TELEFUNKEN M60 FET Cardioid Stereo Set

Product overview

The TELEFUNKEN M60 FET Cardioid Stereo Set is a matched set of two M60 FET small-diaphragm condenser microphones with TK60 cardioid capsules, two cables, two shock mounts and windscreens, packed in one ZC62 dual zipper case.

TELEFUNKEN's M60 FET is a reinterpretation of the classic phantom-powered pencil microphone, with exceptional transient response and SPL handling. As a matched cardioid pair it is ready for XY, near-coincident and spaced-pair recording of drum overheads, acoustic guitar, piano, choirs and ensembles, in the studio and on stage. Each microphone is hand assembled in TELEFUNKEN's US facility using premium components and an ultra-clean, true class-A discrete circuit with an American-made transformer.

Key features

• Matched set of two M60 FET microphones for stereo recording
• TK60 cardioid capsules, individually tested and matched by frequency response
• Ultra-fast transient response and extended frequency range
• High-headroom, low-noise FET amplifier: true class-A discrete circuit, +48V phantom powered
• TELEFUNKEN Elektroakustik T61CT American-made transformer
• ZC62 dual zipper case with room for six capsules
• Designed and hand assembled in the USA

A matched cardioid pair

TELEFUNKEN describes this set as a matched set of M60 FET microphones with TK60 cardioid capsules. Each TK6x capsule has an edge-terminated 15 mm diameter, 6-micron gold-sputtered membrane and threads on and off the amplifier body in seconds. Every capsule is held to a strict ±1 dB sensitivity tolerance and is individually tested and matched by frequency response in TELEFUNKEN's American facility. The TK60 is flat from 150 Hz to 7 kHz with a presence peak at 8 kHz, and TELEFUNKEN names it ideal for drum overheads, acoustic guitar and other acoustic instruments.

Stereo techniques with the TK60

TELEFUNKEN's SDC Series manual recommends three stereo configurations for TK60 capsules. XY: 90 degrees apart with the capsule centres directly over each other, as close as possible without touching, for the most direct and phase-coherent sound. Near-coincident: 110 degrees apart with the capsules 17 cm apart, mimicking the placement of the human ears. Spaced pair: parallel microphones, typically 60 cm apart and up to 3 m depending on the distance from the source, the room and the stereo width you want.

TELEFUNKEN's own tips: check for phase cancellation; cardioid capsules lose low end with distance while omnidirectional capsules retain it; omnidirectional capsules pick up more ambient sound, so cardioid and hypercardioid capsules are recommended for less than ideal recording environments.

Fast, detailed and quiet

With 5 dBA self-noise, an 89 dBA signal-to-noise ratio and more than 135 dB SPL handling, the M60 FET amplifier captures everything from delicate fingerpicking to hi-hats and ride cymbals with speed and detail. Its ultra-clean, true class-A discrete circuit and American-made TELEFUNKEN T61CT transformer give a punchy tone with extended high-frequency clarity and low-frequency definition, and less than 0.01% THD.

Phantom powered, ready to travel

The M60 runs on standard +48V phantom power from any mixer, console, preamp or audio interface, so no external power supply is needed on stage or in the studio. TELEFUNKEN advises muting the channel when engaging phantom power, as the microphone can produce a loud pop as it turns on, and allowing 15 seconds for it to power up. The ZC62 dual zipper case has compartments for two microphones, two cables, two elastic mounts and six capsule containers, leaving room for additional capsules. TK61 omnidirectional and TK62 hypercardioid capsules thread onto the same bodies whenever a session calls for them.

Built in the USA, built to grow

Every M60 is assembled and tested in TELEFUNKEN's American facility, together with the TK6x capsules it accepts. The thread-on design lets the body stay in its shock mount while the capsule changes, and spare capsules, the TK6X three-capsule set and matched capsule pairs are offered separately, so one microphone can grow into a full pattern collection or a matched stereo setup over time. The supplied M 761 elastic shock mount and WS20 foam windscreen are made for 20 mm microphone bodies.

What's in the set

• 2x TELEFUNKEN M60 FET microphones (matched set)
• 2x TK60 cardioid capsules
• 2x SGMC-5R right-angle XLR cables, 5 m
• 2x M 761 elastic shock mounts
• 2x WS20 20 mm foam windscreens
• ZC62 dual zipper carrying case

TELEFUNKEN warranty: 90 days on the capsule and one year parts and labour on the amplifier. Register the microphone with TELEFUNKEN to extend this to one year on the capsule and four years on the amplifier; SDC Series warranties are fully transferable between owners. Mute the channel before engaging phantom power.

TELEFUNKEN M60 FET Cardioid Stereo Set: frequently asked questions

Are the two microphones matched?

Yes. TELEFUNKEN supplies the Cardioid Stereo Set as a matched set of M60 FET microphones, and every TK6x capsule is individually tested and matched by frequency response.

Does the set need phantom power?

Yes. Each microphone needs +48V phantom power from its preamp channel. Allow 15 seconds to power up.

Which stereo techniques suit this set?

TELEFUNKEN recommends XY, near-coincident (110 degrees, 17 cm) and spaced-pair setups for TK60 capsules. Always check for phase cancellation.

Can I add omni or hypercardioid capsules?

Yes. TK61 and TK62 capsules, including matched capsule pairs, thread straight onto both microphones, and the ZC62 has six capsule containers.

Is a single M60 FET available?

Yes, the TELEFUNKEN M60 FET (single microphone system) is listed as a separate product at Shivansh Electronics.

Where can I buy the TELEFUNKEN M60 FET Cardioid Stereo Set in India?

The TELEFUNKEN M60 FET Cardioid Stereo Set is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Drum overheads

Stereo overheads, the classic use of a matched cardioid pair.

Connections

Setup

1. Thread TK60 capsules onto both microphones and mount them in M 761 shock mounts on stands or a stereo bar above the kit.
2. Connect both SGMC-5R cables to two preamp, console or interface inputs.
3. Mute both channels, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Set an XY pair at 90 degrees, or a spaced pair parallel about 60 cm apart; check phase and match gain on both channels.

Tip: Spaced-pair width can extend up to 3 m depending on distance and the stereo width you want.

Workflow 2: Acoustic guitar in stereo

Guitar recorded with width and focus, first on TELEFUNKEN's list of M60 applications.

Connections

Setup

1. Thread TK60 capsules onto both microphones and place them on stands in front of the guitar, clear of the sound hole.
2. Connect both SGMC-5R cables to two preamp, console or interface inputs.
3. Mute both channels, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Use an XY pair aimed between the neck joint and the bridge, or a near-coincident pair at 110 degrees with the capsules 17 cm apart; check phase and set gain.

Workflow 3: Piano

Grand or upright piano with a natural stereo picture.

Connections

Setup

1. Thread TK60 capsules onto both microphones and mount them over the strings or in front of the open lid.
2. Connect both SGMC-5R cables to two preamp, console or interface inputs.
3. Mute both channels, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Use a near-coincident pair or a spaced pair about 60 cm apart; check phase and set gain on the loudest passage.

Workflow 4: Choir and vocal ensemble

A spaced pair in front of a choir or vocal group.

Connections

Setup

1. Thread TK60 capsules onto both microphones and place them parallel on stands in front of the singers.
2. Connect both SGMC-5R cables to two preamp, console or interface inputs.
3. Mute both channels, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Start at 60 cm spacing and widen up to 3 m for a larger group; check phase and set gain on the loudest passage.

Tip: Cardioid capsules lose some low end with distance; move closer for a fuller sound.

Workflow 5: String and chamber ensembles

Near-coincident stereo of a quartet or small ensemble.

Connections

Setup

1. Thread TK60 capsules onto both microphones and mount them on a stereo bar in front of the players.
2. Connect both SGMC-5R cables to two preamp, console or interface inputs.
3. Mute both channels, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Angle the microphones 110 degrees apart with the capsules 17 cm apart, check the image and phase, then set gain.

Workflow 6: Live performance recording

A stereo recording of a show from the stage or the audience area.

Connections

Setup

1. Thread TK60 capsules onto both microphones and mount them on a stereo bar facing the stage.
2. Connect both SGMC-5R cables to two preamp, console or interface inputs.
3. Mute both channels, switch on +48V phantom power and allow 15 seconds for the microphones to power up.
4. Set the pair XY at 90 degrees for a direct, phase-coherent image, aim at the centre of the stage and set gain on the loudest passage.

Tip: Cardioid and hypercardioid capsules are recommended for less than ideal recording environments.