{"product_id":"recording-mixers-tascam-model-12","title":"TASCAM MODEL 12","description":"\u003cdiv class=\"product-description-container\" style=\"font-family: 'Helvetica Neue', Arial, sans-serif; color: #1A1A2A; max-width: 900px; margin: 0 auto; line-height: 1.65;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e1. PRODUCT OVERVIEW\u003c\/h5\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eThe TASCAM Model 12 is a hybrid desktop production console that combines a 10-channel analogue mixer, a 12-track internal digital multitrack recorder (MTR), and a 12-in\/10-out USB audio interface into a single compact chassis. Rather than functioning as a conventional standalone mixer or a conventional standalone audio interface, the Model 12 is engineered as an integrated production ecosystem where all three roles — analogue mixing, multitrack recording to SD card, and computer connectivity — operate simultaneously and interchangeably. This makes it a genuinely flexible centrepiece for solo musicians, podcasters, streamers, and content creators who need professional-grade signal handling without assembling a rack of separate boxes.\u003c\/p\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eAt the core of the input stage are eight XLR microphone inputs, each fitted with TASCAM's proprietary Ultra HDDA (High Definition Discrete Architecture) preamplifier design. These preamps are built around a fully discrete circuit topology rather than an integrated-chip gain stage, and they deliver up to 74 dB of gain from the MIC input to the MAIN OUT — enough headroom to bring even low-output broadcast dynamic microphones to a healthy recording level without an external inline booster. The preamps measure an Equivalent Input Noise (EIN) of -128 dBu and a Total Harmonic Distortion (THD) figure of 0.003%, placing them well within professional broadcast and studio tolerances for a console in this price and size class.\u003c\/p\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eDigital conversion runs at a sampling frequency of 44.1 kHz or 48 kHz with a choice of 16-bit or 24-bit quantisation, and the internal recorder writes standard WAV files directly to SD, SDHC, or SDXC media, with no proprietary format or licensing step required to retrieve a session. Because the Model 12's digital engine handles all internal routing, processing, and recording via its own onboard DSP, small studio and podcast setups can operate the unit entirely without external analogue-to-digital converters — the console itself is the conversion stage.\u003c\/p\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eWhat distinguishes the Model 12 from a purely analogue mixer-recorder is its depth of modern multimedia integration. It provides native HUI\/MCU protocol emulation, which converts the physical hardware faders, pan pots, and mute switches into a genuine tactile control surface for any HUI- or MCU-compatible DAW — turning a compact desktop mixer into a hands-on mixing controller for software like Pro Tools, Logic, or Ableton Live. Connectivity extends to Bluetooth 5.0 for wireless audio streaming, 5-pin MIDI In\/Out ports for synchronising external hardware sequencers and synthesisers, and a dedicated 3.5mm TRRS input built specifically to bring a smartphone call into the mix with proper mix-minus routing — a feature purpose-built for remote-guest podcasting that would otherwise require a separate telephone hybrid device.\u003c\/p\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e2. INPUT ARCHITECTURE \u0026amp; PREAMPLIFICATION\u003c\/h5\u003e\n\n\u003ch5 style=\"font-size: 15px; font-weight: 700; color: #006D77; margin-top: 20px;\"\u003e2.1 Ultra HDDA Microphone Preamps\u003c\/h5\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eThe Model 12 provides a total of 10 analogue inputs: eight mono mic\/line channels and two stereo\/line channels. All eight mono channels are built around XLR connectors with TASCAM's Ultra HDDA preamp circuit and +48V phantom power switching, and each of these eight channels doubles as a Hi-Z instrument input, meaning a guitar, bass, or other high-impedance direct source can be plugged straight into any of the first eight channels without a separate DI box. Channels 1 and 2 additionally carry TRS insert points, allowing an external hardware compressor, gate, or EQ to be patched into the signal path before it reaches the internal converters — a feature not commonly found on consoles at this size and price point.\u003c\/p\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eGain staging on the Ultra HDDA circuit is engineered for headroom and clarity in equal measure: a nominal mic input level of -10 dBV combined with a 10 kΩ input impedance gives the preamps a wide, forgiving operating window suitable for both quiet condenser sources and hot dynamic microphones. Because the maximum available gain reaches 74 dB from MIC to MAIN OUT, the Model 12 is equally comfortable capturing a whispering podcast host on a low-sensitivity broadcast dynamic mic and tracking a loud brass instrument on a large-diaphragm condenser.\u003c\/p\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003ePREAMP AND CONVERTER SPECIFICATIONS\u003c\/h5\u003e\n\n\u003ctable style=\"width: 100%; border-collapse: collapse; margin: 18px 0; font-size: 14px;\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background-color: #0D1B3E;\"\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eSPECIFICATION\u003c\/th\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eDETAILS\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e74 dB (MIC to MAIN OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eNominal Input Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e-10 dBV (Mic IN)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eEquivalent Input Noise (EIN)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e-128 dBu (Rs: 150 Ω, Max Gain)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eInput Impedance (Mic)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e10 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eTotal Harmonic Distortion (THD)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e0.003% (MIC IN to MAIN OUT, +2 dBu, 1 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e103 dB (MAIN OUT, nominal fader position)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eSampling Rate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e44.1 kHz \/ 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eBit Depth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e16-bit \/ 24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e3. MULTIMEDIA \u0026amp; PODCASTING INTEGRATION\u003c\/h5\u003e\n\n\u003ch5 style=\"font-size: 15px; font-weight: 700; color: #006D77; margin-top: 20px;\"\u003e3.1 Mix-Minus TRRS Input and Bluetooth Streaming\u003c\/h5\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eThe Model 12 sets itself apart from conventional small-format mixers with a 3.5mm TRRS input engineered specifically to integrate a smartphone into a live mix. This is not a simple auxiliary jack: the TRRS input carries hardware mix-minus routing, meaning the host's own microphone can be fed back to a remote caller while that caller's own voice is automatically subtracted from the feed sent to them, eliminating the double-talk echo that plagues any naive phone-to-mixer connection. Combined with Bluetooth 5.0 for wireless streaming of music beds, intro\/outro cues, or a second wireless call source, the Model 12 is built to function as a self-contained remote-interview and podcast production hub without any additional call-handling hardware.\u003c\/p\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003eMULTIMEDIA AND CONNECTIVITY SPECIFICATIONS\u003c\/h5\u003e\n\n\u003ctable style=\"width: 100%; border-collapse: collapse; margin: 18px 0; font-size: 14px;\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background-color: #0D1B3E;\"\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eSPECIFICATION\u003c\/th\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eDETAILS\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eMultimedia Inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003eBluetooth 5.0, 3.5mm TRRS smartphone input with hardware mix-minus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eDigital \/ MIDI\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003eUSB Type-C, 5-pin MIDI In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eDAW Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003eHUI\/MCU emulation supported\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eUSB Interface\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e12-in \/ 10-out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e4. INTERNAL RECORDING \u0026amp; SD MEDIA\u003c\/h5\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eThe Model 12's internal multitrack recorder captures 12 simultaneous tracks — the ten discrete analogue inputs plus the stereo main mix — directly to SD card as standard WAV files, with 10 simultaneous tracks available on playback. This DAWless recording capability means a podcast, band rehearsal, or live acoustic set can be captured as a full multitrack session with zero computer involvement, and the resulting WAV files can be pulled straight off the card and imported into any DAW later for editing or mixdown. Because the format is uncompressed standard WAV rather than a proprietary project file, there is no compatibility risk when moving a session between the Model 12 and a desktop editing environment.\u003c\/p\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003eRECORDING AND DIGITAL AUDIO TRANSPORT SPECIFICATIONS\u003c\/h5\u003e\n\n\u003ctable style=\"width: 100%; border-collapse: collapse; margin: 18px 0; font-size: 14px;\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background-color: #0D1B3E;\"\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eSPECIFICATION\u003c\/th\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eDETAILS\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eMedia Supported\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003eSD Card\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eSimultaneous Record\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e12 tracks (10 discrete analogue inputs + 2 stereo mix tracks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003ePlayback Tracks\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e10 simultaneous tracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eFile Format\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003eStandard WAV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e5. PHYSICAL FORM FACTOR\u003c\/h5\u003e\n\n\u003ctable style=\"width: 100%; border-collapse: collapse; margin: 18px 0; font-size: 14px;\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background-color: #0D1B3E;\"\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eSPECIFICATION\u003c\/th\u003e\n\u003cth style=\"text-align: left; padding: 10px 14px; color: #FFFFFF; border: 1px solid #0D1B3E;\"\u003eDETAILS\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eProduct Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003eDesktop hybrid mixer \/ recorder \/ interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e343 mm (W) × 98.8 mm (H) × 360 mm (D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background-color: #F7F7F7;\"\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0; font-weight: 600;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding: 9px 14px; border: 1px solid #E0E0E0;\"\u003e4.3 kg \/ 9.48 lb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e6. IDEAL APPLICATIONS \u0026amp; USE CASES\u003c\/h5\u003e\n\n\u003cul style=\"margin: 14px 0; padding-left: 22px;\"\u003e\n\u003cli style=\"margin: 8px 0;\"\u003e\n\u003cstrong style=\"color: #0D1B3E;\"\u003ePodcast Production with Remote Guests:\u003c\/strong\u003e Hardware mix-minus on the TRRS smartphone input eliminates call echo without a separate telephone hybrid; 74 dB of preamp gain drives low-output broadcast mics cleanly\u003c\/li\u003e\n\u003cli style=\"margin: 8px 0;\"\u003e\n\u003cstrong style=\"color: #0D1B3E;\"\u003eElectronic Music and DAWless Sequencing:\u003c\/strong\u003e 5-pin MIDI In\/Out synchronises hardware synths and drum machines to the Model 12's internal clock for fully DAWless production\u003c\/li\u003e\n\u003cli style=\"margin: 8px 0;\"\u003e\n\u003cstrong style=\"color: #0D1B3E;\"\u003eLive Video Streaming:\u003c\/strong\u003e Adjustable output delay of up to 2,000 ms in 1 ms increments aligns audio to camera-processed video before it hits the encoder\u003c\/li\u003e\n\u003cli style=\"margin: 8px 0;\"\u003e\n\u003cstrong style=\"color: #0D1B3E;\"\u003eSmall Live Acoustic Performances:\u003c\/strong\u003e Dual headphone outputs provide discrete in-ear monitoring while the internal recorder captures a 12-track multitrack archive to SD\u003c\/li\u003e\n\u003cli style=\"margin: 8px 0;\"\u003e\n\u003cstrong style=\"color: #0D1B3E;\"\u003eAudio Post-Production and Video Editing:\u003c\/strong\u003e HUI\/MCU emulation turns the physical faders into a tactile jog\/transport\/fader controller for Premiere Pro or DaVinci Resolve\u003c\/li\u003e\n\u003cli style=\"margin: 8px 0;\"\u003e\n\u003cstrong style=\"color: #0D1B3E;\"\u003eSolo Content Creators:\u003c\/strong\u003e A single compact chassis replaces a mixer, an audio interface, and a standalone recorder for a creator working without a dedicated engineer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid #E8E8E8; margin: 28px 0;\"\u003e\n\n\u003ch5 style=\"font-size: 18px; font-weight: 700; color: #0D1B3E; border-bottom: 2px solid #006D77; padding-bottom: 8px; margin-top: 32px;\"\u003e7. PRODUCT CONTEXT: MODEL 12 VS. SIBLING MODELS\u003c\/h5\u003e\n\n\u003cp style=\"margin: 14px 0;\"\u003eWithin TASCAM's Model series, the Model 12 occupies the compact entry point beneath the Model 16, Model 24, and flagship Model 2400. Its defining distinction from the larger models in the range is the pairing of HUI\/MCU DAW control with a genuinely pocket-sized 10-channel footprint — a combination the Model 16 and Model 24 do not offer, since those two models trade DAW transport control for a wider analogue channel count and deeper mixing features instead. The Model 12 is therefore the natural choice for a buyer who values tactile DAW control and multimedia integration (Bluetooth, TRRS mix-minus, MIDI sync) in the smallest possible chassis, rather than raw input count. Engineers who need more than eight microphone preamps or a larger analogue mixing surface should look to the Model 16 or Model 24; those who specifically want DAW control in a desktop footprint will find the Model 12 the only model in the lower tier that offers it.\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":53397034697071,"sku":"tascam-model-12","price":64000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-MODEL-12-SHIVANSH-ELECTRONICS-KOLKATA-MAIN.png?v=1787961260","url":"https:\/\/shivanshelectronics.in\/products\/recording-mixers-tascam-model-12","provider":"Shivansh Electronics","version":"1.0","type":"link"}