DPA ST2015 Matched Stereo Pair, 2015 Wide Cardioid Microphones
PRICE - Rs. 2,05,354
DPA ST2015 matched stereo pair of 2015 compact wide cardioid pencil mics with holders and windscreens, for drum overheads and instrument groups. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Acoustics (each 2015)
| Directional pattern | Wide cardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarised condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range ±2 dB, at 30 cm (11.8 in) | 40 Hz - 18 kHz |
| Sensitivity, nominal, ±2 dB at 1 kHz | 12 mV/Pa |
| Equivalent noise level, A-weighted | Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A)) |
| Distortion, THD < 1 % | 147 dB SPL, 150 dB SPL peak |
| Dynamic range | Typ. 132 dB |
| Max. SPL, THD 10 % | 153 dB SPL peak |
Electrical (each 2015)
| Rated output impedance | 60 Ω |
| Cable drive capability | 100 m (328 ft) |
| Output balance principle | Impedance balancing with Active Drive |
| Common mode rejection ratio (CMRR) | > 60 dB |
| Power supply (for full performance) | P48 phantom power |
| Current consumption | 0.7 mA |
| Maximum output voltage, RMS | 8.7 V (21 dBu) |
| Connector | XLR-3M. Pin 1: shield, pin 2: signal + phase, pin 3: - phase |
| Polarity | +V at pin 2 for positive sound pressure |
Physical (each 2015)
| Weight | 83 g (2.9 oz) |
| Microphone diameter | 19 mm (0.75 in) |
| Capsule diameter | 17 mm (0.67 in) |
| Microphone length | 94 mm (3.7 in) |
| Temperature range | -40 °C to 45 °C (-40 °F to 113 °F) |
| Relative humidity (RH) | Up to 90 % |
| Colour | Black |
Stereo pair
| Sensitivity tolerance of the pair | ±1.5 dB |
| Supplied with | Holders and windscreens |
Versions
| ST2015 | Stereo pair with holders and windscreens, 2 x 2015 Wide Cardioid Microphone |
Product overview
The DPA ST2015 is a matched stereo pair of 2015 Wide Cardioid Microphones, supplied with holders and windscreens: compact overhead microphones that capture the spacious, natural sound of a whole drum kit or another instrument group.
Although the 2015 can be purchased as a single microphone, it really shines as a matched stereo pair, selected with ±1.5 dB sensitivity tolerance. The compact design of the pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage. In a live situation where a conventional cardioid pattern is not quite open enough, a pair of 2015s works ideally as overheads to capture a balanced sound of an entire group of instruments, like a drum kit.
The 2015 has a wide cardioid capsule with DPA's famously flat off-axis response. Besides a high gain-before-feedback, this makes it easier to handle bleed from other instruments at close proximity, and it picks up off-axis sounds in a very natural, attenuated way. It can be positioned near the drum kit, closer than overhead microphones are normally placed, and still capture sound evenly across the entire kit; the closer position gives a stronger signal and less bleed from the stage.
The 2015 is built to withstand rough handling on a hectic live stage: a thicker, more robust brass body that is very durable and known for its corrosion resistance and tolerance against metal fatigue, with the handle and grille surfaces treated with a protective black chrome finish for more graceful ageing.
| Matched pair, ±1.5 dB | 2 x 2015 |
| Pre-polarised condenser | Wide cardioid |
| Sensitivity | 12 mV/Pa |
| Dynamic range, typ. | 132 dB |
Key features
- Matched stereo pair selected with ±1.5 dB sensitivity tolerance, with holders and windscreens
- Durable, reinforced construction: thick brass body, protective black chrome finish
- Uniform wide cardioid directionality with DPA's famously flat off-axis response
- Spacious sound from a wide cardioid pick-up pattern
- Natural and precise sound reproduction
- Compact design for unobtrusive placement on stage
- High gain-before-feedback
Made for
- Overheads on drums
- Grand piano, away from or close to the strings
- Horn groups
- Vibraphones and xylophones
- Large marimbas and other large instruments
In the box
- 2 x DPA 2015 Wide Cardioid Microphone (matched stereo pair)
- 2 x microphone holder
- 2 x windscreen
- Zippered carry case
DPA ST2015: frequently asked questions
What comes with the ST2015?
Two matched 2015 Wide Cardioid Microphones with holders and windscreens; the official contents picture shows them in a zippered carry case.
How closely are the two microphones matched?
The pair is selected with ±1.5 dB sensitivity tolerance.
Why use a wide cardioid pair as drum overheads?
The pair can sit closer to the kit than overhead microphones are normally placed and still capture the whole kit evenly, with a stronger signal and less bleed from the stage.
Will the pair block the view of the stage?
No. The compact design gives an open, natural pick-up without blocking any of the action on stage.
What else can the pair be used on?
Grand piano (away from or close to the strings), horn groups, vibraphones, xylophones, large marimbas and other large instruments.
Where can I buy the DPA ST2015 in India?
The DPA ST2015 is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Stereo drum overheads
Live engineers miking drum kits.
Connections
| Connect | To |
|---|---|
| 2015 pair in holders | Above the kit, closer than usual overheads |
| 2015 pair (XLR-3M) | Two inputs with P48, panned left and right |
Setup
- Mount both microphones in the supplied holders.
- Place them near the kit.
- Connect, switch on P48 and pan.
- Check the kit is captured evenly.
Tip: The closer position gives a stronger signal and less bleed from the stage.
Workflow 2: Grand piano in stereo
Engineers miking piano.
Connections
| Connect | To |
|---|---|
| 2015 pair | Away from or close to the strings |
| 2015 pair | Two inputs with P48 |
Setup
- Place the pair away from or close to the strings.
- Connect both.
- Pan and balance.
Tip: Grand piano is a key application of the 2015.
Workflow 3: Horn groups
Live engineers miking brass sections.
Connections
| Connect | To |
|---|---|
| 2015 pair | In front of the section |
| 2015 pair | Stage box inputs |
Setup
- Place the two microphones to cover the section.
- Connect them.
- Balance with the rest of the mix.
Tip: The wide pattern covers a greater sound angle.
Workflow 4: Marimba, vibraphone and xylophone
Engineers miking large mallet instruments.
Connections
| Connect | To |
|---|---|
| 2015 pair | Over the instrument |
| 2015 pair | Two inputs |
Setup
- Space the two microphones along the instrument.
- Connect and power with P48.
- Pan for a natural image.
Tip: Made for large instruments with complex radiation patterns.
Workflow 5: Instrument groups with complex radiation
Engineers recording ensembles and large instruments.
Connections
| Connect | To |
|---|---|
| 2015 pair | In front of the group |
| 2015 pair | Two inputs with P48 |
Setup
- Place the pair to cover the whole group.
- Connect both microphones.
- Pan for a balanced image.
Tip: The wide cardioid design covers a greater sound angle than a conventional cardioid.
Workflow 6: Unobtrusive stage placement
Productions where the audience must see the performers.
Connections
| Connect | To |
|---|---|
| 2015 pair in holders | Discreet stage positions |
| 2015 pair | Stage box |
Setup
- Mount the compact microphones in the holders.
- Place them clear of sight lines.
- Connect and check the levels.
Tip: The compact pair does not block any of the action on stage.
