






MOJAVE MA-1000DS
LIST PRICE - Rs. 4,29,000
MOJAVE MA-1000DS: flagship multi-pattern 5840 tube condenser microphone in Desert Sand, continuously variable pattern, 15 dB pad, bass cut, full system. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Acoustics
| Transducer type | Externally polarised, pressure gradient capacitor, double diaphragm |
| Diaphragm | 1‑inch diameter, gold sputtered |
| Diaphragm thickness | 3 microns |
| Polar pattern | Continuously variable from omnidirectional to figure‑8 |
| Frequency response | 20 Hz - 20 kHz, ±3 dB |
| Bass cut | 6 dB per octave below 100 Hz |
| Pad | 15 dB |
| Sensitivity (re. 1 V/Pa) | Omni -37.5 dB; cardioid -36.0 dB; figure‑8 -34.0 dB |
| Maximum SPL | 120 dB with pad off; 135 dB with pad on |
| Distortion, pad off | < 1 % at 117 dB SPL; < 3 % at 125 dB SPL |
| Distortion, pad on | < 1 % at 132 dB SPL; < 3 % at 140 dB SPL |
| Self‑noise | 14 dB nominal, not to exceed 16 dB (A‑weighted) |
Electrical
| Impedance | 200 Ω, transformer balanced |
| Vacuum tube | 5840, new old stock |
| Microphone power | 6 V DC at 150 mA; 125 V DC at 0.7 mA (from the dedicated power supply) |
| Mains | 100, 115 or 230 V AC, 50 or 60 Hz (switchable) |
| Mains fuse | T500mAL at 100 V and 120 V AC; T250mAL at 220 V AC |
| Microphone cable | 20 ft, 7‑pin male and female connectors |
Mechanical
| Microphone size | 194 x 51 mm (7 5/8 x 2 in) |
| Microphone weight | 0.45 kg (1 lb) |
| Carrying case with microphone, power supply, shock mount and cables | 5.9 kg (13 lb) |
| Finish | Desert Sand |
Product overview
The MOJAVE MA-1000DS is MOJAVE's flagship MA-1000 multi-pattern vacuum tube condenser microphone in the Desert Sand finish: airy detail up top, lush intimacy in the mids and a bottom end that is accurate and authoritative.
The MA-1000 honours the lineage of the great classic tube microphones and elevates it, re-engineered with the best components and a refined circuit design. It excels on lead vocals, orchestral recording and piano. A hand-picked new-old-stock 5840 tube, a large-diaphragm dual-membrane capsule with presence and airiness, a custom designed output transformer and a remotely controlled, continuously variable polar pattern make it effortlessly exceptional. The Desert Sand finish shows a cream body with polished trim, side vents and a red MOJAVE badge.
| Continuously variable pattern | Omni to 8 |
| Maximum SPL with the 15 dB pad | 135 dB |
| Self‑noise, nominal | 14 dB‑A |
| New‑old‑stock vacuum tube | 5840 |
Key features
- Original new-old-stock 5840 tube, hand-picked: a smooth response that excels on any source
- Large-diaphragm dual-membrane capsule with presence and airiness
- Custom designed output transformer, wound to MOJAVE's specifications
- Remotely controlled, continuously variable polar pattern selector on the power supply
- Switchable 15 dB pad and switchable bass roll-off
- Internal switchable power supply voltage
- Shock mount, premium 20-foot cable and premium connectors included
Continuously variable pattern
The rotary selector on the front panel of the power supply chooses omnidirectional, cardioid or figure-8, or any point in between. The 2 o'clock position can be especially pleasant for vocals, and for a close-miked acoustic guitar in cardioid, turning towards omni reduces excessive proximity effect. Sensitivity is -37.5 dB (omni), -36.0 dB (cardioid) and -34.0 dB (figure-8) re. 1 V/Pa.
Pad and bass cut
The 15 dB pad reduces the signal before the head amplifier, raising the maximum SPL from 120 dB to 135 dB. The bass cut switch gives 6 dB per octave attenuation below 100 Hz, removing rumble or bass build-up due to proximity effect.
Flagship build
The capsule and electronics are adapted from mid-1950s design practice and built with modern components. The dedicated power supply feeds the microphone with 6 V DC at 150 mA and 125 V DC at 0.7 mA. Every MA-1000 is thoroughly tested and given a 24-hour factory burn-in before shipment, and the complete system comes in a rugged carrying case.
In the box
- Presentation carrying case with the MA-1000 microphone (Desert Sand finish)
- AC-operated microphone power supply
- 20-foot premium microphone cable with 7-pin male and female connectors
- MA-1000 shock mount with European adapter (fitted to the shock mount)
- AC power cable for the power supply (moulded IEC type with plug)
- Rugged carrying case for all the above items
MOJAVE MA-1000DS: frequently asked questions
What is the MA-1000 best at?
MOJAVE names lead vocals, orchestral recording and piano: airy detail, lush mids and an accurate, authoritative low end.
Where is the pattern selected?
On a rotary knob on the front panel of the power supply. When turning to omni, it is normal for the sound to disappear for a moment.
Does it need phantom power?
No. It runs from its dedicated power supply; phantom power on the connected channel does no harm if the 3-pin cables are wired properly.
What does DS mean in MA-1000DS?
MA-1000DS is the MA-1000 in the Desert Sand finish. The microphone, its specifications and its accessories are those of the MA-1000.
Where can I buy the MOJAVE MA-1000DS in India?
The MOJAVE MA-1000DS is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Lead vocals
Singers who want airy detail and lush mids.
Connections
| Connect | To |
|---|---|
| MA‑1000 | Power supply (7‑pin cable) |
| Power supply output | Preamp input (3‑pin XLR) |
Setup
- Connect the 7-pin cable before switching the supply on.
- Allow the tube to warm up.
- Set the pattern selector to about 2 o'clock.
- Engage the bass cut if needed and set the gain.
Tip: Never hot-plug a tube microphone into an energised supply.
Workflow 2: Orchestral recording
Capturing an orchestra or ensemble in a hall.
Connections
| Connect | To |
|---|---|
| MA‑1000 | Power supply |
| Power supply output | Preamp input |
Setup
- Place the microphone above and in front of the ensemble.
- Choose a pattern between cardioid and omni for the room.
- Set the gain for the loudest passages.
- Record.
Tip: Omni picks up sound in a 360-degree radius for natural ambience.
Workflow 3: Piano
Recording grand or upright piano.
Connections
| Connect | To |
|---|---|
| MA‑1000 | Power supply |
| Power supply output | Preamp input |
Setup
- Position the microphone at the piano.
- Start in cardioid.
- Set the gain.
- Record.
Tip: MOJAVE names piano among the sources where the MA-1000 excels.
Workflow 4: Close-miked acoustic guitar
Acoustic guitar without excess bass.
Connections
| Connect | To |
|---|---|
| MA‑1000 | Power supply |
| Power supply output | Preamp input |
Setup
- Start in cardioid (12 o'clock).
- Place the microphone close to the guitar.
- Turn the selector towards omni to reduce proximity effect.
- Set the gain and record.
Tip: The bass cut removes bass build-up due to proximity effect.
Workflow 5: Loud sources with the pad
Amplifiers, drums and brass.
Connections
| Connect | To |
|---|---|
| MA‑1000 (pad on) | Power supply |
| Power supply output | Preamp input |
Setup
- Engage the 15 dB pad.
- Place the microphone at the source.
- Set the gain on the loudest parts.
- Record.
Tip: With the pad on, the maximum SPL is 135 dB.
Workflow 6: First use and setup
Setting up a new MA-1000 system.
Connections
| Connect | To |
|---|---|
| Power supply | Mains (correct voltage setting) |
Setup
- Check that the supply is set for your mains voltage and fitted with the right fuse.
- Connect the microphone with the 7-pin cable.
- Switch on and let it warm up for at least thirty minutes.
- Register the microphone with MOJAVE.
Tip: The first long warm-up drives out moisture from shipping or storage.








