{"product_id":"schoeps-mk-2s-colette-modular-series-small-diaphragm-condenser-microphones","title":"SCHOEPS MK 2S","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSCHOEPS MK 2S\u003c\/strong\u003e is an omnidirectional microphone capsule for the Colette modular system and the most popular SCHOEPS pressure transducer, often used for A\/B stereo, the Decca Tree or as a room microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts moderate high-frequency elevation at 0° compensates the high-frequency losses caused by the increased amount of diffuse sound when the microphone is used near the reverberation radius. The MK 2S shows a slight high-frequency emphasis for frontal sound, with only a slight roll-off of high frequencies off axis and in the reverberant sound field.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThis response lies between that of the MK 2 and the MK 2XS, which makes the capsule suitable for a wide range of applications. Its somewhat brighter sound, next to the MK 2 and MK 2H, makes it ideal as a main or room microphone, especially in larger rooms. The MK 2S screws onto a Colette microphone amplifier such as the CMC 6, CMC 6xt, CMC 1 U or CMC 1 L.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePickup pattern\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eOmni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise (A-weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e12 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. SPL with CMC 1\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e135 dB-SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOmnidirectional\u003c\/strong\u003e pressure capsule of the Colette modular system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\u003cstrong\u003eThe most popular SCHOEPS pressure transducer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eModerate high-frequency elevation at 0° for use near the reverberation radius\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOnly a slight high-frequency roll-off off axis and in the reverberant field\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSomewhat brighter sound, ideal as a main or room microphone in larger rooms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLow self-noise: 12 dB (A-weighted), 82 dB signal-to-noise ratio\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e20 Hz - 29 kHz, or 20 Hz - 43 kHz with the CMC 6xt\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKA 40 sphere attachments recommended for A\/B stereo and the Decca Tree\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePractice\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MK 2S has proven particularly useful in two- and three-microphone stereo arrays. Placed near the reverberation radius of the room, it gives a sonically balanced pickup favoured by many recording engineers. For spaced (A\/B) stereo and especially the Decca Tree, SCHOEPS recommends the KA 40 sphere attachments.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade for\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eA\/B spaced stereo pairs\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDecca Tree arrays\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMain microphones in larger rooms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoom microphones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMK 2S omnidirectional capsule (a Colette microphone amplifier is needed, available separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSCHOEPS MK 2S: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the MK 2S a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The MK 2S is the capsule of the Colette modular system; it screws onto a Colette microphone amplifier such as the CMC 6, CMC 6xt, CMC 1 U or CMC 1 L. It is also part of the Mono Set CMC 6 and the Stereo Set CMC 6.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere should the MK 2S be placed?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNear the reverberation radius of the room, where its moderate high-frequency elevation compensates the increased amount of diffuse sound and gives a balanced pickup.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow does it sit within the SCHOEPS omni range?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts response lies between the MK 2 (free-field) and the MK 2XS (diffuse-field). It sounds a little brighter than the MK 2 and MK 2H, which suits larger rooms and slightly more distant placement.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs it suitable for stereo?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. It is often used in A\/B pairs and in the Decca Tree; SCHOEPS recommends KA 40 spheres for these arrays and can supply matched capsule pairs.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich finishes are available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe standard finish is matte grey; custom colours such as Chromagreen and Smoked Silver and custom engraving are available as options.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SCHOEPS MK 2S in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SCHOEPS MK 2S is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68110811431279,"sku":"SCHOEPS-MK-2S","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SCHOEPS-MK-2S-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1794474789","url":"https:\/\/shivanshelectronics.in\/products\/schoeps-mk-2s-colette-modular-series-small-diaphragm-condenser-microphones","provider":"Shivansh Electronics","version":"1.0","type":"link"}