SCHOEPS CCM 2S

Product overview

The SCHOEPS CCM 2S is an omnidirectional compact microphone with a slight high-frequency rise that compensates for losses at moderate recording distances, often preferred for spaced stereophony and Decca Tree arrangements.

The CCM 2S shows a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field. Its frequency response falls between that of the CCM 2 and the CCM 2XS, which makes it suitable for a very wide range of recording applications.

The CCM series packs the SCHOEPS capsule and microphone amplifier into one compact 20 mm body. The capsule part has been identical to the MK capsules since the CCM was launched in 1994 with a hybrid technology circuit. The CCM 2S is available as the CCM 2S L with a Lemo connector or as the CCM 2S K with a permanently attached 5 m cable and XLR-3M connector, and it runs on P48 or P12 phantom power.

Key features

• Omnidirectional compact microphone
• Slight high-frequency rise to compensate for losses at moderate recording distances
• Only a slight high-frequency rolloff off axis and in the reverberant field
• Response between that of the CCM 2 and the CCM 2XS, for a very wide range of applications
• The most popular SCHOEPS pressure transducer
• Matched pairs and matched triples with certificate available
• Capsule identical to the MK 2S of the Colette series

Practice

The CCM 2S has proven particularly useful in two- and three-microphone stereo arrays, where placement near the reverberation radius of the sound field gives a sonically balanced pickup favoured by many recording engineers. For spaced (A/B) stereo and especially the Decca Tree method, SCHOEPS recommends the KA 40 sphere attachment.

Made for

• Spaced (A/B) stereo pairs
• Decca Tree arrangements
• Two- and three-microphone stereo arrays near the reverberation radius
• A very wide range of recording applications

In the box

• CCM 2S compact microphone (L or K version)
• K 5 LU standard cable for CCM
• SGC miniature stand mount with swivel
• A microphone input with P48 or P12 phantom power is needed

SCHOEPS CCM 2S: frequently asked questions

Where is the CCM 2S best placed?

It has proven itself in two- and three-microphone stereo arrays placed near the reverberation radius of the room, where it gives a sonically balanced pickup.

How does the CCM 2S sound next to the CCM 2 and CCM 2XS?

Its frequency response falls between the two: a slight high-frequency emphasis for frontal sound, with only a slight rolloff off axis and in the reverberant field.

Is it suitable for a Decca Tree?

Yes. It is often preferred for spaced stereophony and Decca Tree arrangements; KA 40 sphere attachments are recommended, and SCHOEPS can match two or three microphones with a certificate. It is also part of the SCHOEPS Decca Tree Set.

What is the difference between the CCM 2S L and the CCM 2S K?

The CCM 2S L is the standard version with a Lemo connector; the CCM 2S K has a permanently attached 5 m cable with an XLR-3M connector. Both carry the same capsule and electronics.

Is the CCM 2S also available as a modular microphone?

Yes. It can be ordered as a modular Colette microphone, with the CMC 1 L amplifier and the MK 2S capsule. This allows the capsule to be exchanged and has advantages in terms of electrical properties with digital wireless transmitters.

Where can I buy the SCHOEPS CCM 2S in India?

The SCHOEPS CCM 2S is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Decca Tree for orchestra

Classical recording engineers capturing orchestras and large ensembles.

Connections

Setup

1. Order three matched microphones with certificate (No. 121011tp).
2. Mount them in the Decca Tree arrangement.
3. Fit KA 40 sphere attachments if wanted.
4. Set all three preamps to the same gain.

Tip: The SCHOEPS Decca Tree Set is a complete set for recording with a Decca Tree.

Workflow 2: Spaced omni (A/B) stereo pair

Engineers recording ensembles, choirs and soloists.

Connections

Setup

1. Space the two microphones in front of the ensemble.
2. Place them near the reverberation radius of the room.
3. Add KA 40 spheres for spaced stereo if wanted.

Tip: Near the reverberation radius the CCM 2S gives a sonically balanced pickup.

Workflow 3: Two- and three-microphone stereo arrays

Recordists building main microphone arrays.

Connections

Setup

1. Order matched microphones with certificate.
2. Set up the array near the reverberation radius.
3. Match the gain on all channels.

Tip: This is where the CCM 2S has proven particularly useful.

Workflow 4: General recording at moderate distance

Engineers who need one omni for many jobs.

Connections

Setup

1. Place the microphone at a moderate distance from the source.
2. Aim it at the source; frontal sound gets the slight high-frequency lift.
3. Switch on phantom power and set the gain.

Tip: The slight high-frequency rise compensates for losses at moderate recording distances.

Workflow 5: Fixed-cable installation with the K version

Installers and engineers who need a ready-cabled microphone.

Connections

Setup

1. Order the CCM 2S K with its permanently attached 5 m cable.
2. Route the cable and plug the XLR-3M into the input.
3. Switch on P48 or P12 phantom power.

Tip: No separate microphone cable is needed for the first 5 m.

Workflow 6: Modular option with an exchangeable capsule

Users who want to swap capsules or work with digital wireless transmitters.

Connections

Setup

1. Choose the modular Colette version: CMC 1 L + MK 2S.
2. Screw the capsule onto the amplifier.
3. Change capsules when the job needs another pattern.

Tip: The modular version has advantages in electrical properties with digital wireless transmitters.