




DPA KIT-4060-OP-SMK 4060 CORE+ Stereo Microphone Kit
PRICE - Rs. 1,73,268
DPA 4060 CORE+ Stereo Microphone Kit: matched pair of 4060 Normal SPL miniature omnis (±1.5 dB) with mounting accessories, incl. BLM6000 and DMM0007. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Acoustics
| Directional pattern | Omnidirectional |
| Principle of operation | Pressure |
| Cartridge type | Pre-polarised condenser, 5.4 mm |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range ±2 dB | Soft Boost Grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz; High Boost Grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz |
| Sensitivity, nominal, ±3 dB at 1 kHz | 20 mV/Pa; -34 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 35 dB (max. 38 dB) |
| Distortion, THD < 0.5 % | 128 dB SPL RMS, 131 dB SPL peak |
| Distortion, THD < 1 % | 129 dB SPL RMS, 132 dB SPL peak |
| Dynamic range | Typ. 106 dB |
| Max. SPL, THD 10 % | 134 dB SPL peak |
| Sensitivity selection tolerance (at 1 kHz) | ±1.5 dB |
Electrical
| Rated output impedance | 30 - 40 Ω |
| Cable drive capability | Up to 300 m (984 ft) with DPA XLR adapter |
| Power supply (for full performance) | Wireless systems: min. 5 V - max. 10 V through DPA adapter; P48 phantom power with DPA XLR adapter; works from 12 V |
| Current consumption | Typ. 1.5 mA (microphone); 3.5 mA with DPA XLR adapter |
| Connector | MicroLock |
| Polarity | Positively increasing sound pressure produces a positive-going voltage on the MicroLock pin |
Physical
| Microphone weight | 7.5 g (0.26 oz) incl. cable and MicroLock connector |
| Microphone diameter | 5.4 mm (0.21 in) |
| Microphone length | 12.7 mm (0.5 in) |
| Cable length | 3 m (10 ft) |
| Temperature range | -40 °C to 45 °C (-40 °F to 113 °F) |
| Relative humidity | Up to 90 % |
Kit
| KIT-4060-OP-SMK | 4060 CORE+ Stereo Microphone Kit |
Product overview
The DPA KIT-4060-OP-SMK is the 4060 CORE+ Stereo Microphone Kit: a flexible stereo recording solution for project studios and for discreet microphone setups on stage, with a complete stereo pair of 4060 CORE+ miniatures, Normal SPL.
It contains two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB, combined with a variety of mounting accessories.
The kit's mounting accessories include the BLM6000 Boundary Layer Mount, which places the microphones on a reflective boundary such as a floor, wall, ceiling or piano lid to capture the ambient sound of the area. Sound captured from this pressure zone has higher sensitivity, clarity and intelligibility than sound captured in free air, so the solution works as a kind of acoustical zoom.
Another accessory in the kit is the DMM0007 Universal Surface Mount, which allows all kinds of instruments, from acoustic guitar through grand piano and drums, to be miked in the best-sounding position. It attaches with special non-marking adhesive discs.
CORE+ takes the miniature microphone to the next level, neutralising distortion across the entire dynamic range, and MicroLock is a dependable, secure locking connector with limitless flexibility and reassuring reliability.
| Matched within ±1.5 dB | 2 x Omni |
| Sensitivity, Normal SPL | 20 mV/Pa |
| Max. SPL peak, THD 10 % | 134 dB |
| Cable length | 3 m |
Key features
- Complete stereo pair: two handpicked 4060 CORE+ omnidirectional microphones, Normal SPL
- Selected on sensitivity within ±1.5 dB
- BLM6000 Boundary Layer Mount: pressure-zone pickup on floor, wall, ceiling or piano lid
- DMM0007 Universal Surface Mount with non-marking adhesive discs
- Exceptionally accurate omnidirectional pattern; less sensitive to handling, pop and wind noise
- CORE+ neutralises distortion across the entire dynamic range; MicroLock locking connector
Made for
- Project studios
- Discreet stereo microphone setups on stage
- Ambient sound from a boundary (floor, wall, ceiling, piano lid)
- Instruments from acoustic guitar through grand piano and drums
In the box
- 2 x 4060 CORE+ miniature omnidirectional microphones, Normal SPL, selected on sensitivity within ±1.5 dB
- BLM6000 Boundary Layer Mount
- DMM0007 Universal Surface Mount with non-marking adhesive discs
- Further mounting accessories, as shown in the official kit photo
DPA 4060 CORE+ Stereo Kit: frequently asked questions
What is in the 4060 Stereo Microphone Kit?
A complete stereo pair of handpicked 4060 CORE+ microphones matched within ±1.5 dB, with mounting accessories including the BLM6000 Boundary Layer Mount and the DMM0007 Universal Surface Mount.
What does the boundary layer mount do?
It places a microphone on a reflective boundary such as a floor, wall, ceiling or piano lid. The pressure-zone sound has higher sensitivity, clarity and intelligibility, like an acoustical zoom.
Which instruments can the surface mount hold?
All kinds, from acoustic guitar through grand piano and drums, in the best-sounding position, using non-marking adhesive discs.
Who is the kit for?
Project studios and anyone who needs a discreet stereo microphone setup on stage.
How long are the cables?
The microphones in the stereo kit have 3 m (10 ft) cables with the MicroLock connector.
Where can I buy the DPA 4060 CORE+ Stereo Kit in India?
The DPA 4060 CORE+ Stereo Kit is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Stereo recording in a project studio
Project studios recording in stereo.
Connections
| Connect | To |
|---|---|
| 2 x 4060 CORE+ | Stereo positions at the source |
| 2 x 4060 CORE+ (MicroLock) | DPA XLR adapters to two P48 inputs |
Setup
- Place the matched pair for the stereo image.
- Connect both microphones through DPA XLR adapters.
- Switch on P48 and match the gains.
Tip: The pair is selected on sensitivity within ±1.5 dB.
Workflow 2: Discreet stereo setup on stage
Live sound and theatre teams.
Connections
| Connect | To |
|---|---|
| 2 x 4060 CORE+ | Discreet stage positions |
| 2 x 4060 CORE+ | Stage inputs or wireless transmitters |
Setup
- Mount the microphones discreetly with kit accessories.
- Route the cables to the inputs.
- Check the stereo balance.
Tip: Miniature microphones keep the setup discreet.
Workflow 3: Boundary layer ambience
Engineers capturing the ambient sound of a room or stage.
Connections
| Connect | To |
|---|---|
| 4060 CORE+ on BLM6000 | Floor, wall, ceiling or piano lid |
| 4060 CORE+ (MicroLock) | DPA XLR adapter |
Setup
- Fit the microphone in the BLM6000 Boundary Layer Mount.
- Place it on a reflective boundary.
- Set the gain for the room sound.
Tip: The pressure zone gives higher sensitivity, clarity and intelligibility: an acoustical zoom.
Workflow 4: Instruments with the surface mount
Engineers miking acoustic guitar, grand piano or drums.
Connections
| Connect | To |
|---|---|
| 4060 CORE+ on DMM0007 | Instrument surface |
| 4060 CORE+ | DPA XLR adapter |
Setup
- Attach the DMM0007 with a non-marking adhesive disc.
- Mount the microphone in the best-sounding position.
- Set the gain.
Tip: The adhesive discs are non-marking.
Workflow 5: Grand piano in stereo
Engineers recording or amplifying a piano.
Connections
| Connect | To |
|---|---|
| 2 x 4060 CORE+ | Piano lid (BLM6000) or surface mounts |
| 2 x 4060 CORE+ | DPA XLR adapters |
Setup
- Place the pair on the piano lid or in surface mounts.
- Connect both through DPA XLR adapters.
- Balance left and right.
Tip: A piano lid is one of the reflective boundaries named for the BLM6000.
Workflow 6: Wired use with phantom power
Studios, venues and installations using wired microphone inputs.
Connections
| Connect | To |
|---|---|
| 4060 CORE+ (MicroLock) | DPA XLR adapter |
| DPA XLR adapter | Microphone input with P48 phantom power |
Setup
- Connect the MicroLock connector to the DPA XLR adapter.
- Switch on P48 phantom power at the input.
- Run the cable; up to 300 m is possible with the XLR adapter.
Tip: The microphone also works from 12 V.








