{"title":"Small Diaphragm Condenser Microphones","description":"\u003cp\u003eSmall diaphragm condenser microphones, often called pencil microphones, have a capsule of around half an inch in diameter. The small capsule gives fast transient response, detailed high frequencies and very consistent polar patterns across the frequency range, which makes them ideal for acoustic instruments, drum overheads, choirs, orchestras and stereo recording.\u003c\/p\u003e\u003cp\u003eThis category covers modular microphone systems with interchangeable capsules, fixed-capsule pencil microphones, matched stereo pairs and sets, tube small diaphragm designs and replacement capsules in omnidirectional, cardioid, supercardioid and other patterns.\u003c\/p\u003e\u003ch3\u003eTypes of small diaphragm condenser microphones\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCardioid pencil microphones for instruments and overheads\u003c\/li\u003e\n\u003cli\u003eOmnidirectional models for room, choir and orchestral recording\u003c\/li\u003e\n\u003cli\u003eModular systems with interchangeable capsules\u003c\/li\u003e\n\u003cli\u003eMatched stereo pairs and multi-microphone sets\u003c\/li\u003e\n\u003cli\u003eTube small diaphragm condensers\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho buys small diaphragm condenser microphones\u003c\/h3\u003e\u003cp\u003eRecording studios, classical and live recording engineers, broadcasters, choirs and orchestras, drummers and acoustic musicians buy small diaphragm condensers.\u003c\/p\u003e\u003ch3\u003eWhat to look for in small diaphragm condenser microphones\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePolar pattern or interchangeable capsules\u003c\/li\u003e\n\u003cli\u003eMatched pairs for stereo techniques such as XY, ORTF and spaced pairs\u003c\/li\u003e\n\u003cli\u003eSelf-noise for quiet sources\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for drums and loud instruments\u003c\/li\u003e\n\u003cli\u003eIncluded clips, stereo bars and cases\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBrands we carry\u003c\/h3\u003e\u003cp\u003eIn this category Shivansh Electronics carries NEUMANN, TELEFUNKEN and SLATE DIGITAL.\u003c\/p\u003e\u003ch3\u003eWhy buy from Shivansh Electronics\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eGenuine products only, exactly as the manufacturer builds and specifies them\u003c\/li\u003e\n\u003cli\u003eExpert advice from our personnel on choosing and setting up small diaphragm condenser microphones\u003c\/li\u003e\n\u003cli\u003eA Visual Guide data sheet for every product, with the manufacturer's official specifications\u003c\/li\u003e\n\u003cli\u003eA showroom in Dhakuria, Kolkata, where you can discuss your project with our personnel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eExplore Small Diaphragm Condenser Microphones at Shivansh Electronics, Kolkata, West Bengal, India.\u003c\/p\u003e","products":[{"product_id":"telefunken-ela-m-260-small-diaphragm-condenser-microphones","title":"TELEFUNKEN ELA M 260","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260\u003c\/strong\u003e is one of the few small-diaphragm tube microphones available today: a thread-on capsule system built around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer, designed and hand assembled in the USA.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls it an absolute first choice for acoustic instrument recording. Everything from stringed instruments to drum overheads benefits from its combination of small-diaphragm precision and classic tube warmth, and its tonality and detail on strings, brass, woodwind and percussion stand out. The ELA M 260 ships as a complete system with the thread-on TK60 cardioid capsule, the M 902 power supply, a 7-metre tube cable, shock mount, windscreen and case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eThread‑on TK60 capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFlattering tone and open top end\u003c\/strong\u003e that complements most acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK60 cardioid capsule\u003c\/strong\u003e: edge terminated, 15 mm gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired amplifier\u003c\/strong\u003e around a NOS 5840W vacuum tube with premium through-hole components\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T60\u003c\/strong\u003e US-made output transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with power supply, 7-metre right-angle tube cable, shock mount, windscreen and case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. The NOS 5840W tube and T60 transformer give acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTK60 cardioid capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK60 capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads onto the amplifier body. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eComplete, road-ready system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe system ships ready to record: the M 902 tube power supply, the M 803R right-angle 7-pin tube microphone cable (7 m), the M 761 elastic shock mount, a WS20 20 mm foam windscreen and a ZC60 zipper case. Connect a standard 3-pin XLR cable from the power supply output to any microphone preamp.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M 260 tube microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902 tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803R right-angle 7-pin XLR tube microphone cable, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60 zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the ELA M 260 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for acoustic guitar, violin, mandolin and drum overheads, and for strings, brass, woodwind and percussion in general.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the ELA M 260 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a tube microphone powered by its own external power supply (M 902), connected with the included 7-pin tube cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich polar pattern does the ELA M 260 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCardioid, from the included thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphone warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends letting the system warm up for 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 Cardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940975116655,"sku":"TELEFUNKEN-ELA-M-260-Cardioid","price":257700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328928"},{"product_id":"telefunken-m60-fet-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M60 FET","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET\u003c\/strong\u003e is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response, high SPL handling and a thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003ePaired with impressive clarity and subtle tonality, the M60 excels at capturing acoustic and percussive instruments in the studio and on stage. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer. Its circuit topology captures a wide frequency range for life-like reproduction of most sources, and it is fitted with the thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eThread‑on TK60 capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePunchy tone\u003c\/strong\u003e with extended high-frequency clarity and low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK60 cardioid capsule\u003c\/strong\u003e: edge terminated, 15 mm gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. TELEFUNKEN recommends it for acoustic guitar, drums, percussion and live sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTK60 cardioid capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK60 capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads onto the amplifier. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eReady for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe system includes the SGMC-5R 5-metre right-angle XLR cable, the M 761 elastic shock mount, a WS20 20 mm foam windscreen and a ZC61 zipper carrying case. On stage the phantom-powered M60 needs no external power supply, and its slim 140 mm x 20 mm body is easy to place over a kit or close to an instrument.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich polar pattern does the M60 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCardioid, from the included thread-on TK60 cardioid capsule.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the M60 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M60 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends it for acoustic guitar, drums, percussion and live sound, including drum overheads, hi-hats and ride cymbals.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Cardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67940979769711,"sku":"TELEFUNKEN-M60-FET-Cardioid","price":137600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793328961"},{"product_id":"telefunken-ela-m-260-amplifier-small-diaphragm-condenser-microphones","title":"TELEFUNKEN ELA M 260 Amplifier","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Amplifier\u003c\/strong\u003e is the M 260 small-diaphragm tube microphone body on its own: the vacuum tube amplifier that accepts the thread-on TK60, TK61 and TK62 capsules, supplied without capsule, cable or power supply.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the heart of every ELA M 260 system, built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, and designed and hand assembled in the USA. Choose it as a spare body for a studio or rental inventory, to rebuild a system around capsules you already own, or to keep a session running while another body is serviced. TK6x capsules are shared with the TELEFUNKEN M60 FET, so one capsule collection can serve both amplifiers.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eUS‑made TELEFUNKEN output transformer\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eT60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e11 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD (amplifier, 1 kHz at 1 Pa)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 0.15%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 260 tube amplifier body\u003c\/strong\u003e for the TELEFUNKEN SDC Series\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAccepts thread-on TK6x capsules\u003c\/strong\u003e: TK60 cardioid, TK61 omnidirectional, TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired circuit\u003c\/strong\u003e around a NOS 5840W tube with premium through-hole components\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T60\u003c\/strong\u003e US-made output transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e200 ohms output impedance\u003c\/strong\u003e, 83 dBA signal-to-noise ratio and 135 dB SPL maximum level with a capsule fitted\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSlim 20 mm body\u003c\/strong\u003e that fits the M 761 shock mount and WS20 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat the amplifier needs\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe amplifier is one part of a complete system. To record you need a TK6x capsule, a tube microphone power supply that powers the ELA M 260 (the M 902 for one microphone or the M 902S dual supply for two), and a 7-pin XLR tube microphone cable such as the 7-metre M 803. The power supply delivers the B+ and heater voltages through the 7-pin cable and outputs the audio on a standard 3-pin XLR. No phantom power is used. The M 761 elastic shock mount and the WS20 20 mm foam windscreen fit the 20 mm body.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible capsules\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCare and service\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTube microphones, their power supplies and their cables carry potentially harmful voltages: make all connections, including fitting the capsule, before switching the power supply on, and never open the microphone or power supply while it is connected to mains power. The 5840W tube has flying leads that are soldered in place, so TELEFUNKEN asks that tube replacement is carried out only by its authorised repair facilities.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M 260 tube microphone amplifier body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo capsule, cable, shock mount, windscreen or power supply (available separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Amplifier: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a capsule included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The amplifier is supplied without a capsule. Fit a TK60 cardioid, TK61 omnidirectional or TK62 hypercardioid capsule, or the TK6X Capsule Set.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich power supply does it need?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA TELEFUNKEN tube microphone power supply for the ELA M 260: the M 902 powers one microphone and the M 902S dual supply powers two. Connect it with a 7-pin tube microphone cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWill M60 FET capsules fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The ELA M 260 and the M60 FET both accept the thread-on TK6x capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a matched pair possible with a second amplifier?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor factory-matched stereo pairs TELEFUNKEN offers the ELA M 260 Stereo Sets. A second amplifier with your own capsules gives a working pair, but TELEFUNKEN supplies matching only with its sets.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a complete ELA M 260 system available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 (single microphone system) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Amplifier in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Amplifier is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944737472879,"sku":"TELEFUNKEN-ELA-M-260-Amplifier","price":131000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-AMPLIFIER-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329372"},{"product_id":"telefunken-ela-m-260-cardioid-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 260 Cardioid Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Cardioid Stereo Set\u003c\/strong\u003e is a matched pair of ELA M 260 small-diaphragm tube microphones with TK60 cardioid capsules, running from one M 902S dual power supply and packed in a single ZC60S zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls the ELA M 260 one of the few small-diaphragm tube microphones available today and an absolute first choice for acoustic instrument recording. Supplied as a matched set, two microphones are ready for coincident, near-coincident and spaced-pair stereo on drum overheads, acoustic guitar, strings, brass, woodwind and percussion. Each microphone is designed and hand assembled in the USA around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair with TK60 cardioid capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M 260\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual tube power supply for both microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 902S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two ELA M 260 tube microphones for stereo recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid capsules\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 902S dual power supply\u003c\/strong\u003e runs both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired amplifier\u003c\/strong\u003e around a NOS 5840W tube with the TELEFUNKEN T60 transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC60S zipper case\u003c\/strong\u003e holds the complete stereo system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA matched cardioid pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes this set as a matched set of ELA M 260 tube microphones with TK60 cardioid capsules. Every TK6x capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility, so the left and right channels of a stereo image sound alike. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, and TELEFUNKEN names it ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne power supply for both microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth microphones run from one \u003cstrong\u003eM 902S dual tube power supply\u003c\/strong\u003e, designed and assembled in the USA. Its compact circuit uses premium-quality capacitors with improved regulation and RF suppression, and every unit is burned in as a complete unit for reliable operation. Two M 803R right-angle 7-pin tube cables (7 m each) connect the microphones, and the two 3-pin XLR outputs feed any pair of microphone preamps; no phantom power is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo techniques with the TK60\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual recommends three stereo configurations for TK60 cardioid capsules. \u003cstrong\u003eXY\u003c\/strong\u003e: angle the microphones 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; this sounds the most direct and should always be phase coherent. \u003cstrong\u003eNear-coincident\u003c\/strong\u003e: angle the pair 110 degrees apart with the capsules 17 cm apart, a layout designed to mimic the placement of the human ears. \u003cstrong\u003eSpaced pair\u003c\/strong\u003e: set the microphones parallel, typically 60 cm apart, or up to 3 m depending on the distance from the source, the room and the stereo width you want.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's own recommendations: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eRoom to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK61 omnidirectional and TK62 hypercardioid capsules thread onto the same M 260 bodies, so the pair can later be used for omni spaced-pair recording or hypercardioid live recording. The \u003cstrong\u003eZC60S softshell zipper case\u003c\/strong\u003e carries the complete stereo system: both microphones, two cables, two elastic shock mounts, the dual power supply, the removable TK6x capsules and additional accessories, in a smaller, lighter and more portable format than earlier stereo case configurations.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M 260 tube microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902S dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 803R right-angle 7-pin XLR tube microphone cables, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60S zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Cardioid Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN supplies the Cardioid Stereo Set as a matched set of ELA M 260 microphones, and every TK6x capsule is individually tested and matched by frequency response.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both tube microphones are powered by the included M 902S dual power supply through the 7-pin tube cables. Connect standard 3-pin XLR cables from the power supply to your preamps.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit this set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends XY, near-coincident (110 degrees, 17 cm) and spaced-pair setups for TK60 cardioid capsules. Always check for phase cancellation.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single ELA M 260 available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 (single microphone system) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Cardioid Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Cardioid Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944745501039,"sku":"TELEFUNKEN-ELA-M-260-Cardioid-Stereo-Set","price":499000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-CARDIOID-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329336"},{"product_id":"telefunken-ela-m-260-master-capsule-set-small-diaphragm-condenser-microphones","title":"TELEFUNKEN ELA M 260 Master Capsule Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Master Capsule Set\u003c\/strong\u003e is a single ELA M 260 small-diaphragm tube microphone supplied with all three thread-on capsules: TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls the ELA M 260 one of the few small-diaphragm tube microphones available today and an absolute first choice for acoustic instrument recording. With the full capsule set, one microphone covers close cardioid work on acoustic guitar and strings, open omnidirectional pickup of instruments and rooms, and tight hypercardioid placement on cymbals and percussion. It is designed and hand assembled in the USA around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer, and ships as a complete system with power supply, tube cable, shock mount, windscreen and case.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK60, TK61 and TK62 included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eNOS vacuum tube amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5840W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns in one system\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFlattering tone and open top end\u003c\/strong\u003e that complements most acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK6x capsules\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVintage-inspired amplifier\u003c\/strong\u003e around a NOS 5840W tube with the TELEFUNKEN T60 transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with M 902 power supply, 7-metre right-angle tube cable, shock mount, windscreen and ZC60 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery capsule in one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The Master Capsule Set includes one of each:\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eChoosing a capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the TK60 cardioid as the everyday choice for acoustic guitar, violin, mandolin and overheads. Switch to the TK61 omnidirectional when you want the room and the full low end: TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance but pick up more ambient sound. Choose the TK62 hypercardioid for cymbals, percussion and less than ideal recording environments, where its tighter pattern keeps neighbouring sources down. Change capsules with the power supply switched off, in line with TELEFUNKEN's rule to make all connections before powering on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eComplete, ready-to-record system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe system ships with the M 902 tube power supply, designed and assembled in the USA with premium-quality capacitors, improved regulation and RF suppression; the M 803R right-angle 7-pin tube microphone cable (7 m); the M 761 elastic shock mount for the 20 mm body; a WS20 20 mm foam windscreen; and the ZC60 protective foam zipper case. Connect a standard 3-pin XLR cable from the power supply to any microphone preamp; no phantom power is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M 260 tube microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902 tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 803R right-angle 7-pin XLR tube microphone cable, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60 zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Master Capsule Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is this different from the standard ELA M 260?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe standard ELA M 260 system includes the TK60 cardioid capsule only. The Master Capsule Set adds the TK61 omnidirectional and TK62 hypercardioid capsules, with the same power supply, cable, mount, windscreen and case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. It is a tube microphone powered by the included M 902 power supply through the 7-pin tube cable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use first?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eStart with the TK60 cardioid for acoustic guitar, strings and overheads, use the TK61 for open, natural room sound and the TK62 for cymbals, percussion or noisy rooms.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the microphone warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 Master Capsule Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Master Capsule Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Master Capsule Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944745861487,"sku":"TELEFUNKEN-ELA-M-260-Master-Capsule","price":292200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-MASTER-CAPSULE-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329336"},{"product_id":"telefunken-ela-m-260-master-capsule-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 260 Master Capsule Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Master Capsule Stereo Set\u003c\/strong\u003e is a matched pair of ELA M 260 small-diaphragm tube microphones with two full sets of thread-on capsules (TK60 cardioid, TK61 omnidirectional, TK62 hypercardioid), one M 902S dual power supply and a ZC60S zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN calls the ELA M 260 an absolute first choice for acoustic instrument recording, and this is its most flexible stereo package. With matched microphones and a cardioid, omni and hypercardioid capsule for each, one set covers XY and near-coincident cardioid recording, omnidirectional spaced pairs for rooms and ensembles, and hypercardioid pairs for live performance. Each microphone is designed and hand assembled in the USA around a NOS 5840W tube and a US-made TELEFUNKEN T60 transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair of tube microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M 260\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e2x each TK60, TK61 and TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDual tube power supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eM 902S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two ELA M 260 tube microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo complete capsule sets\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid for each microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEvery stereo technique TELEFUNKEN recommends\u003c\/strong\u003e for the SDC Series, from XY to a spaced omni pair\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOne M 902S dual power supply\u003c\/strong\u003e runs both microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC60S zipper case\u003c\/strong\u003e holds the complete system including the removable capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched microphones, matched capsules\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN supplies this set as a matched set of ELA M 260 tube microphones with interchangeable capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA stereo technique for every session\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SDC Series manual pairs each technique with a capsule. \u003cstrong\u003eXY\u003c\/strong\u003e with TK60 or TK62 capsules: 90 degrees apart, capsule centres directly over each other, as close as possible without touching, for the most direct and phase-coherent image. \u003cstrong\u003eNear-coincident\u003c\/strong\u003e with TK60 capsules: 110 degrees apart with the capsules 17 cm apart, mimicking the placement of the human ears. \u003cstrong\u003eSpaced pair\u003c\/strong\u003e with TK60 or TK61 capsules: parallel microphones, typically 60 cm apart and up to 3 m depending on distance, room and desired width.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's own recommendations: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne supply, one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBoth microphones run from one \u003cstrong\u003eM 902S dual tube power supply\u003c\/strong\u003e, designed and assembled in the USA. Its compact circuit uses premium-quality capacitors with improved regulation and RF suppression, and every unit is burned in as a complete unit for reliable operation. Two M 803R right-angle 7-pin tube cables (7 m each) connect the microphones, and the two 3-pin XLR outputs feed any pair of microphone preamps; no phantom power is needed. The \u003cstrong\u003eZC60S softshell zipper case\u003c\/strong\u003e carries the complete stereo system: both microphones, two cables, two elastic shock mounts, the dual power supply, the removable TK6x capsules and additional accessories, in a smaller, lighter and more portable format than earlier stereo case configurations.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M 260 tube microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK62 hypercardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 902S dual tube microphone power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 803R right-angle 7-pin XLR tube microphone cables, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC60S zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Master Capsule Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference from the Cardioid Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Cardioid Stereo Set includes two TK60 capsules only. The Master Capsule Stereo Set adds two TK61 omnidirectional and two TK62 hypercardioid capsules, with the same M 902S power supply, cables, mounts, windscreens and ZC60S case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. Both tube microphones are powered by the included M 902S dual power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsules for which technique?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK60 or TK62 for XY, TK60 for the 110-degree near-coincident pair and TK60 or TK61 for a spaced pair. The TK62 pair is also excellent for live performance recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single Master Capsule system available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN ELA M 260 Master Capsule Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Master Capsule Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Master Capsule Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944746287471,"sku":"TELEFUNKEN-ELA-M-260-Master-Capsule-Stereo-Set","price":533500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-MASTER-CAPSULE-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329344"},{"product_id":"telefunken-ela-m-260-tri-mono-system-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN ELA M 260 Tri-Mono System","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN ELA M 260 Tri-Mono System\u003c\/strong\u003e is a matched set of three ELA M 260 small-diaphragm tube microphones, each with TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid capsules, plus three SD40 40 mm diffusion spheres, an M 963 power supply and an FC63 locking flight case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN offers the ELA M 260 in a Tri-Mono package for classic three-microphone tree recording of orchestras, choirs and ensembles, and for any session that needs three matched tube microphones. The ELA M 260 is one of the few small-diaphragm tube microphones available today, an absolute first choice for acoustic instruments with outstanding tonality on strings, brass, woodwind and percussion. Each microphone is designed and hand assembled in the USA around a NOS 5840W vacuum tube and a US-made TELEFUNKEN T60 output transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched set of three tube microphones\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x M 260\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e3x each TK60, TK61 and TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e9 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e40 mm diffusion spheres\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x SD40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set of three\u003c\/strong\u003e ELA M 260 tube microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree complete capsule sets\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid for every microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree SD40 40 mm diffusion spheres\u003c\/strong\u003e for the omnidirectional TK61\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM 963 power supply\u003c\/strong\u003e for all three microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTube warmth with small-diaphragm precision\u003c\/strong\u003e in a 140 mm x 20 mm, 116 g body\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFC63 locking flight case\u003c\/strong\u003e for the complete system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe three-microphone tree\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual describes the classic three-microphone tree with this system: fit TK61 omnidirectional capsules with SD40 diffuse-field spheres, position the left and right microphones 2 m apart and place the centre microphone 1.5 m in front. Distances can be adjusted but should not be less than 1.5 m, and the left and right microphones can be angled outwards up to 90 degrees. The result is a wide, stable image with the full low end that omnidirectional capsules retain at a distance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCapsules and diffusion spheres\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SD40 spheres slip onto the TK61 to make its upper-midrange response more directional, which helps the outer microphones of a tree focus on the ensemble while the low end stays open.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMore than a tree\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBecause every microphone has all three capsules, the system also works as a matched stereo pair with a third microphone for a centre, spot or room position. Use two microphones in XY or a 110-degree near-coincident pair, or a spaced pair with TK60 or TK61 capsules, and keep the third for a soloist or the room. TELEFUNKEN's own recommendations: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTube sound in a small diaphragm\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSmall-diaphragm microphones are prized for fast, accurate detail; the ELA M 260 adds the gentle richness of a tube amplifier. Built around a NOS 5840W vacuum tube, premium through-hole components and the US-made TELEFUNKEN Elektroakustik T60 output transformer, it gives acoustic guitar, violin and mandolin a natural, smooth texture, taming harshness on brighter instruments while keeping the open top end that makes small condensers so responsive.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TELEFUNKEN M 260 tube microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK62 hypercardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 963 power supply\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 803R right-angle 7-pin XLR tube microphone cables, 7 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x SD40 40 mm diffusion spheres\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFC63 locking flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and tube and one year parts and labour on the amplifier and power supply. Register the system with TELEFUNKEN to extend this to one year on the capsule and tube and four years on the amplifier and power supply; SDC Series warranties are fully transferable between owners. Always make all connections before switching the power supply on.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN ELA M 260 Tri-Mono System: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is a Tri-Mono system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA matched set of three ELA M 260 microphones with all capsule options and a set of three 40 mm diffuse-field spheres, intended above all for three-microphone tree recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. All three tube microphones are powered by the included M 963 power supply through the 7-pin tube cables.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow should I set up the tree?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK61 capsules with SD40 spheres, left and right 2 m apart, centre 1.5 m in front, with distances no less than 1.5 m and the outer microphones angled outwards up to 90 degrees.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow long should the system warm up?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends 10 minutes after switching on the power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN ELA M 260 Tri-Mono System in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN ELA M 260 Tri-Mono System is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944747008367,"sku":"TELEFUNKEN-ELA-M-260-Tri-Mono-System","price":861000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-ELA-M-260-TRI-MONO-SYSTEM-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329372"},{"product_id":"telefunken-m60-fet-amplifier-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M60 FET Amplifier","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Amplifier\u003c\/strong\u003e is the M60 FET microphone body on its own: the phantom-powered, true class-A discrete FET amplifier that accepts TELEFUNKEN's thread-on TK60, TK61 and TK62 capsules.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the part to buy when you already own TK6x capsules, want to add a second body to build a stereo pair, or need a spare amplifier for a busy studio or rental stock. Fit any TK6x capsule and it becomes an M60 (cardioid), M61 (omnidirectional) or M62 (hypercardioid). The amplifier is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean circuit with an American-made transformer, and its circuit topology captures a wide frequency range for life-like reproduction of most sources.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTHD, amplifier, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026lt; 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eOutput impedance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e120 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eM60 FET amplifier body\u003c\/strong\u003e, supplied without a capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAccepts all TK6x capsules\u003c\/strong\u003e: TK60 cardioid, TK61 omnidirectional, TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e+48V phantom powered\u003c\/strong\u003e: no external power supply needed\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne body, three microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 amplifier threads together with any TK6x capsule in seconds. Each capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response. With a TK60 the result is the M60 cardioid, ideal for drum overheads and acoustic guitar; with a TK61 the M61 omnidirectional; with a TK62 the M62 hypercardioid for cymbals, percussion and live stereo pairs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eQuiet and fast\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith a capsule fitted, the complete microphone offers 20 Hz - 20 kHz ±3 dB, 10 mV\/Pa sensitivity, more than 135 dB SPL handling and 89 dBA signal-to-noise ratio. The amplifier's own self-noise is 5 dBA and its distortion stays below 0.01% at 1 kHz and 1 Pa, so the body adds very little of its own to the capsule's sound.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExpand an existing system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAdd the amplifier to a single M60 system to make a second microphone for stereo work, or keep one as a backup for touring and live sound. The slim 140 mm x 20 mm body is easy to place over a kit or close to an instrument. TELEFUNKEN's M 761 elastic shock mount, WS20 20 mm foam windscreen, ZC61 zipper case and SGMC-5R cable complete the microphone; they are not part of this amplifier-only product.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect a 3-pin XLR cable such as TELEFUNKEN's SGMC-5R to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC61 zipper case (available separately).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eM60 FET amplifier body\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eCapsule, cable, shock mount, windscreen and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNeeds\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eOne TK60, TK61 or TK62 capsule and a 3‑pin XLR cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET amplifier (microphone body), no capsule\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: one year parts and labour on the amplifier, extended to four years when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Amplifier: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the amplifier include a capsule?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This is the M60 body only. Fit a TK60 cardioid, TK61 omnidirectional or TK62 hypercardioid capsule, or the TK6X three-capsule set, to use it.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsules fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAll TELEFUNKEN TK6x Series thread-on capsules: TK60, TK61 and TK62.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I build a stereo pair with it?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Add it to an existing M60 with a matching capsule; for factory-matched stereo, matched capsule pairs and complete stereo sets are also offered.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, +48V phantom power. Allow 15 seconds for the microphone to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a complete M60 FET available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET (with TK60 cardioid capsule and accessories) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Amplifier in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Amplifier is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944747598191,"sku":"TELEFUNKEN-M60-FET-Amplifier","price":111200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-AMPLIFIER-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329510"},{"product_id":"telefunken-m60-fet-cardioid-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M60 FET Cardioid Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Cardioid Stereo Set\u003c\/strong\u003e is a matched set of two M60 FET small-diaphragm condenser microphones with TK60 cardioid capsules, two cables, two shock mounts and windscreens, packed in one ZC62 dual zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. As a matched cardioid pair it is ready for XY, near-coincident and spaced-pair recording of drum overheads, acoustic guitar, piano, choirs and ensembles, in the studio and on stage. Each microphone is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair with TK60 cardioid capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhantom powered, no external supply\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e+48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two M60 FET microphones for stereo recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid capsules\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC62 dual zipper case\u003c\/strong\u003e with room for six capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA matched cardioid pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes this set as a matched set of M60 FET microphones with TK60 cardioid capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, and TELEFUNKEN names it ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo techniques with the TK60\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual recommends three stereo configurations for TK60 capsules. \u003cstrong\u003eXY\u003c\/strong\u003e: 90 degrees apart with the capsule centres directly over each other, as close as possible without touching, for the most direct and phase-coherent sound. \u003cstrong\u003eNear-coincident\u003c\/strong\u003e: 110 degrees apart with the capsules 17 cm apart, mimicking the placement of the human ears. \u003cstrong\u003eSpaced pair\u003c\/strong\u003e: parallel microphones, typically 60 cm apart and up to 3 m depending on the distance from the source, the room and the stereo width you want.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's own tips: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready to travel\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC62 dual zipper case has compartments for two microphones, two cables, two elastic mounts and six capsule containers, leaving room for additional capsules. TK61 omnidirectional and TK62 hypercardioid capsules thread onto the same bodies whenever a session calls for them.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SGMC-5R right-angle XLR cables, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Cardioid Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN supplies the Cardioid Stereo Set as a matched set of M60 FET microphones, and every TK6x capsule is individually tested and matched by frequency response.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone needs +48V phantom power from its preamp channel. Allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit this set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends XY, near-coincident (110 degrees, 17 cm) and spaced-pair setups for TK60 capsules. Always check for phase cancellation.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add omni or hypercardioid capsules?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK61 and TK62 capsules, including matched capsule pairs, thread straight onto both microphones, and the ZC62 has six capsule containers.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single M60 FET available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET (single microphone system) is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Cardioid Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Cardioid Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944748024175,"sku":"TELEFUNKEN-M60-FET-Cardioid-Stereo-Set","price":274900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-CARDIOID-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329436"},{"product_id":"telefunken-m60-fet-deluxe-tri-mono-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M60 FET Deluxe Tri-Mono Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Deluxe Tri-Mono Set\u003c\/strong\u003e is a three-microphone M60 FET system with cardioid and omnidirectional capsules for every microphone, three SD40 diffusion spheres and the ZC63 tri zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes these three-microphone sets as capable of matched stereo and three-microphone tree recording configurations, and, in combination with additional matched pairs, ideal for multi-channel immersive audio capture. Each M60 is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer, giving fast transient response, high SPL handling and very low self-noise for orchestras, choirs, ensembles and rooms.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eThree‑microphone system\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x M60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e3x TK60 cardioid, 3x TK61 omni\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDiffusion spheres\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3x SD40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree M60 FET microphones\u003c\/strong\u003e for matched stereo and three-microphone tree recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSix thread-on capsules\u003c\/strong\u003e: three TK60 cardioid and three TK61 omnidirectional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree SD40 diffusion spheres\u003c\/strong\u003e for the TK61 capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa); more than 135 dB SPL\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eReady for immersive capture\u003c\/strong\u003e when combined with additional matched pairs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC63 tri zipper case\u003c\/strong\u003e for the complete system\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe three-microphone tree\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual describes the classic three-microphone tree with TK61 omnidirectional capsules and SD40 diffuse-field spheres: the left and right microphones 2 m apart with the centre microphone 1.5 m in front. Distances can be adjusted but should not be less than 1.5 m, and the left and right microphones can be angled outwards up to 90 degrees. This set supplies everything for that array except the stands and bar.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSD40 diffusion spheres\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK61 omnidirectional capsule is flat from 20 Hz to 5 kHz with a presence peak at 8 kHz. TELEFUNKEN recommends using it with SD40 diffuse-field spheres to make the upper midrange frequencies more directional, which helps the outer microphones of a tree focus on the ensemble while keeping the full low end of an omni.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid when the room calls for it\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree TK60 cardioid capsules come with the set. Flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, they suit drum overheads, acoustic guitar and other acoustic instruments, and TELEFUNKEN recommends cardioid capsules for less than ideal recording environments. Any two microphones can also work as an ORTF, XY or spaced pair, leaving the third for a centre fill or a spot microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect the SGMC-5R cables to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC63 tri zipper case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMicrophones\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x M60 FET amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCapsules\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x TK60 cardioid\u003cbr\u003e3x TK61 omnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eSpheres\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x SD40 diffusion sphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCables\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x SGMC‑5R right‑angle XLR cable, 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMounts\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e3x M 761 elastic shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCase\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eZC63 tri zipper carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x TK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x SD40 diffusion sphere\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x SGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3x M 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC63 tri zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the product with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channels before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Deluxe Tri-Mono Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat can the Deluxe Tri-Mono Set record?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN states it is capable of matched stereo and three-microphone tree configurations, and with additional matched pairs it is ideal for multi-channel immersive audio capture.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsules are included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree TK60 cardioid and three TK61 omnidirectional capsules, one of each per microphone, plus three SD40 diffusion spheres. TK62 hypercardioid capsules are available separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I set up the three-microphone tree?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse TK61 capsules with SD40 spheres, place the left and right microphones 2 m apart and the centre microphone 1.5 m in front; keep distances no less than 1.5 m.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, +48V phantom power on each channel. Allow 15 seconds for the microphones to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs an M60 FET stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Cardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Deluxe Tri-Mono Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Deluxe Tri-Mono Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944750285167,"sku":"TELEFUNKEN-M60-FET-Deluxe-Tri-Mono-Set","price":550700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-DELUXE-TRI-MONO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329487"},{"product_id":"telefunken-m60-fet-master-capsule-set-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M60 FET Master Capsule Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Master Capsule Set\u003c\/strong\u003e is a single M60 FET small-diaphragm condenser microphone supplied with all three thread-on capsules: TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling, impressive clarity and subtle tonality on acoustic and percussive instruments in the studio and on stage. With the full capsule set one microphone is an M60 cardioid, an M61 omni and an M62 hypercardioid, changing pattern on the move in seconds. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK60, TK61 and TK62 included\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree polar patterns in one system\u003c\/strong\u003e: cardioid, omnidirectional and hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePunchy tone\u003c\/strong\u003e with extended high-frequency clarity and low-frequency definition\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with 5-metre right-angle XLR cable, shock mount, windscreen and ZC61 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery capsule in one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The Master Capsule Set includes one of each:\u003c\/p\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eChoosing a capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse the TK60 cardioid as the everyday choice for acoustic guitar, overheads and acoustic instruments. Choose the TK61 omnidirectional for rooms, ensembles and distant pickup: TELEFUNKEN notes that omni capsules retain low end with distance but pick up more of the surroundings. Fit the TK62 hypercardioid for hi-hat, ride, percussion and live sound, and wherever the room is less than ideal. Mute the channel and switch off phantom power before changing capsules.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC61 zipper case has compartments for one microphone, one cable, one elastic mount and three capsule containers. The same TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Master Capsule Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is this different from the standard M60 FET?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe standard M60 FET includes the TK60 cardioid capsule only. The Master Capsule Set adds the TK61 omnidirectional and TK62 hypercardioid capsules, with the same cable, mount, windscreen and ZC61 case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use for cymbals?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN names the TK62 hypercardioid excellent for cymbals and percussion. Use the TK60 for overheads and acoustic guitar, and the TK61 for rooms and ensembles.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWill the capsules fit other TELEFUNKEN microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The TK6x capsules fit both the M60 FET and the ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Master Capsule Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Master Capsule Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Master Capsule Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944750350703,"sku":"TELEFUNKEN-M60-FET-Master-Capsule","price":189300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-MASTER-CAPSULE-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329416"},{"product_id":"telefunken-m60-fet-master-capsule-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M60 FET Master Capsule Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M60 FET Master Capsule Stereo Set\u003c\/strong\u003e is a frequency-matched pair of M60 FET small-diaphragm condenser microphones with all three thread-on TK6x capsules for each microphone: cardioid, omnidirectional and hypercardioid.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the most flexible M60 stereo kit TELEFUNKEN offers. Two matched M60 amplifiers, six capsules, two cables, two shock mounts and two windscreens travel together in the ZC62 dual zipper case, so one kit covers XY, ORTF and spaced-pair recording, drum overheads, piano, choir and room microphones. Each microphone is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency‑matched pair\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e2x each TK60, TK61, TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFrequency-matched set\u003c\/strong\u003e of two M60 FET microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSix thread-on capsules\u003c\/strong\u003e: two each of TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range, 20 Hz - 20 kHz ±3 dB\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC62 dual zipper case\u003c\/strong\u003e with six capsule containers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEvery stereo technique in one case\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's SDC Series manual pairs each capsule with a stereo technique. TK60 cardioid capsules suit ORTF, with the microphones angled 110 degrees apart and the capsules 17 cm apart, designed to mimic the placement of the human ears. TK60 or TK61 capsules suit the A\/B spaced pair, about 60 cm apart and up to 3 m depending on the source and the desired width. TK60 or TK62 capsules suit XY, angled 90 degrees with the capsules directly over each other for a direct, phase-coherent image.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree voices per microphone\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; retains low-frequency information with distance\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and live performance stereo recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN supplies this kit as a frequency-matched set of M60 microphones. Every TK6x capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility, so left and right channels stay consistent whichever pattern you choose.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect the SGMC-5R cables to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC62 dual zipper case and its six capsule containers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMicrophones\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M60 FET amplifier, frequency matched\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCapsules\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x TK60 cardioid\u003cbr\u003e2x TK61 omnidirectional\u003cbr\u003e2x TK62 hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCables\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x SGMC‑5R right‑angle XLR cable, 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMounts\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M 761 elastic shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eWindscreens\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x WS20 20 mm foam windscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCase\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eZC62 dual zipper carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphone (frequency-matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the product with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channels before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M60 FET Master Capsule Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use for each stereo technique?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK60 cardioid for ORTF, TK60 or TK61 for a spaced pair and TK60 or TK62 for XY.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN describes the Master Stereo Set as a frequency-matched set of M60 FET microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the capsules fit other TELEFUNKEN microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, +48V phantom power. Mute the channels before switching it on and allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single Master Capsule Set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M60 FET Master Capsule Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M60 FET Master Capsule Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M60 FET Master Capsule Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944754938223,"sku":"TELEFUNKEN-M60-FET-Master-Capsule-Stereo-Set","price":378400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M60-FET-MASTER-CAPSULE-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329465"},{"product_id":"telefunken-m61-fet-omnidirectional-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M61 FET Omnidirectional Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M61 FET Omnidirectional Stereo Set\u003c\/strong\u003e is a matched set of two M60 FET small-diaphragm condenser microphones with TK61 omnidirectional capsules, two cables, two shock mounts and windscreens, packed in one ZC62 dual zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. Fitted with the TK61, flat from 20 Hz to 5 kHz with a presence peak at 8 kHz, a matched pair is the natural choice for spaced-pair stereo of choirs, ensembles, pianos and rooms, keeping the full low end even at a distance. Each microphone is hand assembled in TELEFUNKEN's US facility with an ultra-clean, true class-A discrete circuit and an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair with TK61 omni capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M61\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two M60 FET microphones with TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFull low end at a distance\u003c\/strong\u003e for spaced-pair, room and ensemble recording\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eZC62 dual zipper case\u003c\/strong\u003e with room for six capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA matched omnidirectional pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes this set as a matched set of M60 FET microphones with TK61 omni capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance and pick up more ambient sound, and that SD40 diffuse-field spheres make the TK61 more directional in the upper midrange.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe spaced pair\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SDC Series manual recommends TK61 omnidirectional (or TK60 cardioid) capsules for a \u003cstrong\u003espaced pair\u003c\/strong\u003e: position the two microphones parallel to each other, typically 60 cm apart, with spacing up to 3 m depending on the distance from the source, the environment and the stereo width you want. Because omni capsules keep their low end at a distance, the pair can stand back from a choir, orchestra or piano and still sound full. Always check for phase cancellation, and in noisy or less than ideal rooms TELEFUNKEN recommends cardioid or hypercardioid capsules instead.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready to travel\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC62 dual zipper case has compartments for two microphones, two cables, two elastic mounts and six capsule containers, leaving room for additional capsules. TK60 cardioid and TK62 hypercardioid capsules thread onto the same bodies for XY and near-coincident work.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphones (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK61 omnidirectional capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SGMC-5R right-angle XLR cables, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mounts\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreens\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M61 FET Omnidirectional Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eAre the two microphones matched?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TELEFUNKEN supplies the Omni Stereo Set as a matched set of M60 FET microphones, and every TK6x capsule is individually tested and matched by frequency response.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the set need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone needs +48V phantom power from its preamp channel. Allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo technique suits an omni pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the spaced pair for TK61 capsules: parallel microphones about 60 cm apart, widening up to 3 m. For XY or near-coincident work, fit TK60 or TK62 capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add other capsules?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 and TK62 capsules, including matched capsule pairs, thread straight onto both microphones.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single M61 available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M61 FET Omnidirectional is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M61 FET Omnidirectional Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M61 FET Omnidirectional Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944758182255,"sku":"TELEFUNKEN-M61-FET-Omni-Stereo-Set","price":278400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M61-FET-OMNIDIRECTIONAL-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329436"},{"product_id":"telefunken-m61-fet-omnidirectional-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M61 FET Omnidirectional","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M61 FET Omnidirectional\u003c\/strong\u003e is the M60 FET small-diaphragm condenser microphone fitted with the TK61 omnidirectional capsule: a phantom-powered pencil microphone for open, natural pickup with full low end.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. In its M61 form the thread-on TK61 capsule is flat from 20 Hz to 5 kHz with a presence peak at 8 kHz, so acoustic instruments, rooms and ensembles are captured with their full weight and a clear top end. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK61 omnidirectional capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eOmni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional capsule\u003c\/strong\u003e, flat from 20 Hz to 5 kHz with a presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e and extended frequency range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on capsule system\u003c\/strong\u003e: add TK60 cardioid or TK62 hypercardioid capsules at any time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with 5-metre right-angle XLR cable, shock mount, windscreen and ZC61 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe omnidirectional TK61\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance, which makes the M61 a natural choice for room, ensemble and distant pickup, and that they pick up more of the surrounding sound than cardioid capsules. Fitted with SD40 diffuse-field spheres, the TK61 becomes more directional in the upper midrange.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFast, detailed and quiet\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered, ready for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne amplifier, three patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M61 is the same M60 FET amplifier sold with the TK61. TK60 cardioid and TK62 hypercardioid capsules thread straight on, so the microphone can grow with your work, and the same TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone. The ZC61 zipper case has compartments for one microphone, one cable, one elastic mount and three capsule containers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M61 FET Omnidirectional: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the M60, M61 and M62?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThey are the same M60 FET amplifier with a different capsule: M60 with the TK60 cardioid, M61 with the TK61 omnidirectional and M62 with the TK62 hypercardioid.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhen should I choose omnidirectional?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhen you want the full low end at a distance and a natural sense of the room: ensembles, rooms and spaced stereo pairs. In noisy or less than ideal rooms TELEFUNKEN recommends cardioid or hypercardioid capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add other capsules later?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 and TK62 capsules, the TK6X three-capsule set and matched capsule pairs thread straight onto the M61.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M61 FET Omnidirectional Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M61 FET Omnidirectional in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M61 FET Omnidirectional is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944758641007,"sku":"TELEFUNKEN-M61-FET-Omni","price":139300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M61-FET-OMNIDIRECTIONAL-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329394"},{"product_id":"telefunken-m62-fet-hypercardioid-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"TELEFUNKEN M62 FET Hypercardioid Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M62 FET Hypercardioid Stereo Set\u003c\/strong\u003e is a matched set of two M60 FET small-diaphragm condenser microphones, each fitted with the TK62 hypercardioid capsule, packed with cables, shock mounts and windscreens in one dual zipper case.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN describes the TK62 as excellent for cymbals, percussion and as a stereo pair for live performance recording, and this set is built exactly for that job. Both microphones are hand assembled in TELEFUNKEN's US facility around an ultra-clean, true class-A discrete FET circuit with an American-made transformer, giving the fast transient response and high SPL handling the M60 is known for. The tight hypercardioid pattern focuses each microphone on its source, which helps on busy stages and in rooms that are less than ideal for recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair, TK62 hypercardioid\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2x M62\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMatched set\u003c\/strong\u003e of two M60 FET microphones with TK62 hypercardioid capsules\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFocused hypercardioid pickup\u003c\/strong\u003e: flat from 150 Hz to 3 kHz, a dip at 6 kHz and a presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e with punchy tone and extended high-frequency clarity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on TK6x capsules\u003c\/strong\u003e: add TK60 cardioid or TK61 omnidirectional capsules at any time\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete stereo kit\u003c\/strong\u003e in the ZC62 dual zipper case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA stereo pair for live performance\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends hypercardioid and cardioid capsules for less than ideal recording environments, because an omnidirectional capsule picks up more ambient noise. With two matched M62 microphones set up as a coincident XY pair, a performance can be captured from the stage edge or the audience area with a direct, phase-coherent stereo image and less spill from the room.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for cymbals and percussion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, each M62 stays clean on hi-hats, ride cymbals and hand percussion. Use the pair as stereo overheads or split them across the hi-hat and ride: both microphones share the same matched response, so the two cymbal channels sit together naturally in the mix.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne amplifier, three patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M62 is an M60 FET amplifier with a TK62 capsule. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The ZC62 case has six capsule containers, so the pair can carry TK60 cardioid or TK61 omnidirectional capsules too, and the same capsules fit the ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSetting up and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's quick start is simple: attach the M 761 shock mount to a stand, push the microphone through both sets of elastics, connect the SGMC-5R cable to the preamp input and apply +48V phantom power, allowing 15 seconds to power up. Mute the channel before engaging phantom power, as the microphone can produce a loud pop as it turns on. Phantom power is a standard feature of most mixers, consoles and preamplifiers, so no external power supply is needed on stage or in the studio. Between sessions, keep the microphones and capsules in the ZC62 dual zipper case.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the set\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMicrophones\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M60 FET amplifier, matched\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCapsules\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x TK62 hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCables\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eSGMC‑5R right‑angle XLR cable, 5 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eMounts\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x M 761 elastic shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eWindscreens\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x WS20 20 mm foam windscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eCase\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eZC62 dual zipper carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN M60 FET microphone (matched set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x M 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC62 dual zipper carrying case with six capsule containers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the product with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channels before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M62 FET Hypercardioid Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M62?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M62 is the M60 FET amplifier fitted with the TK62 hypercardioid capsule. This set contains two of them as a matched set.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich stereo techniques suit a hypercardioid pair?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends the XY technique with TK62 capsules: the two microphones angled 90 degrees apart with the capsules directly over each other. It sounds direct and is always phase coherent.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDo the microphones need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Each microphone needs +48V phantom power, standard on most mixers, consoles and preamps. Mute the channels before switching it on and allow 15 seconds to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I fit other capsules to these microphones?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 cardioid and TK61 omnidirectional capsules thread straight onto the M60 body, and the ZC62 case holds up to six capsules.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single M62 available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M62 FET Hypercardioid is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M62 FET Hypercardioid Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M62 FET Hypercardioid Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944759263599,"sku":"TELEFUNKEN-M62-FET-Hypercardioid-Stereo-Set","price":281800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M62-FET-HYPERCARDIOID-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793329464"},{"product_id":"telefunken-m62-fet-hypercardioid-small-diaphragm-condenser-microphones","title":"TELEFUNKEN M62 FET Hypercardioid","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN M62 FET Hypercardioid\u003c\/strong\u003e is the M60 FET small-diaphragm condenser microphone fitted with the TK62 hypercardioid capsule: a phantom-powered pencil microphone for tight, focused pickup of cymbals, percussion and live sources.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. In its M62 form the thread-on TK62 capsule is flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz, and TELEFUNKEN names it excellent for cymbals, percussion and live performance recording. It is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK62 capsule\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (amplifier)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e5 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL (1% THD)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e\u0026gt; 135 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range, ±3 dB\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid capsule\u003c\/strong\u003e: flat 150 Hz to 3 kHz, dip at 6 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-fast transient response\u003c\/strong\u003e for hi-hats, rides and percussion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh-headroom, low-noise FET amplifier\u003c\/strong\u003e: true class-A discrete circuit, +48V phantom powered\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTELEFUNKEN Elektroakustik T61CT\u003c\/strong\u003e American-made transformer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low distortion\u003c\/strong\u003e: \u0026lt; 0.01% THD (amplifier, 1 kHz at 1 Pa)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eComplete system\u003c\/strong\u003e with 5-metre right-angle XLR cable, shock mount, windscreen and ZC61 case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDesigned and hand assembled in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe hypercardioid TK62\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The tighter hypercardioid pattern concentrates on the source in front of the microphone, which is why TELEFUNKEN recommends cardioid and hypercardioid capsules for less than ideal recording environments, such as a busy stage or a drum kit with many nearby sources.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt for cymbals and percussion\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD. The M60 family is a favourite of live sound engineers on hi-hat and ride cymbal, where its transient response keeps every stroke crisp and clear without harshness.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePhantom powered for stage and studio\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The slim 140 mm x 20 mm body is easy to place over a kit or close to an instrument.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOne amplifier, three patterns\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe M62 is the same M60 FET amplifier sold with the TK62. TK60 cardioid and TK61 omnidirectional capsules thread straight on, and the same TK6x capsules also fit the TELEFUNKEN ELA M 260 tube microphone. The ZC61 zipper case has compartments for one microphone, one cable, one elastic mount and three capsule containers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt in the USA, built to grow\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEvery M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN M60 FET microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSGMC-5R right-angle XLR cable, 5 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eM 761 elastic shock mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS20 20 mm foam windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eZC61 zipper carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN M62 FET Hypercardioid: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the M60, M61 and M62?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThey are the same M60 FET amplifier with a different capsule: M60 with the TK60 cardioid, M61 with the TK61 omnidirectional and M62 with the TK62 hypercardioid.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It needs +48V phantom power, standard on most mixers, consoles and preamps. Allow 15 seconds for it to power up.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the M62 best suited for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN names the TK62 excellent for cymbals, percussion and live performance recording; the M60 family is recommended for acoustic guitar, drums, percussion and live sound.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I add other capsules later?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. TK60 and TK61 capsules, the TK6X three-capsule set and matched capsule pairs thread straight onto the M62.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a stereo set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN M62 FET Hypercardioid Stereo Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN M62 FET Hypercardioid in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN M62 FET Hypercardioid is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944759722351,"sku":"TELEFUNKEN-M62-FET-Hypercardioid","price":141100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-M62-FET-HYPERCARDIOID-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329416"},{"product_id":"telefunken-tk60-capsule-matched-pair-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK60 Capsule Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK60 Capsule Matched Pair\u003c\/strong\u003e is two TK60 cardioid capsules supplied as a matched set for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFitted to an M60 FET it makes the M60; fitted to the tube ELA M 260 it gives that microphone the same cardioid pattern. TELEFUNKEN describes the TK60 as ideal for drum overheads, acoustic guitar and other acoustic instruments. The capsule threads on and off the amplifier body in seconds and carries an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, held to a strict ±1 dB sensitivity tolerance and individually tested and matched by frequency response in TELEFUNKEN's American facility. This matched set gives two bodies the same capsule for consistent stereo recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair of TK60 capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePresence peak; flat 150 Hz - 7 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo TK60 cardioid capsules\u003c\/strong\u003e, supplied as a matched set\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eResponse\u003c\/strong\u003e: flat 150 Hz to 7 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe TK60 sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK60 is the capsule supplied with the M60 Cardioid and ELA M 260 Cardioid systems. Its flat response from 150 Hz to 7 kHz and presence peak at 8 kHz bring clarity and detail to acoustic sources, and TELEFUNKEN recommends cardioid capsules for less than ideal recording environments, where an omni would pick up more ambient noise. Cardioid capsules lose some low end with distance, so they work best at close and medium range.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN offers this capsule product as a matched set. Every TK6x capsule is individually tested and matched by frequency response, so two bodies fitted with these capsules give consistent left and right channels for XY, ORTF and spaced-pair recording.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eTwo TK60 cardioid capsules, matched set\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone bodies, cables, mounts and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN TK60 cardioid capsule (matched set)\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK60 Capsule Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the TK60 sound like?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFlat 150 Hz to 7 kHz, presence peak at 8 kHz. TELEFUNKEN describes it as ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsules only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single capsule available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK60 Cardioid Capsule is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK60 Capsule Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK60 Capsule Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944787411311,"sku":"TELEFUNKEN-TK60-Capsule-Matched-Pair","price":56900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK60-CAPSULE-MATCHED-PAIR-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329561"},{"product_id":"telefunken-tk60-cardioid-capsule-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK60 Cardioid Capsule","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK60 Cardioid Capsule\u003c\/strong\u003e is a single TK60 cardioid capsule for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFitted to an M60 FET it makes the M60; fitted to the tube ELA M 260 it gives that microphone the same cardioid pattern. TELEFUNKEN describes the TK60 as ideal for drum overheads, acoustic guitar and other acoustic instruments. The capsule threads on and off the amplifier body in seconds and carries an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, held to a strict ±1 dB sensitivity tolerance and individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK60 polar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePresence peak; flat 150 Hz - 7 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTK60 cardioid capsule\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eResponse\u003c\/strong\u003e: flat 150 Hz to 7 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe TK60 sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK60 is the capsule supplied with the M60 Cardioid and ELA M 260 Cardioid systems. Its flat response from 150 Hz to 7 kHz and presence peak at 8 kHz bring clarity and detail to acoustic sources, and TELEFUNKEN recommends cardioid capsules for less than ideal recording environments, where an omni would pick up more ambient noise. Cardioid capsules lose some low end with distance, so they work best at close and medium range.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExpand or replace\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse it to add a new pattern to an existing M60 or ELA M 260, to replace a damaged capsule, or to keep spares for a studio or rental inventory. TELEFUNKEN's zipper cases include capsule containers: the ZC61 holds three capsules and the ZC62 holds six.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eOne TK60 cardioid capsule\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone body, cable, mount and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TK60 cardioid capsule\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK60 Cardioid Capsule: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the TK60 sound like?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFlat 150 Hz to 7 kHz, presence peak at 8 kHz. TELEFUNKEN describes it as ideal for drum overheads, acoustic guitar and other acoustic instruments.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsule only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK60 Capsule Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK60 Cardioid Capsule in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK60 Cardioid Capsule is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944787673455,"sku":"TELEFUNKEN-TK60-Capsule","price":28400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK60-CARDIOID-CAPSULE-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329510"},{"product_id":"telefunken-tk61-capsule-matched-pair-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK61 Capsule Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK61 Capsule Matched Pair\u003c\/strong\u003e is two TK61 omnidirectional capsules supplied as a matched set for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFitted to an M60 FET it makes the M61; fitted to the tube ELA M 260 it gives that microphone the same omnidirectional pattern. TELEFUNKEN recommends using the TK61 with SD40 diffuse-field spheres to make the upper midrange frequencies more directional. The capsule threads on and off the amplifier body in seconds and carries an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, held to a strict ±1 dB sensitivity tolerance and individually tested and matched by frequency response in TELEFUNKEN's American facility. This matched set gives two bodies the same capsule for consistent stereo recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair of TK61 capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePresence peak; flat 20 Hz - 5 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo TK61 omnidirectional capsules\u003c\/strong\u003e, supplied as a matched set\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eResponse\u003c\/strong\u003e: flat 20 Hz to 5 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe TK61 sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK61 is flat from 20 Hz to 5 kHz with a presence peak at 8 kHz. TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance while picking up more of the room, which makes the TK61 the natural choice for spaced pairs, room microphones and three-microphone trees in good-sounding spaces. Pair it with SD40 diffuse-field spheres to make the upper midrange frequencies more directional.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN offers this capsule product as a matched set. Every TK6x capsule is individually tested and matched by frequency response, so two bodies fitted with these capsules give consistent left and right channels for XY, ORTF and spaced-pair recording.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eTwo TK61 omnidirectional capsules, matched set\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone bodies, cables, mounts and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN TK61 omnidirectional capsule (matched set)\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK61 Capsule Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the TK61 sound like?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFlat 20 Hz to 5 kHz, presence peak at 8 kHz. Omnidirectional capsules retain low-frequency information with distance; TELEFUNKEN recommends SD40 diffuse-field spheres to make the upper midrange more directional.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsules only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single capsule available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK61 Omnidirectional Capsule is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK61 Capsule Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK61 Capsule Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944787968367,"sku":"TELEFUNKEN-TK61-Capsule-Matched-Pair","price":60300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK61-CAPSULE-MATCHED-PAIR-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329583"},{"product_id":"telefunken-tk61-omnidirectional-capsule-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK61 Omnidirectional Capsule","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK61 Omnidirectional Capsule\u003c\/strong\u003e is a single TK61 omnidirectional capsule for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFitted to an M60 FET it makes the M61; fitted to the tube ELA M 260 it gives that microphone the same omnidirectional pattern. TELEFUNKEN recommends using the TK61 with SD40 diffuse-field spheres to make the upper midrange frequencies more directional. The capsule threads on and off the amplifier body in seconds and carries an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, held to a strict ±1 dB sensitivity tolerance and individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK61 polar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePresence peak; flat 20 Hz - 5 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTK61 omnidirectional capsule\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eResponse\u003c\/strong\u003e: flat 20 Hz to 5 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe TK61 sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK61 is flat from 20 Hz to 5 kHz with a presence peak at 8 kHz. TELEFUNKEN notes that omnidirectional capsules retain low-frequency information with distance while picking up more of the room, which makes the TK61 the natural choice for spaced pairs, room microphones and three-microphone trees in good-sounding spaces. Pair it with SD40 diffuse-field spheres to make the upper midrange frequencies more directional.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExpand or replace\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse it to add a new pattern to an existing M60 or ELA M 260, to replace a damaged capsule, or to keep spares for a studio or rental inventory. TELEFUNKEN's zipper cases include capsule containers: the ZC61 holds three capsules and the ZC62 holds six.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eOne TK61 omnidirectional capsule\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone body, cable, mount and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TK61 omnidirectional capsule\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK61 Omnidirectional Capsule: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the TK61 sound like?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFlat 20 Hz to 5 kHz, presence peak at 8 kHz. Omnidirectional capsules retain low-frequency information with distance; TELEFUNKEN recommends SD40 diffuse-field spheres to make the upper midrange more directional.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsule only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK61 Capsule Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK61 Omnidirectional Capsule in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK61 Omnidirectional Capsule is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944793473391,"sku":"TELEFUNKEN-TK61-Capsule","price":30200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK61-OMNIDIRECTIONAL-CAPSULE-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329531"},{"product_id":"telefunken-tk62-capsule-matched-pair-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK62 Capsule Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK62 Capsule Matched Pair\u003c\/strong\u003e is two TK62 hypercardioid capsules supplied as a matched set for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFitted to an M60 FET it makes the M62; fitted to the tube ELA M 260 it gives that microphone the same hypercardioid pattern. TELEFUNKEN describes the TK62 as excellent for cymbals, percussion and as a stereo pair for live performance recording. The capsule threads on and off the amplifier body in seconds and carries an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, held to a strict ±1 dB sensitivity tolerance and individually tested and matched by frequency response in TELEFUNKEN's American facility. This matched set gives two bodies the same capsule for consistent stereo recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMatched pair of TK62 capsules\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePresence peak; dip at 6 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo TK62 hypercardioid capsules\u003c\/strong\u003e, supplied as a matched set\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eResponse\u003c\/strong\u003e: flat 150 Hz to 3 kHz, dip at 6 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe TK62 sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK62 is flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz. Its tighter pickup focuses on the source and, with the cardioid, is recommended by TELEFUNKEN for less than ideal recording environments. It is TELEFUNKEN's choice for cymbals and percussion and for a stereo pair recording live performance, typically as an XY pair.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN offers this capsule product as a matched set. Every TK6x capsule is individually tested and matched by frequency response, so two bodies fitted with these capsules give consistent left and right channels for XY, ORTF and spaced-pair recording.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eTwo TK62 hypercardioid capsules, matched set\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone bodies, cables, mounts and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN TK62 hypercardioid capsule (matched set)\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK62 Capsule Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the TK62 sound like?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFlat 150 Hz to 3 kHz, dip at 6 kHz, presence peak at 8 kHz. TELEFUNKEN describes it as excellent for cymbals, percussion and as a stereo pair for live performance recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsules only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single capsule available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK62 Hypercardioid Capsule is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK62 Capsule Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK62 Capsule Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944795996527,"sku":"TELEFUNKEN-TK62-Capsule-Matched-Pair","price":63800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK62-CAPSULE-MATCHED-PAIR-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329583"},{"product_id":"telefunken-tk62-hypercardioid-capsule-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK62 Hypercardioid Capsule","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK62 Hypercardioid Capsule\u003c\/strong\u003e is a single TK62 hypercardioid capsule for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFitted to an M60 FET it makes the M62; fitted to the tube ELA M 260 it gives that microphone the same hypercardioid pattern. TELEFUNKEN describes the TK62 as excellent for cymbals, percussion and as a stereo pair for live performance recording. The capsule threads on and off the amplifier body in seconds and carries an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane, held to a strict ±1 dB sensitivity tolerance and individually tested and matched by frequency response in TELEFUNKEN's American facility.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eTK62 polar pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePresence peak; dip at 6 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e8 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTK62 hypercardioid capsule\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eResponse\u003c\/strong\u003e: flat 150 Hz to 3 kHz, dip at 6 kHz, presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe TK62 sound\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK62 is flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz. Its tighter pickup focuses on the source and, with the cardioid, is recommended by TELEFUNKEN for less than ideal recording environments. It is TELEFUNKEN's choice for cymbals and percussion and for a stereo pair recording live performance, typically as an XY pair.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExpand or replace\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse it to add a new pattern to an existing M60 or ELA M 260, to replace a damaged capsule, or to keep spares for a studio or rental inventory. TELEFUNKEN's zipper cases include capsule containers: the ZC61 holds three capsules and the ZC62 holds six.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eOne TK62 hypercardioid capsule\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone body, cable, mount and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TK62 hypercardioid capsule\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK62 Hypercardioid Capsule: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does the TK62 sound like?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFlat 150 Hz to 3 kHz, dip at 6 kHz, presence peak at 8 kHz. TELEFUNKEN describes it as excellent for cymbals, percussion and as a stereo pair for live performance recording.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsule only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a matched pair available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK62 Capsule Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK62 Hypercardioid Capsule in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK62 Hypercardioid Capsule is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944796062063,"sku":"TELEFUNKEN-TK62-Capsule","price":31900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK62-HYPERCARDIOID-CAPSULE-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329531"},{"product_id":"telefunken-tk6x-capsule-set-matched-pair-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK6X Capsule Set Matched Pair","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK6X Capsule Set Matched Pair\u003c\/strong\u003e is two TK6x capsule sets, giving two each of the TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid capsules, supplied as a matched set for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo of everything means two microphone bodies can share any pattern for stereo work: cardioid for ORTF, XY or spaced pairs, omnidirectional for spaced pairs and room recording, hypercardioid for XY and live performance. Each capsule threads on and off the amplifier body and carries the same edge-terminated 15 mm, 6-micron gold-sputtered membrane. TELEFUNKEN holds every TK6x capsule to a strict ±1 dB sensitivity tolerance and tests and matches each one individually by frequency response in its American facility.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e2x each TK60, TK61, TK62\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e6 capsules\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFits M60 FET and ELA M 260\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 bodies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSix capsules as a matched set\u003c\/strong\u003e: two each of TK60, TK61 and TK62\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree responses\u003c\/strong\u003e: TK60 flat 150 Hz - 7 kHz, TK61 flat 20 Hz - 5 kHz, TK62 flat 150 Hz - 3 kHz with a 6 kHz dip; all with a presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree patterns explained\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMatched for stereo\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN offers this capsule product as a matched set. Every TK6x capsule is individually tested and matched by frequency response, so two bodies fitted with these capsules give consistent left and right channels for XY, ORTF and spaced-pair recording.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003e2x TK60 cardioid\u003cbr\u003e2x TK61 omnidirectional\u003cbr\u003e2x TK62 hypercardioid\u003cbr\u003e(matched set)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone bodies, cables, mounts and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN TK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN TK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x TELEFUNKEN TK62 hypercardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSupplied as a matched set\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK6X Capsule Set Matched Pair: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use for each stereo technique?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK60 cardioid for ORTF, TK60 or TK61 for a spaced pair, TK60 or TK62 for XY, and TK61 with SD40 spheres for a three-microphone tree.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsules only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a single capsule set available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK6X Capsule Set is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK6X Capsule Set Matched Pair in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK6X Capsule Set Matched Pair is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944797143407,"sku":"TELEFUNKEN-TK6X-Capsule-Set-Matched-Pair","price":181000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK6X-CAPSULE-SET-MATCHED-PAIR-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329605"},{"product_id":"telefunken-tk6x-capsule-set-small-diaphragm-condenser-microphones","title":"TELEFUNKEN TK6X Capsule Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTELEFUNKEN TK6X Capsule Set\u003c\/strong\u003e is the complete TK6x capsule set: one TK60 cardioid, one TK61 omnidirectional and one TK62 hypercardioid capsule for the TELEFUNKEN M60 FET and ELA M 260 small-diaphragm condenser microphones.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWith all three patterns in one box, a single M60 or ELA M 260 body becomes a cardioid, omnidirectional or hypercardioid microphone in seconds. Each capsule threads on and off the amplifier body and carries the same edge-terminated 15 mm, 6-micron gold-sputtered membrane, so the character of the microphone stays consistent while the pickup pattern changes. TELEFUNKEN holds every TK6x capsule to a strict ±1 dB sensitivity tolerance and tests and matches each one individually by frequency response in its American facility.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eCardioid, omni, hypercardioid\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3 patterns\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003e6‑micron gold‑sputtered membrane\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity tolerance\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e±1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFits M60 FET and ELA M 260\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 bodies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree capsules\u003c\/strong\u003e: TK60 cardioid, TK61 omnidirectional and TK62 hypercardioid\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree responses\u003c\/strong\u003e: TK60 flat 150 Hz - 7 kHz, TK61 flat 20 Hz - 5 kHz, TK62 flat 150 Hz - 3 kHz with a 6 kHz dip; all with a presence peak at 8 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThread-on design\u003c\/strong\u003e: changes pattern in seconds without tools\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEdge-terminated small diaphragm\u003c\/strong\u003e: 15 mm diameter, 6-micron gold-sputtered membrane\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eStrict ±1 dB sensitivity tolerance\u003c\/strong\u003e, individually tested and matched by frequency response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eFits the TELEFUNKEN M60 FET\u003c\/strong\u003e (phantom-powered FET) and \u003cstrong\u003eELA M 260\u003c\/strong\u003e (tube)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eTested in TELEFUNKEN's American facility\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThree patterns explained\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK60 cardioid\u003c\/strong\u003e: flat from 150 Hz to 7 kHz with a presence peak at 8 kHz; ideal for drum overheads, acoustic guitar and other acoustic instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK61 omnidirectional\u003c\/strong\u003e: flat from 20 Hz to 5 kHz with a presence peak at 8 kHz; use with SD40 diffuse-field spheres to make the upper midrange more directional\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTK62 hypercardioid\u003c\/strong\u003e: flat from 150 Hz to 3 kHz with a dip at 6 kHz and a presence peak at 8 kHz; excellent for cymbals, percussion and as a stereo pair for live performance recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTwo microphones, one capsule family\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN Small Diaphragm Condenser Series features the vacuum tube-based ELA M 260 and the phantom-powered M60 FET, and both accept the thread-on TK6x capsules. The ELA M 260 adds natural warmth and clarity; the M60 offers low self-noise and ultra-fast transient response. One capsule collection serves both bodies.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eExpand or replace\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUse it to add a new pattern to an existing M60 or ELA M 260, to replace a damaged capsule, or to keep spares for a studio or rental inventory. TELEFUNKEN's zipper cases include capsule containers: the ZC61 holds three capsules and the ZC62 holds six.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo configurations from the SDC manual\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eXY\u003c\/strong\u003e (TK60 or TK62): two microphones angled 90 degrees apart with the centres of the capsules directly over each other, as close as possible without touching; direct-sounding and always phase coherent\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eORTF\u003c\/strong\u003e (TK60): two microphones angled 110 degrees apart with the capsules spaced 17 cm, designed to mimic the placement of the human ears\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSpaced pair\u003c\/strong\u003e (TK60 or TK61): two parallel microphones about 60 cm apart, or up to 3 m depending on the distance from the source, the environment and the desired stereo width\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eThree-microphone tree\u003c\/strong\u003e (TK61 with SD40 spheres): left and right 2 m apart, centre 1.5 m in front, distances no less than 1.5 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFitting and care\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChanging a capsule takes seconds and needs no tools: mute the channel, power the microphone down, unscrew the fitted capsule and thread on the new one until it is seated. On the M60 FET, switch +48V phantom power back on and allow 15 seconds for the microphone to power up. The tube ELA M 260 runs from its external power supply; make all connections before powering it on and let the system warm up for 10 minutes before use. Keep spare capsules in the capsule containers of a TELEFUNKEN zipper case, away from dust and moisture, and never touch the membrane.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN stereo tips\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCheck phase\u003c\/strong\u003e: always listen for phase cancellation between microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDistance and low end\u003c\/strong\u003e: cardioid capsules lose low end with distance, while omnidirectional capsules retain low-frequency information\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eRoom noise\u003c\/strong\u003e: omnidirectional capsules pick up more ambient noise, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWhat's included\u003c\/h3\u003e\n\u003ctable style=\"border-collapse:collapse;margin:0 0 14px;font-size:14px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr style=\"background:#F5F7F9;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eTK60 cardioid\u003cbr\u003eTK61 omnidirectional\u003cbr\u003eTK62 hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#FFFFFF;\"\u003e\n\u003ctd style=\"font-weight:600;color:#0D1B3E;padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:38%;\"\u003eNot included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 10px;border-bottom:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;\"\u003eMicrophone body, cable, mount and case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TK60 cardioid capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TK61 omnidirectional capsule\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTELEFUNKEN TK62 hypercardioid capsule\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eTELEFUNKEN warranty: capsules carry a 90-day warranty, extended to one year when the product is registered with TELEFUNKEN; SDC Series warranties are fully transferable between owners. Store capsules in their containers and keep the membrane away from dust and moisture.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTELEFUNKEN TK6X Capsule Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich microphones does it fit?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TK6x capsules thread onto the TELEFUNKEN M60 FET and the TELEFUNKEN ELA M 260 tube microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich capsule should I use for each stereo technique?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN recommends TK60 cardioid for ORTF, TK60 or TK61 for a spaced pair, TK60 or TK62 for XY, and TK61 with SD40 spheres for a three-microphone tree.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a microphone body included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. This product is the capsules only. The M60 FET Amplifier is listed separately, as are complete M60 FET and ELA M 260 systems.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat warranty does a TK6x capsule carry?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTELEFUNKEN gives capsules a 90-day warranty, increased to one year when the product is registered. SDC Series warranties are fully transferable between owners.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs a matched pair of capsule sets available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the TELEFUNKEN TK6X Capsule Set Matched Pair is listed as a separate product at Shivansh Electronics.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TELEFUNKEN TK6X Capsule Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TELEFUNKEN TK6X Capsule Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67944806875503,"sku":"TELEFUNKEN-TK6X-Capsule-Set","price":90500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TELEFUNKEN-TK6X-CAPSULE-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793329561"},{"product_id":"neumann-km-185-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"NEUMANN KM 185 Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 185 Stereo Set\u003c\/strong\u003e is a stereo set of two KM 185 small diaphragm condenser microphones with a tight, frequency-independent hypercardioid polar pattern, each supplied with a WNS 100 windscreen and an SG 21 bk stand mount swivel.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums. While many microphones add a sonic imprint of their own, the NEUMANN Series 180 (KM 183 omni, KM 184 cardioid, KM 185 hypercardioid) is made for a faithful reproduction of the original acoustic event, without adding or removing anything. The stereo set brings two KM 185 together, in matte black (KM 185 mt Stereo Set) or nickel (KM 185 Stereo Set).\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e142 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUniform hypercardioid pattern\u003c\/strong\u003e without off-axis colouration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHigh suppression of unwanted sound\u003c\/strong\u003e: excellent rejection at 120°\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLinear frequency response\u003c\/strong\u003e with a slight treble lift around 10 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLow self-noise\u003c\/strong\u003e: 15 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 142 dB SPL free from distortion; 127 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless circuitry\u003c\/strong\u003e (fet 100 technique); output for cable runs of up to 300 m\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size (22 x 107 mm, approx. 80 g), visually unobtrusive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo microphones\u003c\/strong\u003e in one set, each with WNS 100 and SG 21 bk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHypercardioid sound without colouration\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts hypercardioid pattern is frequency-independent; rejection of sound from 120° is excellent, even at low frequencies. There is no sound colouration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The frequency response is very smooth and linear with a slight treble lift around 10 kHz for added brilliance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA problem solver\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts high rejection at 120° without off-axis colouration makes the KM 185 a perfect problem solver in demanding applications, such as recording the snare drum while suppressing spill from the hi-hat.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransformerless fet 100 circuitry\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Series 180 microphones use the fet 100 technique with a transformerless head amplifier. It offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule's sonic integrity: self-noise of only 15 dB-A and sound pressure levels of up to 142 dB free from distortion. The low impedance output drives cable runs of up to 300 m (1000 ft) without transmission losses; the microphone runs on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 185 is a universal microphone for studio and stage applications. Its transparent sound makes it a superb microphone for acoustic instruments such as piano, acoustic guitar, upright bass, violin, cello, wind instruments, drums and percussion, and it is often used for classical vocals. Due to its small size it is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x KM 185 mt microphone (mt set) or 2 x KM 185 microphone (nickel set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x WNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x SG 21 bk stand mount swivel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 185 mt Stereo Set\u003c\/strong\u003e: matte black, Cat. No. 008525\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 185 Stereo Set\u003c\/strong\u003e: nickel, Cat. No. 008526\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 185 Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 185 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA frequency-independent hypercardioid pattern, with no sound colouration over a wide pickup angle.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 185 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It operates on 48 V phantom power (P48, IEC 61938); any P48 supply providing at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow loud a source can the KM 185 handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 142 dB SPL for 0.5 % THD, with a self-noise of 15 dB-A and a dynamic range of 127 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the KM 185 Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo KM 185 microphones (matte black in the mt set, nickel in the nickel set), two WNS 100 windscreens and two SG 21 bk stand mount swivels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 185 Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 185 Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Matte black","offer_id":68001974550895,"sku":"NEUMANN-KM-185-STEREO-SET-MATTE-BLACK","price":171900.0,"currency_code":"INR","in_stock":true},{"title":"Nickel","offer_id":68001986445679,"sku":"NEUMANN-KM-185-STEREO-SET-NICKEL","price":171900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-185-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793676378"},{"product_id":"neumann-mcm-114-set-bass-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set bass","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set bass\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on the strings of a double bass behind the bridge: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 3 strings clip double bass, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 3 strings clip double bass\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 3 slides onto the strings of a double bass below the bridge (string diameter 1 mm - 2.6 mm, 20 g). The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 3 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set bass: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set bass?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 3 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set bass in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set bass is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68001992507759,"sku":"NEUMANN-MCM-114-SET-BASS","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-BASS-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676409"},{"product_id":"neumann-mcm-114-set-cello-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set cello","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set cello\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on the strings of a cello behind the bridge: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 2 strings clip cello, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 2 strings clip cello\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 2 slides onto the strings of a cello below the bridge (string diameter 0.6 mm - 2.3 mm, 12 g). The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 2 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set cello: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set cello?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 2 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set cello in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set cello is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002003845487,"sku":"NEUMANN-MCM-114-SET-CELLO","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-CELLO-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676429"},{"product_id":"neumann-mcm-114-set-drums-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set drums","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set drums\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on percussion instruments and drums such as snares, toms, stand toms and timpani: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 7 clip drum rims, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 7 clip drum rims\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 7 hooks onto the rims of snares, toms and stand toms (10 g). The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 7 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set drums: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set drums?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 7 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set drums in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set drums is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002017214831,"sku":"NEUMANN-MCM-114-SET-DRUMS","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-DRUMS-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676449"},{"product_id":"neumann-mcm-114-set-guitar-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set guitar","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set guitar\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on the body of a guitar, ukulele, resonator guitar, acoustic bass or cello: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 9 clip guitar, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 9 clip guitar\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 9 holds on the body of a guitar, ukulele, resonator guitar, acoustic bass or cello (clip aperture 85 mm - 132 mm, or 52 mm - 99 mm with the included reducer for particularly slim instruments; 25 g). Its self-adjusting spring mechanism and rubber coating ensure slip-free attachment without damaging the instrument. The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 9 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set guitar: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set guitar?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 9 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set guitar in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set guitar is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002029404527,"sku":"NEUMANN-MCM-114-SET-GUITAR","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-GUITAR-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676468"},{"product_id":"neumann-mcm-114-set-high-strings-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set high strings","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set high strings\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on the body of a violin, viola, mandolin or similar instrument: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 100 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 1 clip high strings, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 1 clip high strings\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 100 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 1 holds on the body of a violin, viola, mandolin or similar instrument (clip aperture 32 mm - 50 mm, 16 g). Its self-adjusting spring mechanism and rubber coating ensure reliable attachment without damaging the instrument. The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 100 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 1 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set high strings: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set high strings?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 100 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 1 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set high strings in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set high strings is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002042806639,"sku":"NEUMANN-MCM-114-SET-HIGH-STRINGS","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-HIGH-STRINGS-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676490"},{"product_id":"neumann-mcm-114-set-woodwinds-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set woodwinds","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set woodwinds\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on an oboe, clarinet, flute, recorder, harp or bassoon: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 5 universal strap clip, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 5 universal strap clip\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 5 is a universal holder for an oboe, clarinet, flute, recorder, harp or bassoon (clip aperture 10 mm - 80 mm, 20 g). The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 5 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set woodwinds: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set woodwinds?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 5 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set woodwinds in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set woodwinds is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002058469743,"sku":"NEUMANN-MCM-114-SET-WOODWINDS","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-WOODWINDS-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676509"},{"product_id":"neumann-mcm-114-stereo-set-piano-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"NEUMANN MCM 114 stereo set piano","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 stereo set piano\u003c\/strong\u003e is a complete stereo set for using the NEUMANN Miniature Clip Mic MCM system in or on a piano or grand piano: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe stereo set contains two each of the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and MC 8 magnetic piano clip, delivered in two handy soft cases. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo KK 14 cardioid capsules\u003c\/strong\u003e for stereo miking, each with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 8 magnetic piano clip\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in two handy soft cases\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe magnetic MC 8 holds the capsule and gooseneck to or in a piano or grand piano (20 g). The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x KK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x SH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x AC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x MCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x MC 8 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x KC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x Safety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x Quick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2x Soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 stereo set piano: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 stereo set piano?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo each of: KK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 8 clip, KC 1 cable brace, safety guide and quick guide, in two soft cases.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 stereo set piano in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 stereo set piano is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002069184879,"sku":"NEUMANN-MCM-114-STEREO-SET-PIANO","price":141900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-STEREO-SET-PIANO-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793676528"},{"product_id":"neumann-mcm-114-set-brass-sax-uni-small-diaphragm-condenser-microphones","title":"NEUMANN MCM 114 set brass\/sax\/uni","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN MCM 114 set brass\/sax\/uni\u003c\/strong\u003e is a complete set for using the NEUMANN Miniature Clip Mic MCM system on the bell of a trumpet, trombone, saxophone or other horn, on percussion instruments and on pole stands: true Neumann sound for close miking acoustic instruments in live applications.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe set contains the KK 14 cardioid capsule head, SH 150 gooseneck, KC 1 cable brace, AC 31 cable, MCM 100 output stage, WS 110 windscreen and the MC 6 universal clamp clip, delivered in a handy soft case. The MCM System raises the bar of electret capsules and redefines the standard in natural sound, practicality, reliable mounting and longevity; its modular construction allows for easy replacements and guarantees a superior low cost of ownership.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD \u0026lt; 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 14 cardioid capsule\u003c\/strong\u003e with a layer-based design: eight key components, assembled by hand\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUltra-low self-noise\u003c\/strong\u003e and up to 153 dB SPL for very quiet and very loud instruments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough \u003cstrong\u003etitanium housing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMC 6 universal clamp clip\u003c\/strong\u003e with a gooseneck holder that locks in 45° increments\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck, KC 1 cable brace and WS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eMCM 100 output stage\u003c\/strong\u003e for wired use on any XLR input with 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 cable with 3.5 mm mini jack, also for wireless bodypack transmitters\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered in a handy soft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe capsule: 8 parts of perfection\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe newly developed MCM capsules bring a new level of tonal balance, more body, especially in the bass and mid-range, and transparency in the treble. Each of the capsule's eight key components is designed for optimal performance, manufactured independently and assembled by hand. Strict quality control guarantees an unprecedented level of tonal consistency: each capsule sounds exactly the same and delivers the neutral Neumann-style sound, saving time during setup and EQ tuning, especially when running multiple microphones.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMounting: gentle on surfaces, reliable for engineers\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MC 6 clamps onto the bell of a trumpet, trombone, saxophone or other horn, onto percussion instruments and pole stands (clip aperture 0 mm - 20 mm, 20 g); its gooseneck holder rotates along two axes. The MCM mounting mechanics are gentle on even the most sensitive surfaces and make mounting a matter of seconds, requiring only one hand for most instruments, and the gooseneck can be precisely aligned and locked to the clip in 45-degree increments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eWired and wireless\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFor wired operation the MCM 100 output stage connects the AC 31 cable to an XLR microphone input with 48 V phantom power. The MCM system also offers interchangeable cable options for wireless bodypack transmitters, so no adapter is needed.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head (cardioid)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSH 150 gooseneck\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAC 31 (1.8 m) connection cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWS 110 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMCM 100 output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMC 6 clip\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKC 1 cable brace\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eQuick guide\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSoft case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN MCM 114 set brass\/sax\/uni: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the NEUMANN MCM 114 set brass\/sax\/uni?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eKK 14 capsule head, SH 150 gooseneck, AC 31 (1.8 m) cable, WS 110 windscreen, MCM 100 output stage, MC 6 clip, KC 1 cable brace, safety guide and quick guide, in a soft case.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the set have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 capsule head is a pressure gradient transducer with a cardioid pattern.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIn wired use the MCM 100 output stage is powered with 48 V ± 4 V phantom power (P48, IEC 61938), 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan I use it with a wireless system?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The AC 31 cable has a 3.5 mm mini jack for bodypack transmitters; other MCM cables are available for other transmitter inputs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN MCM 114 set brass\/sax\/uni in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN MCM 114 set brass\/sax\/uni is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002188755311,"sku":"NEUMANN-MCM-114-SET-BRASS-SAX-UNI","price":74900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-MCM-114-SET-BRASS-SAX-UNI-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676686"},{"product_id":"neumann-kk-120-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 120","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 120\u003c\/strong\u003e is a figure-8 small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 120 is a pressure gradient transducer with figure-8 characteristic, side-addressed. The figure-8 pattern is realised with a single 16 mm diaphragm. Thus, all sound field components reach the diaphragm directly. As a result, the frequency response curves and sensitivities for 0° and 180° are identical. The KK 120 capsule may be combined with other capsules or microphones for MS stereo recording. The KK 120 is available in nickel (KK 120) and Nextel black (KK 120 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e140 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e150 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eFigure-8 characteristic, side-addressed (side-fire)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSingle 16 mm diaphragm: identical frequency response and sensitivity for 0° and 180°\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFor MS stereo recording together with other capsules or microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 120 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 120 is a pressure gradient transducer with figure-8 characteristic, side-addressed. The figure-8 pattern is realised with a single 16 mm diaphragm. Thus, all sound field components reach the diaphragm directly. As a result, the frequency response curves and sensitivities for 0° and 180° are identical. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 120 capsule head (or KK 120 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 120\u003c\/strong\u003e: nickel, Cat. No. 008589\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 120 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008590\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 120: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 120 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 120 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 120 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFigure-8, side-fire. The KK 120 is a pressure gradient transducer with figure-8 characteristic, side-addressed.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 120 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 120 and the KK 120 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 120 (Cat. No. 008589) is nickel and the KK 120 nx (Cat. No. 008590) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 120 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 120 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002195439983,"sku":"NEUMANN-KK-120-NICKEL","price":139900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002209562991,"sku":"NEUMANN-KK-120-NEXTEL-BLACK","price":139900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-120-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676698"},{"product_id":"neumann-kk-131-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 131","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 131\u003c\/strong\u003e is a omnidirectional (free-field equalised) small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 131 is a free-field equalised pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field, there is a roll-off above 5 kHz. With the SBK 130 A sound diffraction sphere slipped on, sounds from the front half-space are emphasised by up to 2.5 dB between 2 kHz and 10 kHz, while sounds arriving from the rear half-space are attenuated. The KK 131 is available in nickel (KK 131) and Nextel black (KK 131 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e140 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e150 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eOmnidirectional pressure transducer, free-field equalised\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSensitivity in the free sound field flat up to 20 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAccepts the optional SBK 130 A sound diffraction sphere\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 131 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 131 is a free-field equalised pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field, there is a roll-off above 5 kHz. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 131 capsule head (or KK 131 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 131\u003c\/strong\u003e: nickel, Cat. No. 008591\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 131 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008592\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 131: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 131 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 131 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 131 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOmni, free-field equalised. The KK 131 is a free-field equalised pressure transducer.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 131 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 131 and the KK 131 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 131 (Cat. No. 008591) is nickel and the KK 131 nx (Cat. No. 008592) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 131 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 131 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002210972015,"sku":"NEUMANN-KK-131-NICKEL","price":77900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002223358319,"sku":"NEUMANN-KK-131-NEXTEL-BLACK","price":77900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-131-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676720"},{"product_id":"neumann-kk-133-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 133","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 133\u003c\/strong\u003e is a omnidirectional (diffuse-field equalised) small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 133 is a diffuse-field equalised pressure transducer with a free-field treble boost (4-5 dB at 12 kHz). Based on the technical design concept of the legendary Neumann M 50 microphone and its successor, the M 150, its ultra-thin diaphragm is made of titanium and is spaced only a few microns from the backplate, also made of titanium. The KK 133 capsule attains an incredibly fast transient response with unprecedented accuracy. Its detachable sound diffraction sphere creates an earlier and gentler increase in sound pressure for mid to high frequencies. Directivity thus increases in the upper frequencies, as with a cardioid capsule, yet as a pressure transducer the KK 133's bass transmission is linear down to the lowest frequencies, with no proximity effect. The KK 133 is available in nickel (KK 133) and Nextel black (KK 133 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e148 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eDiffuse-field equalised pressure transducer with free-field treble boost (4-5 dB at 12 kHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUltra-thin titanium diaphragm, only a few microns from a titanium backplate\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDetachable sound diffraction sphere: directivity rises in the upper frequencies\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLinear bass down to the lowest frequencies, no proximity effect\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 133 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 133 is a diffuse-field equalised pressure transducer with a free-field treble boost (4-5 dB at 12 kHz). Based on the technical design concept of the legendary Neumann M 50 microphone and its successor, the M 150, its ultra-thin diaphragm is made of titanium and is spaced only a few microns from the backplate, also made of titanium. The KK 133 capsule attains an incredibly fast transient response with unprecedented accuracy. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 133 capsule head (or KK 133 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 133\u003c\/strong\u003e: nickel, Cat. No. 008639\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 133 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008640\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 133: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 133 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 133 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 133 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOmni, diffuse-field equalised. The KK 133 is a diffuse-field equalised pressure transducer with a free-field treble boost (4-5 dB at 12 kHz).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 133 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 133 and the KK 133 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 133 (Cat. No. 008639) is nickel and the KK 133 nx (Cat. No. 008640) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 133 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 133 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002226733423,"sku":"NEUMANN-KK-133-NICKEL","price":264900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002239054191,"sku":"NEUMANN-KK-133-NEXTEL-BLACK","price":264900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-133-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676742"},{"product_id":"neumann-kk-14-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 14","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 14\u003c\/strong\u003e is the cardioid capsule head of the NEUMANN Miniature Clip Mic system (MCM): a layered electret capsule in a titanium housing for close miking of acoustic instruments.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 14 captures the signature sound of acoustic instruments with precision and neutrality, with a wide bass and mid-range and a confident elegance in the treble. Neumann chose a layered structure instead of a highly integrated design: every module is built and designed for the best result and the components are assembled by hand in Germany. The layered design also gives a high level of tonal consistency (every capsule sounds exactly the same), while the titanium housing makes it road-tough. With a maximum SPL of 153 dB it handles anything from quiet nuances to a strong fortissimo.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for THD 0.5 %\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e153 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e23 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e3.6 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWeight, Ø 12 mm x 12 mm\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2.3 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLayered capsule design\u003c\/strong\u003e raises the electret principle to a new level\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOutstanding clarity across critical frequency ranges\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCardioid pattern\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTonal consistency: every capsule sounds exactly the same\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoad-tough, long-lasting design with titanium housing, assembled by hand in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCompatible with\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN Miniature Clip Mic system (MCM): SH 100, SH 150 and SH 250 goosenecks, WS 110 windscreen, KC 1 cable brace, MC 1 to MC 9 instrument clips, MCM cables for wireless bodypack transmitters and the MCM 100 XLR output stage (each sold separately).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 14 capsule head\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSafety guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 14: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the KK 14 used for?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIt is the cardioid capsule head of the MCM system for close miking of acoustic instruments, mounted on an MCM gooseneck with one of nine instrument clips.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs there an omnidirectional version?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. Within the MCM system the KK 13 is the omni capsule head and the KK 14 the cardioid capsule head; both fit the same goosenecks.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 14 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 14 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002239873391,"sku":"NEUMANN-KK-14","price":29900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-14-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676758"},{"product_id":"neumann-kk-143-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 143","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 143\u003c\/strong\u003e is a wide-angle cardioid small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 143 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation: 4 dB at 90°, 8 dB at 135° and 11 dB at 180°. The frequency response for sound sources within an angle of ± 90° (off axis) is parallel up to 12 kHz. The KK 143 is available in nickel (KK 143) and Nextel black (KK 143 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e148 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eWide-angle cardioid characteristic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAttenuation of 4 dB at 90°, 8 dB at 135° and 11 dB at 180°\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eParallel frequency response within ± 90° up to 12 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 143 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 143 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation: 4 dB at 90°, 8 dB at 135° and 11 dB at 180°. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 143 capsule head (or KK 143 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 143\u003c\/strong\u003e: nickel, Cat. No. 008593\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 143 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008594\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 143: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 143 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 143 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 143 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWide-angle cardioid. The KK 143 is a pressure gradient transducer with wide-angle cardioid characteristic.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 143 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 143 and the KK 143 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 143 (Cat. No. 008593) is nickel and the KK 143 nx (Cat. No. 008594) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 143 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 143 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002251932015,"sku":"NEUMANN-KK-143-NICKEL","price":77900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002268610927,"sku":"NEUMANN-KK-143-NEXTEL-BLACK","price":77900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-143-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676777"},{"product_id":"neumann-kk-145-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 145","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 145\u003c\/strong\u003e is a cardioid with acoustic bass roll-off small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 145 is a pressure gradient transducer with cardioid characteristic. However, it has an acoustic bass roll-off in the free field and therefore suppresses LF interference (wind, structure-borne noise). Since proximity effect is a natural feature of pressure gradient microphones, the KK 145 is optimised for a flat frequency response at a recording distance of approximately 15 cm (\"speech cardioid\"). The KK 145 is available in nickel (KK 145) and Nextel black (KK 145 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e148 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCardioid characteristic with acoustic bass roll-off in the free field\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSuppresses LF interference such as wind and structure-borne noise\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFlat frequency response at a recording distance of approx. 15 cm: the \"speech cardioid\"\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 145 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 145 is a pressure gradient transducer with cardioid characteristic. However, it has an acoustic bass roll-off in the free field and therefore suppresses LF interference (wind, structure-borne noise). The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 145 capsule head (or KK 145 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 145\u003c\/strong\u003e: nickel, Cat. No. 008595\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 145 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008596\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 145: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 145 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 145 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 145 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCardioid, low-frequency roll-off. The KK 145 is a pressure gradient transducer with cardioid characteristic.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 145 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 145 and the KK 145 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 145 (Cat. No. 008595) is nickel and the KK 145 nx (Cat. No. 008596) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 145 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 145 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002270970223,"sku":"NEUMANN-KK-145-NICKEL","price":77900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002280898927,"sku":"NEUMANN-KK-145-NEXTEL-BLACK","price":77900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-145-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676800"},{"product_id":"neumann-kk-183-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 183","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 183\u003c\/strong\u003e is a omnidirectional (diffuse-field equalised) small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 183 is a diffuse-field equalised pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz). The frequency response in the diffuse sound field is flat up to 10 kHz. With the SBK 130 A sound diffraction sphere slipped on, sounds from the front half-space are emphasised by up to 2.5 dB between 2 kHz and 10 kHz, while sounds arriving from the rear half-space are attenuated. The KK 183 is available in nickel (KK 183) and Nextel black (KK 183 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e140 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e150 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eOmnidirectional pressure transducer, diffuse-field equalised\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFree-field treble boost of approx. 7 dB at 10 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDiffuse-field frequency response flat up to 10 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAccepts the optional SBK 130 A sound diffraction sphere\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 183 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 183 is a diffuse-field equalised pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz). The frequency response in the diffuse sound field is flat up to 10 kHz. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 183 is also available as part of the complete KM 183 A nx set (capsule, output stage, WNS 100 windscreen and SG 21 bk swivel mount in a wooden box), offered as a separate product.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 183 capsule head (or KK 183 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 183\u003c\/strong\u003e: nickel, Cat. No. 008566\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 183 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008567\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 183: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 183 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 183 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 183 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOmni, diffuse-field equalised. The KK 183 is a diffuse-field equalised pressure transducer with a free-field treble boost (approx. 7 dB at 10 kHz).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 183 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 183 and the KK 183 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 183 (Cat. No. 008566) is nickel and the KK 183 nx (Cat. No. 008567) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 183 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 183 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002282045807,"sku":"NEUMANN-KK-183-NICKEL","price":77900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002291319151,"sku":"NEUMANN-KK-183-NEXTEL-BLACK","price":77900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-183-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676821"},{"product_id":"neumann-kk-184-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 184","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 184\u003c\/strong\u003e is a cardioid small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 184 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very even and parallel to 0° sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. The KK 184 is available in nickel (KK 184) and Nextel black (KK 184 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e148 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eCardioid characteristic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eVery even frequency curves, parallel to 0° sound incidence\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNo coloration of sound over a wide pickup angle in typical usage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 184 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 184 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very even and parallel to 0° sound incidence. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 184 is also available as part of the complete KM 184 A nx set (capsule, output stage, WNS 100 windscreen and SG 21 bk swivel mount in a wooden box), offered as a separate product.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 184 capsule head (or KK 184 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 184\u003c\/strong\u003e: nickel, Cat. No. 008568\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 184 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008569\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 184: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 184 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 184 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 184 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eCardioid. The KK 184 is a pressure gradient transducer with cardioid characteristic.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 184 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 184 and the KK 184 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 184 (Cat. No. 008568) is nickel and the KK 184 nx (Cat. No. 008569) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 184 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 184 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002292826479,"sku":"NEUMANN-KK-184-NICKEL","price":67500.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002303967599,"sku":"NEUMANN-KK-184-NEXTEL-BLACK","price":67500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-184-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676842"},{"product_id":"neumann-kk-185-small-diaphragm-condenser-microphones-microphone-accessories","title":"NEUMANN KK 185","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KK 185\u003c\/strong\u003e is a hypercardioid small-diaphragm capsule head for the modular NEUMANN KM A\/D microphone system: combined with the KM A output stage it becomes a complete small-diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 185 is a pressure gradient transducer with a hypercardioid characteristic. Attenuation of sound incidence from the side or rear is approximately 10 dB. Minimum sensitivity occurs at an angle of about 120°. The KK 185 is available in nickel (KK 185) and Nextel black (KK 185 nx), each delivered in a wooden box.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise level, A‑weighted (with KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e142 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eWith -10 dB pre‑attenuation (KM A)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e152 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e10 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eHypercardioid characteristic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eApprox. 10 dB attenuation of sound from the side or rear\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMinimum sensitivity at about 120°\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMaximum SPL of 142 dB, 152 dB with pre-attenuation\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003ePart of the modular KM A\/D system\u003c\/strong\u003e: eight capsules for the KM A output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePassive, very small capsule with low self-noise and very high electromagnetic immunity\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule may be detached and used up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNickel or Nextel black (nx) finish, delivered in a wooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 185 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 185 is a pressure gradient transducer with a hypercardioid characteristic. Attenuation of sound incidence from the side or rear is approximately 10 dB. The published data and diagrams refer to the capsule combined with the KM A output stage.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe modular KM A\/D system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D system is a modular small-diaphragm microphone system for even the most demanding applications. Eight different capsules (KK 120 … KK 185) may be combined with the analog output stage KM A. The analog, transformerless KM A operates with P48 phantom power; a switchable -10 dB pre-attenuation allows sound pressure levels of up to 152 dB (depending on capsule type) without distortion artefacts. All components are available in nickel or Nextel black (nx).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eDetached capsule and flexible set-ups\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule can be detached and used at a distance from the output stage of up to 100 m, connected via a special cable; for usual applications the LC 4 cable is available in 5 m or 10 m. KVG capsule extensions, SG 110 nx swivel joints and swivel stand mounts allow flexible, unobtrusive set-ups, and the output stages have identical dimensions (22 mm x 93 mm), so all accessory parts fit both.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and mounting accessories\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNEUMANN offers a comprehensive range of accessories for the system: the DS 120 double mount, STH 100 and STH 120 stereo mounts (XY, AB, ORTF, Blumlein and MS set-ups), SG 21 bk swivel mount, MF 2 and MF 3 table stands, EA 2124 A mt and Z 26 mt shock mounts, WNS 100 and WS 100 windscreens and MNV auditorium hangers.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKK 185 capsule head (or KK 185 nx)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 185\u003c\/strong\u003e: nickel, Cat. No. 008570\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKK 185 nx\u003c\/strong\u003e: Nextel black, Cat. No. 008571\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KK 185: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the KK 185 a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 185 is the capsule head of the KM A\/D system. It needs an output stage: with the analog KM A (P48 phantom power) it forms a complete small-diaphragm condenser microphone with an XLR 3 output. The output stage is offered separately.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat directional pattern does the KK 185 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eHypercardioid. The KK 185 is a pressure gradient transducer with a hypercardioid characteristic.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the KK 185 be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The capsule can be detached and used up to 100 m from the output stage, connected via a special cable such as the LC 4 (5 m or 10 m), or mounted on KVG capsule extensions and SG 110 nx swivel joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KK 185 and the KK 185 nx?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KK 185 (Cat. No. 008570) is nickel and the KK 185 nx (Cat. No. 008571) is Nextel black. Both are delivered in a wooden box.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KK 185 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KK 185 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002304852335,"sku":"NEUMANN-KK-185-NICKEL","price":77900.0,"currency_code":"INR","in_stock":true},{"title":"Nextel black","offer_id":68002313404783,"sku":"NEUMANN-KK-185-NEXTEL-BLACK","price":77900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KK-185-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-MICROPHONE-ACCESSORIES-SHIVANSH-ELECTRONICS-1.webp?v=1793676863"},{"product_id":"neumann-km-183-small-diaphragm-condenser-microphones","title":"NEUMANN KM 183","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 183\u003c\/strong\u003e is a state-of-the-art small-diaphragm condenser microphone with a frequency-independent omnidirectional pattern: uncoloured, transparent and versatile.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide studio standard for many applications, from classical piano to heavy metal drums. The pressure transducer capsule is diffuse-field equalised, the transformerless fet 100 head amplifier offers a wide dynamic range of 127 dB, and the low-impedance output drives cable runs of up to 300 m without transmission losses. It is available in nickel (KM 183) and matte black (KM 183 mt).\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eVery low self‑noise\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e140 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range of the head amplifier\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz into 1 kΩ\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOmnidirectional polar pattern\u003c\/strong\u003e with excellent off-axis behaviour\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiffuse-field equalised\u003c\/strong\u003e pressure transducer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePressure transducer with unlimited bass response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eVery low self-noise: 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eHigh SPL capability: up to 140 dB free from distortion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless\u003c\/strong\u003e fet 100 circuitry\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDrives cable runs of up to 300 m without transmission losses\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size, visually unobtrusive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDelivered with the SG 21 bk swivel mount and WNS 100 windscreen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFaithful reproduction\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMany applications require a faithful reproduction of the original acoustic event, without adding or removing anything. That is where the NEUMANN Series 180 comes in, with exceptionally clear sound reproduction free of coloration. The series consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid) and KM 185 (hypercardioid).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOmnidirectional and diffuse-field equalised\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 183's omnidirectional pattern is uniform and largely frequency-independent: in practical usage there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The capsule is equalised for a flat frequency response in the diffuse field; in the free field, close to the sound source, it has a treble boost of approximately 7 dB at 10 kHz.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eEngineering\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule's sonic integrity. Self-noise is only 13 dB-A and the KM 183 handles sound pressure levels of up to 140 dB free from distortion. It operates on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA universal microphone for studio applications: piano, percussion, drums, acoustic guitar, strings, woodwinds, brass, choir, and wherever sonic authenticity is paramount. Its limitless low-frequency response suits orchestra and church organ recordings, its off-axis behaviour suits stereo and surround set-ups, and its small size makes it visually unobtrusive for TV and radio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKM 183 microphone (or KM 183 mt)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSG 21 bk swivel mount\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWNS 100 windscreen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 183\u003c\/strong\u003e: nickel, Cat. No. 008437\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 183 mt\u003c\/strong\u003e: matte black, Cat. No. 008438\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 183: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 183 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOmnidirectional, uniform and largely frequency-independent. The capsule is a pressure transducer, diffuse-field equalised.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 183 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: 48 V ± 4 V phantom power (P48, IEC 61938). Any P48 supply that provides at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is included?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe microphone, the SG 21 bk swivel mount and the WNS 100 foam windscreen.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KM 183 and the KM 183 mt?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KM 183 (Cat. No. 008437) is nickel and the KM 183 mt (Cat. No. 008438) is matte black.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 183 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 183 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002314092911,"sku":"NEUMANN-KM-183-NICKEL","price":93500.0,"currency_code":"INR","in_stock":true},{"title":"Matte black","offer_id":68002322710895,"sku":"NEUMANN-KM-183-MATTE-BLACK","price":93500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-183-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676883"},{"product_id":"neumann-km-183-a-nx-small-diaphragm-condenser-microphones","title":"NEUMANN KM 183 A nx","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 183 A nx\u003c\/strong\u003e is a complete small diaphragm microphone from the modular NEUMANN KM A\/D system: the omnidirectional capsule head KK 183 nx on the analog, transformerless output stage KM A nx, in Nextel black.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D is a modular microphone system for even the most demanding applications. Eight different small diaphragm capsules can be combined with the output stages, and a comprehensive range of accessories ensures adaptability to the most diverse fields of application. The KM 183 A nx and KM 184 A nx are the two popular combinations offered as complete sets with capsule, output stage and swivel mount.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e140 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL with -10 dB pad\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e150 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsule KK 183 nx\u003c\/strong\u003e: omni pressure transducer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog output stage KM A nx\u003c\/strong\u003e: transformerless, P48\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSwitchable -10 dB pre-attenuation\u003c\/strong\u003e: up to 150 dB SPL\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSelf-noise of only 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePart of the modular microphone system KM A\/D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule detachable and usable up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eComprehensive range of accessories\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNextel black finish (nx)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 183 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 183 is a diffuse-field equalised pressure transducer with a free-field treble boost of approximately 7 dB at 10 kHz. The frequency response in the diffuse sound field is flat up to 10 kHz.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KM A output stage\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe analog, transformerless output stage KM A operates with P48 phantom power. A switchable -10 dB pre-attenuation allows for sound pressure levels of up to 152 dB without distortion (depending on the capsule type); with the KK 183 the maximum SPL rises from 140 dB to 150 dB. The output stage measures 22 mm in diameter and 93 mm in length.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA modular system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM A\/D system works with passive capsules, which are very small while retaining the proven acoustic design. The capsule can be detached and used at a distance from the output stage of up to 100 m via a special cable; for usual applications the LC 4 cable is available with a length of 5 or 10 m. Capsule extensions of various lengths, swivel capsule joints and swivel stand mounts allow a flexible microphone set-up, and on special request the AR 100 KA adapter lets capsules of the KM 100 system (AK series) be used with the KM A.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKM 183 A nx microphone (KK 183 nx capsule on KM A nx output stage)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSG 21 bk stand mount swivel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 183 A nx: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the KM 183 A nx made of?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 183 nx capsule head (Cat. No. 008567) on the KM A nx output stage (Cat. No. 008635), supplied as a complete set with WNS 100 windscreen and SG 21 bk swivel mount in a wooden box (Cat. No. 008631).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: 48 V phantom power (P48, IEC 61938), max. 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the capsule be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The modular concept permits the capsule to be detached and used up to 100 m from the output stage via a special cable, or on capsule extensions and swivel capsule joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan other capsules be used on the same output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The KM A accepts the capsule heads of the KM A\/D system (KK 120 to KK 185), each offered separately in nickel or Nextel black.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 183 A nx in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 183 A nx is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002323366255,"sku":"NEUMANN-KM-183-A-NX","price":139900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-183-A-NX-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676905"},{"product_id":"neumann-km-183-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"NEUMANN KM 183 Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 183 Stereo Set\u003c\/strong\u003e is a stereo set of two KM 183 small diaphragm condenser microphones with a frequency-independent omnidirectional polar pattern, each supplied with a WNS 100 windscreen and an SG 21 bk stand mount swivel.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide studio standard for many applications ranging from classical piano to heavy metal drums. While many microphones add a sonic imprint of their own, the NEUMANN Series 180 (KM 183 omni, KM 184 cardioid, KM 185 hypercardioid) is made for a faithful reproduction of the original acoustic event, without adding or removing anything. The stereo set brings two KM 183 together, in matte black (KM 183 mt Stereo Set) or nickel (KM 183 Stereo Set).\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e140 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e127 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOmnidirectional polar pattern\u003c\/strong\u003e with excellent off-axis behaviour\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiffuse-field equalised\u003c\/strong\u003e pressure transducer with unlimited bass response\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low self-noise\u003c\/strong\u003e: 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 140 dB SPL free from distortion; 127 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless circuitry\u003c\/strong\u003e (fet 100 technique)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow impedance output for cable runs of up to 300 m without transmission losses\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size (22 x 107 mm, approx. 80 g), visually unobtrusive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo microphones\u003c\/strong\u003e in one set, each with WNS 100 and SG 21 bk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eOmnidirectional sound without colouration\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts omnidirectional pattern is uniform and largely frequency-independent, so there is no sound colouration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The pressure transducer capsule is equalised for a flat frequency response in the diffuse field; in the free field, close to the source, it has a treble boost of approximately 7 dB at 10 kHz.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eUnlimited bass response\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAs a pressure transducer, the KM 183's low frequency response is limitless, which makes it an excellent choice for orchestra and church organ recordings.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransformerless fet 100 circuitry\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Series 180 microphones use the fet 100 technique with a transformerless head amplifier. It offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule's sonic integrity: self-noise of only 13 dB-A and sound pressure levels of up to 140 dB free from distortion. The low impedance output drives cable runs of up to 300 m (1000 ft) without transmission losses; the microphone runs on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 183 is a universal microphone for studio applications. Its transparent sound makes it a superb microphone for acoustic instruments such as piano, percussion, drums, acoustic guitar, strings, woodwinds, brass and choir, and wherever sonic authenticity is paramount; its unlimited bass suits orchestra and church organ recordings. Due to its small size it is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x KM 183 mt microphone (mt set) or 2 x KM 183 microphone (nickel set)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x WNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x SG 21 bk stand mount swivel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 183 mt Stereo Set\u003c\/strong\u003e: matte black, Cat. No. 008521\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 183 Stereo Set\u003c\/strong\u003e: nickel, Cat. No. 008522\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 183 Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 183 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA frequency-independent omnidirectional pattern, with no sound colouration over a wide pickup angle.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 183 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It operates on 48 V phantom power (P48, IEC 61938); any P48 supply providing at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow loud a source can the KM 183 handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 140 dB SPL for 0.5 % THD, with a self-noise of 13 dB-A and a dynamic range of 127 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the KM 183 Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo KM 183 microphones (matte black in the mt set, nickel in the nickel set), two WNS 100 windscreens and two SG 21 bk stand mount swivels.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 183 Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 183 Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Matte black","offer_id":68002335457647,"sku":"NEUMANN-KM-183-STEREO-SET-MATTE-BLACK","price":181900.0,"currency_code":"INR","in_stock":true},{"title":"Nickel","offer_id":68002346140015,"sku":"NEUMANN-KM-183-STEREO-SET-NICKEL","price":181900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-183-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793676924"},{"product_id":"neumann-km-184-small-diaphragm-condenser-microphones","title":"NEUMANN KM 184","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 184\u003c\/strong\u003e is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern: uncoloured, transparent and versatile.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums. While many microphones add a sonic imprint of their own, the NEUMANN Series 180 (KM 183 omni, KM 184 cardioid, KM 185 hypercardioid) is made for a faithful reproduction of the original acoustic event, without adding or removing anything. It is available in nickel (KM 184) and matte black (KM 184 mt).\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUniform cardioid pattern\u003c\/strong\u003e without off-axis colouration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLinear frequency response\u003c\/strong\u003e with a slight treble lift around 9 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low self-noise\u003c\/strong\u003e: 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 138 dB SPL free from distortion; 125 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless circuitry\u003c\/strong\u003e (fet 100 technique)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow impedance output for cable runs of up to 300 m without transmission losses\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size (22 x 107 mm, approx. 80 g), visually unobtrusive\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid sound without colouration\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. There is no sound colouration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and surround imaging\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to its superior off-axis behaviour, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging, for soloists as well as ensembles.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransformerless fet 100 circuitry\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Series 180 microphones use the fet 100 technique with a transformerless head amplifier. It offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity: self-noise of only 13 dB-A and sound pressure levels of up to 138 dB free from distortion. The low impedance output drives cable runs of up to 300 m (1000 ft) without transmission losses; the microphone runs on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes it a superb microphone for acoustic instruments such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds and brass, for soloists as well as ensembles. It is often used for classical vocals and whenever sonic authenticity is paramount, and due to its small size it is visually unobtrusive and well suited to TV and radio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKM 184 microphone (nickel) or KM 184 mt (matte black)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSG 21 bk stand mount swivel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184\u003c\/strong\u003e: nickel, Cat. No. 008439\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184 mt\u003c\/strong\u003e: matte black, Cat. No. 008389\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 184: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 184 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA frequency-independent cardioid pattern, with no sound colouration over a wide pickup angle.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 184 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It operates on 48 V phantom power (P48, IEC 61938); any P48 supply providing at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow loud a source can the KM 184 handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 138 dB SPL for 0.5 % THD, with a self-noise of 13 dB-A and a dynamic range of 125 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the difference between the KM 184 and the KM 184 mt?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eOnly the finish: the KM 184 (Cat. No. 008439) is nickel, the KM 184 mt (Cat. No. 008389) matte black. Both come with the WNS 100 windscreen and SG 21 bk swivel mount.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 184 in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 184 is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Nickel","offer_id":68002347024751,"sku":"NEUMANN-KM-184-NICKEL","price":93500.0,"currency_code":"INR","in_stock":true},{"title":"Matte black","offer_id":68002356363631,"sku":"NEUMANN-KM-184-MATTE-BLACK","price":93500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-184-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676946"},{"product_id":"neumann-km-184-a-nx-small-diaphragm-condenser-microphones","title":"NEUMANN KM 184 A nx","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 184 A nx\u003c\/strong\u003e is a complete small diaphragm microphone from the modular NEUMANN KM A\/D system: the cardioid capsule head KK 184 nx on the analog, transformerless output stage KM A nx, in Nextel black.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM A\/D is a modular microphone system for even the most demanding applications. Eight different small diaphragm capsules can be combined with the output stages, and a comprehensive range of accessories ensures adaptability to the most diverse fields of application. The KM 184 A nx and KM 184 A nx are the two popular combinations offered as complete sets with capsule, output stage and swivel mount.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL with -10 dB pad\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e148 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCapsule KK 184 nx\u003c\/strong\u003e: cardioid pressure gradient transducer\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eAnalog output stage KM A nx\u003c\/strong\u003e: transformerless, P48\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eSwitchable -10 dB pre-attenuation\u003c\/strong\u003e: up to 148 dB SPL\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSelf-noise of only 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003ePart of the modular microphone system KM A\/D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCapsule detachable and usable up to 100 m from the output stage\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eComprehensive range of accessories\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNextel black finish (nx)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KK 184 capsule\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 184 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very even and parallel to 0° sound incidence: in typical usage, there is no colouration of sound over a wide pickup angle.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eThe KM A output stage\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe analog, transformerless output stage KM A operates with P48 phantom power. A switchable -10 dB pre-attenuation allows for sound pressure levels of up to 152 dB without distortion (depending on the capsule type); with the KK 184 the maximum SPL rises from 138 dB to 148 dB. The output stage measures 22 mm in diameter and 93 mm in length.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eA modular system\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM A\/D system works with passive capsules, which are very small while retaining the proven acoustic design. The capsule can be detached and used at a distance from the output stage of up to 100 m via a special cable; for usual applications the LC 4 cable is available with a length of 5 or 10 m. Capsule extensions of various lengths, swivel capsule joints and swivel stand mounts allow a flexible microphone set-up, and on special request the AR 100 KA adapter lets capsules of the KM 100 system (AK series) be used with the KM A.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKM 184 A nx microphone (KK 184 nx capsule on KM A nx output stage)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSG 21 bk stand mount swivel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 184 A nx: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is the KM 184 A nx made of?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KK 184 nx capsule head (Cat. No. 008569) on the KM A nx output stage (Cat. No. 008635), supplied as a complete set with WNS 100 windscreen and SG 21 bk swivel mount in a wooden box (Cat. No. 008632).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes: 48 V phantom power (P48, IEC 61938), max. 3.5 mA.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan the capsule be used away from the output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The modular concept permits the capsule to be detached and used up to 100 m from the output stage via a special cable, or on capsule extensions and swivel capsule joints.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan other capsules be used on the same output stage?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The KM A accepts the capsule heads of the KM A\/D system (KK 120 to KK 185), each offered separately in nickel or Nextel black.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 184 A nx in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 184 A nx is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002357182831,"sku":"NEUMANN-KM-184-A-NX","price":134900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-184-A-NX-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676967"},{"product_id":"neumann-km-184-mt-octo-set-small-diaphragm-condenser-microphones","title":"NEUMANN KM 184 mt Octo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 184 mt Octo Set\u003c\/strong\u003e is a set of eight KM 184 mt small diaphragm condenser microphones (cardioid, matte black), each with a WNS 100 windscreen, an SG 21 bk stand mount swivel and a microphone pouch.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums. While many microphones add a sonic imprint of their own, the NEUMANN Series 180 (KM 183 omni, KM 184 cardioid, KM 185 hypercardioid) is made for a faithful reproduction of the original acoustic event, without adding or removing anything. The Octo Set brings eight of them together for multi-microphone set-ups, where the absence of off-axis colouration is crucial.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUniform cardioid pattern\u003c\/strong\u003e without off-axis colouration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLinear frequency response\u003c\/strong\u003e with a slight treble lift around 9 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low self-noise\u003c\/strong\u003e: 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 138 dB SPL free from distortion; 125 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless circuitry\u003c\/strong\u003e (fet 100 technique)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow impedance output for cable runs of up to 300 m without transmission losses\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size (22 x 107 mm, approx. 80 g), visually unobtrusive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eEight microphones\u003c\/strong\u003e in one set, each with WNS 100 and SG 21 bk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid sound without colouration\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. There is no sound colouration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and surround imaging\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to its superior off-axis behaviour, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging, for soloists as well as ensembles.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransformerless fet 100 circuitry\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Series 180 microphones use the fet 100 technique with a transformerless head amplifier. It offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity: self-noise of only 13 dB-A and sound pressure levels of up to 138 dB free from distortion. The low impedance output drives cable runs of up to 300 m (1000 ft) without transmission losses; the microphone runs on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes it a superb microphone for acoustic instruments such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds and brass, for soloists as well as ensembles. It is often used for classical vocals and whenever sonic authenticity is paramount, and due to its small size it is visually unobtrusive and well suited to TV and radio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e8 x KM 184 mt microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e8 x WNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e8 x SG 21 bk stand mount swivel\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e8 x microphone pouch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184 mt Octo Set\u003c\/strong\u003e: eight KM 184 mt, matte black, Cat. No. 008685\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 184 mt Octo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 184 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA frequency-independent cardioid pattern, with no sound colouration over a wide pickup angle.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 184 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It operates on 48 V phantom power (P48, IEC 61938); any P48 supply providing at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow loud a source can the KM 184 handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 138 dB SPL for 0.5 % THD, with a self-noise of 13 dB-A and a dynamic range of 125 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the KM 184 mt Octo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEight KM 184 mt microphones (matte black), eight WNS 100 windscreens, eight SG 21 bk stand mount swivels and eight microphone pouches (Cat. No. 008685).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 184 mt Octo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 184 mt Octo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002366947695,"sku":"NEUMANN-KM-184-MT-OCTO-SET","price":623500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-184-MT-OCTO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1793676986"},{"product_id":"neumann-km-184-mt-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"NEUMANN KM 184 mt Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 184 mt Stereo Set\u003c\/strong\u003e is a stereo set of two KM 184 mt small diaphragm condenser microphones with a uniform, frequency-independent cardioid polar pattern, each supplied with a WNS 100 windscreen and an SG 21 bk stand mount swivel.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums. While many microphones add a sonic imprint of their own, the NEUMANN Series 180 (KM 183 omni, KM 184 cardioid, KM 185 hypercardioid) is made for a faithful reproduction of the original acoustic event, without adding or removing anything. The KM 184 mt Stereo Set brings two matte black KM 184 mt together for stereo recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUniform cardioid pattern\u003c\/strong\u003e without off-axis colouration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLinear frequency response\u003c\/strong\u003e with a slight treble lift around 9 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low self-noise\u003c\/strong\u003e: 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 138 dB SPL free from distortion; 125 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless circuitry\u003c\/strong\u003e (fet 100 technique)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow impedance output for cable runs of up to 300 m without transmission losses\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size (22 x 107 mm, approx. 80 g), visually unobtrusive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo microphones\u003c\/strong\u003e in one set, each with WNS 100 and SG 21 bk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid sound without colouration\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. There is no sound colouration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and surround imaging\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to its superior off-axis behaviour, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging, for soloists as well as ensembles.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransformerless fet 100 circuitry\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Series 180 microphones use the fet 100 technique with a transformerless head amplifier. It offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity: self-noise of only 13 dB-A and sound pressure levels of up to 138 dB free from distortion. The low impedance output drives cable runs of up to 300 m (1000 ft) without transmission losses; the microphone runs on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes it a superb microphone for acoustic instruments such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds and brass, for soloists as well as ensembles. It is often used for classical vocals and whenever sonic authenticity is paramount, and due to its small size it is visually unobtrusive and well suited to TV and radio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x KM 184 mt microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x WNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x SG 21 bk stand mount swivel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184 mt Stereo Set\u003c\/strong\u003e: matte black, Cat. No. 008523 (this product)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184 Stereo Set\u003c\/strong\u003e: nickel, Cat. No. 008524\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 184 mt Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 184 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA frequency-independent cardioid pattern, with no sound colouration over a wide pickup angle.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 184 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It operates on 48 V phantom power (P48, IEC 61938); any P48 supply providing at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow loud a source can the KM 184 handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 138 dB SPL for 0.5 % THD, with a self-noise of 13 dB-A and a dynamic range of 125 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the KM 184 mt Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo KM 184 mt microphones (matte black), two WNS 100 windscreens and two SG 21 bk stand mount swivels (Cat. No. 008523).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 184 mt Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 184 mt Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002376810863,"sku":"NEUMANN-KM-184-MT-STEREO-SET","price":182000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-184-MT-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793677005"},{"product_id":"neumann-km-184-stereo-set-small-diaphragm-condenser-microphones-stereo-microphone-sets","title":"NEUMANN KM 184 Stereo Set","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eNEUMANN KM 184 Stereo Set\u003c\/strong\u003e is a stereo set of two KM 184 small diaphragm condenser microphones with a uniform, frequency-independent cardioid polar pattern, each supplied with a WNS 100 windscreen and an SG 21 bk stand mount swivel.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums. While many microphones add a sonic imprint of their own, the NEUMANN Series 180 (KM 183 omni, KM 184 cardioid, KM 185 hypercardioid) is made for a faithful reproduction of the original acoustic event, without adding or removing anything. The KM 184 Stereo Set brings two nickel KM 184 together for stereo recording.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSelf‑noise (A‑weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB‑A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL for 0.5 % THD\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity at 1 kHz\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e15 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUniform cardioid pattern\u003c\/strong\u003e without off-axis colouration\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eLinear frequency response\u003c\/strong\u003e with a slight treble lift around 9 kHz\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eVery low self-noise\u003c\/strong\u003e: 13 dB-A\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUp to 138 dB SPL free from distortion; 125 dB dynamic range\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTransformerless circuitry\u003c\/strong\u003e (fet 100 technique)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow impedance output for cable runs of up to 300 m without transmission losses\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCompact size (22 x 107 mm, approx. 80 g), visually unobtrusive\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo microphones\u003c\/strong\u003e in one set, each with WNS 100 and SG 21 bk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eCardioid sound without colouration\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. There is no sound colouration over a wide pickup angle, which is crucial in multi-microphone set-ups and for precise stereo and surround imaging. The frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eStereo and surround imaging\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThanks to its superior off-axis behaviour, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging, for soloists as well as ensembles.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTransformerless fet 100 circuitry\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe Series 180 microphones use the fet 100 technique with a transformerless head amplifier. It offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity: self-noise of only 13 dB-A and sound pressure levels of up to 138 dB free from distortion. The low impedance output drives cable runs of up to 300 m (1000 ft) without transmission losses; the microphone runs on 48 V phantom power (P48, 3.2 mA).\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eApplications\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes it a superb microphone for acoustic instruments such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds and brass, for soloists as well as ensembles. It is often used for classical vocals and whenever sonic authenticity is paramount, and due to its small size it is visually unobtrusive and well suited to TV and radio.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x KM 184 microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x WNS 100 windscreen\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e2 x SG 21 bk stand mount swivel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eAvailable versions\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184 Stereo Set\u003c\/strong\u003e: nickel, Cat. No. 008524 (this product)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eKM 184 mt Stereo Set\u003c\/strong\u003e: matte black, Cat. No. 008523\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eNEUMANN KM 184 Stereo Set: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat polar pattern does the KM 184 have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA frequency-independent cardioid pattern, with no sound colouration over a wide pickup angle.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes the KM 184 need phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It operates on 48 V phantom power (P48, IEC 61938); any P48 supply providing at least 3.2 mA per channel is suitable.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow loud a source can the KM 184 handle?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to 138 dB SPL for 0.5 % THD, with a self-noise of 13 dB-A and a dynamic range of 125 dB.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat is in the KM 184 Stereo Set?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTwo KM 184 microphones (nickel), two WNS 100 windscreens and two SG 21 bk stand mount swivels (Cat. No. 008524).\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the NEUMANN KM 184 Stereo Set in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe NEUMANN KM 184 Stereo Set is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68002383954287,"sku":"NEUMANN-KM-184-STEREO-SET","price":179900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/NEUMANN-KM-184-STEREO-SET-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-STEREO-MICROPHONE-SETS-SHIVANSH-ELECTRONICS-1.webp?v=1793677024"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/collections\/CATEGORY-CARD-BACKGROUND_bf1f35e2-a199-4c60-9e4f-57ab90536135.webp?v=1793444976","url":"https:\/\/shivanshelectronics.in\/collections\/small-diaphragm-condenser-microphones.oembed","provider":"Shivansh Electronics","version":"1.0","type":"link"}