DPA MMC4006 Omni Microphone Capsule

Product overview

The DPA MMC4006 is the linear omnidirectional capsule of the 4006 microphone for the DPA modular pencil microphone series, offering total transparency in any recording situation.

The 4006 capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound, and the definition of its high-frequency characteristics across a wide range of instruments is impressive. It gives natural sound, high sensitivity, a low noise floor and a linear frequency response from 10 Hz to 20 kHz (±2 dB).

A selection of accessories, including acoustic pressure equalisers, a nose cone and interchangeable protection grids, can transform the microphone acoustically: by changing grids it gains several distinct frequency responses and directional characteristics, without the phase shift, noise or distortion of an electrical filter.

You can combine it with any DPA modular pencil preamp: the ultra-transparent, transformerless MMP-A, the ultra-compact MMP-C, the MMP-ER/ES active XLR cable with rear or side cable entry, or the MMP-GR/GS active MicroLock cable for wireless systems.

Key features

• Linear omnidirectional capsule of the 4006
• Total transparency, incredible detail and depth
• Natural sound, high sensitivity and a low noise floor
• Linear frequency response 10 Hz - 20 kHz (±2 dB)
• Acoustic accessories: pressure equalisers, nose cone, interchangeable grids
• Combines with the MMP-A, MMP-C, MMP-ER/ES and MMP-GR/GS preamps

Made for

• A-B stereo pairs for symphonic concert hall recording
• Vocals and close-miking of all types of instruments
• Outdoor interviews
• Reference stereo recording

In the box

• MMC4006 microphone capsule (a DPA pencil preamp is needed, available separately)

DPA MMC4006: frequently asked questions

Is the MMC4006 a complete microphone?

It is a capsule of the modular pencil microphone series. Combine it with any DPA pencil preamp: the MMP-A standard preamp, the MMP-C compact preamp, the MMP-ER/ES active XLR cable or the MMP-GR/GS active MicroLock cable.

What is the 4006 capsule known for?

Total transparency in any recording situation, with incredible detail and depth, natural sound, high sensitivity, a low noise floor and a linear response from 10 Hz to 20 kHz (±2 dB).

What are the typical applications?

It is ideal for A-B stereo pairs for symphonic concert hall recording, and it excels on vocals, for close-miking all types of instruments and as an outdoor interview microphone.

Can the sound be shaped without filters?

Yes. Acoustic pressure equalisers, a nose cone and interchangeable protection grids change the frequency response and directional characteristics acoustically, with no phase shift, noise or distortion from an electrical filter.

Can I use it with a wireless system?

Yes. On the MMP-GR/GS active cable it has a MicroLock connector, which links it to wireless systems through the range of DPA adapters.

Where can I buy the DPA MMC4006 in India?

The DPA MMC4006 is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Pencil microphone with the MMP-A

Studio and stage engineers who want a full-size pencil microphone.

Connections

Setup

1. Combine the capsule with the MMP-A, an ultra-transparent, transformerless preamp.
2. Connect the XLR output to the microphone input.
3. Use the 20 dB attenuation push switch at the XLR connector when needed.

Tip: Active drive gives impedance balancing over the cable.

Workflow 2: Compact set-up with the MMP-C

Engineers who need a short, discreet microphone.

Connections

Setup

1. Combine the capsule with the ultra-compact MMP-C.
2. Place the microphone where space is tight.
3. Connect and set the gain.

Tip: The MMP-C has a slightly softer character than the other preamps in the series.

Workflow 3: Hanging or table microphone

Recording and broadcast engineers needing unobtrusive hanging or table microphones.

Connections

Setup

1. Fit the capsule on the MMP-ER (rear cable) or MMP-ES (side cable).
2. Hang it, or suspend it in the CSM4000 on a stand, table base or magnet base.
3. Connect the 3-pin XLR to the input.

Tip: The preamp sits in a small 12 mm housing for a very slim set-up.

Workflow 4: Wireless with the MMP-GR/GS

Broadcast, theatre and live crews working with wireless systems.

Connections

Setup

1. Fit the capsule on the MMP-GR (rear cable) or MMP-GS (side cable).
2. Connect the MicroLock connector through the matching DPA adapter.
3. Set the transmitter input level.

Tip: The MMP-G lets a larger microphone feed a wireless transmitter directly.

Workflow 5: Instrument miking with the GSM4000

Musicians and engineers close-miking acoustic instruments.

Connections

Setup

1. Mount the capsule on the active cable in the GSM4000.
2. Attach the GSM4000 to the instrument with the matching clip.
3. Bend the 11.5 cm gooseneck to aim the capsule.

Tip: The gooseneck and shock mount are combined in one piece.

Workflow 6: XY or ORTF stereo pair

Recording engineers capturing ensembles and ambience in stereo.

Connections

Setup

1. Fit both capsules on active cables.
2. Mount them in the CXO4000 in XY or ORTF configuration.
3. Connect both channels and match the gains.

Tip: XY is coincident; ORTF is near-coincident and combines time and intensity differences.