






GRACE DESIGN REX
PRICE ON ENQUIRY
GRACE DESIGN REX mic preamp pedal: 48V, 75 Hz HPF, high/low shelving EQ, FX loop, boost, mute, isolated XLR DI out, 9 V DC. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Gain and distortion
| Gain, mic in to line out, boost 0 dB / max. | +7 to +57 dB / +20 to +69 dB |
| Gain, mic in to DI out, boost 0 dB / max. | -21 to +28 dB / -9 to +41 dB |
| Boost | 0‑10 dB |
| THD+N @ 20 dB, line out +10 dBu / DI out | < -95 dB / < -80 dB |
| THD+N @ 40 dB, line out / DI out | < -90 dB / < -80 dB |
| THD+N @ 57 dB, line out / DI out | < -81 dB / < -77 dB |
| IMD @ 40 dB, SMPTE/DIN 4:1, line / DI | < 0.009 % / < 0.030 % |
Response, noise and impedances
| Frequency response to line output, -3 dB | 9 Hz - 180 kHz |
| Frequency response to DI output, -3 dB | 11 Hz - 63 kHz |
| Dynamic range, minimum gain, line / DI | 129 dB |
| Output noise DI / line (22 Hz‑22 kHz) | -117.5 dBu / -98 dBu |
| Mute attenuation DI / line | -98.2 dB / -95.5 dB |
| Mic input impedance | 8.1 kΩ |
| Insert input / output | 200 kΩ / 375 Ω |
| DI output / line output | 150 Ω / 500 Ω |
Levels and EQ
| Signal LED | Green -13 dBu, red +12 dBu |
| Maximum input, insert return (0 dB boost) | +22 dBu |
| Maximum output DI / line / insert send | +20 / +20.9 / +15.6 dBu |
| EQ | ±10 dB; low 250 Hz shelf, high 2 kHz shelf |
| High‑pass filter | 75 Hz, 12 dB/octave |
General
| Power | 9 V DC, 2.1 mm centre negative, 340 mA (3.06 W) |
| Dimensions (H x W x D) | 6.35 x 13.0 x 11.4 cm (2.5 x 5.1 x 4.5 in) |
| Weight | 0.4 kg (0.8 lb) |
Product overview
The GRACE DESIGN REX is a high-fidelity microphone preamp pedal with 48V phantom power, a switchable 75 Hz high-pass filter, high and low shelving EQ, an FX loop, a variable boost, a mute footswitch and both a 1/4" line output and a transformer-isolated XLR DI output, running from 9 V DC and made in the USA.
REX gathers everything GRACE DESIGN knows from 30 years of designing mic preamps into a compact green pedal chassis. With bona fide GRACE DESIGN mic preamp pedigree it holds its own in any studio, but it is really designed to be fixed to a pedalboard and hit the stage. Simple high and low tone controls, a 10 dB boost circuit, a mute switch and an FX loop help dial in the sound, and singers with their own vocal microphone get studio clarity and presence on stage.
| Gain, mic in to line out | +7 to +57 dB |
| Variable boost on a footswitch | +10 dB |
| Dynamic range at minimum gain | 129 dB |
| Pedalboard power, 340 mA | 9 V DC |
Key features
- Studio-quality mic preamplifier with 48V phantom power (mic input only)
- Switchable 75 Hz high-pass filter, 12 dB/octave
- High and low shelving EQ: 2 kHz and 250 Hz, ±10 dB
- FX loop with separate send and return jacks, before the boost
- Variable boost up to +10 dB on its own footswitch; mute footswitch
- 1/4" unbalanced line (AMP) output and balanced, transformer-isolated XLR DI output with ground lift
- 9 V DC operation with over 30 V internal operating voltage
- Pedalboard friendly design with removable threaded rubber feet; made in the USA
Why a mic preamp pedal
Singers can plug a favourite microphone into a GRACE DESIGN preamp with their own effect pedals in the FX loop. Horn players expand the sonic palette with guitar-style effects. One-mic acoustic bands get their own high-fidelity preamp on stage with a mute switch at their feet, and recording engineers can insert effect pedals into a studio signal chain.
Stage-ready outputs
The transformer-isolated XLR DI output feeds front of house, a monitor console, a mixer or an interface; the GND/ISO switch lifts the ground if the PA picks up hum or buzz. The AMP output feeds a stage amp or tuner, and a tuner on the FX send alone stays active even while REX is muted.
In the box
- REX microphone preamp pedal
- 9 V DC power supply
- USB stick with the owner's manual
GRACE DESIGN REX: frequently asked questions
Can I power REX from my pedalboard supply?
Yes, from a 9 V DC output with a 2.1 mm centre-negative plug and at least 340 mA available (500 mA recommended); a 9 V DC supply is also included.
Does REX accept instruments?
No. REX has a microphone input only; GRACE DESIGN's ROXi pedal adds a combined mic / instrument input.
What does the boost affect?
The boost (0 to +10 dB) sits after the FX loop and affects both the DI and line outputs.
Can I use it in the studio?
Yes. On a desktop REX works as a GRACE DESIGN recording channel with EQ and an insert point.
Where can I buy the GRACE DESIGN REX in India?
The GRACE DESIGN REX is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Singer with a pedalboard
Vocalists using their own microphone and effects.
Connections
| Connect | To |
|---|---|
| Vocal microphone | MIC in |
| FX send / return | Effect pedals |
| DI out | Front of house |
Setup
- Gain down, 48V off; connect the microphone.
- Raise the gain until the LED is solid green.
- Engage the HPF against stage rumble.
- Use BOOST for solos, MUTE between songs.
Tip: Start boost small to stay clear of feedback.
Workflow 2: Horn with effects
Trumpet, sax and flugelhorn players.
Connections
| Connect | To |
|---|---|
| Instrument microphone | MIC in |
| FX loop | Octave, filter or delay pedals |
| AMP out | Stage amp |
Setup
- Set the gain.
- Shape the tone with LOW and HIGH.
- Add effects in the loop.
- Send the DI to the console.
Tip: AMP out and DI out can be used at the same time.
Workflow 3: One-mic acoustic band
Bluegrass and acoustic groups.
Connections
| Connect | To |
|---|---|
| Large diaphragm condenser | MIC in |
| DI out | PA mixer |
Setup
- Connect the microphone, then switch on 48V.
- Set the gain.
- Tame boom with LOW and the HPF.
- Use MUTE at the feet when needed.
Tip: Set GND/ISO to ISO if the PA hums.
Workflow 4: Tuning silently
Players who tune between songs.
Connections
| Connect | To |
|---|---|
| FX send | Tuner input |
Setup
- Leave RETURN unplugged.
- Press MUTE to silence the outputs.
- Tune.
- Release MUTE.
Tip: The tuner on SEND stays active while REX is muted.
Workflow 5: Studio channel with pedals
Engineers adding pedal effects to recordings.
Connections
| Connect | To |
|---|---|
| Microphone | MIC in |
| FX loop | Effect pedals |
| DI out | Interface input |
Setup
- Set the gain.
- Insert pedals in the loop.
- Adjust EQ.
- Record.
Tip: For surgical EQ, insert a parametric EQ in the FX loop.
Workflow 6: Harmonica or speech
Harmonica players and presenters.
Connections
| Connect | To |
|---|---|
| Dynamic microphone | MIC in |
| AMP out | Amplifier |
Setup
- Set the gain.
- Cut LOW for clarity.
- Add HIGH for presence.
- Use BOOST for emphasis.
Tip: Mostly red on the LED means turn the gain down.








