{"product_id":"tascam-dr-70d-dr-series-audio-recorders-for-video","title":"TASCAM DR-70D","description":"\u003cdiv style=\"font-family:'Helvetica Neue',Arial,sans-serif;color:#1A1A2A;max-width:900px;margin:0 auto;line-height:1.6;font-size:15px;\"\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:4px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eProduct overview\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 16px;font-size:16.5px;color:#0D1B3E;\"\u003eThe \u003cstrong\u003eTASCAM DR-70D\u003c\/strong\u003e is a 4-track audio field recorder and mixer for filmmakers, with four XLR\/TRS inputs, built-in stereo mics and a compact body that mounts above or below a camera.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eFour balanced XLR\/TRS combo inputs with TASCAM HDDA mic preamps meet the needs of production sound, from professional users to independent shooters. A pair of built-in omnidirectional mics captures sound on set, and each input feeds a 4-in \/ 2-out mixer, so every channel is recorded individually for post-production while a stereo mix goes to headphones and to the camera as a guide track. The interface is designed for quick adjustment, with a limiter, low-cut filter, delay and dual recording to keep levels under control, and slate tones make syncing picture and sound simple.\u003c\/p\u003e\n\u003ctable style=\"border-collapse:collapse;margin:6px 0 18px;width:100%;max-width:100%;table-layout:fixed;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eRecorded at once, up to 96 kHz \/ 24‑bit\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 tracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eMic or +4 dBu line inputs\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e4 x XLR\/TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003eEIN of the HDDA mic preamps\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e−120 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;width:55%;color:#5a6170;font-size:13px;text-transform:uppercase;letter-spacing:.05em;\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd style=\"padding:12px 8px;text-align:left;border:1px solid #DDE2E8;vertical-align:top;word-break:normal;overflow-wrap:break-word;font-weight:bold;color:#006d77;font-size:17px;\"\u003e24 V \/ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eKey features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eUp to 4 tracks recorded simultaneously\u003c\/strong\u003e: WAV \/ BWF at 44.1 \/ 48 \/ 96 kHz, 16 \/ 24-bit\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003e4 XLR\/TRS combo inputs\u003c\/strong\u003e for mics or +4 dBu line level, with 24 V or 48 V phantom power\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eHDDA mic preamps\u003c\/strong\u003e (High Definition Discrete Architecture) with −120 dBu EIN\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eBuilt-in omnidirectional stereo microphones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e3.5 mm EXT IN 1\/2 jack with plug-in power for video camera mics\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003e\n\u003cstrong\u003eCAMERA OUT\u003c\/strong\u003e (attenuated to mic level) and \u003cstrong\u003eCAMERA IN\u003c\/strong\u003e for monitoring the camera\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eDual recording: a safety file 1 to 12 dB lower\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eLimiter, low-cut filter (40 \/ 80 \/ 120 \/ 180 \/ 220 Hz), delay, phase and mid-side decoding\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eAutomatic and manual slate tones\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eMounts under a camera or on top with the shoe; tripod thread; 4 x AA, USB bus power, AC adapter or BP-6AA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eFour XLR\/TRS inputs for any setup\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe four-channel design records combinations of shotgun mics, lavalier mics and the built-in stereo mic individually. Channels 1 and 2 can be a stereo input and channels 3 and 4 can use the built-in mics. Choose MONO or DUAL MONO for a single performer, STEREO or DUAL STEREO for the built-in mics or a stereo mic, and 2MIX or DUAL 2MIX for a stereo file of mixed inputs.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eBuilt-in 4-in \/ 2-out mixer\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eEach input is sent to a stereo mixer with level and pan, so you record separate tracks for post-production while a stereo mix goes to headphones and the camera. Every input has a limiter, a low-cut filter and a delay of up to ±150 ms to compensate for different mic distances, and a mid-side decoder supports MS stereo mics.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eHDDA mic preamps\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eTASCAM HDDA microphone preamps, built from a discrete architecture and carefully selected components, reach an equivalent input noise of −120 dBu, with a high-quality AD converter for quiet, clean audio up to 96 kHz \/ 24-bit.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eMade to work with your camera\u003c\/h3\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe camera output sends a stereo mix to the camera for later synchronisation in editing software, attenuated to mic level to prevent overloading the camera's input. Slate tones, added automatically at the head and tail of a recording or with the SLATE button, line up the waveforms. The camera input lets you play back from the camera to evaluate a take, and a REMOTE jack accepts the TASCAM RC-3F footswitch or RC-10 wired remote.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eIn the box\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 14px;padding-left:20px;\"\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eTASCAM DR-70D\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eUSB cable\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eCamera attachment bracket screw hole covers (x 6)\u003c\/li\u003e\n\u003cli style=\"margin:0 0 6px;\"\u003eOwner's Manual (including warranty)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:10px 0 14px;padding:10px 14px;background:#F5F7F9;border-left:3px solid #006D77;font-size:14px;color:#1A1A2A;\"\u003eAn SD, SDHC or SDXC card and 4 AA batteries are sold separately. The AK-DR70C shoe mount adapter is needed to mount the DR-70D on top of a camera.\u003c\/p\u003e\n\u003ch3 style=\"font-size:17px;font-weight:700;color:#0D1B3E;text-transform:uppercase;letter-spacing:.06em;margin:30px 0 12px;padding:0 0 7px;border-bottom:2px solid #006D77;\"\u003eTASCAM DR-70D: frequently asked questions\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow many tracks can the DR-70D record at once?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eUp to four channels at once (stereo x 2 or mono x 4), as WAV or BWF files at 44.1, 48 or 96 kHz and 16 or 24-bit.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eDoes it supply phantom power?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eYes. The four XLR\/TRS inputs can supply 24 V or 48 V phantom power for condenser microphones, and the EXT IN 1\/2 mini jack provides plug-in power.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow do I sync the DR-70D's audio with my video?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eSend the stereo mix to the camera through CAMERA OUT as a guide track and add slate tones at the start and end of recordings or with the SLATE button. Line the waveforms up in your editing software.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eHow can I mount it on my camera?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eMount it under the camera with the camera attachment screw on top, on a tripod with the 1\/4-inch thread underneath, or on top of the camera with the shoe mount adapter of the AK-DR70C.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;color:#0D1B3E;margin:18px 0 6px;\"\u003eWhere can I buy the TASCAM DR-70D in India?\u003c\/h4\u003e\n\u003cp style=\"margin:0 0 12px;\"\u003eThe TASCAM DR-70D is available from \u003cstrong\u003eShivansh Electronics, Kolkata, West Bengal, India\u003c\/strong\u003e, with delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shivansh Electronics","offers":[{"title":"Default Title","offer_id":67948695716207,"sku":"TASCAM-DR-70D","price":44000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/4766\/0399\/files\/TASCAM-DR-70D-AUDIO-RECORDERS-FOR-VIDEO-SHIVANSH-ELECTRONICS-1.webp?v=1793322657","url":"https:\/\/shivanshelectronics.in\/products\/tascam-dr-70d-dr-series-audio-recorders-for-video","provider":"Shivansh Electronics","version":"1.0","type":"link"}