NEUMANN KK 104 S

Product overview

The NEUMANN KK 104 S is a premium quality cardioid condenser capsule head for compatible handheld wireless transmitters: true Neumann sound with the freedom of wireless operation.

Its precision manufactured condenser capsule combines Neumann sound with all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability of up to 148 dB and high feedback resistance. Based on Neumann's KMS series of wired stage microphones, the KK 104 S shares their basic design and essential acoustic properties and is designed for vocals and speech on stage and in other feedback-prone environments.

Key features

• Studio grade Neumann condenser capsule for wireless systems
• Tight cardioid pattern without off-axis coloration
• Feedback resistant, high rejection of rearward sound (180°)
• Unaffected by extreme sound pressure levels: up to 148 dB
• Built-in pop protection: hardened steel headgrille with internal pop screen
• Low handling noise; fixed low cut compensates for the proximity effect
• Easy cleaning: the interior assembly is removable
• Two finishes: nickel and black (bk)

Studio quality for wireless systems

The KK 104 S brings studio sound quality to the stage for the most demanding live applications. It is equipped with a true condenser capsule offering the clarity that made Neumann studio microphones famous, while it possesses the ruggedness required for stage use. Its smooth frequency response and airy top end give effortless intelligibility without the usual EQ boosts, which further improves feedback resistance.

Made for close miking

The KK 104 S is optimised for close miking: a fixed low cut compensates for the proximity effect and ensures clear bass, even if the singer's lips touch the microphone. Its tight, frequency-independent cardioid pattern ensures high gain before feedback, and it is suited for in-ear monitoring as well as conventional monitoring systems.

Pop protection

The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause sibilance problems. On the KK 104 S the foam insert of the headgrille can be removed separately for cleaning.

Easy cleaning

The interior assembly can be removed completely to clean the headgrille: loosen the 3 axial hexagonal socket screws with the Allen wrench provided (only 2 rotations each), rotate the interior assembly 30° counterclockwise and remove it. Wash the headgrille in soap solution, rinse it in clean water and dry it, then reassemble in reverse order.

In the box

• KK 104 S (or KK 104 S bk) capsule head
• Padded nylon bag

Available versions

• KK 104 S: nickel, Cat. No. 008534
• KK 104 S bk: black, Cat. No. 008533

NEUMANN KK 104 S: frequently asked questions

What is the KK 104 S?

A cardioid condenser capsule head that screws onto a compatible handheld wireless transmitter, turning it into a wireless microphone with Neumann sound.

What polar pattern does the KK 104 S have?

A tight, frequency-independent cardioid pattern with high rejection of rearward sound (180°).

How much SPL can the KK 104 S handle?

Up to 148 dB SPL for 0.5 % THD and 153 dB for 3 % THD, measured as equivalent electrical input signal.

How do I clean the headgrille?

The interior assembly can be removed completely to clean the headgrille: loosen the 3 axial hexagonal socket screws with the Allen wrench provided (only 2 rotations each), rotate the interior assembly 30° counterclockwise and remove it. Wash the headgrille in soap solution, rinse it in clean water and dry it, then reassemble in reverse order.

Where can I buy the NEUMANN KK 104 S in India?

The NEUMANN KK 104 S is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Lead vocals on a wireless handheld

Singers who want studio sound with the freedom of wireless operation.

Connections

Setup

1. Screw the KK 104 S onto the handheld transmitter.
2. Reduce the volume on the connected audio devices before switching on.
3. Sing at close range: the fixed low cut compensates for the proximity effect.
4. Set the gain at the mixer during the sound check.

Tip: The singer's lips may touch the microphone without the bass becoming muddy.

Workflow 2: Loud stages with wedge monitors

Bands playing at high stage volume.

Connections

Setup

1. Place the monitor wedges in the direction of the highest rejection of the cardioid pattern.
2. Raise the monitor level step by step.
3. Keep the microphone pointed at the singer.
4. Check for feedback during the sound check.

Tip: The tight, frequency-independent cardioid pattern ensures high gain before feedback.

Workflow 3: In-ear monitoring

Artists using in-ear monitors.

Connections

Setup

1. Fit the KK 104 S to the transmitter.
2. Set up the in-ear monitor mix.
3. Sing at close range.
4. Adjust the mix to taste.

Tip: The KK 104 S is suited for in-ear monitoring as well as conventional monitoring systems.

Workflow 4: Speech and presentation

Presenters and hosts on stage or at live TV events.

Connections

Setup

1. Fit the capsule head and switch on the transmitter.
2. Hold the microphone close to the mouth.
3. Set the level with normal speech.
4. Monitor intelligibility during rehearsal.

Tip: Intelligibility without the usual EQ boosts improves feedback resistance.

Workflow 5: Cleaning the headgrille after a tour

Stage technicians and rental companies.

Connections

Setup

1. Follow the NEUMANN cleaning instructions for the headgrille.
2. Use soap solution only, never solvents.
3. Rinse in clean water and let the parts dry completely.
4. Reassemble only when completely dry.

Tip: Moisture can cause malfunctions or damage to the capsule: mount only dry parts.

Workflow 6: Storing and transporting

Touring crews and rental stock.

Connections

Setup

1. Unscrew the capsule head from the transmitter after the show.
2. Store it in its padded nylon bag or case.
3. Let it come to ambient temperature before the next use.
4. Do not operate a product damaged in transport.

Tip: Storage temperature range: -20 °C to +70 °C.