



DPA 4099 CORE Rock Touring Kit
PRICE ON ENQUIRY
DPA 4099 CORE Rock Touring Kit: 4 or 10 supercardioid Extreme SPL instrument mics with accessories for drums, percussion and brass, 152 dB SPL. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Microphone: 4099 CORE Extreme SPL
| Directional pattern | Supercardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarised condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range ±2 dB, at 20 cm (7.9 in) | 80 Hz - 15 kHz with 2 dB soft boost at 10 - 12 kHz; second order low-cut filter at 80 Hz with DAD4099-BC |
| Sensitivity, nominal, ±3 dB at 1 kHz | 2 mV/Pa; -54 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 28 dB(A) re. 20 µPa (max. 31 dB(A)) |
| Distortion, THD < 1 % | 134 dB SPL RMS, 137 dB SPL peak |
| Dynamic range | Typ. 109 dB |
| Max. SPL, THD 10 % | 152 dB SPL peak (label colour yellow) |
| Sensitivity selection tolerance (at 1 kHz) | ±1 dB |
Electrical
| Rated output impedance | From MicroDot: 30 - 40 Ω; from DAD4099-BC or DAD6001-BC: 100 Ω |
| Cable drive capability | Up to 300 m (984 ft) with DAD6001-BC / DAD4099-BC XLR adapter |
| Output balance principle | Signal balanced with DAD4099-BC or DAD6001-BC XLR adapter |
| Common mode rejection ratio (CMRR) | > 60 dB from 50 Hz to 15 kHz with DAD4099-BC or DAD6001-BC XLR adapter |
| Power supply (for full performance) | Wireless systems: min. 5 V - max. 10 V through DPA adapter; with DAD6001-BC or DAD4099-BC: P48 phantom power, will work from 12 V |
| Current consumption | Typ. 1.5 mA (microphone); 3.5 mA with DAD4099-BC or DAD6001-BC XLR adapter |
| Connector | MicroDot |
| Polarity | +V at MicroDot pin for positive sound pressure (pin 2 on DAD4099-BC or DAD6001-BC XLR adapter) |
Physical
| Weight, microphone | 17 g (0.60 oz) |
| Microphone diameter | 5.7 mm (0.22 in) |
| Microphone length | 45 mm (1.8 in) |
| Gooseneck length | 140 mm (5.5 in) |
| Cable length | 1.8 m (5.9 ft) |
| Cable diameter | 1.6 mm (0.06 in) / 2.2 mm (0.09 in) |
| Temperature range | -40 °C to 45 °C (-40 °F to 113 °F) |
| Relative humidity | Up to 90 % |
| Colour | Black |
Versions
| KIT-4099-DC-4R | 4 mics and accessories |
| KIT-4099-DC-10R | 10 mics and accessories |
| KIT-4099-DC-4R-C | 4 mics and accessories, cardboard box |
| KIT-4099-DC-10R-C | 10 mics and accessories, cardboard box |
Product overview
The DPA 4099 CORE Rock Touring Kit combines 4 or 10 supercardioid 4099 CORE instrument microphones with accessories, for live rock band performances on drums, percussion and loud brass.
The 4099 Touring Kits combine the microphones with the appropriate adapters, clips and cables that make it a breeze to set up your stage. The Rock application is optimised for live rock band performances and uses the Extreme SPL 4099, made to close-mic extremely loud instruments.
The 4099 CORE Extreme SPL has a supercardioid pattern with linear off-axis response for well-balanced isolation and superior gain before feedback, and handles 152 dB SPL peak (THD 10 %). It connects with a MicroDot connector and runs on P48 phantom power through a DAD6001-BC or DAD4099-BC XLR adapter, or on 5 to 10 V through a DPA adapter for wireless systems.
The kit is offered with 4 or 10 microphones, and the versions ending in -C come in a cardboard box.
| 4099 CORE microphones per kit | 4 or 10 |
| Max SPL, THD 10 %, Extreme SPL | 152 dB |
| Dynamic range, typ. | 109 dB |
| Pressure-gradient condenser | Supercardioid |
Key features
- 4 or 10 supercardioid 4099 CORE instrument microphones with accessories
- Extreme SPL microphones for drums, percussion and loud brass
- High SPL handling: 152 dB SPL peak (THD 10 %)
- Superior gain before feedback and well-balanced isolation
- MicroDot connector; P48 through XLR adapter, cable runs up to 300 m
- Cardboard box versions (-C) available
Made for
- Live rock band performances
- Drum kits and percussion
- Trumpet and loud brass
- Touring crews who need a ready-to-go set
In the box
- KIT-4099-DC-4R / -4R-C: 4 x 4099 CORE microphones and accessories
- KIT-4099-DC-10R / -10R-C: 10 x 4099 CORE microphones and accessories
- -C versions: cardboard box
DPA 4099 CORE Rock Touring Kit: frequently asked questions
What is the Rock Touring Kit for?
It is optimised for live rock band performances, built around the Extreme SPL 4099 for drums, percussion and very loud brass such as the trumpet.
How many microphones are in the kit?
4 (KIT-4099-DC-4R) or 10 (KIT-4099-DC-10R); the -C versions come in a cardboard box.
Which connector do the microphones use?
MicroDot. They run on P48 phantom power through a DAD6001-BC or DAD4099-BC XLR adapter, or on 5 to 10 V through a DPA adapter for wireless systems.
How loud can the sources be?
The 4099 CORE Extreme SPL handles 152 dB SPL peak at THD 10 %.
How long can the cable runs be?
Up to 300 m (984 ft) with the DAD6001-BC or DAD4099-BC XLR adapter.
Where can I buy the DPA 4099 CORE Rock Touring Kit in India?
The DPA 4099 CORE Rock Touring Kit is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Drum kit
Live engineers miking rock drums.
Connections
| Connect | To |
|---|---|
| 4099 CORE Extreme SPL | Mounted on each drum |
| MicroDot | DAD6001-BC XLR adapter, console with P48 |
Setup
- Mount a microphone on each drum.
- Aim the capsules with the goosenecks.
- Connect, switch on P48 and set the gains.
Tip: 152 dB SPL peak handling for close-miked drums.
Workflow 2: Percussion
Percussionists in rock and pop bands.
Connections
| Connect | To |
|---|---|
| 4099 CORE Extreme SPL | Percussion instrument |
| MicroDot | XLR adapter, console with P48 |
Setup
- Fit the microphone close to the source.
- Connect via the XLR adapter.
- Set the gain.
Tip: The supercardioid pattern isolates each instrument.
Workflow 3: Trumpet and loud brass
Horn players in rock bands.
Connections
| Connect | To |
|---|---|
| 4099 CORE Extreme SPL | On the bell |
| MicroDot | DAD4099-BC XLR adapter, console with P48 |
Setup
- Mount the microphone on the instrument.
- Aim the capsule at the bell.
- Connect via the DAD4099-BC and set the gain.
Tip: The DAD4099-BC adds a second order low-cut filter at 80 Hz.
Workflow 4: Wireless horn player
Players who move around the stage.
Connections
| Connect | To |
|---|---|
| 4099 CORE (MicroDot) | DPA adapter for the wireless bodypack transmitter input |
| Bodypack transmitter | Wireless receiver |
Setup
- Mount the microphone.
- Connect it to the transmitter through a DPA adapter.
- Check that the transmitter supplies 5 to 10 V and set the level.
Tip: The microphone needs 5 to 10 V through the DPA adapter.
Workflow 5: Big stages
Crews with long runs to front of house.
Connections
| Connect | To |
|---|---|
| 4099 CORE | DAD6001-BC or DAD4099-BC |
| XLR cable up to 300 m | Console with P48 |
Setup
- Connect each microphone to its XLR adapter.
- Run balanced cable to the console.
- Switch on P48 and line-check.
Tip: The XLR adapters drive cables up to 300 m (984 ft).
Workflow 6: Nightly set-up on tour
Touring crews.
Connections
| Connect | To |
|---|---|
| Kit | Microphones and accessories |
| Stage plan | Console inputs |
Setup
- Unpack the kit.
- Place the microphones per the stage plan.
- Line-check, and pack the kit away after the show.
Tip: The kits combine the appropriate adapters, clips and cables, so setting up the stage is a breeze.








