ART TPatch product guide and data sheet cover
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ART TPatch product guide and data sheet coverART TPatch data sheet page 2: Overview and key featuresART TPatch data sheet page 3: Front and rear panelsART TPatch data sheet page 4: Specifications
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Brand: ART

ART TPatch

MRP - Rs. 5,638

Category: Patchbays & Splitters | Series: PATCHBAYS & SPLITTERS

ART TPatch compact 8-point balanced patchbay: 4 linked 1/4 inch TRS pairs, Normal / Half Normal button per channel, passive, aluminium case. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.


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VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)

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TECHNICAL SPECIFICATIONTech SpecsDESCRIPTIONDescriptionREAL-WORLD WORKFLOWSReal-World Workflows

Specifications

Type8‑point balanced patchbay, passive
Connectors1/4 inch TRS balanced phone jacks
Points / channels8 points; 4 linked input / output pairs
ModesNormal or Half Normal, switchable per channel
THD> -90 dB (typical); labelled CMRR in the user's manual
Isolation> -80 dB (typical)
Power requirementsNone (passive)

Physical

CaseBlack‑anodised extruded aluminium
Dimensions (D x W x H)99 x 117 x 47 mm (3.9 x 4.6 x 1.85 inch)
Weight381 g (0.84 lb)

Product overview

The ART TPatch is a compact 8-point balanced patchbay for the desktop that simplifies connecting and re-routing signals in a studio or live setup.

It has 4 channels of linked inputs and outputs, all with balanced 1/4 inch TRS connections. Each channel switches between normal and half-normal operation with its own button, so there is no need to physically flip channel modules. In normal operation, a plug in a front jack breaks the connection between the rear input and output; in half-normal operation the rear connection stays unbroken, so you can split the signal to a second destination. A rugged aluminium chassis, a passive design that needs no power and high-quality connectors make it built to last.

4 linked input / output pairs 8 points
Normal or Half Normal button Per channel
Balanced connections 1/4 inch TRS
No power required Passive

Key features

  • 4 channels of linked input / output pairs (8 points)
  • 1/4 inch TRS connections, balanced
  • Normal or Half Normal operation, switchable per channel
  • Passive design: no power required
  • Rugged extruded aluminium case, black anodised

Normal and Half Normal

With nothing plugged in at the front, the rear pair of a channel is connected internally and the signal flows from the top rear jack to the bottom rear jack. In Half Normal (button out), the mode most commonly used, a plug in the top front jack takes out or monitors the signal without breaking it, a plug in the bottom front jack breaks the link and patches in a new source, and plugs in both give two independent through paths. In Normal (button in), a plug in either front jack breaks the normalled connection.

Using the jacks

On the rear, the top jacks (1 - 4) are inputs from sources or sends and the bottom jacks (5 - 8) are outputs to destinations or receives; on the front the convention is reversed. Jacks 1 and 5, front and rear, with their button form one channel. The rear panel marks the wiring: Tip = (+) signal, Ring = (-) signal, Sleeve = ground. ART cautions against connecting a processor's output and input to the same channel, which would create a feedback loop.

In the box

  • TPatch 8-point patchbay

ART TPatch: frequently asked questions

How many channels does the TPatch have?

Four channels of linked inputs and outputs: 8 points.

Does it need power?

No. The TPatch is passive.

How do I switch the mode?

Each channel has a rear pushbutton: in for Normal, out for Half Normal.

Where can I buy the ART TPatch in India?

The ART TPatch is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Monitoring a signal on the desk

Home and project studios.

Connections

ConnectTo
SourceTPatch rear top jack
TPatch rear bottom jackDestination
TPatch front top jackHeadphones or amplifier input

Setup

  1. Set the channel to Half Normal (button out).
  2. Plug into the top front jack to monitor without breaking the signal.

Tip: Half Normal is the mode most commonly used.

Workflow 2: Patching in a different source

Studios swapping sources quickly.

Connections

ConnectTo
New sourceTPatch front bottom jack

Setup

  1. Plug the new source into the bottom front jack.
  2. It replaces the signal from the rear input.

Tip: Works the same in both modes.

Workflow 3: Splitting a signal to a second destination

Setups feeding two destinations.

Connections

ConnectTo
Front top jackSecond destination

Setup

  1. Keep the channel in Half Normal.
  2. Take the second feed from the top front jack.

Tip: The rear connection remains unbroken.

Workflow 4: Inserting an effects unit

Studios with outboard effects.

Connections

ConnectTo
Effects outputRear input of one channel
Effects inputRear output of another channel

Setup

  1. Use two separate channels for the processor.
  2. Patch it into the path from the front.

Tip: Same-channel output and input would create a feedback loop.

Workflow 5: Breaking the rear path from either jack

Setups that need a clean interruption.

Connections

ConnectTo
TPatch rearSource and destination

Setup

  1. Push the channel button in (Normal).
  2. Any front plug now breaks the rear connection.

Tip: Only the top-jack case differs between modes.

Workflow 6: Live setup patch point

Small live rigs.

Connections

ConnectTo
Stage gearTPatch rear
TPatch frontPatch cables to the mixer

Setup

  1. Wire the rear once.
  2. Re-patch from the front during the show.

Tip: Saves wear and tear on the connectors of your equipment.

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