TELEFUNKEN DC6 Drum Pack

Product overview

The TELEFUNKEN DC6 Drum Pack is a 6-microphone dynamic and small diaphragm condenser drum package that brings together the three voices of the TELEFUNKEN Dynamic Series plus a frequency-matched pair of M60 FET small-diaphragm condensers for cymbals and overheads, with drum mounts, cables and a hard shell case.

The DC6 combines the M82 for kick drum, the M80-SH for snare and two M81-SH for toms, together with two M60 FET microphones for cymbals and overheads. It is a convenient all-in-one package, perfect for venues, studios and touring engineers, and a high-fidelity solution for capturing the complete drum kit. Every microphone comes with its mount and a 5-metre SGMC-5R cable with a right-angle connector, all loaded in a road-ready case.

Microphones in the pack	6
M82 kick maximum SPL (1% THD)	146 dB SPL
M80‑SH / M81‑SH maximum SPL	135 dB SPL
Right‑angle XLR cables included	6x 5 m

Key features

• 6 microphones in one package: M82 on kick, M80-SH on snare and two M81-SH on toms, plus a matched M60 FET overhead pair
• Three complementary Dynamic Series voices for a cohesive sound across the kit
• M82 with two-band onboard EQ: KICK EQ and HIGH BOOST switches
• Low-profile M80-SH and M81-SH, 2026 redesign: 114 mm, 210 g, vibration-dampening technology
• Drum mounts and a right-angle cable for every microphone
• Rugged HC87 hard shell case designed for travel or storage
• Designed and hand assembled in the USA

M82 on kick drum

The M82 is an end-address large-diaphragm dynamic with a 32 mm capsule reaching down to 25 Hz and 146 dB SPL handling. Its two independent EQ switches shape the kick: KICK EQ cuts 6 dB at 350 Hz to remove boxiness, and HIGH BOOST adds a slow-rising shelf from around 2 kHz, +6 dB at 10 kHz, for beater attack. TELEFUNKEN suggests KICK EQ alone for a vintage kick sound and both switches for a modern kick sound.

M80-SH on snare, M81-SH on toms

Both low-profile models share a 25 mm dynamic moving-coil capsule, the custom-wound T80 transformer and a supercardioid pattern with superior off-axis rejection. The M80-SH has the M80's natural, condenser-like response with a subtle high-frequency rise for snare snap; the M81-SH has a smooth response and exceptional midrange articulation that fattens up toms. Redesigned for 2026, both are 40% lighter and 10% shorter, with a built-in mount for tight positions around the kit.

Matched M60 FET overheads

The two M60 FET microphones are a frequency-matched pair with TK60 cardioid capsules: ultra-fast transient response, 5 dBA self-noise and more than 135 dB SPL handling for cymbals and overheads. They run on +48V phantom power and mount in the included M 761 elastic shock mounts; their thread-on capsules accept the optional TK61 omnidirectional and TK62 hypercardioid capsules.

A cohesive kit sound

TELEFUNKEN designs each Dynamic Series model to complement the others: the M80's condenser-like extended high end, the M81's flat response and exceptional midrange, and the M82's superb low-frequency capability. Used together they give a cohesive sound in multi-microphone set-ups such as drum kits, with the same intelligent internal construction for low handling noise and dependable durability. On current production units a recessed set screw holds the XLR connector firmly inside the microphone body, and the rugged build is designed to withstand the wear and tear of the road.

Mounts, cables and case

The M 782 stand mount holds the M82, while each M80-SH and M81-SH gets both an M 784 metal and an M 785 plastic drum mount, so you can choose the best fit on every rim. 6 SGMC-5R 5-metre (16.4 feet) cables with right-angle female XLR connectors keep cable runs tidy and clear of sticks. Everything travels in the HC87 hard shell case.

Versions and sets

DC6 (SYTM‑080)

1x M82 (kick), 1x M80‑SH (snare), 2x M81‑SH (toms), 2x M60 FET matched pair (overheads), 2x M 761 elastic mounts, 1x M 782 stand mount, 3x M 784 metal and 3x M 785 plastic drum mounts, 6x SGMC‑5R 5 m right‑angle cables, HC87 hard shell case

In the box

• 1x M82 kick drum dynamic microphone
• 1x M80-SH low-profile dynamic microphone (snare)
• 2x M81-SH low-profile dynamic microphones (toms)
• 2x M60 FET small-diaphragm condenser microphones with TK60 cardioid capsules, frequency matched (overheads)
• 2x M 761 elastic shock mounts (for the M60s)
• 1x M 782 stand mount (for the M82)
• 3x M 784 metal drum mounts (for the M80-SH and M81-SH)
• 3x M 785 plastic drum mounts (for the M80-SH and M81-SH)
• 6x SGMC-5R 5-metre XLR cables with right-angle female XLR connector
• 1x HC87 hard shell case

TELEFUNKEN warranty: 90 days on the capsule, extended to one year when each microphone is registered with TELEFUNKEN; Dynamic Series and SDC Series warranties are fully transferable between owners. The DC7 is also available with three M81-SH tom microphones.

TELEFUNKEN DC6 Drum Pack: frequently asked questions

Which microphones are in the DC6?

One M82 for kick, one M80-SH for snare and 2 M81-SH for toms, plus a frequency-matched pair of M60 FET condensers with TK60 cardioid capsules for overheads.

Do the microphones need phantom power?

The M82, M80-SH and M81-SH are dynamic and need no phantom power. The two M60 FET overheads need +48V phantom power.

Which drum mounts are included?

One M 782 stand mount for the M82, plus 3 M 784 metal and 3 M 785 plastic drum mounts for the M80-SH and M81-SH microphones, and two M 761 elastic shock mounts for the M60s.

What is the difference between the DC6 and the DC7?

The DC7 adds a third M81-SH tom microphone, with an extra pair of drum mounts and one more cable.

Can the microphones be used beyond the drum kit?

Yes. TELEFUNKEN recommends the M80 voice for vocals, percussion and clean guitar amps, the M81 voice for distorted guitar amps and brass, and the M82 for bass cabinets and broadcast voice, while the M60 FET suits acoustic guitar and percussion.

Where can I buy the TELEFUNKEN DC6 Drum Pack in India?

The TELEFUNKEN DC6 Drum Pack is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Kick drum

The M82 inside or in front of the kick drum, the role it was designed for.

Connections

Connect	To
Microphone (3‑pin XLR)	SGMC‑5R right‑angle XLR cable, 5 m (included)
SGMC‑5R cable	Stage box, mixing console or audio interface mic input
Mic input	Mic‑level gain; no phantom power required

Setup

1. Fit the M82 with the M 782 stand mount on a short microphone stand.
2. Connect an SGMC-5R right-angle cable from the M82 to the stage box, console or interface.
3. Aim the end of the M82 through the resonant-head port or at the batter head.
4. Select KICK EQ for a vintage sound, or KICK EQ plus HIGH BOOST for a modern sound or a kick with a resonant head, then set gain at full playing level.

Tip: The M82 handles 146 dB SPL for 1% THD, so it stays clean right at the drum.

Workflow 2: Snare drum

The low-profile M80-SH on snare, where its condenser-like top end keeps the snap.

Connections

Connect	To
Microphone (3‑pin XLR)	SGMC‑5R right‑angle XLR cable, 5 m (included)
SGMC‑5R cable	Stage box, mixing console or audio interface mic input
Mic input	Mic‑level gain; no phantom power required

Setup

1. Fit the M80-SH with the M 784 metal or M 785 plastic drum mount on the snare rim.
2. Connect an SGMC-5R right-angle cable from the M80-SH to the stage box, console or interface.
3. Angle the microphone at the top head, clear of the sticks and away from the hi-hat.
4. Set gain while the drummer plays at full level.

Tip: The supercardioid pattern keeps hi-hat and cymbal spill low.

Workflow 3: Rack and floor toms

The two M81-SH microphones on toms, where the midrange articulation adds body.

Connections

Connect	To
Microphone (3‑pin XLR)	SGMC‑5R right‑angle XLR cable, 5 m (included)
SGMC‑5R cable	Stage box, mixing console or audio interface mic input
Mic input	Mic‑level gain; no phantom power required

Setup

1. Fit the M81-SH microphones with M 784 or M 785 drum mounts on each tom rim.
2. Connect an SGMC-5R right-angle cable from the M81-SH microphones to the stage box, console or interface.
3. Angle each microphone at the head a short distance above it, clear of the sticks.
4. Set gain on each channel while the drummer plays fills at full level.

Workflow 4: Drum overheads

The matched M60 FET pair over the kit for cymbals and the overall kit image.

Connections

Connect	To
2x M60 (3‑pin XLR)	2x SGMC‑5R right‑angle XLR cables (included)
SGMC‑5R cables	Two mic preamp, console or interface inputs
Mic preamps	+48V phantom power on both channels

Setup

1. Mount both M60s in the M 761 elastic shock mounts on stands or a stereo bar above the kit.
2. Connect both SGMC-5R cables to two preamp inputs.
3. Mute, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Space them parallel about 60 cm apart, or angle them 90 degrees with the capsules over each other; check phase and match gain.

Tip: Check for phase against the kick and snare microphones.

Workflow 5: Hi-hat and ride

One M60 close on hi-hat or ride, using its ultra-fast transient response.

Connections

Connect	To
M60 (3‑pin XLR)	SGMC‑5R right‑angle XLR cable (included)
SGMC‑5R cable	Mic preamp, console or interface input
Mic preamp	+48V phantom power switched on

Setup

1. Mount the M60 in its M 761 shock mount on a stand.
2. Connect the SGMC-5R cable, mute, switch on +48V phantom power and allow 15 seconds.
3. Place the microphone above the cymbal, pointing at the playing area away from the edge.
4. Set gain while the drummer plays at full level.

Tip: An optional TK62 hypercardioid capsule gives extra isolation on cymbals.

Workflow 6: Guitar and bass amps

Beyond the kit: the M81-SH on a guitar cabinet and the M82 on a bass cabinet.

Connections

Connect	To
Microphone (3‑pin XLR)	SGMC‑5R right‑angle XLR cable, 5 m (included)
SGMC‑5R cable	Stage box, mixing console or audio interface mic input
Mic input	Mic‑level gain; no phantom power required

Setup

1. Place the M81-SH close to the guitar speaker cone using a drum mount or stand, and the M82 on its M 782 stand mount at the bass cabinet.
2. Connect each microphone with an SGMC-5R right-angle cable.
3. On the M82 switch KICK EQ on and HIGH BOOST off, as TELEFUNKEN recommends for bass cabinets.
4. Set gain at full playing level.