










MERGING Anubis Pro
MRP - Rs. 2,49,900
MERGING Anubis Pro: network audio interface and monitor controller with Missions, 139 dB preamps, RAVENNA/AES67, touchscreen, up to 192 kHz. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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Microphone inputs 1-2 (combo)
| Connector | Locking combo XLR / 1/4" TRS |
| Dynamic range mic / mic boost | 137 dB / 128 dB (A‑weighted, typ.) |
| Equivalent input noise mic / boost (150 Ω source) | < -125 dBu / -128 dBu (A‑weighted, typ.) |
| Max. input level mic pad / mic / boost | +24 dBu / +12 dBu / +0 dBu |
| Input impedance (differential) | ~ 10 kΩ |
| Gain range (software controlled) | 0 dB to +66 dB |
| Gain step coarse / fine | 0.5 dB / 0.1 dB |
| Phantom power (switchable per channel) | +48 V |
| Phase reverse (switchable per channel) | Yes |
| Low cut filter (switchable per channel) | -12 dB/octave, 80 Hz |
Line inputs 1-2 (combo)
| Dynamic range, ref +24 dBu | 139 dB (A‑weighted, typ.) |
| Max. line input level | +24 dBu |
| Input impedance (differential) | ~ 10 kΩ |
| THD+N preamp + A/D 1 kHz at 0 dBFS | < -104 dB (0.0006 %) |
| Interchannel crosstalk at 1 kHz | < -140 dB |
| Sensitivity range for 0 dBFS | +24 dBu to -42 dBu |
Instrument / Hi-Z and line inputs 3-4
| Connector | 1/4" TRS female |
| Dynamic range, ref +18 dBu | 136 dB (A‑weighted, typ.) |
| Max. input level | +18 dBu |
| Input impedance (single ended / differential) | ~ 1 MΩ / ~ 2 MΩ |
| Gain range (software controlled) | 0 dB to +66 dB |
| Sensitivity range for 0 dBFS | +18 dBu to -48 dBu |
Main outputs 1-2 and line outputs 3-4
| Connectors | XLR male (main 1‑2); 1/4" TRS female (line 3‑4) |
| Dynamic range | 123 dB (A‑weighted, typ.) |
| Max. output level (differential / single ended) | +24 dBu (12.2 Vrms) / +18 dBu (6.1 Vrms) |
| Output impedance | < 70 Ω |
| THD+N 1 kHz at 0 dBFS | < -110 dB (0.0003 %) |
Headphones
| Headphone jacks | 2 independent 1/4" TRS female stereo, 6.3 mm |
| Dynamic range (A‑weighted, typ.) high / low | 122 dB / 117 dB |
| Max. output level high / low | 17.1 dBu / 7.8 dBu |
| Max. output power | 4 x 225 mW (load 16 Ω) |
| Output impedance | < 0.035 Ω |
| THD+N 1 kHz at 0 dBFS high / low | < -108 dB (0.00039 %) / -110 dB (0.0003 %) |
A/D - D/A conversion
| Supported sample rates | 44.1, 48, 88.2, 96, 176.4 and 192 kHz |
| Bit depth per sample | 32 |
| A/D latency, 44.1 to 96 kHz | 5 samples |
| D/A latency sharp / slow | 35 / 9 samples |
Complementary I/O
| RAVENNA/AES67 (Gigabit Ethernet) | 2 x RJ45 |
| Built‑in talkback microphone | Mono omnidirectional |
| GPI/MIDI input | 1/4" TRS female |
| GPO/MIDI output | 1/4" TRS female |
Power and mechanical
| Power supply voltage (DC) | 10.2 V to 14.4 V DC (12 V power supply included) |
| Power supply connector | Barrel jack, int. 2.5 mm / out. 5.5 mm, with locking function |
| Power consumption | < 18 W |
| Power‑over‑Ethernet | IEEE 802.3at (PoE+) class 0 |
| Case | Premium machined and anodised aluminium |
| Dimensions | 200 x 128 x 40 mm |
| Weight | 950 g |
| Display | Capacitive touch TFT LCD, 800 x 480 pixels, 16:9 |
| Mounting | 3/8" mic stand thread underneath |
| Operating temperature | +5 °C to +45 °C |
Product overview
The MERGING Anubis Pro is a network audio interface and monitor controller with switchable Missions, mastering-grade analogue I/O, internal signal processing and redundant RAVENNA/AES67 connectivity, with sample rates up to 192 kHz / 32-bit.
ANUBIS is a multi-tool with exceptional sound quality that records and processes audio with the highest resolution. Thanks to its unique 32-bit dual preamp topology designed by MERGING, it offers a dynamic range of up to 136 dB A (mic) / 139 dB A (line), and two reference-quality headphone amplifiers with extremely low impedance deliver high output levels without distortion for all types of headphones. ANUBIS Pro offers sample rates up to 192 kHz at 32-bit resolution.
| Dynamic range, line inputs (A) | 139 dB |
| I/O channels to control and route | 128 x 128 |
| Preamp gain with Boost | 78 dB |
| 32‑bit PCM | 192 kHz |
Key features
- Converters with a dynamic range of 136 / 139 dB A (mic / line)
- 2 premium-quality mic/line preamps, 2 line/instrument inputs
- Up to 78 dB gain (with Boost)
- 4 line/monitor outputs
- 2 ultra-low impedance headphone outputs with adjustable crossfeed
- Redundant RAVENNA/AES67, NMOS and ST2022-7 support
- Control and route up to 128 x 128 I/O channels
- Advanced DSP: EQ, dynamics and reverb
- Intuitive touchscreen GUI for stand-alone operation
Accomplish anything with Missions
The Monitor Mission allows complex routing and full control of all monitor parameters, such as mute, dim and mono, with ultra-precise volume control for stereo, surround or immersive loudspeaker set-ups up to 9.1.6 and beyond, downmix, multiband parametric EQ for each output, delays, trims and advanced bass management. The Music Mission is a 48-input mixing console with EQ, dynamics and reverb and up to five ultra-low latency cue mixes for performers. The optional Commentary and Venue Missions add a simple interface for commentators and personal on-stage headphone mixes with remote-controllable preamps.
Dual gain 32-bit preamps
Every input has two gain-ranged, separate analogue front-ends, each with its own A/D converter, combined seamlessly to expand the headroom and lower the noise floor. Gain steps are totally clickless, and the split channel feature gives every input a second gain for a separate path, for example a recording and a front of house feed, or a peak-safe backup recording.
The AoIP solution
Two RJ45 ports connect ANUBIS to RAVENNA/AES67 networks (256 x 256 channels) for ST2022-7 redundancy or switch mode, with NMOS and SMPTE 2110 support for broadcast. ANUBIS controls the volume and source selection of other MERGING RAVENNA devices, and peering uses the I/O of a HAPI or another ANUBIS as if it were internal, with or without a computer.
Compact and robust
The machined and anodised aluminium body (200 x 128 x 40 mm, 950 g) has a 3/8" mic stand thread underneath, a built-in talkback microphone and a high-resolution touchscreen, and runs from the supplied 12 V DC power supply and/or Power-over-Ethernet (PoE+) for redundancy.
In the box
- MERGING ANUBIS Pro
- Soft-shell case
- Quick start guides
- Ethernet RJ45 cable
- Power supply (12 V)
- Power cables (may vary with the country of purchase)
MERGING Anubis Pro: frequently asked questions
Which Missions come with the MERGING Anubis Pro?
The Monitor and Music Missions are included. The Commentary and Venue Missions are optional licences.
What is the difference between ANUBIS Pro and ANUBIS Premium?
ANUBIS Pro supports sample rates up to 192 kHz at 32-bit. ANUBIS Premium adds DXD, 384 kHz PCM and DSD64, DSD128 and DSD256.
Can the MERGING Anubis Pro work without a computer?
Yes. Its touchscreen allows stand-alone operation as a multichannel converter, monitor controller or headphone amplifier, and it can be controlled remotely in a web browser.
How is the MERGING Anubis Pro powered?
From the supplied 12 V DC power supply with locking connector and/or from Power-over-Ethernet (IEEE 802.3at, PoE+), in parallel for redundancy.
Where can I buy the MERGING Anubis Pro in India?
The MERGING Anubis Pro is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Immersive monitor controller
Mixing and mastering rooms with surround or immersive speakers.
Connections
| Connect | To |
|---|---|
| MAIN OUT 1‑2 | Main stereo monitors |
| Network port | HAPI Mk III with DA8V3 cards for the immersive speakers |
| Network port | Recording computer |
Setup
- Run the Monitor Mission.
- Peer the HAPI and assign its outputs to a speaker set.
- Calibrate each speaker with EQ, delay and trim; set bass management.
- Switch sources and speaker sets from the touchscreen.
Tip: Up to 12 monitors of up to 22.2 and 128 sources.
Workflow 2: Band tracking with cue mixes
Music studios recording musicians.
Connections
| Connect | To |
|---|---|
| MIC / LINE IN 1‑2 | Microphones |
| INST / LINE 3‑4 | Guitar or keyboard |
| Headphones 1‑2 | Musicians |
Setup
- Run the Music Mission.
- Set the preamps and phantom power.
- Build up to five cue mixes with EQ, dynamics and reverb.
- Talk to the musicians with the built-in talkback microphone.
Tip: Snapshots recall the session configuration.
Workflow 3: Podcast and streaming
Content creators and podcasters.
Connections
| Connect | To |
|---|---|
| MIC / LINE IN 1‑2 | Two microphones |
| Network port | Computer with recording or streaming software |
| Headphones 1‑2 | Host and guest |
Setup
- Connect the microphones and enable phantom power where needed.
- Set the gains on the touchscreen.
- Route the inputs to the computer over RAVENNA/AES67.
- Give each person their own headphone level.
Tip: The headphone outputs drive all types of headphones without distortion.
Workflow 4: Broadcast studio with redundancy
Broadcasters working with AES67 networks.
Connections
| Connect | To |
|---|---|
| Network 1 and 2 | Primary and secondary networks |
| DC and PoE+ | Two power sources |
Setup
- Set the network ports to ST2022-7 redundant mode.
- Register the unit with NMOS.
- Power from DC and PoE+ in parallel.
- Route the streams and monitor them.
Tip: SMPTE 2110-30 and PTP v2 are supported.
Workflow 5: Location recording
Engineers recording on location.
Connections
| Connect | To |
|---|---|
| Mic stand thread | Mic stand |
| MIC / LINE IN | Microphones |
| Network port | Recording computer |
Setup
- Mount ANUBIS on a mic stand with the 3/8" thread.
- Connect microphones and set the gains.
- Use the split channel to record a peak-safe backup.
- Monitor on headphones.
Tip: Keep the soft-shell case for transport.
Workflow 6: Live headphone monitoring with the Venue Mission
Live events and orchestras (optional Venue Mission).
Connections
| Connect | To |
|---|---|
| MIC / LINE IN | Performers' microphones |
| Network port | Front of house and monitor mixers over AoIP |
| Headphones 1‑2 | Two performers |
Setup
- Install the Venue Mission licence.
- Share the microphone inputs on the network.
- Let each performer set their own mix on the 16-channel mixer.
- Control the preamps remotely.
Tip: Each two players can share one ANUBIS.








