SCHOEPS CCM 2H

Product overview

The SCHOEPS CCM 2H is an omnidirectional compact microphone with a mild high-frequency rise that compensates for losses at medium recording distances, often chosen for spaced stereophony and Decca Tree arrangements.

Used indoors at medium recording distances, where direct and reflected sound energy are similar in amount, its overall response is linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

The sound inlet of the CCM 2H is narrower than that of the other SCHOEPS pressure transducers. This causes a slight, purely acoustic response elevation above 6 kHz, which reduces the high-frequency loss for diffuse sound and helps to preserve a natural sound quality.

Key features

• Omnidirectional compact microphone
• Mild high-frequency rise to compensate for losses at medium recording distance
• Slight, purely acoustic elevation above 6 kHz from a narrower sound inlet
• Extended frequency response and low noise
• Often chosen for spaced stereophony and Decca Tree arrangements
• Matched pairs and matched triples with certificate available
• Capsule identical to the MK 2H of the Colette series

Practice

Like the CCM 2S, the CCM 2H is ideal for natural-sounding pickup of instruments and orchestras in spaces with well-balanced reverberance. The choice between the two is essentially a matter of personal preference: at a given distance the CCM 2H might be described as more balanced and round, the CCM 2S as slightly more brilliant. The CCM 2H can also be placed slightly closer and the CCM 2S slightly further away, giving very similar sound with a different balance of direct and reverberant sound. For spaced (A/B) stereo and especially the Decca Tree, SCHOEPS recommends the KA 40 sphere attachment.

Made for

• Orchestras and ensembles in well-balanced rooms
• Spaced (A/B) stereo pairs
• Decca Tree arrangements
• Natural-sounding instrument pickup at medium distance

In the box

• CCM 2H compact microphone (L or K version)
• K 5 LU standard cable for CCM
• SGC miniature stand mount with swivel
• A microphone input with P48 or P12 phantom power is needed

SCHOEPS CCM 2H: frequently asked questions

What does the H stand for in practice?

The CCM 2H has a mild high-frequency rise, from a narrower sound inlet, that compensates for high-frequency losses at medium recording distances, so its overall response is linear in that position.

CCM 2H or CCM 2S?

Both suit natural pickup of instruments and orchestras. The CCM 2H sounds more balanced and round at a given distance, the CCM 2S slightly more brilliant; the choice is mainly personal preference and placement.

Is it suitable for a Decca Tree?

Yes. It is often chosen for spaced stereophony and Decca Tree arrangements; KA 40 sphere attachments are recommended, and SCHOEPS can match two or three microphones with a certificate. It is also part of the SCHOEPS Decca Tree Set.

What is the difference between the CCM 2H L and the CCM 2H K?

The CCM 2H L is the standard version with a Lemo connector; the CCM 2H K has a permanently attached 5 m cable with an XLR-3M connector. Both carry the same capsule and electronics.

Is the CCM 2H also available as a modular microphone?

Yes. It can be ordered as a modular Colette microphone, with the CMC 1 L amplifier and the MK 2H capsule. This allows the capsule to be exchanged and has advantages in terms of electrical properties with digital wireless transmitters.

Where can I buy the SCHOEPS CCM 2H in India?

The SCHOEPS CCM 2H is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Decca Tree for orchestra

Classical recording engineers capturing orchestras and large ensembles.

Connections

Setup

1. Order three matched microphones with certificate (No. 121009tp).
2. Mount them in the Decca Tree arrangement above the conductor.
3. Fit KA 40 sphere attachments if wanted.
4. Set all three preamps to the same gain.

Tip: The SCHOEPS Decca Tree Set is a complete set built around the CCM 2H.

Workflow 2: Spaced omni (A/B) stereo pair

Engineers recording ensembles, choirs and soloists in good rooms.

Connections

Setup

1. Space the two microphones in front of the ensemble.
2. Place them at medium distance, where direct and reflected sound are similar.
3. Add KA 40 spheres for more presence if wanted.

Tip: At medium distance the overall response is linear.

Workflow 3: Instruments at medium distance

Engineers recording piano, strings or other acoustic instruments.

Connections

Setup

1. Place the CCM 2H a little back from the instrument.
2. Move it closer for a more balanced and round sound.
3. Set the gain.

Tip: The mild rise above 6 kHz keeps the room sound natural.

Workflow 4: Choosing between CCM 2H and CCM 2S

Engineers planning an omni setup.

Connections

Setup

1. Decide on the miking distance for the room.
2. Use the CCM 2H for a balanced, round sound or slightly closer positions.
3. Use the CCM 2S for slight extra brilliance or slightly more distant positions.

Tip: Placed this way, both give very similar sound quality.

Workflow 5: Fixed-cable rigging with the K version

Venues and engineers who rig microphones permanently.

Connections

Setup

1. Hang or mount the CCM 2H K in position.
2. Route the attached 5 m cable to the stage box.
3. Switch on P48 or P12 phantom power.

Tip: The output drives cables of more than 400 m.

Workflow 6: Modular option with an exchangeable capsule

Users who want to swap capsules or work with digital wireless transmitters.

Connections

Setup

1. Choose the modular Colette version: CMC 1 L + MK 2H.
2. Screw the capsule onto the amplifier.
3. Change capsules when the job needs another pattern.

Tip: The modular version has advantages in electrical properties with digital wireless transmitters.