DPA 4055 Kick Drum Microphone
PRICE - Rs. 95,457
DPA 4055 kick drum microphone: linear response on and off axis, no pre-tailored sound, asymmetric design, 164 dB max SPL; also for guitar cabinets. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Acoustics
| Directional pattern | Open cardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarised condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range ±2 dB, at 20 cm (7.9 in) | 40 Hz - 18 kHz with a 6 dB soft boost at 10 kHz |
| Sensitivity, nominal, ±2 dB at 1 kHz | 2 mV/Pa; -54 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 27 dB(A) re. 20 µPa (max. 29 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 39 dB (max. 41 dB) |
| Distortion, THD < 1 % | 156 dB SPL RMS, 159 dB SPL peak |
| Dynamic range | Typ. 132 dB |
| Max. SPL, THD 10 % | 164 dB SPL peak |
Electrical
| Rated output impedance | 380 Ω |
| Minimum load impedance | 2 kΩ |
| Cable drive capability | 100 m (328 ft) |
| Output balance principle | Impedance balancing with Active Drive |
| Common mode rejection ratio (CMRR) | > 55 dB |
| Power supply (for full performance) | P48 (phantom power) |
| Current consumption | 2.0 mA |
| Maximum output voltage, RMS | 9.75 V |
| Connector | XLR-3M. Pin 1: shield, pin 2: signal + phase, pin 3: - phase |
| Polarity | +V at pin 2 for positive sound pressure |
Physical
| Weight | 241 g (8.5 oz) |
| Microphone diameter | 57 mm (2.24 in) |
| Capsule diameter | 17 mm (0.67 in) |
| Microphone length | 132 mm (5.19 in) |
| Temperature range | -40 °C to 45 °C (-40 °F to 113 °F) |
| Relative humidity | Up to 90 % |
| Colour | Matte black |
Product overview
The DPA 4055 Kick Drum Microphone delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis, and captures the clear, true sound of a kick drum in classical, jazz, rock or any other genre.
Designed to take the bass to the next level, the 4055 turns the traditional idea of a kick drum microphone on its head: there is no pre-tailored sound, so sound design is back in your own hands. Its low-frequency response and dynamics give a tight, natural, well-defined sound, with the best low end plus detailed mids and highs.
The 4055 is not sonically pre-tailored to fit a traditional sound in a specific genre, so a sound designer can create exactly the sound they are listening for. For more attack, slide the 4055 into the bass drum and point it directly at the beater. For a super-low-end sound, place it at the hole, just outside the front head, where the sub and lows are represented the most. Working with the angle just outside the hole brings out further nuances of the drum sound.
The microphone sits in a large, robust housing with wind-damping foam just in front of the capsule, behind the grille, and a specially designed shock mount suspends the capsule inside the housing to avoid vibration from the stage. Its unique asymmetric design makes it easy to place through the drum hole without ripping the front resonator skin.
The 4055 is not just for the kick: its flat frequency response and uncoloured sound work equally well on electric guitar cabinets, bass and horns.
| Pressure-gradient condenser | Open cardioid |
| Max SPL, THD 10 %, peak | 164 dB |
| Dynamic range, typ. | 132 dB |
| Effective range ±2 dB at 20 cm | 40 Hz - 18 kHz |
Key features
- Picks up the clear, true sound of the kick drum
- Flat frequency response, so you shape the sound your way
- Built tough to withstand rough use on the live stage
- Asymmetric design for easy placement inside or outside the kick drum
- Wind-damping foam behind the grille and an internal capsule shock mount
- 164 dB SPL peak max. SPL and 132 dB dynamic range
- XLR-3M connector, P48 phantom power
Made for
- Kick drum on the live stage and in the studio
- Classical, jazz, rock and any other genre
- Electric guitar cabinets
- Bass and horns
In the box
- 1 x 4055 Kick Drum Microphone
- 1 x UA0961 Microphone Holder
DPA 4055: frequently asked questions
Where should I place the 4055 in the kick drum?
For more attack, slide it into the bass drum and point it directly at the beater. For a super-low-end sound, place it at the hole, just outside the front head. Changing the angle just outside the hole brings out further nuances.
Does the 4055 have a built-in kick drum sound?
No. It is not sonically pre-tailored to a traditional sound or genre; its flat, linear response lets you shape the sound your way.
Can it be used on other instruments?
Yes. It works equally well on electric guitar cabinets, bass and horns.
How is it powered and connected?
With P48 phantom power through its XLR-3M connector. It drives cables up to 100 m (328 ft).
What comes in the box?
The 4055 Kick Drum Microphone and a UA0961 Microphone Holder.
Where can I buy the DPA 4055 in India?
The DPA 4055 is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Kick drum: attack
Drummers and engineers who want a punchy, defined kick.
Connections
| Connect | To |
|---|---|
| 4055 | Inside the bass drum, aimed at the beater |
| XLR cable | Console input with P48 |
Setup
- Mount the 4055 in the UA0961 holder on a stand.
- Slide it through the hole into the drum and point it directly at the beater.
- Switch on P48 and set the gain.
Tip: The asymmetric design passes through the hole without ripping the front skin.
Workflow 2: Kick drum: super-low end
Engineers looking for maximum sub and lows.
Connections
| Connect | To |
|---|---|
| 4055 | At the hole, just outside the front head |
| XLR cable | Console input with P48 |
Setup
- Place the microphone at the hole, just outside the front head.
- Connect and switch on P48.
- Shape the sound at the console.
Tip: Here the level of sub and lows is represented the most.
Workflow 3: Fine-tuning with angles
Sound designers shaping the kick for a genre.
Connections
| Connect | To |
|---|---|
| 4055 | Just outside the hole, at an angle |
| XLR cable | Console input with P48 |
Setup
- Start just outside the hole.
- Change the angle of the microphone step by step.
- Listen for the nuance that suits the music.
Tip: The flat response leaves the sound design in your hands.
Workflow 4: Electric guitar cabinet
Guitarists and engineers miking amplifiers.
Connections
| Connect | To |
|---|---|
| 4055 | Guitar cabinet |
| XLR cable | Console or recorder input with P48 |
Setup
- Place the 4055 in front of the cabinet.
- Connect and switch on P48.
- Set the gain.
Tip: Its uncoloured sound brings the cabinet to the next level.
Workflow 5: Bass
Bass players and engineers.
Connections
| Connect | To |
|---|---|
| 4055 | Bass source |
| XLR cable | Console input with P48 |
Setup
- Position the microphone at the bass source.
- Connect with P48.
- Set the level.
Tip: The 4055 handles up to 164 dB SPL peak.
Workflow 6: Horns
Horn players and live sound engineers.
Connections
| Connect | To |
|---|---|
| 4055 | In front of the horn |
| XLR cable | Console input with P48 |
Setup
- Place the 4055 in front of the instrument.
- Connect with P48.
- Set the gain.
Tip: Wind-damping foam behind the grille helps capture only the source.
