RME Fireface 802 FS AE product guide and data sheet cover with front and rear panels, Shivansh Electronics Kolkata
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RME Fireface 802 FS AE product guide and data sheet cover with front and rear panels, Shivansh Electronics KolkataRME Fireface 802 FS AE data sheet page 2: Overview and key featuresRME Fireface 802 FS AE data sheet page 3: Front panel explainedRME Fireface 802 FS AE data sheet page 4: Rear panel explainedRME Fireface 802 FS AE data sheet page 5: TotalMix FX, software and remote controlRME Fireface 802 FS AE data sheet page 6: Connectivity and channel countsRME Fireface 802 FS AE data sheet page 7: Technical specificationsRME Fireface 802 FS AE data sheet page 8: Applications and setup examplesRME Fireface 802 FS AE data sheet page 9: In the box, drivers and compatibilityRME Fireface 802 FS AE data sheet page 10: Videos and contact
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Brand: RME

RME Fireface 802 FS AE

MRP - Rs. 2,60,190

Category: Studio Audio Interfaces | Series: FIREFACE

RME Fireface 802 FS AE 60-channel 192 kHz USB interface in black: 4 mic/instrument preamps, 12 analog I/O, 2 x ADAT, AES/EBU, SteadyClock FS. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.


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VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)

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TECHNICAL SPECIFICATIONTech SpecsDESCRIPTIONDescriptionREAL-WORLD WORKFLOWSReal-World Workflows

General

Type60‑channel 192 kHz high‑end USB audio interface, black finish
Channels30 inputs / 30 outputs at 48 kHz (12 analog, 16 ADAT, 2 AES/EBU each way)
Computer connection1 x USB 2.0 (works with USB 2.0 and USB 3.0 ports)
Supported sample rates28 kHz up to 200 kHz; up to 192 kHz
Buffer sizes48 to 8192 samples
Clock sourcesInternal, ADAT In, AES In, SPDIF In, Word Clock In
Clock technologySteadyClock FS; jitter suppression of external clocks > 50 dB (> 1 Hz)
MixerTotalMix FX: 1800‑channel mixer, 46‑bit internal resolution; 3‑band EQ, Low Cut, Reverb, Echo, Compressor, Expander, Auto Level, Room EQ
ModesDriver‑based USB 2, Class Compliant (rear button), stand‑alone (6 memory slots)

Inputs and outputs

Mic/instrument/line inputs 9‑124 x XLR/TRS combo (front), 48V or instrument mode per channel
Line inputs 1‑88 x 6.3 mm TRS, electronically balanced (rear)
Line outputs 1‑88 x 6.3 mm TRS, servo‑balanced, DC‑coupled (rear)
Headphone outputs2 x 6.3 mm TRS stereo (front), channels 9/10 and 11/12
ADAT2 x TOSLINK I/O; Multi‑Mode as optical SPDIF
AES/EBU1 x XLR I/O, transformer‑balanced
Word clock1 x BNC I/O, switchable 75 Ohm termination
MIDI1 x MIDI I/O on 5‑pin DIN
Remote1 x USB‑A REMOTE port for the optional ARC USB

Audio performance

Mic in 9‑12
ConnectorXLR, balanced
SNR
(A‑weighted)
116 dB
THD+N< -110 dB
Max level+10 dBu (gain +6 dB)
Inst in 9‑12
Connector6.3 mm TS, 1 MOhm
SNR
(A‑weighted)
116 dB
THD+N< -110 dB
Max level+21 dBu (gain +6 dB)
Line in 1‑8
Connector6.3 mm TRS, balanced
SNR
(A‑weighted)
118 dB
THD+N< -110 dB
Max level+19 dBu
Line out 1‑8
Connector6.3 mm TRS, servo‑balanced
SNR
(A‑weighted)
118.5 dB
THD+N< -110 dB
Max level+19 dBu
Phones
Connector6.3 mm TRS stereo
SNR
(A‑weighted)
118 dB
THD+N-
Max level+17 dBu

Analog details

Mic gain+6 dB to +60 dB (54 dB range)
Mic EIN
(A‑weighted)
-131 dBu (54 dB gain, 150 Ohm, 20 Hz - 20 kHz)
Mic input impedance3.4 kOhm
Line input THD< -120 dB (< 0.0001 %)
Line input levelsLo Gain (+19 dBu) or +4 dBu (+13 dBu) for 0 dBFS; digital gain 0 to +12 dB
Line output levelsHi Gain +19 dBu, +4 dBu (+13 dBu), -10 dBV (+2 dBV); 75 Ohm
Phones+17 dBu; 2 Ohm; 200 mW per channel into 32 Ohm
Frequency responseLine in: 8.9 Hz - 20.4 kHz (-0.1 dB, 44.1 kHz); line out: 0 Hz - 20.2 kHz (-0.1 dB, 44.1 kHz)
Channel separation> 110 dB

Digital

ADAT2 x 8 channels at 48 kHz; 2 x 4 at 96 kHz (S/MUX); 2 x 2 at 192 kHz (S/MUX4)
AES/EBUAES3‑1992; Professional and Consumer formats; 27 - 200 kHz
SPDIF opticalVia ADAT 1/2 ports, IEC 60958
Word clockLevel range 1.0 - 5.6 Vpp; 27 - 200 kHz; output 4.0 Vpp into 75 Ohm

Physical

Format19‑inch enclosure, 44 mm high; black finish
Dimensions (W x H x D)43.6 x 4.4 x 23.5 cm without rack ears/handles
48.3 x 4.4 x 24.2 cm incl. rack ears
Weight2.8 kg
PowerInternal switching PSU, 100 - 240 V AC, 30 W
Power consumptionIdle 15 W; typical 22 W
Operating temperature+5 to +50 °C

System requirements

WindowsRME driver for Windows
MacRME driver for macOS (Intel and ARM)
Class CompliantLinux, Mac and iPadOS, all channels
Computer port1 x USB 2.0 or USB 3.0 port, at least Intel Core i5 CPU

Included software

MixerTotalMix FX
RemoteTotalMix Remote
AnalysisDIGICheck

Product overview

The RME Fireface 802 FS AE is a 60-channel 192 kHz high-end USB audio interface with black front and rear panels, four high-transparency mic/instrument preamps, 12 analog inputs and outputs, two ADAT ports, AES/EBU, word clock, MIDI and SteadyClock FS.

On the front, four XLR/TRS combo inputs take microphones, instruments and line sources, each with individually switchable 48V phantom power or instrument mode, next to two high-power stereo headphone outputs. The rear offers eight balanced line inputs and eight balanced, DC-coupled line outputs, two ADAT optical I/Os (also usable as optical SPDIF), AES/EBU, word clock, MIDI and a USB port for the optional ARC USB. TotalMix FX with a complete effects section, Room EQ, Class Compliant mode and stand-alone operation with six memory slots make it a central hub for studio and live use.

Channels at 48 kHz (30 in / 30 out) 60
Max sample rate 192 kHz
Mic EIN (A‑weighted) -131 dBu
Mic gain +6 to +60 dB

Key features

  • 30 inputs / 30 outputs: 12 analog, 16 ADAT and 2 AES/EBU each way
  • 4 x mic/instrument/line preamps on XLR/TRS combo sockets, +6 to +60 dB gain, 48V and Hi-Z instrument mode per channel
  • 8 x balanced line inputs and 8 x balanced line outputs on 6.3 mm TRS
  • 2 x stereo headphone outputs, +17 dBu, 200 mW into 32 Ohm
  • Individually switchable reference levels on every input and output: -10 dBV, +4 dBu, Hi/Lo Gain
  • 2 x ADAT I/O (Multi-Mode: optical SPDIF), AES/EBU, word clock and MIDI
  • SteadyClock FS jitter suppression and Intelligent Clock Control
  • TotalMix FX with EQ, dynamics, reverb, echo and Room EQ
  • DC-coupled line outputs for CV/Gate control of modular synthesisers
  • Class Compliant mode with all channels on Linux, Mac and iPadOS; stand-alone with 6 memory slots; ARC USB port

High-transparency preamps

The four front preamps use the classic technology of RME's OctaMic II: a symmetrical design with very low distortion, a high signal-to-noise ratio and a linear frequency response, measuring -131 dBu EIN (A-weighted). Each input works as a Hi-Z instrument input too, so up to four guitars can be plugged in directly. LEDs show signal, clip, TS operation and phantom power.

Reference-class conversion

All I/Os operate at up to 192 kHz with low-latency AD and DA converters. The line outputs reach 118.5 dB SNR (A-weighted) with THD+N below -110 dB, and both headphone outputs drive high- and low-impedance headphones to high volume. Every input and output can be switched to -10 dBV, +4 dBu or Hi Gain, and all outputs support ASIO Direct Monitoring.

TotalMix FX and Room EQ

TotalMix FX creates multiple latency-free monitor mixes, as RME puts it, with EQ, dynamics, reverb and delay for every output, including main monitors and musicians' headphone mixes. Room EQ adds a 9-band PEQ with delay and volume calibration. TotalMix Remote controls everything from an iPad or another computer over Ethernet and WiFi, and DIGICheck is included for analysis.

Class Compliant and stand-alone

A recessed button on the rear switches to Class Compliant mode, giving driverless access to all channels on Linux, Mac and iPadOS. Six memory slots store complete configurations, so the Fireface 802 FS AE operates independently from a computer and can be set up via iPad, MIDI remote or ARC USB. Intelligent Clock Control retains the last valid sample rate if an external clock fails.

DC-coupled outputs for CV/Gate

All line-level outputs are fully DC-coupled, so they can send control voltages and gate signals to modular synthesisers and other studio hardware.

In the box

  • RME Fireface 802 FS AE
  • USB 2.0 cable, USB-A/B, 1.8 m
  • Power cord
  • Manual
  • Optical cable (TOSLINK), 2 m
  • 4 self-adhesive rubber feet

Free RME software: TotalMix FX, TotalMix Remote and DIGICheck. Drivers for Windows and macOS; Class Compliant for Linux, Mac and iPadOS.

RME Fireface 802 FS AE: frequently asked questions

How many channels does the Fireface 802 FS AE have?

60 at 48 kHz: 30 inputs and 30 outputs, made up of 12 analog, 16 ADAT and 2 AES/EBU channels each way.

Can I record guitars directly?

Yes. All four front inputs switch to Hi-Z instrument mode (1 MOhm), so up to four instruments can be connected without extra hardware.

Can I add more mic inputs?

Yes. The two ADAT I/Os add up to 16 channels of external preamps or converters at 44.1/48 kHz.

Does it work with an iPad?

Yes. In Class Compliant mode, an iPad with USB-C can use up to 60 channels for recording and playback, with TotalMix FX for iPad.

Where can I buy the RME Fireface 802 FS AE in India?

The RME Fireface 802 FS AE is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Band tracking in a commercial studio

Record a full band with four front preamps plus two ADAT preamps, with individual headphone mixes.

Connections

ConnectTo
Vocal and guitar micsMic inputs 9‑12, 48V as needed
Two 8‑channel ADAT preamps (drums, room)ADAT 1 and ADAT 2 IN
Keyboards and outboardLine inputs 1‑8
Studio monitorsLine outputs 1‑2
Musicians' headphonesPhones 9/10 and 11/12
ComputerUSB 2.0

Setup

  1. Install the RME driver and set the sample rate (up to 48 kHz for 16 ADAT channels).
  2. Set gains with the front knobs (+6 to +60 dB) and watch the SIG/CLIP LEDs.
  3. Build latency-free headphone mixes with reverb in TotalMix FX.
  4. Record up to 30 inputs at once.

Tip: At 96 kHz the ADAT ports carry 2 x 4 channels with S/MUX.

Workflow 2: Mixing and monitoring with outboard gear

Use the eight balanced line I/Os as inserts for analog processors during mixdown.

Connections

ConnectTo
Analog compressors and EQs (inputs)Line outputs 3‑8
Analog compressors and EQs (outputs)Line inputs 3‑8
Main monitorsLine outputs 1‑2
ComputerUSB 2.0

Setup

  1. Set each output to the level your outboard expects: -10 dBV, +4 dBu or Hi Gain.
  2. Set matching input levels on line inputs 3-8.
  3. Use hardware inserts in your mixing software.
  4. Calibrate the main monitors with Room EQ in TotalMix FX.

Workflow 3: Live multitrack recording

Record a live show from stage preamps or a digital console's ADAT outputs.

Connections

ConnectTo
Console direct outs or ADAT outputsLine inputs 1‑8 and ADAT 1‑2 IN
Ambience micsMic inputs 9‑12
Word clock from the consoleWord clock IN
LaptopUSB 2.0

Setup

  1. Select word clock as clock source; SteadyClock FS removes jitter.
  2. Check sync status in the Settings dialog.
  3. Arm all channels in your recording software.
  4. Intelligent Clock Control keeps the last valid rate if the external clock fails.

Workflow 4: Stand-alone preamp and AD/DA converter

Use the 802 FS AE without a computer as a 4-channel preamp and 12-channel converter for a digital mixer.

Connections

ConnectTo
MicsMic inputs 9‑12
Line sourcesLine inputs 1‑8
Digital mixerADAT 1 I/O
Mains powerPower inlet

Setup

  1. Set up the routing in TotalMix FX with a computer connected.
  2. Store the configuration in one of six memory slots.
  3. Disconnect the computer: the unit works stand-alone.
  4. Recall configurations via MIDI remote or ARC USB.

Workflow 5: Driverless recording on Linux, Mac or iPad

Record all channels on a computer or iPad without installing a driver.

Connections

ConnectTo
Mics and instrumentsInputs 9‑12
Line sourcesLine inputs 1‑8
Linux/Mac computer or USB‑C iPadUSB 2.0

Setup

  1. Press the recessed CC MODE button on the rear.
  2. Check that the CC LED is lit.
  3. Select the Fireface 802 FS AE in your recording app.
  4. On iPad, use TotalMix FX for iPad to control the hardware mixer.

Workflow 6: Modular synth and CV/Gate studio

Sequence and record modular synthesisers alongside a full studio setup.

Connections

ConnectTo
Modular CV/Gate inputsDC‑coupled line outputs 5‑8
Modular audio outputsLine inputs 5‑8
MIDI synthMIDI I/O
MonitorsLine outputs 1‑2

Setup

  1. Route CV and gate tracks to outputs 5-8.
  2. Set output level to Hi Gain for the widest voltage range.
  3. Record the modules on line inputs 5-8.
  4. Control MIDI gear via the MIDI port.

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