SCHOEPS CCM 22

Product overview

The SCHOEPS CCM 22 is a compact microphone with the Open Cardioid pattern, developed by SCHOEPS in 2008 to combine the directionality of the classic cardioid CCM 4 with the sonic character of the wide cardioid CCM 21.

The CCM 22 was developed for use as a spot microphone. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid. Its directivity is essentially constant throughout the frequency range; its low-frequency response is somewhat more pronounced than that of the cardioid, with somewhat less proximity effect.

The Open Cardioid pattern sits between the wide cardioid and the classic cardioid: the response is -5 dB at 90° and rear-incident sound is suppressed by 16 dB. It is in essence a cardioid variant that balances a very natural sound quality with a good degree of directionality. The CCM 22 is available as the CCM 22 L with a Lemo connector or the CCM 22 K with a permanently attached 5 m cable and XLR-3M connector, powered by P48 or P12.

Key features

• Open Cardioid, a SCHOEPS directional pattern
• Cardioid directionality of the CCM 4 with the sonic character of the CCM 21
• Directivity largely constant throughout the frequency range
• -5 dB at 90°, 16 dB suppression of rear-incident sound
• Somewhat fuller low end and less proximity effect than a cardioid
• Capsule identical to the MK 22 of the Colette series
• Matched pairs with certificate available

Practice

Many recording engineers' years of experience with the SCHOEPS cardioids shaped the design. The CCM 4 is often relied upon as a reference and universal problem-solver; the CCM 21 is chosen when its lower directivity fits, for example for the first desk of strings or for solo piano, and is prized for its omni-like sound and relative lack of proximity effect. The wish for a middle way that combines these characteristics in one capsule led to the CCM 22, often preferred for spot miking and as a soloist's microphone.

Made for

• Spot microphones
• Soloists' microphones
• Strings and piano
• ORTF stereo on the STC bar

In the box

• CCM 22 compact microphone (L or K version)
• K 5 LU standard cable for CCM
• SGC miniature stand mount with swivel
• A microphone input with P48 or P12 phantom power is needed

SCHOEPS CCM 22: frequently asked questions

What is an Open Cardioid?

A SCHOEPS pattern from 2008 between wide cardioid and classic cardioid: -5 dB at 90° and 16 dB suppression of rear sound, with a very natural sound quality.

What is the CCM 22 used for?

It was developed as a spot microphone and is often preferred as a soloist's microphone.

Which accessory does SCHOEPS recommend?

The STC ORTF mounting bar, for stereo recording with two CCM 22.

What is the difference between the CCM 22 L and the CCM 22 K?

The CCM 22 L is the standard version with a Lemo connector; the CCM 22 K has a permanently attached 5 m cable with an XLR-3M connector. Both carry the same capsule and electronics.

Is the CCM 22 also available as a modular microphone?

Yes. It can be ordered as a modular Colette microphone, with the CMC 1 L amplifier and the MK 22 capsule. This allows the capsule to be exchanged and has advantages in terms of electrical properties with digital wireless transmitters.

Where can I buy the SCHOEPS CCM 22 in India?

The SCHOEPS CCM 22 is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Soloist's microphone

Engineers recording soloists in concert and studio.

Connections

Setup

1. Fit the CCM 22 in the SGC mount on a stand.
2. Aim it at the soloist.
3. Switch on P48 and set the gain.

Tip: Directional like a cardioid, with the natural character of a wide cardioid.

Workflow 2: Spot microphone in the orchestra

Classical engineers covering sections and instruments.

Connections

Setup

1. Place the CCM 22 near the section.
2. Turn its rear towards neighbouring instruments.
3. Set the gain for the loudest passage.

Tip: Rear-incident sound is suppressed by 16 dB.

Workflow 3: Strings and solo piano

Engineers miking the first desk of strings or a piano.

Connections

Setup

1. Place the microphones as for a spot or close pair.
2. Aim them at the instrument.
3. Match the gains.

Tip: The CCM 22 combines the strengths of the CCM 4 and the CCM 21.

Workflow 4: ORTF stereo pair

Engineers recording ensembles in stereo.

Connections

Setup

1. Order a matched pair with certificate (No. 191701).
2. Mount both microphones on the STC bar.
3. Place the bar in front of the source and match the gains.

Tip: SCHOEPS recommends the STC bar for the CCM 22.

Workflow 5: Fixed-cable installation with the K version

Installers and engineers who need a ready-cabled microphone.

Connections

Setup

1. Order the CCM 22 K with its permanently attached 5 m cable.
2. Route the cable and plug the XLR-3M into the input.
3. Switch on P48 or P12 phantom power.

Tip: No separate microphone cable is needed for the first 5 m.

Workflow 6: Modular option with an exchangeable capsule

Users who want to swap capsules or work with digital wireless transmitters.

Connections

Setup

1. Choose the modular Colette version: CMC 1 L + MK 22.
2. Screw the capsule onto the amplifier.
3. Change capsules when the job needs another pattern.

Tip: The modular version has advantages in electrical properties with digital wireless transmitters.