{"product_id":"schoeps-supercmit-cmit-shotgun-series-shotgun-camera-microphones","title":"SCHOEPS SuperCMIT","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eSCHOEPS SuperCMIT\u003c\/strong\u003e is a digital shotgun microphone whose directivity goes well beyond that of conventional shotguns, even those with long interference tubes.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eBased on the analog CMIT 5, it works on a new principle with two transducers and patented DSP algorithms. The DSP detects discrete sound arriving from different directions as well as diffuse sound from all around, then suppresses the diffuse sound and focuses on the discrete source. This extends the reach of the microphone significantly without the typical changes in sound colour, so the direct sound stays transparent while street, wind, audience or room noise is pushed well down in level, right down to the lowest frequencies.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SuperCMIT is a digital microphone to the AES42 standard (Mode 1, 48 kHz) with a two-channel output: channel 1 carries the processed SuperCMIT signal and channel 2 always carries the unprocessed shotgun (CMIT) signal, so both can be recorded at the same time.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eProcessed + unprocessed\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e2 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eDiffuse-sound attenuation, presets 1 \/ 2\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e11 \/ 15 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEquivalent noise, channel 1\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e14 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMaximum SPL\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e125 dB-SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eDigital shotgun with increased directivity\u003c\/strong\u003e, based on the analog CMIT 5\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eExceptional suppression of diffuse sound\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eNew functional principle with \u003cstrong\u003etwo transducers\u003c\/strong\u003e and patented DSP algorithms\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eTwo-channel output:\u003c\/strong\u003e SuperCMIT signal on channel 1, unprocessed shotgun signal on channel 2\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTwo presets: diffuse sound attenuated by 11 dB (preset 1) or 15 dB (preset 2)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSwitchable high-frequency emphasis (+5 dB at 10 kHz) and steep low cut (18 dB\/octave from 80 Hz), the same filters as the CMIT 5 U\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eGain can be raised by +30 dB by double-clicking all three buttons\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAES42 Mode 1 digital output on XLR-3M; SCHOEPS RFI shield\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePresets and filters\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThree buttons on the SuperCMIT 2 U switch the filters and the preset. \u003cstrong\u003ePreset 1\u003c\/strong\u003e moderately increases the directivity and attenuates diffuse sound by 11 dB, 5 dB more than the CMIT 5 U or channel 2. \u003cstrong\u003ePreset 2\u003c\/strong\u003e attenuates diffuse sound by 15 dB and is reserved for special applications. The high-frequency emphasis compensates the attenuation of windshields, and the low cut suppresses low-frequency wind and boom noise.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003ePowering\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SuperCMIT needs AES42 digital phantom power. Where the recorder or console has no AES42 input, SCHOEPS offers two powering boxes: the \u003cstrong\u003ePSD 2 U\u003c\/strong\u003e (10 V digital phantom power, AES3 output) and the \u003cstrong\u003eMini-DA42\u003c\/strong\u003e (10 V digital phantom power, AES3 output plus two analog outputs). Both versions are available as variants of this product.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade for\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDifficult film sound and production dialogue\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSports broadcasting, including ball and racket sounds\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOutdoor recording with street, wind or crowd noise\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eIndoor recording at a greater distance from the source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSuperCMIT digital shotgun microphone\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWooden case\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eSG 20 stand clamp\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eW 170 foam windscreen for moderate wind and boom motion\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eWith the powering variants: Mini-DA42 with AC adapter and breakout cable, or PSD 2 U with AC adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eSCHOEPS SuperCMIT: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow is the SuperCMIT different from a normal shotgun microphone?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eIts DSP separates discrete sound from diffuse sound and suppresses the diffuse part, so its directivity goes beyond that of conventional shotguns, even long ones, while the direct sound keeps its natural colour.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhat comes out of the two channels?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eChannel 1 is the processed SuperCMIT signal with the selected preset; channel 2 is always the unprocessed shotgun signal. Many users record both.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eCan it be used with a recorder that has no AES42 input?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes, with a powering box: the PSD 2 U gives an AES3 digital output, and the Mini-DA42 gives AES3 plus two analog outputs. Both are offered as variants with the microphone.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich filters does it have?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eA switchable high-frequency emphasis of +5 dB at 10 kHz to compensate windshields, and a switchable low cut of 18 dB\/octave from 80 Hz against wind and boom noise.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhich colours are available?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eStandard blue and anthracite grey are listed as variants; SCHOEPS also makes chromagreen and other custom colours on request.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the SCHOEPS SuperCMIT in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe SCHOEPS SuperCMIT is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Standard blue","offer_id":68103048823151,"sku":"SCHOEPS-SUPERCMIT-140301","price":0.0,"currency_code":"INR","in_stock":true},{"title":"Anthracite grey","offer_id":68103048855919,"sku":"SCHOEPS-SUPERCMIT-140302","price":0.0,"currency_code":"INR","in_stock":true},{"title":"With Mini-DA42 and breakout cable","offer_id":68103048888687,"sku":"SCHOEPS-SUPERCMIT-140303","price":0.0,"currency_code":"INR","in_stock":true},{"title":"With PSD 2 U","offer_id":68103048921455,"sku":"SCHOEPS-SUPERCMIT-140304","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/SCHOEPS-SUPERCMIT-SHOTGUN-MICROPHONES-SHIVANSH-ELECTRONICS-1.webp?v=1794443720","url":"https:\/\/shivanshelectronics.in\/products\/schoeps-supercmit-cmit-shotgun-series-shotgun-camera-microphones","provider":"Shivansh Electronics","version":"1.0","type":"link"}