300 Series uses active constant-Q filter sections with accurate centre frequencies, so each filter's bandwidth is narrow enough to prevent unnecessary interaction between filters while still giving a wide enough equalisation curve. The 20 mm centre-detented precision faders sit on ISO centre frequencies from 20 Hz to 20 kHz, and the Range switch sets them to ±6 dB (green LED) or ±12 dB (yellow LED).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-pass and low-pass filters\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Hi Pass control sets a low cut from 10 Hz to 250 Hz to reduce hum, low frequency noise, resonances and rumble; the Low Pass control sets a high cut from 3 kHz to 40 kHz to reduce high frequency noise or excessive high frequencies. Both filters roll off at 12 dB per octave.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBypass, clip and level\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Bypass switch routes the signal directly from input to output without passing through any circuitry, for comparing equalised and unequalised material. The red clip LED lights when any section is within 6 dB of clipping, and the Level control sets the output from off to +6 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConnections and power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree sets of input and output connectors are wired in parallel: balanced XLR, balanced (or unbalanced) 1\/4 inch TRS and unbalanced RCA; only one input should be used at a time. A Ground Lift switch disconnects signal ground from mains and chassis earth to cure hum from ground loops. ART's user's guide gives switchable mains operation, 95-130 V AC 50\/60 Hz or 190-250 V AC 50 Hz, set with the rear line voltage switch.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eEQ351 31-band graphic equaliser\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eART EQ351: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the EQ351 mono or stereo?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is a single-channel (mono) 31-band equaliser.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do the high-pass and low-pass filters cover?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHigh-pass 10 Hz to 250 Hz and low-pass 3 kHz to 40 kHz, each at 12 dB per octave.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART's user's guide lists switchable operation at 95-130 V AC 50\/60 Hz or 190-250 V AC 50 Hz, selected with the rear line voltage switch.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I connect a microphone directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. ART states that microphones and instrument pickups need a preamp to reach line level before the equaliser.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the ART EQ351 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ART EQ351 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68009821340015,"sku":"ART-EQ351","price":16261.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/ART-EQ351-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793745857"},{"product_id":"art-eq355-eq-crossovers-equalizers","title":"ART EQ355","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eART EQ355\u003c\/strong\u003e is a dual-channel 31-band graphic equaliser in a 2U rackmount, with variable high-pass and low-pass filters, a switchable 6 or 12 dB range, master level and bypass on each channel.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART 300-Series graphic equalisers are designed for live sound, studio and installation audio applications to provide intuitive sound shaping, versatile features and silent operation. The EQ355 is a dual-channel EQ with 31 bands per channel. Each channel has an independently switchable range of 6 or 12 dB, variable high-pass and low-pass filters, a master level control and a bypass switch to quickly compare the dry and processed signals. The rear panel has balanced XLR, balanced 1\/4 inch TRS and unbalanced RCA connectors, so the EQ355 is easy to integrate into any system, and a ground lift switch helps to eliminate hum.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e1\/3 octave, ISO spacing\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 x 31 bands\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSwitchable range per channel\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±6 or ±12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e10‑250 Hz and 3‑40 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHPF \/ LPF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eInputs and outputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eXLR, TRS, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDual 31-band graphic EQ\u003c\/strong\u003e, 1\/3 octave, ISO spacing, constant-Q filters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e20 mm sliders\u003c\/strong\u003e with centre detent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSwitchable 6 dB or 12 dB range\u003c\/strong\u003e per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVariable high-pass and low-pass filters\u003c\/strong\u003e per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eMaster level controls\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHard-wire bypass\u003c\/strong\u003e and clip indicator per channel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eBalanced XLR and 1\/4 inch TRS\u003c\/strong\u003e inputs and outputs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUnbalanced RCA\u003c\/strong\u003e input and output\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eGround lift switch\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003e2U rackmount\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConstant-Q filters and sliders\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART's EQ300 Series uses active constant-Q filter sections with accurate centre frequencies, so each filter's bandwidth is narrow enough to prevent unnecessary interaction between filters while still giving a wide enough equalisation curve. The 20 mm centre-detented precision faders sit on ISO centre frequencies from 20 Hz to 20 kHz, and the Range switch sets them to ±6 dB (green LED) or ±12 dB (yellow LED).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHigh-pass and low-pass filters\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Hi Pass control sets a low cut from 10 Hz to 250 Hz to reduce hum, low frequency noise, resonances and rumble; the Low Pass control sets a high cut from 3 kHz to 40 kHz to reduce high frequency noise or excessive high frequencies. Both filters roll off at 12 dB per octave.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBypass, clip and level\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Bypass switch routes the signal directly from input to output without passing through any circuitry, for comparing equalised and unequalised material. The red clip LED lights when any section is within 6 dB of clipping, and the Level control sets the output from off to +6 dB.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eConnections and power\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach channel has three sets of input and output connectors wired in parallel: balanced XLR, balanced (or unbalanced) 1\/4 inch TRS and unbalanced RCA; only one input should be used at a time. A Ground Lift switch disconnects signal ground from mains and chassis earth to cure hum from ground loops. ART's user's guide gives switchable mains operation, 95-130 V AC 50\/60 Hz or 190-250 V AC 50 Hz, set with the rear line voltage switch.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eEQ355 dual 31-band graphic equaliser\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eART EQ355: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the EQ355 stereo?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt has two independent channels of 31-band equalisation, each with its own range, filters, level and bypass.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat do the high-pass and low-pass filters cover?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHigh-pass 10 Hz to 250 Hz and low-pass 3 kHz to 40 kHz, each at 12 dB per octave.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it run on 230 V mains?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eART's user's guide lists switchable operation at 95-130 V AC 50\/60 Hz or 190-250 V AC 50 Hz, selected with the rear line voltage switch.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I connect a microphone directly?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. ART states that microphones and instrument pickups need a preamp to reach line level before the equaliser.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the ART EQ355 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe ART EQ355 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68009822126447,"sku":"ART-EQ355","price":29335.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/ART-EQ355-EQUALIZERS-SHIVANSH-ELECTRONICS-1.webp?v=1793745873"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/GOLD-BANNER-EQUALIZERS-PHOTO.webp?v=1793678530","url":"https:\/\/shivanshelectronics.in\/collections\/equalizers.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}