DPA 4099 CORE+ Supercardioid Instrument Microphone

Product overview

The DPA 4099 CORE+ is a next-generation, high-performance supercardioid instrument microphone that delivers pristine, natural and undistorted sound with exceptional isolation and off-axis rejection for any live or studio setting.

With CORE+ technology inside, the 4099 captures every nuance with pristine clarity, so the character of the instrument stays untouched, both on-axis and in the surrounding soundscape. The supercardioid pattern and linear off-axis response give well-balanced isolation from surrounding instruments, and the enhanced shock mount and microphone body isolate the capsule from instrument vibrations and stage noise for a cleaner signal and a more homogenous sound.

From piano to guitar, strings to woodwinds and brass to percussion, one microphone model can reinforce an entire orchestra: move the 4099 to another instrument and fit the right clip. The new Gooseneck Mount (G-MOUNT) locking mechanism gives intuitive one-handed operation, greater stability and precise placement, and the MicroLock connector gives a detachable cable and connection with a wide range of wireless systems. The 4099 CORE+ is fully backwards compatible with all generations of DPA instrument clips and with accessories featuring the MicroDot connector.

Two versions are offered: Loud SPL (red marking on the gooseneck) for most acoustic instruments, from the harp to the drums, with a max SPL, peak before clipping, of 145 dB; and Extreme SPL (yellow marking) for drums, percussion and very loud brass such as the trumpet, with 154 dB. Each is available as a single microphone or with a specific instrument clip or mount, and the Loud SPL version also as stereo systems for piano and accordion.

Key features

• CORE+ technology: dynamic range 10 dB wider and clipping point 3 dB higher than with CORE
• Supercardioid pattern with linear off-axis response and superior gain before feedback
• High SPL handling and wide dynamic range
• MicroLock connector: detachable cable, reliable for live performance, connection with a wide range of wireless systems
• Improved shock mount for isolation of structure-borne noise
• Revamped gooseneck mount (G-MOUNT) for one-handed operation, improved stability and vibration isolation
• Advanced, flexible clip program, plus the new XLR-MOUNT
• Refined foam for wind protection and a less reflective gooseneck finish
• IP58 certified; lightweight, discreet design

Clips and mounts

The upgraded clips give a secure, reliable fit while treating the instrument with the utmost care: effortless to attach and adjust, yet firm in hold. The clip attaches to the gooseneck, so the capsule position can be adjusted easily for close-miking. Versions are offered with clips for bass, cello, drum, guitar, saxophone, brass and violin, and with a clamp mount, a universal mount or a mic stand mount (3/8" and 5/8" thread).

Made for

• Live and studio close-miking of acoustic instruments
• Strings: violin, cello and bass
• Guitar, saxophone and brass
• Drums and percussion (Extreme SPL)
• Piano and accordion in stereo
• Orchestras reinforced with one microphone model

In the box

• Single microphone (4099-DP-1 / 4099-DP-2): 4099 CORE+ microphone, gooseneck lock, zip pouch
• Versions with a clip or mount: 4099 CORE+ microphone, gooseneck lock, microphone clip or mount for the instrument, DAD9001 MicroLock to 3-pin XLR adapter with belt clip (DAD9099 MicroLock to XLR with low cut for the guitar, saxophone, brass and violin versions), MicroLock extension cable 1.8 m (1.6 mm; 2.2 mm for the bass, cello and drum versions), zip pouch, zip case
• Stereo systems for piano and accordion: 2 microphones, 2 gooseneck locks, 2 DAD9001 adapters, 2 clips, 2 MicroLock extension cables 1.6 mm, 1.8 m (plus 2 G-EXTENSION gooseneck extensions with the accordion system), zip pouch, zip case

DPA 4099 CORE+: frequently asked questions

Loud SPL or Extreme SPL: which version should I choose?

The Loud SPL version (red marking, 145 dB peak before clipping) close-mics most acoustic instruments, from the harp to the drums. The Extreme SPL version (yellow marking, 154 dB) is designed for drums, percussion and very loud brass such as the trumpet.

Can one microphone be used on different instruments?

Yes. The same 4099 sounds equally impressive on piano, guitar, strings, woodwinds, brass and percussion; move it to another instrument and use the right clip to mount it correctly.

Does it work with my existing DPA clips and MicroDot accessories?

Yes. The 4099 CORE+ is fully backwards compatible with all generations of DPA instrument clips and with accessories featuring the MicroDot connector.

How is it powered?

With the DAD9001 or DAD9099 XLR adapter it runs on P48 phantom power (it will work from 12 V) and drives cables up to 300 m. For wireless systems it needs 5 to 10 V through a DPA adapter.

What is new in the 4099 CORE+?

CORE+ technology with a dynamic range 10 dB wider and a clipping point 3 dB higher than with CORE, the MicroLock connector, an improved shock mount, the revamped G-MOUNT gooseneck mount, upgraded clips and the XLR-MOUNT, refined foam and a less reflective gooseneck finish.

Where can I buy the DPA 4099 CORE+ in India?

The DPA 4099 CORE+ is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.

Workflow 1: Live strings: violin, cello and bass

Live sound engineers reinforcing string players and orchestras.

Connections

Setup

1. Fit the clip for the instrument; it treats the instrument with the utmost care.
2. Lock the gooseneck in the G-MOUNT and aim the capsule.
3. Connect the extension cable and XLR adapter, then switch on P48.
4. Set the gain; the supercardioid pattern isolates neighbouring instruments.

Tip: One microphone model can reinforce an entire orchestra.

Workflow 2: Drums and percussion

Engineers close-miking drum kits and percussion.

Connections

Setup

1. Choose the Extreme SPL version (yellow marking on the gooseneck).
2. Mount it on the drum with the drum clip.
3. Connect via the XLR adapter with P48 and set the gain.

Tip: The Extreme SPL version handles 154 dB peak before clipping.

Workflow 3: Saxophone, trumpet and brass

Wind and brass players on stage and in the studio.

Connections

Setup

1. Use Loud SPL for saxophone, Extreme SPL for very loud brass such as the trumpet.
2. Clip the microphone to the bell and position the capsule.
3. Connect via the DAD9099 with P48.

Tip: The saxophone and brass versions come with the DAD9099 adapter with low cut.

Workflow 4: Piano in stereo

Engineers miking grand and upright pianos live or in the studio.

Connections

Setup

1. Mount the two microphones with the piano clips.
2. Connect each via its extension cable and DAD9001 adapter.
3. Set both channels to the same gain.

Tip: The piano stereo pair has a selected sensitivity tolerance of ±1.0 dB.

Workflow 5: Accordion in stereo

Accordion players who need a clean signal on stage.

Connections

Setup

1. Attach the two microphones with the accordion clips.
2. Use the gooseneck extensions to reach the best position.
3. Connect via the adapters and balance the two channels.

Tip: The accordion stereo pair has a selected sensitivity tolerance of ±1.0 dB.

Workflow 6: Wireless on stage

Musicians who move around while playing.

Connections

Setup

1. Mount the 4099 on the instrument with its clip.
2. Connect the MicroLock cable to the transmitter through a DPA adapter.
3. Check that the transmitter supplies 5 to 10 V and set the level.

Tip: The MicroLock connector gives a detachable cable and connection with a wide range of wireless systems.