





SCHOEPS Mono Set KMIT
PRICE ON ENQUIRY
SCHOEPS Mono Set KMIT: Colette shotgun capsule with CMC 1 U or CMD 42 amplifier, SG 20 clamp, W 140 windscreen and wooden case. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Capsule
| Type | KMIT shotgun microphone capsule (No. 131901) |
| Acoustics | Identical to the CMIT 5 and MiniCMIT |
| Low-cut filter | Steep, integrated, about 70 Hz |
| Moisture | Immune to moisture |
Set contents
| Microphone amplifier | CMC 1 U (No. 132011) or CMD 42 (No. 132210) |
| Stand clamp | SG 20 (No. 161105) |
| Windscreen | W 140 foam-type windscreen, blue (No. 170301) |
| Also included | SCHOEPS cable strap, wooden case, outer carton |
Versions
| 138801 | KMIT + CMC 1 U (blue / grey) |
| 138841 | KMIT + CMD 42 (blue / grey) |
Product overview
The SCHOEPS Mono Set KMIT combines the KMIT, the shotgun microphone capsule of the Colette series, with a Colette amplifier: the CMC 1 U or the CMD 42.
The KMIT has acoustical characteristics identical to those of the CMIT 5 and the MiniCMIT. It has a steep, integrated low-cut filter at about 70 Hz and is immune to moisture. Screwed onto a Colette amplifier, it forms a complete shotgun microphone.
The set comes with the SG 20 stand clamp, the blue W 140 foam windscreen, a SCHOEPS cable strap and a wooden case; the microphone in its wooden case, the stand adapter and the foam windscreen are packed together in an outer carton. Both versions are finished in blue with grey.
| With CMC 1 U or CMD 42 | 2 versions |
| Integrated steep low cut | ca. 70 Hz |
| Immune to moisture | Moisture |
| Foam windscreen included | W 140 |
Key features
- Colette shotgun capsule KMIT with a Colette amplifier
- Acoustical characteristics identical to those of the CMIT 5 and MiniCMIT
- Steep, integrated low-cut filter at about 70 Hz
- Immune to moisture
- Two versions: with the CMC 1 U or with the CMD 42 amplifier
- SG 20 stand clamp, W 140 foam windscreen, cable strap and wooden case included
Made for
- Shotgun pickup with a modular Colette microphone
- Recording in damp conditions
- Users who already work with the CMIT sound
- Adding a shotgun capsule to a Colette system
In the box
- KMIT shotgun microphone capsule (No. 131901)
- CMC 1 U (No. 132011) or CMD 42 (No. 132210) microphone amplifier
- SG 20 stand clamp (No. 161105)
- W 140 foam-type windscreen, blue (No. 170301)
- SCHOEPS cable strap
- Wooden case, packed in an outer carton
SCHOEPS Mono Set KMIT: frequently asked questions
What is the KMIT?
The shotgun microphone capsule of the Colette series. Screwed onto a Colette amplifier it forms a complete shotgun microphone.
How does it relate to the CMIT 5 and MiniCMIT?
SCHOEPS states that its acoustical characteristics are identical to those of the CMIT 5 and the MiniCMIT.
Which amplifiers are offered with the set?
The CMC 1 U (No. 138801) or the CMD 42 (No. 138841).
Does it have a low-cut filter?
Yes, a steep low-cut filter at about 70 Hz is integrated in the capsule.
Is the KMIT sensitive to moisture?
No. SCHOEPS describes it as immune to moisture.
Where can I buy the SCHOEPS Mono Set KMIT in India?
The SCHOEPS Mono Set KMIT is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Shotgun on a stand
Recordists using the set as delivered.
Connections
| Connect | To |
|---|---|
| KMIT + CMC 1 U | SG 20 on a stand |
| CMC 1 U output | Microphone input with phantom power |
Setup
- Screw the KMIT onto the amplifier.
- Slide on the W 140 foam windscreen.
- Mount the microphone in the SG 20 and aim at the source.
Tip: The W 140 foam windscreen is supplied with the set.
Workflow 2: Digital version with the CMD 42
Users with AES42 digital inputs.
Connections
| Connect | To |
|---|---|
| KMIT + CMD 42 | Stand or boom |
| CMD 42 output | AES42 digital input |
Setup
- Order the set as No. 138841.
- Screw the KMIT onto the CMD 42.
- Connect it to an AES42 input.
Tip: The CMD 42 is the digital microphone amplifier of the Colette series.
Workflow 3: Low-frequency noise
Recordists working near traffic, wind or handling noise.
Connections
| Connect | To |
|---|---|
| KMIT | Colette amplifier |
Setup
- Use the microphone as usual.
- The steep low cut at about 70 Hz is already built in.
Tip: No extra filter is needed for the integrated low cut.
Workflow 4: Damp conditions
Location recordists working outdoors.
Connections
| Connect | To |
|---|---|
| KMIT + amplifier | Stand or boom |
Setup
- Fit the windscreen.
- Record where moisture is present.
Tip: SCHOEPS describes the KMIT as immune to moisture.
Workflow 5: Matching the CMIT sound
Users who already work with the CMIT 5 or MiniCMIT.
Connections
| Connect | To |
|---|---|
| KMIT on a Colette amplifier | Alongside CMIT 5 or MiniCMIT |
Setup
- Use the KMIT where a modular microphone is preferred.
- Mix it with existing CMIT recordings.
Tip: Its acoustical characteristics are identical to those of the CMIT 5 and MiniCMIT.
Workflow 6: Adding capsules later
Users building a Colette system.
Connections
| Connect | To |
|---|---|
| Other MK capsules | Same CMC 1 U or CMD 42 |
Setup
- Start with the KMIT set.
- Add Colette capsules for other pickup patterns.
- Change the capsule on the same amplifier.
Tip: The Mono Set CMC 1 offers the same idea with other capsules.








