{"product_id":"schoeps-mk-2xs-colette-modular-series-small-diaphragm-condenser-microphones","title":"SCHOEPS MK 2XS","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSCHOEPS MK 2XS\u003c\/strong\u003e is a diffuse-field equalised omnidirectional capsule for the Colette modular system, made for placement at a relatively great distance from the source and preferred as a room microphone.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe MK 2XS (formerly MK 3) compensates high-frequency losses and so has a flat frequency response in the diffuse sound field. It is designed for distances in reverberant spaces where most of the arriving sound has already been reflected from the room surfaces. In such placement its integrated response is essentially flat: the on-axis high-frequency elevation shown in the graph is not heard as such. Omnidirectional microphones designed and placed this way can make remarkably well-focused recordings at such distances.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eWhen miking distances typical of the mono and early stereo era are used, the MK 2XS with its full diffuse-field equalisation may well offer the optimal balance of focus, depth and spaciousness, and KA 40 sphere attachments can add a further measure of presence. It is usually placed beyond the reverberation radius and is often used as an ambient room microphone. The capsule screws onto a Colette microphone amplifier such as the CMC 6, CMC 6xt, CMC 1 U or CMC 1 L.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDiffuse-field equalised\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003eOmni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise (A-weighted)\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e13 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eSensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e11 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMax. SPL with CMC 1\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e137 dB-SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eOmnidirectional\u003c\/strong\u003e pressure capsule of the Colette modular system\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDiffuse-field equalised\u003c\/strong\u003e: considerable high-frequency elevation at 0°\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFlat frequency response in the diffuse sound field\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMade for placement at a relatively great distance, beyond the reverberation radius\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eFocus, depth and spaciousness at classic miking distances\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e13 dB (A-weighted) self-noise, up to 137 dB-SPL with the CMC 1\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e20 Hz - 30 kHz, or 20 Hz - 44 kHz with the CMC 6xt\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eKA 40 sphere attachments add presence at a distance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade for\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eRoom and ambience microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSpaced omnis at classic, more distant miking positions\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDecca Tree arrays at greater distance, with KA 40 spheres\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eReverberant halls and churches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMK 2XS omnidirectional capsule (a Colette microphone amplifier is needed, available separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSCHOEPS MK 2XS: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eIs the MK 2XS a complete microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eNo. The MK 2XS is the capsule of the Colette modular system; it screws onto a Colette microphone amplifier such as the CMC 6, CMC 6xt, CMC 1 U or CMC 1 L. It is also part of the Mono Set CMC 6 and the Stereo Set CMC 6.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat does diffuse-field equalised mean?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe capsule is tuned so that its integrated response is flat where most of the sound arriving has been reflected by the room. The on-axis elevation in the graph is not heard as such at those distances.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere should the MK 2XS be placed?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eAt a relatively great distance from the source, usually beyond the reverberation radius. For spaced omnis at closer, modern distances SCHOEPS points to the MK 2S or MK 2H.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWas it known by another name?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, the MK 2XS was formerly called the MK 3.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich accessory adds presence?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe KA 40 sphere attachment can add a further measure of presence to the sound at greater distances.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SCHOEPS MK 2XS in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SCHOEPS MK 2XS is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":68110813167983,"sku":"SCHOEPS-MK-2XS","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SCHOEPS-MK-2XS-SMALL-DIAPHRAGM-CONDENSER-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1794474836","url":"https:\/\/shivanshelectronics.in\/products\/schoeps-mk-2xs-colette-modular-series-small-diaphragm-condenser-microphones","provider":"Shivansh Electronics","version":"1.0","type":"link"}