




SCHOEPS CCM 4V
PRICE ON ENQUIRY
SCHOEPS CCM 4V side-addressed cardioid compact microphone with a slight lift around 10 kHz for speech, voices, spots and stereo. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Acoustics
| Pickup pattern | Cardioid, side-addressed |
| Frequency range | See corresponding capsule (MK 4V) |
| Sensitivity | See corresponding capsule (MK 4V) |
Electrical
| Maximum sound pressure level (THD < 0.5 %) | 136 dB-SPL (P48); 128 dB-SPL (P12) |
| Maximum output voltage | 2.6 V (8.3 dBV) with 2 kΩ load |
| Low cut filter | 20 Hz, 12 dB/oct. |
| Output impedance | 90 Ω at 1 kHz |
| Maximum cable length | More than 400 m |
| Powering standard / valid range | P48 / more than 40 V; P12 / more than 10 V |
| Current consumption | 4 mA (P48); 3.6 mA (P12) |
| Common mode rejection ratio (at 1 kHz) | More than 55 dB |
| Minimum recommended load impedance | 2 kΩ |
| Output | Lemo (CCM L) or XLR-3M (CCM K), analog, 1 channel |
Physical
| Length | 58 mm (CCM L) |
| Diameter | 20 mm |
| Weight | 45 g (CCM L) |
| Surface finish | Matte grey; other custom colours on request |
System
| Series | CCM compact microphones |
| Versions | CCM 4V L with Lemo connector; CCM 4V K with permanently attached 5 m cable and XLR-3M |
| Modular alternative | CMC 1 L amplifier + MK 4V capsule (Colette) |
| Options | Matched pair with certificate (No. 191701); custom colour (No. 191102) |
| Included accessories | K 5 LU standard cable for CCM; SGC miniature stand mount with swivel |
| Product history | 1994 launch with hybrid technology circuit; 2016 improved RF filter against interference; 2017 polarisation voltage generator above 200 kHz |
Product overview
The SCHOEPS CCM 4V is a side-addressed (vertical) cardioid compact microphone with a slight high-frequency emphasis, for a very wide range of recording applications.
The CCM 4V was created in answer to requests for a cardioid with its main axis along the side. Besides its usefulness in the concert hall, it is of particular value in speech recording, since its slight emphasis around 10 kHz helps to improve intelligibility.
Thanks to the acoustically transparent housing, the directional response is especially well maintained even at higher frequencies, with less high-frequency emphasis of off-axis sound than most small, axial-response cardioids show. Because of its overall frequency response the CCM 4V sounds somewhat brighter than the CCM 4. It is available as the CCM 4V L with a Lemo connector or the CCM 4V K with a permanently attached 5 m cable and XLR-3M connector, powered by P48 or P12.
| Side-addressed pickup | Cardioid |
| Maximum SPL (P48) | 136 dB-SPL |
| Phantom powering | P48 / P12 |
| Weight, 20 mm diameter | 45 g |
Key features
- Side-addressed cardioid compact microphone
- Slight emphasis around 10 kHz that helps speech intelligibility
- Acoustically transparent housing keeps the pattern even at high frequencies
- Somewhat brighter than the CCM 4
- Bodies stay out of each other's way in near-coincident setups
- Capsule identical to the MK 4V of the Colette series
- Matched pairs with certificate available
Practice
The CCM 4V is often preferred for singing and speaking voices, most instruments, spot microphones and stereo techniques such as XY, ORTF and MS. In near-coincident setups it may be easier to use than the CCM 4, because the microphone bodies do not get in each other's way.
Made for
- Speech recording with clear intelligibility
- Singing voices and most instruments
- Spot microphones in the concert hall
- XY, ORTF and MS stereo
In the box
- CCM 4V compact microphone (L or K version)
- K 5 LU standard cable for CCM
- SGC miniature stand mount with swivel
- A microphone input with P48 or P12 phantom power is needed
SCHOEPS CCM 4V: frequently asked questions
What does side-addressed mean?
The main axis of the CCM 4V runs along the side of the microphone, so it is aimed at the source with its side rather than its tip.
Why is the CCM 4V good for speech?
Its slight emphasis around 10 kHz helps to improve intelligibility, and its directional response is well maintained at high frequencies.
CCM 4V or CCM 4?
Both are cardioids. The CCM 4V is side-addressed and sounds somewhat brighter; in near-coincident setups its bodies do not get in each other's way.
What is the difference between the CCM 4V L and the CCM 4V K?
The CCM 4V L is the standard version with a Lemo connector; the CCM 4V K has a permanently attached 5 m cable with an XLR-3M connector. Both carry the same capsule and electronics.
Is the CCM 4V also available as a modular microphone?
Yes. It can be ordered as a modular Colette microphone, with the CMC 1 L amplifier and the MK 4V capsule. This allows the capsule to be exchanged and has advantages in terms of electrical properties with digital wireless transmitters.
Where can I buy the SCHOEPS CCM 4V in India?
The SCHOEPS CCM 4V is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Speech recording
Engineers recording speakers, presenters and narration.
Connections
| Connect | To |
|---|---|
| CCM 4V + SGC mount | Stand |
| K 5 LU cable | Preamp input with P48 |
Setup
- Fit the CCM 4V in the SGC mount.
- Aim its side, the main axis, at the talker.
- Switch on P48 and set the gain.
Tip: The slight emphasis around 10 kHz helps intelligibility.
Workflow 2: Near-coincident stereo pair
Engineers recording ensembles in ORTF and similar setups.
Connections
| Connect | To |
|---|---|
| 2 x CCM 4V (matched pair) | Stereo bar |
| Outputs | Two matched preamp channels |
Setup
- Order a matched pair with certificate (No. 191701).
- Mount both microphones on the bar, side-addressed towards left and right.
- Set both preamps to the same gain.
Tip: The bodies do not get in each other's way, which makes near-coincident setups easier.
Workflow 3: XY and MS stereo
Recordists who need coincident stereo.
Connections
| Connect | To |
|---|---|
| CCM 4V | Stereo bar or stand |
| Outputs | Two preamp channels |
Setup
- Place the capsules as close together as possible.
- Aim the main axes at the source as the technique requires.
- Match the gains.
Tip: The pattern is well maintained at high frequencies, for stable imaging.
Workflow 4: Spot microphone in the concert hall
Classical engineers covering soloists and sections.
Connections
| Connect | To |
|---|---|
| CCM 4V + SGC mount | Stand near the instrument |
| Cable | Preamp input with P48 or P12 |
Setup
- Place the CCM 4V close to the instrument or section.
- Aim its side at the source.
- Set the gain for the loudest passage.
Tip: Off-axis sound keeps less high-frequency emphasis than with most small axial cardioids.
Workflow 5: Fixed-cable installation with the K version
Installers and engineers who need a ready-cabled microphone.
Connections
| Connect | To |
|---|---|
| CCM 4V K (5 m cable) | XLR-3M |
| XLR-3M | Mixer input with P48 |
Setup
- Order the CCM 4V K with its permanently attached 5 m cable.
- Route the cable and plug the XLR-3M into the input.
- Switch on P48 or P12 phantom power.
Tip: No separate microphone cable is needed for the first 5 m.
Workflow 6: Modular option with an exchangeable capsule
Users who want to swap capsules or work with digital wireless transmitters.
Connections
| Connect | To |
|---|---|
| MK 4V capsule | CMC 1 L amplifier |
| CMC 1 L | Lemo input or cable |
Setup
- Choose the modular Colette version: CMC 1 L + MK 4V.
- Screw the capsule onto the amplifier.
- Change capsules when the job needs another pattern.
Tip: The modular version has advantages in electrical properties with digital wireless transmitters.








