TASCAM MODEL 16
MRP - Rs. 1,20,000
TASCAM MODEL 16: 14-input analogue mixer, 16-track SD recorder, 16-in / 14-out USB interface, 16 effects and Bluetooth. Available in India from Shivansh Electronics, Kolkata, West Bengal, India.
VISUAL GUIDE — See Every Photo, Spec & Setup Step (PDF)
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General
| Type | 14‑input analogue mixer with 16‑track SD recorder, USB audio interface and Bluetooth input |
| Input channels | 8 x mono (1‑8), 2 x mono/stereo (9/10, 11/12), 1 x stereo (13/14) |
| Mic preamps | 10 (channels 1‑8 with TASCAM Ultra HDDA, plus 9/10 and 11/12) |
| Faders | 60 mm |
| Channel source select | MODE switch per channel: LIVE / PC / MTR |
| Phantom power | +48V, one switch for all mic inputs |
Recorder
| Media | SD (512 MB‑2 GB), SDHC (4‑32 GB), SDXC (64‑512 GB), Class 10 or higher |
| File system | SD: FAT16; SDHC: FAT32; SDXC: exFAT |
| Recording format | WAV (BWF), 44.1/48 kHz, 16/24‑bit (max. file size 2 GB) |
| Playback format | WAV, BWF: 44.1/48 kHz, 16/24‑bit |
| Recordable tracks | 16 (14 channels + stereo main mix) |
| Punch in/out | Manual, automatic (pre‑roll 1‑10 s) or footswitch; up to 8 tracks at once |
| Editing | Undo/redo, track clear, WAV track import, marks, mixdown, stereo mix export |
| Other | SD PLAY mode for WAV files; MIDI time code output over USB (30 fps non‑drop) |
Inputs
| Mic (1‑8, 9, 11) | |
|---|---|
| Connector | XLR‑3‑31, balanced, pin 2 hot |
| Nominal / max level | -8 dBu / +10 dBu (min. -58 dBu) |
| Gain range | 0 to 50 dB |
| Impedance | 1.8 kΩ |
| Line/Inst (1‑2) | |
| Connector | 1/4‑inch TRS, balanced |
| Nominal / max level | +4 dBu / +22 dBu |
| Gain range | -10 to +40 dB |
| Impedance | 22 kΩ (line) 1 MΩ (inst) |
| Line (3‑8) | |
| Connector | 1/4‑inch TRS, balanced |
| Nominal / max level | +4 dBu / +22 dBu |
| Gain range | -10 to +40 dB |
| Impedance | 22 kΩ |
| Stereo line (9/10‑11/12) | |
| Connector | 1/4‑inch TRS L/MONO and R, balanced |
| Nominal / max level | +4 dBu / +22 dBu |
| Gain range | -20 to +30 dB |
| Impedance | 18 kΩ |
| -10 dBV (13/14) | |
| Connector | RCA pin jacks |
| Nominal / max level | -10 dBV / +8 dBV |
| Gain range | - |
| Impedance | 10 kΩ |
| Stereo (13/14) | |
| Connector | 3.5 mm stereo mini jack |
| Nominal / max level | -10 dBV / +8 dBV |
| Gain range | - |
| Impedance | 10 kΩ |
| Insert (1‑2) | 1/4‑inch TRS (tip send, ring return); 0 dBu nominal, +18 dBu max; return 10 kΩ, send 100 Ω |
| Bluetooth | Version 5.0, Class 2 (approx. 10 m); A2DP; SBC and AAC codecs; SCMS‑T |
Outputs
| Main L/R | |
|---|---|
| Connector | XLR‑3‑32, balanced |
| Nominal level | +4 dBu |
| Max level | +22 dBu |
| Sub L/R | |
| Connector | 1/4‑inch TRS, balanced |
| Nominal level | -2 dBu |
| Max level | +16 dBu |
| Aux MON 1/2 | |
| Connector | 1/4‑inch TRS, balanced |
| Nominal level | -2 dBu |
| Max level | +16 dBu |
| Aux FX | |
| Connector | 1/4‑inch TRS, balanced |
| Nominal level | -2 dBu |
| Max level | +16 dBu |
| Control room L/R | |
| Connector | 1/4‑inch TRS, balanced |
| Nominal level | -2 dBu |
| Max level | +16 dBu |
| Output impedance | 200 Ω (main, sub, aux and control‑room outputs) |
| Headphones | 1 x 1/4‑inch stereo jack, 80 mW + 80 mW into 32 Ω |
| Footswitch | 1/4‑inch TS jack, momentary (unlatched) type; TASCAM RC‑1F recommended |
Channel and master EQ
| Low cut | 100 Hz, -18 dB/octave (channels 1‑12) |
| Channel high | Shelving, ±15 dB, 10 kHz |
| Channel mid | Peaking, ±15 dB; sweepable 100 Hz‑8 kHz on channels 1‑8 |
| Channel low | Shelving, ±15 dB, 80 Hz |
| Compressor | One‑knob compressor with indicator, channels 1‑8 |
| Master EQ | 4‑band: high shelf 10 kHz; mid‑wide (Q 0.5) and mid‑narrow (Q 5) peaking, 100 Hz‑8 kHz; low shelf 60 Hz; all ±15 dB; assignable to main or MON 1/2 outputs |
Effects and routing
| Effect types | 16: small hall, large hall, small room, large room, plate, studio, live, short delay, delay, ping‑pong, chorus, flanger, delay + small hall, delay + large hall, chorus + small hall, chorus + large hall |
| Buses | Main mix L/R, sub L/R, MON 1, MON 2 (pre/post), FX, PFL/AFL L/R |
| Monitoring | Control‑room outputs and headphones with separate level controls, PFL/AFL |
USB audio interface
| Connector | USB Type‑B, USB 2.0 High Speed (480 Mbps) |
| Class | USB Audio Class 2.0 and mass storage class |
| Channels | 16 in (14 channels + main mix) / 14 out |
| Resolution | 44.1/48 kHz, 16/24‑bit |
| USB audio modes | MULTI INPUT (16 channels) or STEREO MIX (main mix on 2 channels) |
| Buffer size (Windows) | 4 to 2048 samples |
| Drivers | Windows: ASIO 2.0, WDM; Mac and iOS: Core Audio |
Audio performance
| Equivalent input noise (A‑weighted) | -127 dBu (Rs 150 Ω, gain at max.) |
| Residual output noise (22 kHz, A‑weighted) | -100 dBu (main mix off); -80 dBu (main mix 0 dB, ch 1 0 dB) |
| THD+N (gain at min., 1 kHz) | 0.01% or less (mic in to main out); 0.004% at +4 dBu |
| Frequency response | 20 Hz‑30 kHz (+0.5/‑1.0 dB, analogue); 20 Hz‑20 kHz (+0.5/‑1.0 dB, digital) |
| Crosstalk (1 kHz) | -80 dB between channels and between input and output |
| Maximum gain | Mic to main out 74 dB; to insert out 54 dB; to sub out 74 dB; to control‑room out 79 dB; to monitor out 75 dB; to FX out 75 dB; USB/SD to main out 24 dB |
Computer requirements
| Windows | Windows computer with USB 2.0 port; dual‑core 2 GHz or faster; 2 GB RAM or more; Windows 7, 8.1, 10 and 11 per TASCAM's compatibility list |
| Mac | Mac with USB 2.0 port; dual‑core 2 GHz or faster; 2 GB RAM or more; current macOS versions per TASCAM's compatibility list |
| iOS / iPadOS | Supported per TASCAM's compatibility list (Core Audio) |
| Software | TASCAM Model Mixer Settings Panel (Windows driver included), with meter bridge |
Physical
| Power | AC 100‑240 V, 50/60 Hz, 40 W |
| Dimensions (W x H x D) | 430 x 112.9 x 463 mm with side panels; 390 x 112.9 x 463 mm without side panels (including protrusions) |
| Weight | 7.0 kg (15.44 lb) |
| Operating temperature | 5‑35°C (41‑95°F) |
Product overview
The TASCAM MODEL 16 is an all-in-one 14-input analogue mixing console with a built-in 16-track SD card recorder, a 16-in / 14-out USB audio interface, 16 editable effects and Bluetooth® audio input, combining the warmth of analogue with a digital workflow.
Ten mic inputs (eight with TASCAM Ultra HDDA preamps), Hi-Z inputs for guitar or bass, one-knob compressors and 3-band EQ with sweepable mids put a full channel strip under every fader. Record all 14 inputs plus the stereo main mix straight to an SD card at 24-bit / 48 kHz, or send the same tracks to a computer over USB. Three aux sends, a sub bus, control-room outputs and a 4-band master EQ make the MODEL 16 ready for small live shows, rehearsals, worship events, spoken word, podcasts and studio production.
| SD card recorder | 16‑track |
| USB audio interface | 16‑in / 14‑out |
| Mic input EIN | -127 dBu |
| Built‑in effects | 16 |
Key features
- 16-track multitrack recorder: 14 input channels plus the stereo main mix to SD, SDHC or SDXC cards, WAV (BWF) up to 24-bit / 48 kHz
- Built-in USB audio interface: 16 channels to the computer and 14 channels back from it, with buffer sizes down to 4 samples on Windows
- 14 inputs: 10 mono channels (XLR mic and 1/4-inch TRS line) and 2 stereo channels, plus a stereo channel with RCA, 3.5 mm and Bluetooth inputs
- TASCAM Ultra HDDA mic preamps on channels 1-8 for a pure, transparent tone with ultra-low noise
- Hi-Z instrument inputs and inserts on channels 1-2
- One-knob compressor and 3-band EQ with sweepable mid on channels 1-8; 100 Hz low-cut filter on channels 1-12
- LIVE / PC / MTR MODE switch on every channel to choose the live input, computer playback or SD track playback
- Punch in/out on up to 8 tracks at once, manually, automatically or with a footswitch
- 16 editable TASCAM effects: halls, rooms, plate, delays, chorus, flanger and combinations
- 3 aux sends (MON 1, MON 2 with pre/post, FX), a sub bus, PFL/AFL monitoring and a 4-band master EQ
- Bluetooth® 5.0 input with AAC and SBC codecs
- 60 mm faders, XLR main outputs, TRS sub, aux and control-room outputs, and a headphone output
Multitrack recording made simple
Insert an SD card, arm the channels with their REC buttons and press record: the MODEL 16 captures up to 16 tracks at once, including the stereo main mix, which is always recorded. Punch in to fix a part by hand, set automatic punch in/out points with pre-roll and rehearsal, or connect the optional TASCAM RC-1F footswitch to punch in hands-free. Undo and redo, marks, track import and clearing, and mixdown to a new stereo file are all handled on the unit itself.
Live, computer or recorder on every channel
Each channel's MODE switch selects its source: LIVE for the input jacks, PC for audio from the computer, or MTR for playback from the SD card. Some channels can carry live musicians while others play recorded tracks or backing tracks from a computer, all at the same time. In MTR mode, monitoring switches automatically between input and playback as you record and play back.
USB audio interface
Connect a computer over USB 2.0 to send all 14 channels plus the main mix to your recording software at up to 24-bit / 48 kHz, and return up to 14 channels to the mixer. The TASCAM Model Mixer Settings Panel adds the Windows driver, buffer settings and a scalable digital meter bridge for input, SD track and USB signals. A STEREO MIX USB mode sends just the main mix to streaming and communication applications, and the MODEL 16 can transmit MIDI time code so a DAW follows its recorder.
Mixing, routing and effects
Two monitor sends feed stage wedges or headphone mixes, with a POST switch for post-fader sends on MON 2, and an FX send drives the 16 built-in effects or an external processor. The sub bus provides an extra stereo output that can also be returned to the main mix. The 4-band semi-parametric master EQ, with wide and narrow sweepable mids, can be applied to the main outputs or to the MON 1/2 outputs.
Bluetooth and stereo inputs
Pair a phone, tablet or computer to play music wirelessly into the stereo 13/14 channel, or connect a CD player to the RCA jacks or a portable device to the 3.5 mm stereo mini jack. WAV files copied to the SD card can also be played back in SD PLAY mode, ideal for walk-in music and interval breaks.
In the box
- TASCAM MODEL 16 main unit
- Power cord
- TASCAM ID registration guide
- Owner's Manual (including warranty)
Optional TASCAM accessory: RC-1F footswitch for play/pause, punch in/out or effect muting. SD card sold separately (Class 10 or higher).
TASCAM MODEL 16: frequently asked questions
How many tracks can the MODEL 16 record at once?
Up to 16 tracks: all 14 input channels plus the stereo main mix, recorded as WAV (BWF) files at 44.1 or 48 kHz, 16 or 24-bit, to SD, SDHC or SDXC cards (Class 10 or higher).
Can I use it as an audio interface with my computer?
Yes. Over USB 2.0 it sends 16 channels to the computer and receives 14, at up to 24-bit / 48 kHz. Windows uses the TASCAM driver (ASIO 2.0 and WDM); a Mac uses the standard Core Audio driver, with the TASCAM Settings Panel recommended for update notifications and the meter bridge.
Does it work without a computer?
Yes. The MODEL 16 is a complete mixer and recorder on its own: record, overdub, punch in, mix down and play back directly from the SD card, then transfer the files to a computer whenever you like.
Can I stream or podcast with it?
Yes. Switch the USB audio mode to STEREO MIX to send the main mix to streaming or communication software as a 2-channel device, and turn on POST REC so the MAIN fader controls the streamed level.
Where can I buy the TASCAM MODEL 16 in India?
The TASCAM MODEL 16 is available from Shivansh Electronics, Kolkata, West Bengal, India, with delivery across India.
Workflow 1: Live mixing with simultaneous 16-track recording
Bands, venues and live engineers who want to mix a show and capture every channel for later mixing.
Connections
| Connect | To |
|---|---|
| Vocal and drum mics (XLR) | MIC inputs 1‑8; PHANTOM +48V for condenser mics |
| Guitar or bass | LINE/INST input 1 or 2 with INST on |
| Stereo keyboards | L/MONO and R inputs 9/10 or 11/12 |
| PA system | MAIN OUTPUT L/R (XLR) |
| Stage monitors | AUX OUTPUT MON 1 and MON 2 |
| Engineer's headphones | PHONES |
Setup
- Set every channel MODE switch to LIVE and set each GAIN knob while watching the SIG indicators.
- Shape each channel with the compressor, EQ and low cut, then build the front-of-house mix on the faders.
- Send monitor mixes with the MON 1/MON 2 knobs and add reverb with the FX knobs and FX fader.
- Insert an SD card, press REC on the channels to capture and press the record button: the armed channels and the main mix are recorded.
Tip: Turn on POST REC to record the main mix after the MAIN fader.
Workflow 2: Rehearsal recording and overdubbing
Musicians and songwriters building a song track by track without a computer.
Connections
| Connect | To |
|---|---|
| Microphone | MIC input 1 |
| Guitar | LINE/INST input 2 with INST on |
| Monitor speakers | CONTROL ROOM L/R |
| Headphones | PHONES |
| TASCAM RC‑1F footswitch (optional) | FOOTSWITCH jack |
Setup
- Set the channels being recorded and played back to MTR so monitoring switches automatically between input and playback.
- Record the basic tracks, then arm a new track and record the next part while listening to the earlier ones.
- To fix a section, set automatic punch in/out points with a pre-roll and rehearse before recording.
- Or assign the footswitch to PUNCH IN/OUT and punch in hands-free while playing.
Tip: Use undo to return to the previous take if a punch-in does not work out.
Workflow 3: Mixdown and stereo master export
Anyone finishing a multitrack recording into a stereo master on the console itself.
Connections
| Connect | To |
|---|---|
| Monitor speakers | CONTROL ROOM L/R |
| Headphones | PHONES |
| Computer | USB port (Type‑A to Type‑B cable) |
Setup
- Set the MODE switches of the recorded tracks to MTR and turn on their MAIN switches.
- Play the song and balance it with the faders, EQ, PAN knobs, effects and master EQ.
- Return to the start, leave the REC buttons off and press record to capture the stereo mix.
- Use STEREO MIX EXPORT to create a stereo WAV file, then copy it to the computer in USB storage mode.
Tip: Press SD MAIN MIX RETURN to hear the recorded stereo master from the main outputs.
Workflow 4: Studio recording into a DAW
Home and project studios using the MODEL 16 as a hands-on front end for recording software.
Connections
| Connect | To |
|---|---|
| Microphones and instruments | MIC and line inputs 1‑12 |
| Computer | USB port (USB 2.0) |
| Studio monitors | CONTROL ROOM L/R |
| Headphones | PHONES |
Setup
- Install the TASCAM Model Mixer Settings Panel on Windows (driver included) or use the standard driver on a Mac.
- Select the MODEL 16 in your recording software: 14 channels plus the main mix arrive as 16 inputs.
- Set the buffer size in the Settings Panel (Windows, down to 4 samples) for low-latency tracking.
- Set channels to PC to mix computer playback through the console, with live inputs on the other channels.
Tip: Enable MIDI TIME CODE (MTC MASTER) so your recording software can follow the MODEL 16 recorder.
Workflow 5: Podcasting and live streaming
Podcasters and streamers who need several mics, music and a polished stereo mix for streaming software.
Connections
| Connect | To |
|---|---|
| Host and guest mics | MIC inputs 1‑4 |
| Phone or tablet music | Bluetooth (channel 13/14) |
| Computer | USB port |
| Headphones | PHONES |
Setup
- Pair the phone or tablet by holding the PAIRING button, and set the Bluetooth ON/MUTE switch to ON.
- Set the USB audio mode to STEREO MIX so the main mix reaches the computer on 2 channels.
- Turn on POST REC so the MAIN fader controls the streamed level.
- Select the MODEL 16 as the input in your streaming application and start the broadcast.
Tip: Use the one-knob compressors on the mic channels to keep voices even.
Workflow 6: Worship services, meetings and events
Houses of worship, conference rooms and event venues that mix speech and music and archive every event.
Connections
| Connect | To |
|---|---|
| Lectern and wireless mic receivers | MIC or LINE inputs 1‑8 |
| Music player or CD player | RCA or 3.5 mm stereo inputs 13/14, or Bluetooth |
| Room speakers | MAIN OUTPUT L/R |
| Second room or overflow area | SUB OUTPUT L/R |
| Presenter monitors | AUX OUTPUT MON 1/2 |
Setup
- Set gain and low cut on each speech channel for clear, rumble-free voices.
- Route channels to the sub bus with their SUB switches to feed a second area.
- Play walk-in music from Bluetooth or the stereo inputs, or WAV files from the SD card in SD PLAY mode.
- Press record to archive the service or meeting, then transfer the files to a computer over USB.
Tip: Apply the master EQ to the main outputs to tune the speakers to the room.
