DPA MMC4011 Cardioid Microphone Capsule

Product overview

The DPA MMC4011 is the cardioid capsule of the 4011 microphone for the DPA modular pencil microphone series, prized for its directional quality and attention to detail.

This capsule makes everything sound like the original. Its first-order cardioid pickup pattern gives superb separation between sound sources, a flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound, and the off-axis response is similarly smooth, so any leakage is an accurate reflection of the original, attenuated according to the true first-order cardioid pattern.

It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies.

You can combine it with any DPA modular pencil preamp: the ultra-transparent, transformerless MMP-A, the ultra-compact MMP-C, the MMP-ER/ES active XLR cable with rear or side cable entry, or the MMP-GR/GS active MicroLock cable for wireless systems.

Key features

• First-order cardioid pattern with superb separation
• Directional quality and attention to detail
• Flat on-axis response and excellent phase response
• Smooth off-axis response: leakage stays accurate
• Combines with the MMP-A, MMP-C, MMP-ER/ES and MMP-GR/GS preamps

Made for

• Acoustic guitar and grand piano
• Drum overheads and percussion
• Wind instruments and vocals
• Spot-miking symphonies

In the box

• MMC4011 microphone capsule (a DPA pencil preamp is needed, available separately)

DPA MMC4011: frequently asked questions

Is the MMC4011 a complete microphone?

It is a capsule of the modular pencil microphone series. Combine it with any DPA pencil preamp: the MMP-A standard preamp, the MMP-C compact preamp, the MMP-ER/ES active XLR cable or the MMP-GR/GS active MicroLock cable.

What is the 4011 capsule known for?

Its directional quality and attention to detail: the first-order cardioid pattern gives superb separation, and the flat on-axis and smooth off-axis response keep any leakage an accurate reflection of the original.

Which sources is it made for?

Close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals, as well as spot-miking symphonies.

Can it be used in stereo?

Yes. Two capsules on MMP-ER/ES or MMP-GR/GS active cables fit the CXO4000 Compact XY/ORTF Stereo Holder.

Can I use it with a wireless system?

Yes. On the MMP-GR/GS active cable it has a MicroLock connector, which links it to wireless systems through the range of DPA adapters.

Where can I buy the DPA MMC4011 in India?

The DPA MMC4011 is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Pencil microphone with the MMP-A

Studio and stage engineers who want a full-size pencil microphone.

Connections

Setup

1. Combine the capsule with the MMP-A, an ultra-transparent, transformerless preamp.
2. Connect the XLR output to the microphone input.
3. Use the 20 dB attenuation push switch at the XLR connector when needed.

Tip: Active drive gives impedance balancing over the cable.

Workflow 2: Compact set-up with the MMP-C

Engineers who need a short, discreet microphone.

Connections

Setup

1. Combine the capsule with the ultra-compact MMP-C.
2. Place the microphone where space is tight.
3. Connect and set the gain.

Tip: The MMP-C has a slightly softer character than the other preamps in the series.

Workflow 3: Hanging or table microphone

Recording and broadcast engineers needing unobtrusive hanging or table microphones.

Connections

Setup

1. Fit the capsule on the MMP-ER (rear cable) or MMP-ES (side cable).
2. Hang it, or suspend it in the CSM4000 on a stand, table base or magnet base.
3. Connect the 3-pin XLR to the input.

Tip: The preamp sits in a small 12 mm housing for a very slim set-up.

Workflow 4: Wireless with the MMP-GR/GS

Broadcast, theatre and live crews working with wireless systems.

Connections

Setup

1. Fit the capsule on the MMP-GR (rear cable) or MMP-GS (side cable).
2. Connect the MicroLock connector through the matching DPA adapter.
3. Set the transmitter input level.

Tip: The MMP-G lets a larger microphone feed a wireless transmitter directly.

Workflow 5: Instrument miking with the GSM4000

Musicians and engineers close-miking acoustic instruments.

Connections

Setup

1. Mount the capsule on the active cable in the GSM4000.
2. Attach the GSM4000 to the instrument with the matching clip.
3. Bend the 11.5 cm gooseneck to aim the capsule.

Tip: The gooseneck and shock mount are combined in one piece.

Workflow 6: XY or ORTF stereo pair

Recording engineers capturing ensembles and ambience in stereo.

Connections

Setup

1. Fit both capsules on active cables.
2. Mount them in the CXO4000 in XY or ORTF configuration.
3. Connect both channels and match the gains.

Tip: XY is coincident; ORTF is near-coincident and combines time and intensity differences.